by John Brunner
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WHERE THE SPIES ARE (Passport to Oblivion)
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A carefree vacationer on the exotic island of Hawaii,
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TROT by David Ely
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CALL FOR THE DEAD by John Le Carré
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ON HAZARDOUS DUTY by David St. John
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CASINO ROYALE by Ian Fleming
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COME DIE WITH ME by James Dark
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QUEENS FULL by Ellery Queen
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A MURDER OF QUALITY by John Le Carré
George Smiley, ex-espionage agent, exposes the deadly
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SECONDS by David Ely
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RETURN FROM THE ASHES by Hubert Monteilhet
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QUIET HORROR (Mystery Stories) by Stanley Ellin
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Masses of meaningless wire.
Seeing-eye TV sets.
Hidden tape recorders spinning
subliminal suggestions.
WITH EACH DISCOVERY, Murray Douglas' alarm grows.
But it doesn't seem to affect the others.
It's just Delgado's way, they say. He's an oddball genius who
has concocted his own method of writing and
directing a
play. All we want is an opportunity to act for him.
But Murray Douglas wants to know why Manuel Delgado has
searched the stages of the world for these particular actors.
Why has he isolated them in an unused country club and
played to their weaknesses? Why are they being proctored by
the odd, silent servants? Who is Manuel Delgado and what's
his game?
Little do the actors realize that the play is not the thing. That
it is barely a cover for one of the most astonishing and sur-
real events ever to unfold. That they are puppets of a master
intellect . . . pawns in the productions of time.
THE NEW AMERICAN LIBRARY publishers of
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