Basil Thomson
Richardson Scores Again
In the hall he found the body of his maidservant, Helen Dunn, aged about fifty, lying on the floor near the telephone. She had bled profusely from a wound in the head and her body was cold.
Richardson’s second case begins with a murder and robbery at a quiet house in Laburnum Road, and goes on to include an escaped parrot and a seemingly perfect crime which threatened a scandal to shock all England.
Follow with Detective-Sergeant Richardson the fantastic story of an antiquarian’s nephew, a pseudo policeman, and a stolen car…search with him for a man wanted for murder…another who fainted at a political meeting…the Treasury note which, because of the name written on it, was a warrant of death. Packed with clues, excitement and humour, this mystery will be certain to thrill and satisfy even the most ardent devotee of detective fiction.
Richardson Scores Again was first published in 1934. This new edition, the first in many decades, includes a new introduction by crime novelist Martin Edwards, author of acclaimed genre history The Golden Age of Murder.
“Sir Basil Thomson’s tales are always good reading, and he has the knack of being accurate about Scotland Yard. His book is full of agreeable people, and his case is neatly put together.” Dorothy L. Sayers, Sunday Times
“Few authors can claim such an intimate knowledge of Scotland Yard and criminals as Sir Basil Thomson, one-time Assistant Commissioner at the Yard. He provides subtle intrigue, clever deduction, and bright dialogue, and the whole combines to make easily the best mystery yarn that has come my way in recent weeks. No words are wasted in the fast-moving plot…This book must not be missed.” Referee
Contents
Cover
Title Page/About the Book
Contents
Introduction by Martin Edwards
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
About the Author
Also by Basil Thomson
The Case of Naomi Clynes – Title Page
The Case of Naomi Clynes – Chapter One
Copyright
Introduction
SIR BASIL THOMSON’S stranger-than-fiction life was packed so full of incident that one can understand why his work as a crime novelist has been rather overlooked. This was a man whose CV included spells as a colonial administrator, prison governor, intelligence officer, and Assistant Commissioner at Scotland Yard. Among much else, he worked alongside the Prime Minister of Tonga (according to some accounts, he was the Prime Minister of Tonga), interrogated Mata Hari and Roger Casement (although not at the same time), and was sensationally convicted of an offence of indecency committed in Hyde Park. More than three-quarters of a century after his death, he deserves to be recognised for the contribution he made to developing the police procedural, a form of detective fiction that has enjoyed lasting popularity.
Basil Home Thomson was born in 1861 – the following year his father became Archbishop of York – and was educated at Eton before going up to New College. He left Oxford after a couple of terms, apparently as a result of suffering depression, and joined the Colonial Service. Assigned to Fiji, he became a stipendiary magistrate before moving to Tonga. Returning to England in 1893, he published South Sea Yarns, which is among the 22 books written by him which are listed in Allen J. Hubin’s comprehensive bibliography of crime fiction (although in some cases, the criminous content was limited).
Thomson was called to the Bar, but opted to become deputy governor of Liverpool Prison; he later served as governor of such prisons as Dartmoor and Wormwood Scrubs, and acted as secretary to the Prison Commission. In 1913, he became head of C.I.D., which acted as the enforcement arm of British military intelligence after war broke out. When the Dutch exotic dancer and alleged spy Mata Hari arrived in England in 1916, she was arrested and interviewed at length by Thomson at Scotland Yard; she was released, only to be shot the following year by a French firing squad. He gave an account of the interrogation in Queer People (1922).
Thomson was knighted, and given the additional responsibility of acting as Director of Intelligence at the Home Office, but in 1921, he was controversially ousted, prompting a heated debate in Parliament: according to The Times, “for a few minutes there was pandemonium”. The government argued that Thomson was at odds with the Commissioner of the Metropolitan Police, Sir William Horwood (whose own career ended with an ignominious departure from office seven years later), but it seems likely be that covert political machinations lay behind his removal. With many aspects of Thomson’s complex life, it is hard to disentangle fiction from fact.
Undaunted, Thomson resumed his writing career, and in 1925, he published Mr Pepper Investigates, a collection of humorous short mysteries, the most renowned of which is “The Vanishing of Mrs Fraser”. In the same year, he was arrested in Hyde Park for “committing an act in violation of public decency” with a young woman who gave her name as Thelma de Lava. Thomson protested his innocence, but in vain: his trial took place amid a blaze of publicity, and he was fined five pounds. Despite the fact that Thelma de Lava had pleaded guilty (her fine was reportedly paid by a photographer), Thomson launched an appeal, claiming that he was the victim of a conspiracy, but the court would have none of it. Was he framed, or the victim of entrapment? If so, was the reason connected with his past work in intelligence or crime solving? The answers remain uncertain, but Thomson’s equivocal responses to the police after being apprehended damaged his credibility.
Public humiliation of this kind would have broken a less formidable man, but Thomson, by now in his mid-sixties, proved astonishingly resilient. A couple of years after his trial, he was appointed to reorganise the Siamese police force, and he continued to produce novels. These included The Kidnapper (1933), which Dorothy L. Sayers described in a review for the Sunday Times as “not so much a detective story as a sprightly fantasia upon a detective theme.” She approved the fact that Thomson wrote “good English very amusingly”, and noted that “some of his characters have real charm.” Mr Pepper returned in The Kidnapper, but in the same year, Thomson introduced his most important character, a Scottish policeman called Richardson.
Thomson took advantage of his inside knowledge to portray a young detective climbing through the ranks at Scotland Yard. And Richardson’s rise is amazingly rapid: thanks to the fastest fast-tracking imaginable, he starts out as a police constable, and has become Chief Constable by the time of his seventh appearance – in a book published only four years after the first. We learn little about Richardson’s background beyond the fact that he comes of Scottish farming stock, but he is likeable as well as highly efficient, and his sixth case introduces him to his future wife. His inquiries take him – and other colleagues – not only to different parts of England but also across the Channel on more than one occasion: in The Case of the Dead Diplomat, all the action takes place in France. There is a zest about the stories, especially when compared with some of the crime novels being produced at around the same time, which is striking, especially given that all of them were written by a man in his seventies.
From the start of the series, Thomson takes care to show the team work necessitated by a criminal investigation. Richardson is a key connecting figure, but the importan
ce of his colleagues’ efforts is never minimised in order to highlight his brilliance. In The Case of the Dead Diplomat, for instance, it is the trusty Sergeant Cooper who makes good use of his linguistic skills and flair for impersonation to trap the villains of the piece. Inspector Vincent takes centre stage in The Milliner’s Hat Mystery, with Richardson confined to the background. He is more prominent in A Murder is Arranged, but it is Inspector Dallas who does most of the leg-work.
Such a focus on police team-working is very familiar to present day crime fiction fans, but it was something fresh in the Thirties. Yet Thomson was not the first man with personal experience of police life to write crime fiction: Frank Froest, a legendary detective, made a considerable splash with his first novel, The Grell Mystery, published in 1913. Froest, though, was a career cop, schooled in “the university of life” without the benefit of higher education, who sought literary input from a journalist, George Dilnot, whereas Basil Thomson was a fluent and experienced writer whose light, brisk style is ideally suited to detective fiction, with its emphasis on entertainment. Like so many other detective novelists, his interest in “true crime” is occasionally apparent in his fiction, but although Who Killed Stella Pomeroy? opens with a murder scenario faintly reminiscent of the legendary Wallace case of 1930, the storyline soon veers off in a quite different direction.
Even before Richardson arrived on the scene, two accomplished detective novelists had created successful police series. Freeman Wills Crofts devised elaborate crimes (often involving ingenious alibis) for Inspector French to solve, and his books highlight the patience and meticulous work of the skilled police investigator. Henry Wade wrote increasingly ambitious novels, often featuring the Oxford-educated Inspector Poole, and exploring the tensions between police colleagues as well as their shared values. Thomson’s mysteries are less convoluted than Crofts’, and less sophisticated than Wade’s, but they make pleasant reading. This is, at least in part, thanks to little touches of detail that are unquestionably authentic – such as senior officers’ dread of newspaper criticism, as in The Dartmoor Enigma. No other crime writer, after all, has ever had such wide-ranging personal experience of prison management, intelligence work, the hierarchies of Scotland Yard, let alone a desperate personal fight, under the unforgiving glare of the media spotlight, to prove his innocence of a criminal charge sure to stain, if not destroy, his reputation.
Ingenuity was the hallmark of many of the finest detective novels written during “the Golden Age of murder” between the wars, and intricacy of plotting – at least judged by the standards of Agatha Christie, Anthony Berkeley, and John Dickson Carr – was not Thomson’s true speciality. That said, The Milliner’s Hat Mystery is remarkable for having inspired Ian Fleming, while he was working in intelligence during the Second World War, after Thomson’s death. In a memo to Rear Admiral John Godfrey, Fleming said: “The following suggestion is used in a book by Basil Thomson: a corpse dressed as an airman, with despatches in his pockets, could be dropped on the coast, supposedly from a parachute that has failed. I understand there is no difficulty in obtaining corpses at the Naval Hospital, but, of course, it would have to be a fresh one.” This clever idea became the basis for “Operation Mincemeat”, a plan to conceal the invasion of Italy from North Africa.
A further intriguing connection between Thomson and Fleming is that Thomson inscribed copies of at least two of the Richardson books to Kathleen Pettigrew, who was personal assistant to the Director of MI6, Stewart Menzies. She is widely regarded as the woman on whom Fleming based Miss Moneypenny, secretary to James Bond’s boss M – the Moneypenny character was originally called “Petty” Petteval. Possibly it was through her that Fleming came across Thomson’s book.
Thomson’s writing was of sufficiently high calibre to prompt Dorothy L. Sayers to heap praise on Richardson’s performance in his third case: “he puts in some of that excellent, sober, straightforward detective work which he so well knows how to do and follows the clue of a post-mark to the heart of a very plausible and proper mystery. I find him a most agreeable companion.” The acerbic American critics Jacques Barzun and Wendell Hertig Taylor also had a soft spot for Richardson, saying in A Catalogue of Crime that his investigations amount to “early police routine minus the contrived bickering, stomach ulcers, and pub-crawling with which later writers have masked poverty of invention and the dullness of repetitive questioning”.
Books in the Richardson series have been out of print and hard to find for decades, and their reappearance at affordable prices is as welcome as it is overdue. Now that Dean Street Press have republished all eight recorded entries in the Richardson case-book, twenty-first century readers are likely to find his company just as agreeable as Sayers did.
Martin Edwards
www.martinedwardsbooks.com
Chapter One
DIVISIONAL DETECTIVE-INSPECTOR SYMINGTON was checking the expense sheets of his men in his little barely furnished room at the Hampstead Police Station when the telephone rang. He jerked a thumb in the direction of the instrument without speaking, and his clerk went to it, leaving him free to wrestle with columns of figures. Arithmetic, as all his staff knew, had never been his strong suit. He had a pathetic habit of doing his addition sums aloud, and he was thus engaged when phrases in the one-sided telephone conversation caught his ear and he broke away from his brain-torture to listen.
“Spell the name, please. M-a-c-D-o-u-g-a-l—MacDougal…Yes, Mr. MacDougal?…You think she was murdered?…Has any doctor seen her?…Oh, a window was open?…You think he got in and went out through the window? Well, stay where you are, and whatever you do, don’t touch the body or anything else until an officer comes. Stop, don’t go away…Have I got your address right?—23 Laburnum Road. Is that right? Very good, Mr. MacDougal—an officer will be at the house within ten minutes.”
Symington pushed back his papers and started to his feet. Burglary and murder were matters that he understood better than columns of figures. He listened with impatience to the level voice of his subordinate while he recounted the substance of the telephone message. “Are any of the men back?” he asked.
His clerk opened the door into the adjoining room and glanced in. “Only Porter, sir. He’s writing his report on that house-breaking case in Claremont Terrace.”
Symington went to the peg for his hat. “I’ll go myself. Make a note of the name and address for me: tell Porter to come along with me, and while we are gone, repeat the message to C.O.” By these initials he meant the Central Office at New Scotland Yard.
It was the practice in that grim building for telephone messages reporting serious crimes from a Division to be brought down by one of the operators upstairs to the Chief Constable’s messenger, and if that functionary happened to be otherwise engaged, to hand it to one of the detective-sergeants to speed it on its way to the proper authority. It chanced that the only man in the sergeants’ room that morning was Detective-Sergeant Richardson, a young Scotsman, whose rise from a uniform constable to a detective-sergeant had led to some grumbling from colleagues over whose head he had passed. It would have led to more if he had been less popular. But being, as he was, one of those young men who never pushed himself forward, nor attempted to take credit for his successes even when the credit was due, he disarmed hostile criticism.
“Here’s something for you to get on with, Richardson,” said the telephone operator, planking the message down on his desk.
“Another daylight raid?”
“Not this time. It’s a murder up in Hampstead. The D.D.I. is on the job. A report’s following.”
Richardson read the message and sighed. A plain-sailing murder case in one of the divisions was unlikely to come his way. For weeks he had been condemned to interview indignant ladies who had written in to complain that their handbags had been snatched from them in broad daylight, in several cases only to find a little later that they had left them lying on the counter of the last shop they had visited; or to pacify imaginative per
sons of both sexes who were convinced that they were being shadowed by members of a criminal gang. The least humdrum job that had come his way during the last few weeks had been to squeeze himself into an office cupboard a size too small for him to listen to the threats of a blackmailer who imagined that he was alone with his victim.
He read the message—that at 11.13 a.m. James MacDougal of 23 Laburnum Road, Hampstead, had telephoned to the Hampstead Police Station to report that on reaching home at 11 a.m. he had found the front door locked and bolted; that he rang repeatedly without effect and then went round to the back, where he found a window open. In the kitchen the gas-oven was alight: it had burnt a hole through the saucepan over it; the table was laid for the maid’s supper. On going up to the hall above he found the body of his maidservant, Helen Dunn, aged about fifty, lying on the floor near the telephone. She had bled profusely from a wound in the head and her body was cold. D.D. Inspector Symington and P.C. Porter (C.I.D.) have left for the scene of the crime.
Richardson carried the message to the Chief Constable’s room.
“What is it?” growled Beckett, who was wading through a thick file of papers and jotting down notes as he read.
“A case of house-breaking and murder in Hampstead, sir. D.D. Inspector Symington is now at the house.”
Beckett put out his hand for the message, glanced at it, initialed it and threw it into his basket before resuming his work. From that basket it would go automatically to Morden, the Deputy Assistant Commissioner, and from him to Sir William Lorimer. As Richardson knew, no action would be taken by Headquarters until Symington’s report was received.
No. 23 Laburnum Road was a square, ugly Victorian house standing in its own garden; a semi-circular carriage drive led from the gate to the front door. In answer to Symington’s ring the door was opened instantly. “I am Divisional Detective-Inspector Symington from Hampstead Police Station,” he announced. “I have had your telephone message. You are Mr. MacDougal?”
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