"Now what?" John asked. He'd put up his gun. I still hadn't. I felt better with it out for some reason.
"Now I go make my third animation appointment of the evening."
"Just like that?"
I looked up at him, ready to be angry at somebody. "What do you want me to do, John? Fall into a screaming fit? That wouldn't bring back the dead, and it would annoy the hell out of me."
He sighed. "If you only matched your packaging."
I put my gun back in the shoulder holster, smiled at him, and said, "Fuck you."
Yeah, those are the words.
19
I had washed most of the blood off my face and hands in the bathroom at the morgue. The bloodstained coveralls were in my trunk. I was clean and presentable, or as presentable as I was going to get tonight. Bert had said to meet the new guy at my third appointment for the night. Oakglen Cemetery, ten o'clock. The theory was that the new man already raised two zombies and would just watch me raise the third one. Fine with me.
It was 10:35 before I pulled into Oakglen Cemetery. Late. Dammit. It'd make a great impression on the new animator, not to mention my client. Mrs. Doughal was a recent widow. Like five days recent. Her dearly departed husband had left no will. He'd always meant to get around to it, but you know how it is, just kept putting it off. I was to raise Mr. Doughal in front of two lawyers, two witnesses, the Doughals' three grown children, and a partridge in a pear tree. They'd made a ruling just last month that the newly dead, a week or less, could be raised and verbally order a will. It would save the Doughals half their inheritance. Minus lawyer fees, of course.
There was a line of cars pulled over to the side of the narrow gravel road. The tires were playing hell with the grass, but if you didn't park off to one side, nobody could use the road. Of course, how many people needed to use a cemetery road at 10:30 at night? Animators, voodoo priests, pot-smoking teenagers, necrophiliacs, satanists. You had to be a member of a legitimate religion and have a permit to worship in a cemetery after dark. Or be an animator. We didn't need a permit. Mainly because we didn't have a reputation for human sacrifice. A few bad apples have really given voodooists a bad name. Being Christian, I sort of frown on satanism. I mean, they are, after all, the bad guys. Right?
As soon as my foot hit the road, I felt it. Magic. Someone was trying to raise the dead, and they were very near at hand.
The new guy had already raised two zombies. Could he do a third?
Charles and Jamison could only do two a night. Where had Bert found someone this powerful on such short notice?
I walked past five cars, not counting my own. There were nearly a dozen people pressed around the grave. The women were in skirt-suits; the men all wore ties. It was amazing how many people dressed up to come to the graveyard. The only reason most people come to the graveyard is for a funeral. A lot of clients dress for one, semiformal, basic black.
It was a man's voice leading the mourners in rising calls of, "Andrew Doughal, arise. Come to us, Andrew Doughal, come to us."
The magic built on the air until it pressed against me like a weight. It was hard to get a full breath. His magic rode the air, and it was strong, but uncertain. I could feel his hesitation like a touch of cold air. He would be powerful, but he was young. His magic tasted untried, undisciplined. If he wasn't under twenty-one, I'd eat my hat.
That's how Bert had found him. He was a baby, a powerful baby. And he was raising his third zombie of the night. Hot damn.
I stayed in the shadows under the tall trees. He was short, maybe an inch or two taller than me, which made him five-four at best. He wore a white dress shirt and dark slacks. Blood had dried on the shirt in nearly black stains. I'd have to teach him how to dress, as Manny had taught me. Animating is still on an informal apprenticeship. There are no college courses to teach you how to raise the dead.
He was very earnest as he stood there calling Andrew Doughal from the grave. The crowd of lawyers and relatives huddled at the foot of the grave. There was no family member inside the blood circle with the new animator. Normally, you put a family member behind the tombstone so he or she could control the zombie. This way, only the animator could control it. But it wasn't an oversight, it was the law. The dead could be raised to request and dictate a will but only if the animator, or some neutral party, had control of it.
The mound of flowers shuddered and a pale hand shot upward, grabbing at the air. Two hands, the top of a head. The zombie spilled from the grave like it was being pulled by strings.
The new animator stumbled. He fell to his knees in the soft dirt and dying flowers. The magic stuttered, wavering. He'd bitten off one zombie more than he could finish. The dead man was still struggling from the grave. Still trying to get its legs free, but there was no one controlling it. Lawrence Kirkland had raised the zombie, but he couldn't control it. The zombie would be on its own with no one to make it mind. Uncontrolled zombies give animators a bad name.
One of the lawyers was saying, "Are you all right?"
Lawrence Kirkland nodded his head, but he was too exhausted to speak. Did he even now realize what he'd done? I didn't think so. He wasn't scared enough.
I walked up to the huddled group. "Ms. Blake, we missed you," the lawyer said. "Your . . . associate seems to be ill."
I gave them my best professional smile. See nothing wrong. A zombie isn't about to go amuck. Trust me.
I walked to the edge of the blood circle. I could feel it like a wind pushing me back. The circle was shut, and I was on the outside. I couldn't get in unless Lawrence asked me in.
He was on all fours, hands lost in the flowers of the grave. His head hung down, as if he was too tired to raise it. He probably was.
"Lawrence," I said softly, "Lawrence Kirkland."
He turned his head in slow motion. Even in the dark I could see the exhaustion in his pale eyes. His arms were trembling. God, help us.
I leaned in close so the audience couldn't hear what I said. We'd try to keep the illusion that this was just business as usual, as long as I could. If we were lucky, the zombie would just wander away. If we weren't lucky, it would hurt someone. The dead are usually pretty forgiving of the living, but not always. If Andrew Doughal hated one of his relatives, it would be a long night.
"Lawrence, you have to break the circle and let me in," I said.
He just stared at me, eyes dull, no glimmer of understanding. Shit.
"Break the circle, Lawrence, now."
The zombie was free to its knees. Its white dress shirt gleamed against the darkness of the burial suit. Uncomfortable for all eternity. Doughal looked pretty good for the walking dead. He was pale with thick grey hair. The skin was wavy, pale, but there were no signs of rot. The kid had done a good job for the third zombie of the night. Now if only I could control it, we were home free.
"Lawrence, break the circle, please!"
He said something, too low for me to hear. I leaned as close as the blood would let me get and said, "What?"
"Larry, name's Larry."
I smiled, it was too ridiculous. He was worried about me calling him Lawrence instead of Larry with a rogue zombie climbing out of the dirt. Maybe he'd snapped under the pressure. Naw.
"Open the circle, Larry," I said.
He crawled forward, nearly falling face first into the flowers. He scraped his hand across the line of blood. The magic snapped. The circle of power was gone, just like that. Now it was just me.
"Where's your knife?"
He tried to look back over his shoulder but couldn't manage it. I saw the blade gleam in the moonlight on the other side of the grave.
"Just rest," I said. "I'll take care of it."
He collapsed into a little ball, hugging his arms around himself, as if he was cold. I let him go, for now. The first order of business had to be the zombie.
The knife was lying beside the gutted chicken he'd used to call the zombie. I grabbed the knife and faced the zombie over the grave. Andrew Doughal was l
eaning against his own tombstone, trying to orient himself.
It's hard on a person, being dead; it takes a few minutes to wake up the dead brain cells. The mind doesn't quite believe that it should work. But it will, eventually.
I pushed back the sleeve of my leather jacket and took a deep breath. It was the only way, but I didn't have to like it. I drew the blade across my wrist. A thin, dark line appeared. The skin split and blood trickled out, nearly black in the moonlight. The pain was sharp, stinging. Small wounds always felt worse than big ones . . . at first.
The wound was small and wouldn't leave a scar. Short of slitting my wrist, or someone else's, I couldn't remake the blood circle. It was too late in the ceremony to get another chicken and start over. I had to salvage this ceremony, or the zombie would be free with no boss. Zombies without bosses tended to eat people.
The zombie was still sitting on its tombstone. It stared at nothing with empty eyes. If Larry had been strong enough, Andrew Doughal might have been able to talk, to reason on his own. Now he was just a corpse waiting for orders, or a stray thought.
I climbed onto the mound of gladioluses, chrysanthemums, carnations. The perfume of flowers mixed with the stale smell of the corpse. I stood knee-deep in dying flowers and waved my bleeding wrist in front of the zombie's face.
The pale eyes followed my hand, flat and dead as day-old fish. Andrew Doughal was not home, but something was, something that smelled blood and knew its worth.
I know that zombies don't have souls. In fact, I can only raise the dead after three days. It takes that long for the soul to leave. Incidentally, the same amount of time it takes for vampires to rise. Fancy that.
But if it isn't the soul reanimating the corpse, then what is it? Magic, my magic, or Larry's. Maybe. But there was something in the corpse. If the soul was gone, something filled the void. In an animation that worked, magic filled it. Now? Now I didn't know. I wasn't even sure I wanted to know. What did it matter as long as I pulled the fat out of the fire? Yeah. Maybe if I kept repeating that, I'd even believe it.
I offered the corpse my bleeding wrist. The thing hesitated for a second. If it refused, I was out of options.
The zombie stared at me. I dropped the knife and squeezed the skin around the wound. Blood welled out, thick and viscous. The zombie snatched at my hand. Its pale hands were cold and strong. Its head bowed over the wound, mouth sucking. It fed at my wrist, jaws working convulsively, swallowing as hard and as fast as it could. I was going to have the world's worst hickey. But at least it hurt.
I tried to draw my hand away, but the zombie just sucked harder. It didn't want to let go. Great.
"Larry, can you stand?" I asked softly. We were still trying to pretend that nothing had gone wrong. The zombie had accepted blood. I controlled it now, if I could get it to let go.
Larry looked up at me in slow motion. "Sure," he said. He got to his feet using the burial mound for support. When he was standing, he asked, "What now?"
Good question. "Help me get it loose." I tried to pull my wrist free, but the thing hung on for dear life.
Larry wrapped his arms around the corpse and pulled. It didn't help.
"Try the head," I said.
He tried pulling back on the corpse's hair, but zombies don't feel pain. Larry pried a finger along the corpse's mouth, breaking the suction with a little pop. Larry looked like he was going to be sick. Poor him; it was my arm.
He wiped his finger on his dress slacks, as if he had touched something slimy. I wasn't sympathetic.
The knife wound was already red. It would be a hell of a bruise tomorrow.
The zombie stood on top of its grave, staring at me. There was life in the eyes; someone was home. The trick was, was it the right someone?
"Are you Andrew Doughal?" I asked.
He licked his lips and said, "I am." It was a rough voice. A voice for ordering people about. I wasn't impressed. It was my blood that gave him the voice. The dead really are mute, really do forget who and what they are, until they taste fresh blood. Homer was right; makes you wonder what else was true in the Iliad.
I put pressure on the knife wound with my other hand and stepped back, off the grave. "He'll answer your questions now," I said. "But keep them simple. He's been mostly dead all day."
The lawyers didn't smile. I guess I didn't blame them. I waved them forward. They hung back. Squeamish lawyers? Surely not.
Mrs. Doughal poked her lawyer in the arm. "Get on with it. This is costing a fortune."
I started to say we don't charge by the minute, but for all I knew Bert had arranged for the longer the corpse was up, the more expensive it was. That actually was a good idea. Andrew Doughal was fine tonight. He answered questions in his cultured, articulate voice. If you ignored the way his skin glistened in the moonlight, he looked alive. But give it a few days, or weeks. He'd rot; they all rotted. If Bert had figured out a way to make clients put the dead back in their graves before pieces started to fall off, so much the better.
There were few things as sad as the family bringing dear old mom back to the cemetery with expensive perfume covering up the smell of decay. The worst was the client who had bathed her husband before bringing him back. She had to bring most of his flesh in a plastic garbage sack. The meat had just slid off the bone in the warm water.
Larry moved back, stumbling over a flowerpot. I caught him, and he fell against me, still unsteady.
He smiled. "Thanks . . . for everything." He stared at me, our faces inches apart. A trickle of sweat oozed down his face in the cold October night.
"You got a coat?"
"In my car."
"Get it and put it on. You'll catch your death sweating in this cold."
His smile flashed into a grin. "Anything you say, boss."' His eyes were bigger than they should have been, a lot of white showing. "You pulled me back from the edge. I won't forget."
"Gratitude is great, kid, but go get your coat. You can't work if you're home sick with the flu."
Larry nodded and started slowly towards the cars. He was still unsteady, but he was moving. The flow of blood had almost stopped on my wrist. I wondered if I had a Band-Aid in my car big enough to cover it. I shrugged and started to follow Larry towards the cars. The lawyers' deep, courtroom voices filled the October dark. Words echoing against the trees. Who the hell were they trying to impress? The corpse didn't care.
20
Larry and I sat on the cool autumn grass watching the lawyers draw up the will. "They're so serious," he said.
"It's their job to be serious," I said.
"Being a lawyer means you can't have a sense of humor?"
"Absolutely," I said.
He grinned. His short, curly hair was a red so bright, it was nearly orange. His eyes were blue and soft as a spring sky. I'd seen both hair and eyes in the dome light from our cars. Back in the dark he looked grey-eyed and brown-haired. I'd hate to have to give a witness description of someone I only saw in the dark.
Larry Kirkland had that milk-pale complexion of some redheads. A thick sprinkling of golden freckles completed the look. He looked like an overgrown Howdy Doody puppet. I mean that in a cute way. Being short, really short for a man, I was sure he wouldn't like being called cute. It was one of my least favorite endearments. I think if all short people could vote, the word "cute" would be stricken from the English language. I know it would get my vote.
"How long have you been an animator?" I asked.
He glanced at the luminous dial of his watch. "About eight hours."
I stared at him. "This is your first job, anywhere?"
He nodded. "Didn't Mr. Vaughn tell you about me?"
"Bert just said he'd hired another animator named Lawrence Kirkland."
"I'm in my senior year at Washington University, and this is my semester of job co-op."
"How old are you?"
"Twenty; why?"
"You're not even legal," I said.
"So I can't drink or go in porno th
eaters. No big loss, unless the job takes us to places like that." He looked at me and leaned in. "Does the job take us to porno theaters?" His face was neutrally pleasant, and I couldn't tell if he was teasing or not. I gambled that he was kidding.
"Twenty is fine." I shook my head.
"You don't look like twenty's fine," he said.
"It's not your age that bothers me," I said.
"But something bothers you."
I wasn't sure how to put it into words, but there was something pleasant and humorous in his face. It was a face that laughed more often than it cried. He looked bright and clean as a new penny, and I didn't want that to change. I didn't want to be the one who forced him to get down in the dirt and roll.
"Have you ever lost someone close to you? Family, I mean?"
The humor slipped away from his face. He looked like a solemn little boy. "You're serious."
"Deadly," I said.
He shook his head. "I don't understand."
"Just answer the question. Have you ever lost someone close to you?"
He shook his head. "I've even got all my grandparents."
"Have you ever seen violence up close and personal?"
"I got into fights in high school."
"Why?"
He grinned. "They thought short meant weak."
I had to smile. "And you showed them different."
"Hell, no; they beat the crap out of me for four years." He smiled.
"You ever win a fight?"
"Sometimes," he said.
"But the winning's not the important part," I said.
He looked very steadily at me, eyes serious. "No, it's not."
There was a moment of nearly perfect understanding between us. A shared history of being the smallest kid in class. Years of being the last picked for sports. Being the automatic victim for bullies. Being short can make you mean. I was sure that we understood each other but, being female, I had to verbalize it. Men do a lot of this mind-reading shit, but sometimes you're wrong. I needed to know.
"The important part is taking the beating and not giving up," I said.
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