CURRENT
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Copyright © 2016 by Joanne Ruthsatz and Kimberly Stephens
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ISBN 978-0-698-16860-2
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To Jim
—J.R.
To Dan
—K.S.
To call specific behavioral superiority a “mystery” is merely to sugarcoat scientific neglect.
—Ogden R. Lindsley, 1965
Contents
Title Page
Copyright
Dedication
Epigraph
Introduction
Chapter 1
A Warehouse of a Mind
Chapter 2
What Is a Prodigy?
Chapter 3
The Tiniest Chef
Chapter 4
Growing a Prodigy
Chapter 5
The Evidence Mounts
Chapter 6
Chromosome 1
Chapter 7
The Empathy Puzzle
Chapter 8
Another Path to Prodigy
Chapter 9
Lightning in a Bottle
Chapter 10
The Recovery Enigma
Chapter 11
The Next Quest
Epilogue: A Wide-Open Future
Acknowledgments
Notes
Index
Introduction
This story begins on the back roads of a swampy Louisiana town. That’s where, in 1998, a young couple were raising their six-year-old son, a child with round cheeks, thin lips, and a peculiar knowledge of jazz musicians.
That spring, Joanne Ruthsatz, then a psychology graduate student, took a thirty-some-hour train ride from Sandusky, Ohio, to New Orleans, rented a car, and drove through the bayou to the couple’s small clapboard home.
She’d come all that way to see the boy—Garrett James.* He looked like a typical little kid—medium build, towheaded, and light-eyed. He loved trucks, spoke with a southern drawl, and listened politely when his parents introduced him to “Miss Joanne.”
But he was definitely not typical. As a toddler, Garrett had crafted musical instruments out of household goods—spoons, keys, the vent in the wall—anything he could get his tiny hands on. His aunt gave him a toy guitar for his second birthday, and he stunned his parents when he used it to re-create songs he heard on the radio.
His parents bought him a real child-sized guitar a few months later. Garrett practiced during the day; he practiced at night. He scampered to his instrument at every opportunity, held it while chatting with his parents, and strummed during breaks in the conversation. Music pulsed through the house; eventually, Garrett’s parents asked their son to practice in the basement.
Garrett’s love for music—his need for music—exploded from somewhere within him, charged through his fingertips, and burst into the world. At four years old, he performed in the family’s yard, fronted a local band, and fielded invitations to play at music festivals and fairs. At one of these festivals, Garrett played in front of tens of thousands of fans. Physically, he was a speck on a sweeping stage; his famous adult co-star had to crouch down to approach eye level. When he played, though—a raucous, wholehearted number punctuated by foot tapping and hip swinging—he swallowed up the empty space. Little boy became music powerhouse.
Over the next two years, Garrett performed on a jazz album, in a movie, and on TV talk shows. All without ever having taken a formal music lesson, and all before his seventh birthday.
Garrett was a fascinating kid, but at that point Joanne’s visit was a lark. She was within spitting distance of her Ph.D.; she just wanted to see if a theory she’d been working on could account for Garrett’s abilities.
For most of Joanne’s graduate school career, she’d been studying exceptional adult and teenage performers, trying to parse out what separates the successful from the less so. The nature versus nurture debate rubbed her the wrong way; surely both have a role to play in expertise. She had been working on a new theory, one based on the idea that at least three factors have a role in success: general intelligence, practice time, and skills specific to a particular field. Others had argued for the importance of each of these factors; it was the combination of the three that was novel.
She had already taken her theory for a test-drive and found some supporting evidence. College-level musicians scored higher on all three factors than high school musicians (who were presumably less expert): they outwitted them on the IQ test, more successfully picked out changes in tone and rhythm (skills specific to their area of expertise), and had logged significantly more practice hours.
But could her theory account for the abilities of a child prodigy—one of those rare, preternaturally skilled, scientifically befuddling children who often outperform grown-up musicians, artists, and mathematicians? Joanne thought Garrett, an earnest, wide-eyed guitar phenom, would need an outlandish IQ and a masterful ear for music to make up for his relatively few years of practice.
Over the course of two days, Joanne gave Garrett an IQ test and a music aptitude test. Whenever there was a break, he bolted to his guitar to pick out a tune. Eventually, Garrett asked to go to McDonald’s.
His timing wasn’t great. Garrett still hadn’t finished the memory section of the IQ test. But Joanne had three children of her own; she knew when to quit. She and Garrett, along with Garrett’s mother, Sandra, drove to get lunch.
During the short trip, Joanne mulled over Garrett’s test results. This kid was even more of a mystery than she had realized. Garrett had scored in the upper echelons of the music aptitude test, detecting changes in tone and rhythm with more accuracy than almost all of his age-mates, just as she had predicted he would. And he knocked the socks off the memory portion of the IQ test. He thundered through digit repetitions on his way to scoring in the ninety-ninth percentile for this section, despite having gotten tired of the testing and wrapping up early.
But the rest of Garrett’s IQ-test results wasn’t exactly what Joanne had expected. He did well, to be sure; there was no question that Garrett’s general intelligence score was well above average. But it wasn’t one in a million. He had a very high IQ, but it was nowhere near as exceptional as his abilities on the guitar.
Without a truly explosive IQ, how was he mastering music with such unbelievable speed?
At McDonald’s, the trio ran into Sandra’s sister, Susan, and Susan’s son, Patrick. Garrett’s mother introduced Joanne to the extended family. Joanne said hello to Susan; the two sisters talked. The teenage Patrick grunted, but he never said a word. He occasionally flapped his hands. As Sandra later told Joanne, Patrick was autistic.
Joanne’s mind began to spin. Did Garrett’s talent have something to do with his cousin’s autism?
It was a peculiar idea. Garrett didn’t have autism. He didn’t appear to have any of the typical symptoms. You could have scoured the academic literature on child prodigies—what little there was of it in 1998—without finding any suggestion that autism might lie
at the root of the kids’ abilities.
But Joanne had seen it for herself. In the fluorescent light of a hamburger joint, two cousins, two biologically related children, stood side by side, one courted by the press for his musical prowess, the other struggling to master daily living skills.
By better understanding one child, could you help the other?
Fast-forward eighteen years, and Joanne has tracked down dozens of prodigies. To date, she’s worked closely with more than thirty—the largest research sample of these rare children ever created. Their stories border on the fantastic: a two-year-old who loved to spell words like “algorithm” and “confederation”; a six-year-old painter captivated by Georgia O’Keeffe; a seven-year-old violinist with a powerful benevolent streak.
Joanne and her daughter, Kimberly Stephens, wrote the scholarly papers that stemmed from these encounters. But as the research advanced, they (hereinafter “we”) realized that the relationship between prodigy and autism had implications that went far beyond an ivory-tower debate over the source of extraordinary talent.
Thus, this book. To explore the prodigies’ lives and examine the underpinnings of their abilities, we draw on Joanne’s years of research; dozens of interviews with the kids and their parents; media accounts of the children’s lives; the medical records, education reports, and videos and photographs provided by the families; and previous child prodigy research. To flesh out how the prodigies’ abilities connect with autism, we draw on hundreds of academic studies; the interviews we conducted with experts in the field; and extensive conversations with the families and friends of the autists we profile. It was an incredible amount of raw material, bursting with gems of information about extraordinary children, intrepid scientists, startling research findings, and fiercely devoted parents. We use it here to tell a scientific detective story of sorts in which we investigate what makes prodigies tick.
Child prodigy studies isn’t a particularly crowded field. Despite perennial fascination with these children, research into the roots of their abilities is quite sparse. If there were a conference just for those who have firsthand experience working with prodigies, the organizers wouldn’t rack up much of a catering bill; at best there would be a handful of attendees.
At least partly for this reason, child prodigies’ abilities are a long-running mystery. How can a kid who still travels by car seat compose classical music or pontificate about astrophysics? But once you consider the possibility that the prodigies’ startling skills might have something to do with autism, pieces start to fall into place. We’ll begin by using the story of two brothers (one of whom counts corn kernels to check for Fibonacci numbers and plays Christmas carols backward on his ukulele for fun) to illustrate just how thin the line between prodigy and autism can be.
Then we’ll follow the research trail as evidence of a potential link piles up. It’s a journey that starts with the early struggle to sort out who qualifies as a child prodigy, which turns out to be a surprisingly complicated question. We’ll dive into the prodigies’ common attributes, such as extraordinary memories, eagle eyes for detail, and voracious appetites for their chosen subjects—many of which are also common attributes of autism. These traits shape the prodigies’ lives, as we’ll see in stories like that of the violinist who notices slight variations in the sounds of the subway chimes and the child physicist whose mind is a steel trap for numbers. We’ll also take a close look at another, lesser-known characteristic of child prodigies—extreme empathy—and explore whether it is yet another trait that links prodigy to autism. Finally, we’ll examine the emerging evidence that prodigy and autism may share genetic roots.
Along the way, we’ll investigate the kids’ family lives and the role the parents play in raising a child prodigy. We’ll delve into the case of a typically developing teenager who became completely engrossed with music after he smacked his head against a church floor and explore whether his story means that such abilities exist somewhere inside us all. We’ll dig into the evidence that suggests there are important underlying differences among the prodigies, distinct cognitive attributes that might prevent a math prodigy, for example, from becoming an art prodigy.
Toward the end, we’ll explore the possibility—tenuous yet tantalizing—that studying child prodigies might advance our understanding of autism. It’s a possibility with a lot of ifs (the genetic connection between the two would have to be confirmed, for starters). But if studying child wonders could potentially improve our understanding of autism, we suspect that a few more people might start showing up for those hypothetical child prodigy conferences.
Finally, a note on autism and the language we’ll use in this story.
Autism varies a great deal in severity, and those diagnosed with autism (and their families) can face steep challenges. This is a book about the riddle presented by children with extreme abilities. We discuss autism research, but we do not focus on the serious difficulties that autists and their families can encounter, though this topic is clearly deserving of sustained and serious attention.
Changing perceptions of autism have led to some disagreement over whether autism should be considered a brain disorder that should be cured or whether it’s more properly viewed as a unique way of seeing the world that should be valued and, when necessary, accommodated.
This relates to a split over terminology: Should someone diagnosed with autism be described as an “individual with autism” or as “an autistic”? Those who view autism as a disorder often prefer “individual with autism,” while those who view autism as a distinct style of thinking and as part of an individual’s identity are often partial to “an autistic” or “an autist” or “an autistic person.”
We primarily use the term “autist” in this book, mostly because it provides a concise parallel to the term “prodigy,” making, we hope, for easier reading. Similarly, we refer to autism and other conditions listed in the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders (the DSM-5),* a book that is often referred to as psychiatry’s bible, as “brain disorders” rather than “mental disorders.” Following the lead of two prominent scientists at the National Institute of Mental Health (NIMH), we prefer this terminology because it better reflects these conditions’ neural roots.
Before we get too far ahead of ourselves, though, let’s start along a journey that, for Joanne, is more than eighteen years in the making.
Let’s begin with a Canadian family of four, a doctor and an engineer whose sons gave them a firsthand look at the sometimes razor-thin edge between prodigy and autism.
Chapter 1
A Warehouse of a Mind
Lucie* is well acquainted with the look: the raised eyebrows and slight drop of the jaw. It’s often accompanied by a quick jab of silence that wounds the conversation. She used to encounter it a lot when she talked about her sons, so, for the most part, she didn’t. She’s a sociable, articulate French-Canadian doctor, but talking about her two boys is a little complicated; neither one is exactly typical.
By the time her older boy, Alex, was seven, he was a bright, wiry second grader with blue eyes and dark hair. He loved jujitsu, tickled his brother, and spent hours perfecting intricate Lego creations.
No one believed her when she said that he was—had been—autistic. She could feel the skepticism. There’s no cure for autism, acquaintances said; you don’t just snap out of it. Alex must have been misdiagnosed. It was too hard for them to reconcile the boy they knew—a well-liked, friendly kid who skillfully bombed down ski slopes—with autism.
Lucie knew better than to say much about her younger son, William, who was then a fidgety six-year-old with a cherubic face and a mischievous smile. He had also been diagnosed with autism, but his symptoms seemed to be melting away, just as his brother’s had.
Then there was the matter of William’s hobbies: letters and numbers; math, science, and geography. He had taught himself the alph
abet by eighteen months and read obsessively at two and a half. He delighted in math, could square numbers in his head by the time he was four, and tucked away people’s birth dates so he could use them to calculate how old that person would be in a given year—past or future. He took a scorched-earth approach to reference materials like the atlas, the dictionary, and the periodic table. He consumed everything in his path; he kept it all in his “warehouse” of a mind.
It was a bit isolating for Lucie to keep so much to herself, especially when there was so very much to tell.
Lucie’s first pregnancy was uneventful. She carried her baby to term and delivered a healthy boy. His eyes were pale blue and shaped like sideways teardrops; he had creamy skin, chubby cheeks, and a whisper of light brown hair. She and her husband, Mike, named their son Alexander. They called him Alex.
Within months, Lucie sensed that something was off. Alex was extremely—almost alarmingly—serious. Other babies laughed and gurgled, but never Alex. Nor did he form much of an attachment to her. When Lucie went back to her job as an anesthesiologist, six-month-old Alex was indifferent. There was no fussing when she left or excitement when she returned. As the months ticked by, he remained oblivious to her comings and goings.
He had a few quirks. Once he began to crawl, Alex discovered a crack in the grout between the tiles in the living room. He stared at it and traced it with his finger for long periods of time. He would venture off to another area of the room but then scamper back to the crack. He noticed whenever a lightbulb burned out, whether in his own home or a shopping center, and, just as with the crack in the grout, he would stare at it for long periods of time.
He wasn’t speaking. Alex’s first birthday passed, and he had not yet spoken his first word; he hadn’t even begun to babble.
But Alex was quick to walk and run, and Lucie managed to ignore the worries that tugged at the back of her mind. The standard parenting books’ refrain helped: every kid develops at his or her own pace.
The Prodigy's Cousin Page 1
