She remembered agonizing over the canned soups in the store—there were so many! Would he want tomato? Some people didn’t like tomato soup. In fact, some people hated tomato soup, even if you made it with milk instead of water. Vegetable soup? Turkey? Cream of chicken? Her helpless eyes roved the shelf display for nearly ten minutes before Charlene Nedeau asked if she could help her with something—only Charlene said it in a sarcastic way, and Maddie guessed she would tell all her friends at high school tomorrow, and they would giggle about it in the girls’ room, knowing exactly what was wrong with her—poor mousy little Maddie Sullivan, unable to make up her mind over so simple a thing as a can of soup. How she had ever been able to decide to accept Jack Pace’s proposal was a wonder and a marvel to all of them… but of course they didn’t know about the wheel you had to find, and about how, once you found it, you had to have someone to tell you when to stoop and where exactly to push the damned thing.
Maddie had left the store with no soup and a throbbing headache.
When she worked up nerve enough to ask Jack what his favorite soup was, he had said: “Chicken noodle. Kind that comes in the can.”
Were there any others he specially liked?
The answer was no, just chicken noodle—the kind that came in the can. That was all the soup Jack Pace needed in his life, and all the answer (on that particular subject, at least) that Maddie needed in hers. Light of step and cheerful of heart, Maddie climbed the warped wooden steps of the store the next day and bought the four cans of chicken noodle soup that were on the shelf. When she asked Bob Nedeau if he had any more, he said he had a whole damn case of the stuff out back.
She bought the entire case and left him so flabbergasted that he actually carried the carton out to the truck for her and forgot all about asking why she wanted so much—a lapse for which his long-nosed wife and daughter took him sharply to task that evening.
“You just better believe it and never forget,” Jack had said that time not long before they tied the knot (she had believed it, and had never forgotten). “More than a lobsterman. My dad says I’m full of shit. He says if draggin pots was good enough for his old man, and his old man’s old man and all the way back to the friggin Garden of Eden to hear him tell it, it ought to be good enough for me. But it ain’t—isn’t, I mean—and I’m going to do better.” His eye fell on her, and it was a stern eye, full of resolve, but it was a loving eye, full of hope and confidence, too. “More than a lobsterman is what I mean to be, and more than a lobsterman’s wife is what I intend for you to be. You’re going to have a house on the mainland.”
“Yes, Jack.”
“And I’m not going to have any friggin Chevrolet.” He drew in a deep breath and took her hands in his. “I’m going to have an Oldsmobile.”
He looked her dead in the eye, as if daring her to scoff at this wildly upscale ambition. She did no such thing, of course; she said yes, Jack, for the third or fourth time that evening. She had said it to him thousands of times over the year they had spent courting, and she confidently expected to say it a million times before death ended their marriage by taking one of them—or, better, both of them together. Yes, Jack; had there ever in the history of the world been two words which made such beautiful music when laid side by side?
“More than a friggin lobsterman, no matter what my old man thinks or how much he laughs.” He pronounced this last word in the deeply downeast way: loffs. “I’m going to do it, and do you know who’s going to help me?”
“Yes,” Maddie had responded calmly. “I am.”
He had laughed and swept her into his arms. “You’re damned tooting, my little sweetheart,” he’d told her.
And so they were wed, as the fairytales usually put it, and for Maddie those first few months—months when they were greeted almost everywhere with jovial cries of “Here’s the newlyweds!”—were a fairytale. She had Jack to lean on, Jack to help her make decisions, and that was the best of it. The most difficult household choice thrust upon her that first year was which curtains would look best in the living room—there were so many in the catalogue to choose from, and her mother was certainly no help. Maddie’s mother had a hard time deciding between different brands of toilet paper.
Otherwise, that year consisted mostly of joy and security—the joy of loving Jack in their deep bed while the winter wind scraped over the island like the blade of a knife across a breadboard, the security of having Jack to tell her what it was they wanted, and how they were going to get it. The loving was good—so good that sometimes when she thought of him during the days her knees would feel weak and her stomach fluttery—but his way of knowing things and her growing trust in his instincts were even better. So for awhile it was a fairytale, yes.
Then Jack died and things started getting weird. Not just for Maddie, either.
For everybody.
Just before the world slid into its incomprehensible nightmare, Maddie discovered she was what her mother had always called “preg,” a curt word that was like the sound you made when you had to rasp up a throatful of snot (that, at least, was how it had always sounded to Maddie). By then she and Jack had moved next to the Pulsifers on Gennesault Island, which was known simply as Jenny by its residents and those of nearby Little Tall.
She’d had one of her agonizing interior debates when she missed her second period, and after four sleepless nights she made an appointment with Dr. McElwain on the mainland. Looking back, she was glad. If she’d waited to see if she was going to miss a third period, Jack would not have had even one month of joy and she would have missed the concerns and little kindnesses he had showered upon her.
Looking back—now that she was coping—her indecision seemed ludicrous, but her deeper heart knew that going to have the test had taken tremendous courage. She had wanted to be more convincingly sick in the mornings so she could be surer; she had longed for nausea to drag her from her dreams. She made the appointment when Jack was out at work, and she went while he was out, but there was no such thing as sneaking over to the mainland on the ferry; too many people from both islands saw you. Someone would mention casually to Jack that he or she had seen his wife on the Princess t’other day, and then Jack would want to know what it was all about, and if she’d made a mistake, he would look at her like she was a goose.
But it hadn’t been a mistake; she was with child (and never mind that word that sounded like someone with a bad cold trying to clear his throat), and Jack Pace had had exactly twenty-seven days to look forward to his first child before a bad swell had caught him and knocked him over the side of My Lady-Love, the lobster boat he had inherited from his Uncle Mike. Jack could swim, and he had popped to the surface like a cork, Dave Eamons had told her miserably, but just as he did, another heavy swell came, slewing the boat directly into him, and although Dave would say no more, Maddie had been born and brought up an island girl, and she knew: could, in fact, hear the hollow thud as the boat with its treacherous name smashed its way into her husband’s head, letting out blood and hair and bone and perhaps the part of his brain that had made him say her name over and over again in the dark of night, when he came into her.
Dressed in a heavy hooded parka and down-filled pants and boots, Jack Pace had sunk like a stone. They had buried an empty casket in the little cemetery at the north end of Jenny Island, and the Reverend Johnson (on Jenny and Little Tall you had your choice when it came to religion: you could be a Methodist, or if that didn’t suit you, you could be a lapsed Methodist) had presided over this empty coffin as he had so many others. The service ended, and at the age of twenty-two Maddie had found herself a widow with a bun in the oven and no one to tell her where the wheel was, let alone when to put her shoulder to it or how far to push it.
She thought at first she’d go back to Little Tall, back to her mother, to wait her time, but a year with Jack had given her a little perspective and she knew her mother was as lost—maybe even more lost—than she was herself, and that made her wonder if going back
would be the right thing to do.
“Maddie,” Jack told her again and again (he was dead in the world but not, it seemed, inside her head; inside her head he was as lively as any dead man could possibly get… or so she had thought then), “the only thing you can ever decide on is not to decide.”
Nor was her mother any better. They talked on the phone and Maddie waited and hoped for her mother to just tell her to come back home, but Mrs. Sullivan could tell no one over the age of ten anything. “Maybe you ought to come on back over here,” she had said once in a tentative way, and Maddie couldn’t tell if that meant please come home or please don’t take me up on an offer which was really just made for form’s sake. She spent long, sleepless nights trying to decide which it had been and succeeded only in confusing herself more.
Then the weirdness started, and the greatest mercy was that there was only the one small graveyard on Jenny (and so many of the graves filled with those empty coffins—a thing which had once seemed pitiful to her now seemed another blessing, a grace). There were two on Little Tall, both fairly large, and so it began to seem so much safer to stay on Jenny and wait.
She would wait and see if the world lived or died.
If it lived, she would wait for the baby.
And now she was, after a life of passive obedience and vague resolves that usually passed like dreams an hour or two after she got out of bed, finally coping. She knew that part of this was nothing more than the effect of being slammed with one massive shock after another, beginning with the death of her husband and ending with one of the last broadcasts the Pulsifers’ high-tech satellite dish had picked up: a horrified young boy who had been pressed into service as a CNN reporter saying that it seemed certain that the President of the United States, the first lady, the Secretary of State, the honorable senior senator from Oregon, and the emir of Kuwait had been eaten alive in the White House East Room by zombies.
“I want to repeat this,” the accidental reporter had said, the firespots of his acne standing out on his forehead and chin like stigmata. His mouth and cheeks had begun to twitch; his hands shook spastically. “I want to repeat that a bunch of corpses have just lunched up on the President and his wife and a whole lot of other political hotshots who were at the White House to eat poached salmon and cherries jubilee.” Then the kid had begun to laugh maniacally and to scream Go, Yale! Boola-boola! at the top of his voice. At last he bolted out of the frame, leaving a CNN news-desk untenanted for the first time in Maddie’s memory. She and the Pulsifers sat in dismayed silence as the news-desk disappeared and an ad for Boxcar Willie records—not available in any store, you could get this amazing collection only by dialing the 800 number currently appearing on the bottom of your screen—came on. One of little Cheyne Pulsifer’s crayons was on the end table beside the chair Maddie was sitting in, and for some crazy reason she picked it up and wrote the number down on a sheet of scrap paper before Mr. Pulsifer got up and turned off the TV without a single word.
Maddie told them good night and thanked them for sharing their TV and their Jiffy Pop.
“Are you sure you’re all right, Maddie dear?” Candi Pulsifer asked her for the fifth time that night, and Maddie said she was fine for the fifth time that night, that she was coping, and Candi said she knew she was, but she was welcome to the upstairs bedroom that used to be Brian’s anytime she wanted. Maddie hugged Candi, kissed her cheek, declined with the most graceful thanks she could find, and was at last allowed to escape. She had walked the windy half mile back to her own house and was in her own kitchen before she realized that she still had the scrap of paper on which she had jotted the 800 number. She had dialed it, and there was nothing. No recorded voice telling her all circuits were currently busy or that the number was out of service; no wailing siren sound that indicated a line interruption; no boops or beeps or clicks or clacks. Just smooth silence. That was when Maddie knew for sure that the end had either come or was coming. When you could no longer call the 800 number and order the Boxcar Willie records that were not available in any store, when there were for the first time in her living memory no Operators Standing By, the end of the world was a foregone conclusion.
She felt her rounding stomach as she stood there by the phone on the wall in the kitchen and said it out loud for the first time, unaware that she had spoken: “It will have to be a home delivery. But that’s all right, as long as you get ready and stay ready, kiddo. You have to remember that there just isn’t any other way. It has to be a home delivery.”
She waited for fear and none came.
“I can cope with this just fine,” she said, and this time she heard herself and was comforted by the sureness of her own words.
A baby.
When the baby came, the end of the world would itself end.
“Eden,” she said, and smiled. Her smile was sweet, the smile of a madonna. It didn’t matter how many rotting dead people (maybe Boxcar Willie among them, for all she knew) were shambling around the face of the earth.
She would have a baby, she would accomplish her home delivery, and the possibility of Eden would remain.
The first reports came from an Australian hamlet on the edge of the outback, a place with the memorable name of Fiddle Dee. The name of the first American town where the walking dead were reported was perhaps even more memorable: Thumper, Florida. The first story appeared in America’s favorite supermarket tabloid, Inside View.
DEAD COME TO LIFE IN SMALL FLORIDA TOWN! the headline screamed. The story began with a recap of a film called Night of the Living Dead, which Maddie had never seen, and went on to mention another—Macumba Love—which she had also never seen. The article was accompanied by three photos. One was a still from Night of the Living Dead, showing what appeared to be a bunch of escapees from a loonybin standing outside an isolated farmhouse at night. One was from Macumba Love, showing a blonde whose bikini top appeared to be holding breasts the size of prize-winning gourds. The blonde was holding up her hands and screaming in horror at what could have been a black man in a mask. The third purported to be a picture taken in Thumper, Florida. It was a blurred, grainy shot of a person of indeterminate sex standing in front of a video arcade. The article described the figure as being “wrapped in the cerements of the grave,” but it could have been someone in a dirty sheet.
No big deal. BIGFOOT RAPES CHOIR BOY last week, dead people coming back to life this week, the dwarf mass murderer next week.
No big deal, at least, until they started to come out in other places, as well. No big deal until the first news film (“You may want to ask your children to leave the room,” Tom Brokaw introduced gravely) showed up on network TV, decayed monsters with naked bone showing through their dried skin, traffic accident victims, the morticians’ concealing make-up sloughed away so that the ripped faces and bashed-in skulls showed, women with their hair teased into dirt-clogged beehives where worms and beetles still squirmed and crawled, their faces alternately vacuous and informed with a kind of calculating, idiotic intelligence. No big deal until the first horrible stills in an issue of People magazine that had been sealed in shrink-wrap and sold with an orange sticker that read NOT FOR SALE TO MINORS!
Then it was a big deal.
When you saw a decaying man still dressed in the mud-streaked remnants of the Brooks Brothers suit in which he had been buried tearing at the throat of a screaming woman in a tee-shirt that read PROPERTY OF THE HOUSTON OILERS, you suddenly realized it might be a very big deal indeed.
That was when the accusations and saber rattling had started, and for three weeks the entire world had been diverted from the creatures escaping their graves like grotesque moths escaping diseased cocoons by the spectacle of the two great nuclear powers on what appeared to be an undivertible collision course.
There were no zombies in the United States, Communist Chinese television commentators declared; this was a self-serving lie to camouflage an unforgivable act of chemical warfare against the People’s Republic of China, a more ho
rrible (and deliberate) version of what had happened in Bhopal, India. Reprisals would follow if the dead comrades coming out of their graves did not fall down decently dead within ten days. All U.S. diplomatic people were expelled from the mother country and there were several incidents of American tourists being beaten to death.
The President (who would not long after become a Zombie Blue Plate Special himself) responded by becoming a pot (which he had come to resemble, having put on at least fifty pounds since his second-term election) calling a kettle black. The U.S. government, he told the American people, had incontrovertible evidence that the only walking-dead people in China had been set loose deliberately, and while the Head Panda might stand there with his slanty-eyed face hanging out, claiming there were over eight thousand lively corpses striding around in search of the ultimate collectivism, we had definite proof that there were less than forty. It was the Chinese who had committed an act—a heinous act—of chemical warfare, bringing loyal Americans back to life with no urge to consume anything but other loyal Americans, and if these Americans—some of whom had been good Democrats—did not lie down decently dead within the next five days, Red China was going to be one large slag pit.
NORAD was at DEFCON-2 when a British astronomer named Humphrey Dagbolt spotted the satellite. Or the spaceship. Or the creature. Or whatever in hell’s name it was. Dagbolt was not even a professional astronomer but only an amateur star-gazer from the west of England—no one in particular, you would have said—and yet he almost certainly saved the world from some sort of thermonuclear exchange, if not flat-out atomic war. All in all not a bad week’s work for a man with a deviated septum and a bad case of psoriasis.
The Living Dead Page 32
