'You think he's got a fine big story this time?' she asked under her breath; and Cousin Henry's eyes twinkled keenly as he gave a significant nod and answered: 'Rather! Can't you feel the splendour all about him, the strength, the harmony!'
She leaped at the word. Harmony exactly described this huge new thing that had come into the family, into the village, into the world. The feeling that they all were separate items, struggling for existence one against the other, had gone for ever. Life seemed now a single whole, an enormous pattern. Every one fitted in. There was effort— wholesome jolly effort, but no longer the struggle or fighting that were ugly. To 'live carelessly' was possible and right because the pattern was seen entire. It was to live in the whole.
'Harmony,' she repeated to herself, with a great swelling happiness in her heart, 'that's the nunculus of the matter.'
'The what?' he asked, overhearing her.
'The nunculus,' she repeated bravely, seeing the word in her mind, yet unable to get it quite. Rogers did not correct her.
'Rather,' was all he said. 'Of course it is.' What did the pronunciation of a word matter at such a time? Her version even sounded better than the original. Mother saw things bigger! Already she was becoming creative!
'And you're the one who brought it,' she continued, but this time so low that he did not catch the words. 'It's you, your personality, your thinking, your atmosphere somehow that have brought this gigantic sense of peace and calm security which are au fond nothing but the consciousness of harmony and the power of seeing ugly details in their proper place—in a single coup d'oeil—and understanding them as parts of a perfect whole.'
It was her thought really running on; she never could have found the words like that. She thought in French, too, for one thing. And, in any case, Rogers could not have heard her, for he was listening now to the uproar of the children as they criticised Daddy's ridiculous effusion. A haystack, courted in vain by zephyrs, but finally taken captive by an equinoctial gale, strained nonsense too finely for their sense of what was right and funny. It was the pictures he now drew in the book that woke their laughter. He gave the stack a physiognomy that they recognised.
'But, Mother, he's making it look like you!' cried Monkey—only Mother was too far away in her magnificent reverie to reply intelligently.
I know her; she's my friend,' she answered vaguely. 'So it's all right.'
'Majestic Haystack'—it was the voice of the wind addressing her:—
'Majestic Haystack, Empress of my life,
Your ample waist
Just fits the gown I fancy for my wife,
And suits my taste;
Yet there you stand, flat-footed, square and deep,
An unresponsive, elephantine heap,
Coquetting with the stars while I'm asleep,
O cruel Stack!
Coy, silent Monster, Matron of the fields,
I sing to you;
And all the fondest love that summer yields
I bring to you;
Yet there you squat, immense in your disdain,
Heedless of all the tears of streaming rain
My eyes drip over you—your breathless swain;
O stony Stack!
Stupendous Maiden, sweetest when oblong,
Does inner flame
Now smoulder in thy soul to hear my song
Repeat thy name?
Or does thy huge and ponderous heart object
The advances of my passion, and reject
My love because it's airy and elect?
O wily Stack!
O crested goddess, thatched and top-knotted,
O reckless Stack!
Of wives that to the Wind have been allotted
There is no lack;
You've spurned my love as though I were a worm;
But next September when I see thy form,
I'll woo thee with an equinoctial storm!
I have that knack!'
'Far less wumbled than usual,' thought Rogers, as the children danced about the room, making up new ridiculous rhymes, of which 'I'll give you a whack' seemed the most popular. Only Jane Anne was quiet. A courtship even so remote and improbable as between the Wind and a Haystack sent her thoughts inevitably in the dominant direction.
'It must be nice when one is two,' she whispered ambiguously to Mother with a very anxious face, 'but I'm sure that if a woman can't cook, love flies out of the window. It's a positive calamity, you know.'
But it was Cousin Henry's last night in Bourcelles, and the spirit of pandemonium was abroad. Neither parent could say no to anything, and mere conversation in corners was out of the question. The door was opened into the corridor, and while Mother played her only waltz, Jimbo and Monkey danced on the splintery boards as though it were a parquet floor, and Rogers pirouetted somewhat solemnly with Jane Anne. She enjoyed it immensely, yet rested her hand very gingerly upon his shoulder. 'Please don't hold me quite so tight,' she ventured. 'I've never danced with a strange man before, you see'; and he no more laughed at her than he had laughed at Mother's 'nunculus.' Even Jane Anne, he knew, would settle down comfortably before long into the great big pattern where a particular nook awaited—aye, needed—her bizarre, odd brilliance. The most angular fragments would nest softly, neatly in. A little filing, a little polishing, and all would fit together. To force would only be to break. Hurry was of the devil. And later, while Daddy played an ancient tune that was written originally as a mazurka yet did duty now for a two-step, he danced with Mother too, and the children paused to watch out of sheer admiration.
'Fancy, Mother dancing!' they exclaimed with glee—except Jinny, who was just a little offended and went to stand by the piano till it was over. For Mother danced as lightly as a child for all her pride of measurement, and no frigate ever skimmed the waves more gracefully than Mother glided over those uneven boards.
'The Wind and the Haystack' of course, was Monkey's description.
'You'll wind and haystack to bed now,' was the reply, as Mother sat and fanned herself in the corner. The 'bed-sentence' as the children called it, was always formed in this way. Whatever the child was saying when the moment came, Mother adopted as her verb. 'Shall I put some peat on, Mother?' became 'Peat yourself off to bed-it's nine o'clock'—and the child was sorry it had spoken.
Good-byes had really been said at intervals all day long, and so to- night were slight enough; the children, besides, were so 'excitey- tired,' as Monkey put it, that they possessed no more emotion of any kind. There were various disagreeable things in the immediate future of To-morrow—getting up early, school, and so forth; and Cousin Henry's departure they lumped in generally with the mass, accepted but unrealised. Jimbo could hardly keep his eyes alight, and Monkey's hair was like a baby haystack the wind had treated to an equinoctial storm. Jinny, stiff, perplexed, and solemn with exhaustion, yet dared not betray it because she was older, in measurable distance of her hair going up.
'Why don't you play with the others, child?' asked Mother, finding her upright on a sofa while the romp went on.
'Oh, to-night,' Jinny explained, 'I sit indifferent and look on. I don't always feel like skedivvying about!'
To skedivvy was to chivvy and skedaddle—its authority not difficult to guess.
'Good-bye, Cousinenry,' each gasped, as his big arms went round them and squeezed out the exclamation. 'Oh, thank you most awfully,' came next, with another kiss, produced by his pressing something hard and round and yellow into each dirty little hand. 'It's only a bit of crystallised starlight,' he explained, 'that escaped long ago from the Cave. And starlight, remember, shines for everybody as well as for yourselves. You can buy a stamp with it occasionally, too,' he added, 'and write to me.'
'We will. Of course!'
Jimbo straightened up a moment before the final collapse of sleep.
'Your train leaves at 6.23,' he said, with the authority of exclusive information. 'You must be at the station at six to get the bagages enregistrees. It's a slow
train to Pontarlier, but you'll find a wagon direct for Paris in front, next to the engine. I shall be at the station to see you off.'
'I shan't,' said Monkey.
Rogers realised with delight the true meaning of these brief and unemotional good-byes. 'They know I'm coming back; they feel that the important part of me is not going away at all. My thinking stays here with them.'
Jinny lingered another ten minutes for appearance's sake. It was long past her bed-time, too, but dignity forbade her retiring with the others. Standing by the window she made conversation a moment, feeling it was the proper, grown-up thing to do. It was even expected of her.
'Look! It's full moon,' she observed gravely, as though suggesting that she could, if she liked, go out and enjoy the air. 'Isn't it lovely?'
'No, yesterday was full moon,' Rogers corrected her, joining her and looking out. 'Two nights ago, to be exact, I think.'
'Oh,' she replied, as solemnly as though politics or finance were under discussion, 'then it's bigger than full moon now. It goes on, does it, getting fuller and fuller, till—'
'Now, Jinny dear, it's very late, and you'd better full-moon off to bed,' Mother interrupted gently.
'Yes, Mother; I'm just saying good-night.' She held her hand out, as though she was afraid he might kiss her, yet feared he would not. 'Good-bye, Mr. Cousin Henry, and I hope you'll have an exceedingly happy time in the train and soon come back and visit us again.'
'Thank you,' he said, 'I'm sure I shall.' He gave her a bit of solid starlight as he said it, then suddenly leaned forward and kissed her on the cheek. Making a violent movement like an experienced boxer who dodges an upper cut, Jinny turned and fled precipitately from the room, forgetting her parents altogether. That kiss, she felt, consumed her childhood in a flash of fiery flame. In bed she decided that she must lengthen her skirts the very next day, and put her hair up too. She must do something that should give her protection and yet freedom. For a long time she did not sleep. She lay thinking it over. She felt supremely happy—wild, excited, naughty. 'A man has kissed me; it was a man; it was Mr. Rogers, Daddy's cousin.... He's not my cousin exactly, but just "a man."' And she fell asleep, wondering how she ought to begin her letter to him when she wrote, but, more perplexing still, how she ought to—end it! That little backward brain sought the solution of the problem all night long in dreams. She felt a criminal, a dare-devil caught in the act, awaiting execution. Light had been flashed cruelly upon her dark, careful secret—the greatest and finest secret in the world. The child lay under sentence indeed, only it was a sentence of life, and not of death.
Chapter XXVII
*
Asia.
... I feel, I see
Those eyes which burn through smiles that fade in tears,
Like stars half quenched in mists of silver dew.
Prometheus Unbound, SHELLEY.
It was only ten o'clock, really, and the curfew was ringing from every village on the mountain-side. The sound of the bells, half musical, half ominous, was borne by the bise across the vineyards, for the easterly wind that brings fine weather was blowing over lake and forest, and seemed to drive before it thin sheets of moonlight that turned the whole world soft. The village lay cosily dreaming beneath the sky. Once the curfew died away there was only the rustling of the plane trees in the old courtyard. The great Citadelle loomed above the smaller houses, half in shadow half in silver, nodding heavily to the spire of the Church, and well within sight of the sentinelle poplar that guarded the village from the forest and the mountains. Far away, these mountains now lowered their enormous shoulders to let night flow down upon the sleeping world. The Scaffolding that brought it had long since sailed over France towards the sea....
Mother, still panting from the ritual of fastening the younger children into bed, had gone a moment down the passage to say good- night to Mlle. Lemaire, and when she returned, the three of them— herself, her husband, and Cousin Henry—dropped into chairs beside the window and watched the silvery world in silence for a time. None felt inclined to speak. There was drama somehow in that interval of silence—that drama which lurks everywhere and always behind life's commonest, most ordinary moments. Actions reveal it—sometimes—but it mostly lies concealed, and especially in deep silences like this, when the ticking of a cuckoo clock upon the wall may be the sole hint of its presence.
It was not the good-byes that made all three realise it so near, though good-byes are always solemn and momentous things; it was something that stirred and rose upon them from a far deeper strata of emotion than that caused by apparent separation. For no pain lay in it, but a power much more difficult to express in the sounds and syllables of speech—Joy. A great joy, creative and of big significance, had known accomplishment. Each felt it, knew it, realised it. The moonlit night was aware of it. The entire universe knew it, too. The drama lay in that. There had been creation—of more light.... The world was richer than it had been. Some one had caught Beauty in a net, and to catch Beauty is to transform and recreate all common things. It is revelation.
Through the mind of each of these three flowed the stream of casual thinking—images, reflections, and the shadowy scaffoldings of many new emotions—sweeping along between the banks of speech and silence. And this stream, though in flood, did not overflow into words for a long time. With eyes turned inwards, each watched the current pass. Clear and deep, it quietly reflected—stars. Each watched the same stream, the same calm depths, the same delicate reflections. They were in harmony with themselves, and therefore with the universe....
Then, suddenly, one of the reflections—it was the Pleiades—rose to the surface to clasp its lovely original. It was the woman who netted the golden thought and drew it forth for all to see.
'Couldn't you read it to us, Daddy?' she whispered softly across the silence.
'If it's not too long for you.' He was so eager, so willing to comply.
'We will listen till the Morning Spiders take us home,' his cousin said.
'It's only the shorter version,' Daddy agreed shiningly, 'a sketch for the book which, of course, will take a year to write. I might read that, perhaps.'
'Do,' urged Mother. 'We are all in it, aren't we? It's our story as well as yours.'
He rose to get the portfolio from the shelf where he had laid it, and while Rogers lit the lamp, Riquette stole in at the window, picking her way daintily across the wet tiles. She stood a moment, silhouetted against the sky; then shaking her feet rapidly each in turn like bits of quivering wire, she stepped precisely into the room. 'I am in it too,' she plainly said, curling herself up on the chair Daddy had just vacated, but resigning herself placidly enough to his scanty lap when he came back again and began to read. Her deep purring, while he stroked her absent-mindedly, became an undercurrent in the sound of his voice, then presently ceased altogether....
On and on he read, while the moon sailed over La Citadelle, bidding the stars hush to listen too. She put her silvery soft hands across their eyes that they might hear the better. The blue wind of night gathered up the meaning and spread it everywhere. The forest caught the tale from the low laughter in the crest of the poplar, and passed it on to the leagues of forest that bore it in turn across the frontiers into France. Thence snowy Altels and the giant Blumlisalp flashed it south along the crowding peaks and down among the Italian chestnut woods, who next sent it coursing over the rustling waves of the Adriatic and mixed it everywhere with the Mediterranean foam. In the morning the shadows upon bare Grecian hills would whisper it among the ancient islands, and the East catch echoes of it in the winds of dawn. The forests of the North would open their great gloomy eyes with wonder, as though strange new wild-flowers had come among them in the night. All across the world, indeed, wherever there were gardened minds tender enough to grow fairy seed, these flakes of thought would settle down in sleep, and blossom in due season into a crop of magic beauty.
He read on and on.... The village listened too, the little shadowy street,
the familiar pine woods, the troubled Pension, each, as its image was evoked in the story, knew its soul discovered, and stirred in its sleep towards the little room to hear. And the desolate ridges of La Tourne and Boudry, the clefts where the wild lily of the valley grew unknown, high nooks and corners where the buzzards nested, these also knew and answered to the trumpet summons of the Thought that made them live. A fire of creation ran pulsing from this centre. All were in the Pattern of the Story.
To the two human listeners it seemed as familiar as a tale read, in childhood long ago, and only half forgotten. They always knew a little of what was coming next. Yet it spread so much further than mere childhood memories, for its golden atmosphere included all countries and all times. It rose and sang and sparkled, lighting up strange deep recesses of their unconscious and half-realised life, and almost revealing the tiny silver links that joined them on to the universe at large. The golden ladders from the Milky Way were all let down. They climbed up silvery ropes into the Moon....
'It's not my own idea,' he said; 'I'm convinced of that. It's all flocked into me from some other mind that thought it long ago, but could not write it, perhaps. No thought is lost, you see—never can be lost. Like this, somehow, I feel it:—
Now sinks to sleep the clamour of the day,
And, million-footed, from the Milky Way,
Falls shyly on my heart the world's lost Thought—
Shower of primrose dust the stars have taught
To haunt each sleeping mind,
Till it may find
A garden in some eager, passionate brain
That, rich in loving-kindness as in pain,
Shall harvest it, then scatter forth again
It's garnered loveliness from heaven caught.
Oh, every yearning thought that holds a tear,
Yet finds no mission,
And lies untold,
Waits, guarded in that labyrinth of gold,—
To reappear
Upon some perfect night,
Deathless—not old—
But sweet with time and distance,
A Prisoner in Fairyland Page 32
