"He's dead," the man said. "I know. I could tell."
"What time did you come on duty, Mr…?"
"McGee, Aaron McGee. Everyone calls me Mr. Aaron. I mean the tenants do. Don't know why."
"What time did you come on duty, Mr. McGee?"
"Five in the morning." He looked at his watch.
"Five hours ago. Five hours ten minutes. Took me two hours to get here in all that snow."
Mac had his notebook out and was writing carefully.
"Who was on duty before you?"
"Ernesto, Ernesto… Let me think. I know it. He's been here five, six years. I know his last name. I'm just, you know?"
Mac nodded.
"You have a sign-in book?" Mac asked.
McGee nodded. "Write in the name of every visitor. Check with the tenant before I let anyone in. Tenants I just write in myself and say 'Good morning' or 'Good night' or some such. Holidays last month, I said 'Merry Christmas' to the ones I know are Christians like me and 'Happy Hanukkah' to the Jews. I don't say anything to the Melvoys. They're atheists, but they give me a little something at Christmas anyway."
"Any visitors for Mr. Lutnikov this morning?"
"Not a one," said the doorman, shaking his head emphatically. "Not for him. Not for anybody in the building. Computer people are supposed to come fix the Rabinowitz's computer this morning."
"Any tenants leave this morning?"
"The Shelbys on ten," said the doorman, motioning for Mac to follow him toward the front door of the Belvedere Towers. "Walked their dog for a few minutes and then came back. Too cold out there for the little thing, but he did his business. Mrs. Shelby was carrying one of those see-through scooper bags, you know. They came back in fast."
Mac nodded.
"And Ms. Cormier," McGee went on. "She goes out every morning, rain, shine, snow, makes no difference. She takes a walk. Eight in the morning. Always says 'Hello, Aaron.' Stays out maybe half an hour, even today."
"She have anything with her?" Mac asked.
"Same as always," McGee said. "One of those big bookstore bags, the kind with a picture of some guy with a beard on it. What's the name of that bookstore?"
"Barnes and Noble?" asked Mac.
"That's it," said McGee. "Same bag every day."
McGee moved with a slight, swaying shuffle. He had to be at least seventy, probably more.
"Sometimes the Glicks will go out early on a Saturday," he said. "They're on two, but he's got the chemotherapy so they've pretty much stayed inside on Saturdays lately."
They stopped in front of the doorman's desk to the right of the front door. Some of the early February freeze seeped through the frame of the door. The snow, at least two feet of it, had stopped falling hours ago, but the temperature was still dropping and more snow was expected. Mac was sure it was now closing in on zero.
His car was parked a block away in a loading zone in front of a deli with his visor pulled down to show his CSI tag. The walk from the car to the apartment building took about five minutes. It would normally have taken no more than a minute or two. It reminded Mac of a wild snowstorm about six years ago in Chicago. In the aftermath of that storm, small, uneven hills of snow had to be climbed like slippery mountains. Mac and his wife lived in a ward in which the alderman was not part of the Democratic Party machine, which meant they were the last to be plowed. It might be days before they could get their car out of the garage. But they had turned the near disaster into a nighttime challenge, climbing, slipping, sliding, falling to make it to the major street four blocks away that had been plowed and where they had found the neighborhood supermarket open.
When Mac slipped on a hill and sank, rear end, into the snow on the way back home, Claire had laughed. Groceries were strewn around him making their own indentations in the snow lit by the hazy streetlights.
Mac hadn't been able to laugh. He looked up with an exaggerated frown, but the frown became a smile. Claire was ankle deep in snow, her ears red, her blue watch cap pulled down to her forehead, her red-knit, gloved hands clutching shopping bags. She was laughing. He could see it all now, dark street, white snow, streetlamp glowing, her laughing.
"Let's see," said McGee. "It's Saturday so the goto-work people are thinking three times before going out in this weather and it's still early so…"
He looked at the book.
"Nothing," he said. "No one else in. No one else's out."
"When's Ernesto's shift?" Mac said, returning fully to the present.
"Midnight to when I come in at five."
McGee looked at the book again, squinting.
"No entries on Ernesto's shift. None at all. No one in. No one out."
An ambulance pulled up outside in front of the door, its sirens silent. Two paramedics dressed in white under blue jackets came out, opened the back door of the ambulance, pulled out a stretcher and a body bag.
The doorman stopped to watch them come in. "I never got any of the names of you policemen," he said. "Maybe I should…"
"It's all right," said Mac. "Tell me about Mr. Lutnikov."
"Sorry we're late, Taylor," said the first paramedic through the door, a bodybuilder with a baby face. "Weather."
Mac nodded and said, "Get him to the lab as fast as you can, but be careful out there."
"Roger that," said the bodybuilder, moving with his partner past Mac and the doorman.
"Where were we?" asked McGee as he watched the paramedics track more snow through the lobby.
"Mr. Lutnikov," Mac reminded him.
"Kept to himself mostly," said McGee. "Polite enough. Gave me a fifty dollar bill, crisp, always crisp, on Christmas, every Christmas."
"He had a lot of money?" asked Mac.
"Don't know," said McGee with a smile. "That's about average for Christmas. Everyone in the building gives me cash on the holidays. Want to know how much I got this past holiday? Three thousand four hundred and fifty dollars. Put it right in the bank."
There was a stir of movement down the hallway by the elevators. Mac glanced over. The dead man's leg was still hanging out the door.
"You found the body," said Mac.
"Sure did," said McGee, pointing down the hallway. "Heard the elevator stop, looked over for someone to get out. Nobody did. Bell just kept ding-dinging so I went to look. Know what I saw?"
"A leg sticking out and the door slamming into it," said Mac.
"That's right. That's right. Door's automatic. Stick something out and it just keeps banging against it and ding-dinging."
Which accounted for the bruises on the dead man's ankle. It also suggested that the dead man's leg had been propped against the elevator door and fell out when the door was opened.
"Does the elevator automatically come back down here?"
"No sir. You have to push the L button or it sits wherever it stopped last."
"Are the two other elevators as small as the one with the body?" Mac asked.
"No sir," repeated the doorman. "They're considerably bigger. Elevator three is small because it only goes up from fifteen to the penthouse and then back down here."
A whirl of wind beyond the rattling glass front doors turned the doorman's head. "Looks real bad out there. Hear it's cold too. Below zero."
"Mr. Lutnikov lived on three," Mac said. "Any idea why he was on an elevator that didn't stop at his floor?"
McGee shook his head. "Everything from fifteenth floor up is single apartments. Take up the whole floor. Four, five bedrooms, balconies. Ms. Louisa Cormier in the penthouse has her own screening room, with these real plush seats and a great big screen. People up there have the big dollars."
"For Lutnikov to get to elevator three…" Mac prompted.
"He'd have to come down to the lobby, get on elevator three, and go back up," said the doorman.
"Mr. Lutnikov know anyone who lived on fifteen or above?" asked Mac.
McGee shrugged his bony shoulders.
"Wouldn't know," he said. "Friendly building but not close
-like. People in the lobby say hello, smile polite-like but…"
The paramedics were coming through the hall carrying a stretcher with a zippered body bag, the dead man inside. Mac could see Aiden Burn putting crime-scene tape across the door of the elevator.
"I'll get the door for you," said McGee, hurrying in front of the paramedics and pushing open the door to a rush of wind, an invading gust of snow and a blast of icy air that ran through Mac's shoulder blades.
Aiden joined Mac. She slipped her gloves off and dropped them in her pocket. The lingering cold from the outside attack of the storm had hit her. She zipped up her blue jacket, the twin of Mac's with the words "Crime Scene Unit" in white letters across the back.
"He wasn't going out jogging in his slippers," said Mac, watching the body being loaded into the ambulance.
"Where was he going?" asked Aiden.
"Or coming from?" answered Mac.
"Somewhere between fifteen and twenty-one, which is the penthouse," she said. "The buttons show the elevator doesn't go between one and fourteen, but it does go to the lobby and the basement. There's a B button on the elevator. No garage."
"You take the basement. I'll start on fifteen."
"Whoever shot our victim stood outside the elevator," Aiden said. "No powder burns on his shirt. Elevator's too small to fire a shot and leave no powder burn."
Mac nodded.
"And," she added, "he or she was a good shot. Entry wound is right in line with the heart."
"Can I turn elevator three back on?" asked the doorman.
"No," said Mac. "It's a crime scene. There's a stairwell?"
McGee nodded his head and said, "It's the law."
"The tenants will have to use the staircase down to the fifteenth floor and take one of the elevators from there or keep walking," Mac said.
"They are not going to like that," said McGee, shaking his head. "Not at all. Can I call them and tell them?"
"Right after you give me the names of every tenant from the fifteenth floor up," said Mac.
"I'll write them down for you," said McGee, picking up an automatic pencil from the dark brown desk and clicking it with his thumb.
2
ED TAXX ADJUSTED THE THERMOSTAT in room 614 of the Brevard Hotel. The thermometer showed it was sixty-five degrees, but the Brevard was old, the heating system unreliable, and the weather outside frigid white.
Taxx was a twenty-five-year veteran with the District Attorney's security division. One more year and his daughter would be off to college in Boston. Then, Ed told his wife, they would head for Florida and screw the New York winters.
Ed had grown up on Long Island, had looked forward to winter snows, snowball fights, sledding down Maryknoll Hill, being kid macho like the other boys playing hockey with freezing fingers and ears in Stanton Park. When he reached the age of forty, he stopped looking forward to the winters, the car that threatened not to start, the snow that kept him in his car for hours with the heat turned up, and the need to concentrate to keep from skidding always on his mind. Worst of all were the long gray depressing days. He would not miss the city when he retired.
He looked at Cliff Collier, who didn't look cold at all. Collier was thirty-two, bull strong. He had been an NYPD uniformed officer for six years and a detective for two years.
In two hours they would be relieved by another team guarding Alberta Spanio, who was currently asleep in the locked bedroom. Cliff and Ed had met two nights earlier when they relieved two others from their respective offices. Each night they had tucked Alberta in just before midnight, heard her lock the dead bolt. Collier had spent the night watching television shows constantly being interrupted by weather reports as the snow piled higher and the temperature dropped lower. Taxx had sporadically watched television and read a mystery novel set in Florida.
The two men neither liked nor disliked each other. They had little in common but the job. After ten minutes of small talk once Alberta locked her door, they had settled into conversational silence and Jay Leno as background white noise.
The Brevard Hotel was not a regular safe house for the NYPD or the District Attorney's office. No chances were being taken with Alberta Spanio. No chance that there was a leak in the department. That's what the two men and the people on the other two shifts had been told. They all had enough smarts and experience to be selected for the job, which meant that they all knew there was a chance that the people they were protecting Alberta Spanio from might find out where she was.
Had Alberta, short, big busted, unnaturally blonde, and very naturally frightened, asked for a phone call, Ed and Cliff would have given her a polite "no," the same polite "no" she would had received if she asked for a ham sandwich. No room service. No outside delivery. Food came in only when there was a shift change.
The relief officers, due in about an hour, would bring something for breakfast, probably Egg McMuffin sandwiches and coffee, which had been their breakfast of choice the day before.
"It's eight," Taxx said, looking at his watch. "We'd better wake her."
"I could use the john," said Collier, who rose from the couch and nodded as he moved to the bedroom door. He knocked loudly and called, "Wake up call, Alberta."
No answer. Collier knocked again.
"Alberta." First a call and then a question, "Alberta?"
Taxx was at his side now. He knocked and shouted, "Wake up."
Still no answer. The two men looked at each other. Taxx nodded at Collier who understood.
"Open it up or we break it down," said Taxx, loud but calmly.
Taxx looked at his watch, counted off fifteen seconds and stepped out of the way so the younger, larger cop could throw his weight against the door. Collier threw his shoulder into the door the way he'd been shown in the Academy. Use the muscle part of the arm not the bony part of the shoulder. Don't throw everything into the first lunge if you don't have to get in fast. Hit it hard, wear it down. Fight the wood, not the lock. When Collier hit it, the door cracked but didn't open. The dead bolt held. Collier backed up a few steps and threw himself into the door again. This time it flew open to the sound of splintering wood, and Collier stumbled forward, almost falling.
The room was nearly frigid.
Taxx looked at the bed, a mound of blankets. The window across the room was closed, but a draft of icy air was coming from the open door of the bathroom.
"Bathroom window," said Taxx, rushing for the bed.
Collier righted himself and ran the eight or ten feet across the room to the bathroom. The window was open, wide open. Collier stepped into the tub to look out the window over the mound of snow that had gathered, considered closing the window but stopped himself, stepped out of the tub, and went back across the tile to the open door of the bathroom.
Taxx stood next to the bed. He had pulled the covers back. Collier could see the close-eyed corpse of Alberta Spanio turned on her side, her face white, a long-handled knife plunged deeply into her neck.
Ed Taxx and Cliff Collier didn't know Alberta Spanio and what little they had seen of her they had not liked. She had no record, no arrests. She had cut no deal. She had been Anthony Marco's mistress for three years and was afraid of him. She had wanted out, and when Marco had been arrested for murder and racketeering, Alberta had made a call to the District Attorney's office.
If she had second thoughts after telling everything she knew about Anthony, which was a lot, she had settled in to a sullen, surly, and foul-mouthed irritability.
There was no moment of grief for Taxx and Collier, but there was an understanding that their failure to protect a key witness in the murder trial of a major organized crime figure would have consequences that would affect their careers.
There was no phone in the bedroom. It had been removed to keep Alberta Spanio from making any calls. Collier moved quickly into the other room through the broken door and headed for the phone.
* * *
Homicide detective Don Flack knew Cliff Collier, not well, but well
enough for first names and talks and a cup of coffee from a machine in a precinct hallway when they ran into each other from time to time. They had gone through the Academy together.
Now Collier was District, caught all kinds of calls, from double-dealing prostitutes to gang mayhem. Because of his size, Collier looked intimidating. Because of his nature, he was. Flack knew that because of Collier's ambition- his father and uncle had both been cops- he was worrying about his future as he answered Flack's questions.
Taxx seemed to be more stoic about what had happened. They had lost an important witness in a trial in which she was going to testify in two days. This wasn't the kind of thing that you'd lose your pension over, and Taxx had no further departmental ambitions. What had happened would go in his record. So what? He was not looking for a promotion or a pay raise. Still, he had been on watch when the person he was responsible for had died, not under his nose exactly, but close enough.
Flack had his notebook in hand, the collar of his leather jacket pulled up over his neck to hold back the cold. With the door down and the bathroom window still open, the room in which they were standing seemed to be getting colder by the second despite the rush of warmth from a nearby heating vent.
Inside the bedroom, Detective Stella Bonasera was standing at the side of the bed looking down at the corpse, taking photographs. In the bathroom Danny Messer, wearing latex gloves, called out, "No sign of forced entry."
Stella coughed and felt a slight tickle in her throat. She might be coming down with a cold. Maybe, if she got a chance, she would swallow a couple of aspirin.
She held the camera at her side, looked down at the corpse and resisted the impulse to brush a stray lock of dark-rooted blonde hair from the face of the dead woman. Alberta Spanio had tried hard to hold onto the Brooklyn good looks she'd had ten or twelve years earlier, but she had been losing the battle. The blood had run down her neck and onto the pillow she was resting on, not a lot of blood, at least not a lot compared to what Stella might have expected. She put the camera in her pocket, reached into her CSI kit, took out the magnetic powder container, opened it, removed the powder brush, and carefully checked for prints on the smooth handle of the knife in the woman's neck. Clean. No prints.
Dead of Winter Page 2
