by Mario Puzo
Velardi reached over and slapped Andolini’s face twice, once with his palm and then backhand. He saw the blood well up on Andolini’s mouth and the rage in his eyes. He deliberately turned his back to sit at his desk.
At that moment, anger blinding his instinct for survival, Stefan Andolini grabbed the pistol out of the Inspector’s belt holster and tried to fire. In that same instant the police officer drew his own gun and fired four shots into Andolini’s body. Andolini was hurled against the far wall and then lay on the floor. The white shirt was stained completely red and, Velardi thought, it matched his hair quite nicely. He reached down and took the pistol from Andolini’s hand as other policemen rushed into the room. He complimented the Captain on his alertness, and then in full view of the officer he loaded his pistol with the bullets he had emptied out of it before the meeting. He did not want his Captain to get delusions of grandeur, that he had actually saved the life of a careless head of the Security Police.
Then he ordered his men to search the dead body. As he suspected the red-bordered security pass was in the sheaf of identification papers every Sicilian was required to carry. Velardi took the pass and put in into his safe. He would hand it over to Minister Trezza personally, and, with luck he would have Pisciotta’s pass to go along with it.
On deck one of the men brought Michael and Clemenza small cups of hot espresso which they drank leaning against the rail. The launch was slowly heading in to land, motor quiet, and they could see the lights on the dock, faint blue pinpoints.
Clemenza was walking around the deck, giving orders to the armed men and the pilot. Michael studied the blue lights which seemed to be running toward him. The boat was picking up speed, and it was as if that churning of the water swept away the darkness of the night. A chink of dawn opened in the sky, and Michael could see the dock and beaches of Mazara del Vallo; the colored umbrellas of café tables were a dusky rose beyond them.
When they docked there were three cars and six men waiting. Clemenza led Michael to the lead vehicle, an open and ancient touring car which held only a driver. Clemenza got into the front seat and Michael got into the back. Clemenza said to Michael, “If we get stopped by a carabinieri patrol, you duck down to the floor. We can’t fool around here on the road, we just gotta blow them away and make our run.”
The three wide-bodied touring cars were moving in the pale, early sunlight through a countryside almost unchanged since the birth of Christ. Ancient aqueducts and pipes spouted water over the fields. It was already warm and humid, and the air was filled with the smell of flowers beginning to rot in the heat of the Sicilian summer. They were passing through the Selinunte, the ruins of the ancient Greek city, and Michael could see from time to time the crumbling columns of marble temples scattered over Western Sicily by the Greek colonists more than two thousand years ago. These columns loomed eerily in the yellow light, their fragments of roof dripping blackly like rain against the blue sky. The rich black earth foamed up against walls of granite cliffs. There was not a house, not an animal, not a man to be seen. It was a landscape created by the slash of a giant sword.
Then they swung north to hit the Trapani–Castelvetrano road. And now Michael and Clemenza were more alert; it was along this road that Pisciotta would intercept them and bring them to Guiliano. Michael felt an intense excitement. The three touring cars went more slowly now. Clemenza had a machine pistol lying on the seat on his left side so he could bring it up quickly over the car door. His hands were positioned on it. The sun had climbed into its rightful dominance, and its rays were a hot gold. The cars kept slowly on; they were almost upon the town of Castelvetrano.
Clemenza ordered the driver to go even more slowly. He and Michael watched for any sign of Pisciotta. They were now on the outskirts of Castelvetrano, ascending a hilly road, and stopping so that they could look down the main street of the town lying below them. From their high vantage point Michael could see the road from Palermo clogged with vehicles—military vehicles; the streets were swarming with carabinieri in their black uniforms with white piping. There was the wail of many sirens that did not seem to scatter the crowds of people in the main street. Overhead two small planes were circling.
The driver cursed and stepped on the brake as he pulled the car to the side of the road. He turned to Clemenza and said, “Do you want me to go on?”
Michael felt a queasiness at the pit of his stomach. He said to Clemenza, “How many men do you have waiting for us in town?”
“Not enough,” Clemenza said sourly. His face had an almost frightened look. “Mike, we have to get out of here. We have to get back to the boat.”
“Wait,” Michael said, now seeing the cart and donkey toiling slowly up the hill toward them. The driver was an old man with a straw hat pulled down tight around his head. The cart was painted with legends on the wheels, the shafts, and the sides. It halted alongside of them. The driver’s face was wrinkled and showed no expression, and his arms, incongruously muscled, were bare to his shoulders, for he wore only a black vest over his wide canvas trousers. He came abreast of their car and said, “Don Clemenza, is that you?”
There was relief in Clemenza’s voice. “Zu Peppino, what the hell is going on there? Why didn’t my men come out and warn me?”
Zu Peppino’s stony wrinkled face did not change expression. “You can go back to America,” he said. “They have massacred Turi Guiliano.”
Michael found himself strangely dizzy. Suddenly at that moment the light seemed to fall out of the sky. He thought of the old mother and father, of Justina waiting in America, of Aspanu Pisciotta and Stefan Andolini. Of Hector Adonis. For Turi Guiliano had been the starlight of their lives, and it was not possible his light no longer existed.
“Are you sure it’s him?” Clemenza asked harshly.
The old man shrugged. “It was one of Guiliano’s old tricks, to leave a corpse or dummy to entice the carabinieri so that he could kill them. But it’s been two hours now and nothing has happened. The body is still lying in the courtyard where they killed him. There are already newspapermen from Palermo here with their cameras taking pictures of everybody, even my donkey. So believe what you like.”
Michael was feeling ill but he managed to say, “We’ll have to go in and look. I have to make sure.”
Clemenza said roughly, “Alive or dead, we can’t help him anymore. I’m taking you home, Mike.”
“No,” Michael said softly. “We have to go in. Maybe Pisciotta is waiting for us. Or Stefan Andolini. To tell us what to do. Maybe it’s not him, I can’t believe it’s him. He couldn’t die, not when he was this close to getting away. Not when his Testament is safe in America.”
Clemenza sighed. He saw the look of suffering on Michael’s face. Perhaps it wasn’t Guiliano; perhaps Pisciotta was waiting to make a rendezvous. Perhaps even this was part of the plot to distract attention from his escape if the authorities were close on his heels.
Now the sun had fully risen. Clemenza ordered his men to park their cars and to follow him. Then he and Michael walked down the rest of the street which was crowded with people. They were gathered around the entrance to a side street that was filled with army cars and blocked by a cordon of carabinieri. On this side street was a row of separate houses split apart by courtyards. Clemenza and Michael stood at the rear of the crowd watching with the others. The carabinieri officer was admitting journalists and officials past the cordon of guards after examining their credentials. Michael said to Clemenza, “Can you get us past that officer?”
Clemenza took Michael by the arm and led him out of the crowd.
In an hour they were in one of the small houses on a side street. This house, too, had a small courtyard and was only about twenty houses from where the crowd had gathered. Clemenza left Michael there with four men, and then he and two others went back into the town. They were gone for an hour and when Clemenza came back he was obviously badly shaken.
“It looks bad, Mike,” he said. “They’re bringing Guil
iano’s mother from Montelepre to identify the body. Colonel Luca is here, the Commander of the Special Force. And newspapermen from all over the world are flying in, even from the States. This town is going to be a madhouse. We gotta get outta here.”
“Tomorrow,” Michael said. “We’ll run tomorrow. Now let’s see if we can get past those guards. Did you do anything about that?”
“Not yet,” Clemenza said.
“Well let’s go out and see what we can do,” Michael said.
Against Clemenza’s protest, they went out into the street. The whole town seemed to be covered with carabinieri. There must be at least a thousand of them, Michael thought. And there were literally hundreds of photographers. The street was clogged with vans and automobiles and there was no way of getting near the courtyard. They saw a group of high-ranking officers going into a restaurant, and the whisper went around that this was Colonel Luca and his staff having a celebration lunch. Michael caught a glimpse of the Colonel. He was a small wiry man with a sad face, and because of the heat he had taken off his braided cap and was wiping his partially bald head with a white handkerchief. A crowd of photographers was taking his picture and a mob of journalists was asking him questions. He waved them aside without answering and disappeared into the restaurant.
The town streets were so dense with people that Michael and Clemenza could hardly move. Clemenza decided they should go back to the house and wait for information. Late that afternoon word was brought by one of his men that Maria Lombardo had identified the body as that of her son.
They ate dinner in an open-air café. It had a blaring radio giving news reports of Guiliano’s death. The story was that the police had surrounded a house in which they believed Guiliano to be hiding. When he came out he was ordered to surrender. He had immediately opened fire. Captain Perenze, Colonel Luca’s chief of staff, was giving interviews on the radio to a panel of journalists. He told how Guiliano had started to run and he, Captain Perenze, had followed him and cornered him in the courtyard. Guiliano had turned like a lion at bay, Captain Perenze said, and he, Perenze, had returned his fire and killed him. Everybody in the restaurant was listening to the radio. Nobody was eating. The waiters made no pretense of serving; they also listened. Clemenza turned to Michael and said, “The whole thing is fishy. We leave tonight.”
But at that moment the street around the café filled with Security Police. An official car pulled up to the curb and out of it stepped Inspector Velardi. He came up to their table and placed his hand on Michael’s shoulder. “You are under arrest,” he said. He fastened his icy blue eyes on Clemenza. “And for good luck we’ll take you with him. A word of advice. I have a hundred men around this café. Don’t make a fuss or you’ll join Guiliano in hell.”
A police van had pulled up to the curb. Michael and Clemenza were swarmed over by Security Police, searched and then pushed roughly into the van. Some newspaper photographers eating in the café had jumped up with their cameras and were immediately clubbed back by the Security Police. Inspector Velardi watched all this with a grim satisfied smile.
The next day the father of Turi Guiliano spoke from the balcony of his home in Montelepre to the people in the street below. In the old tradition of Sicily, he declared a vendetta against the betrayers of his son. Specifically he declared a vendetta against the man who had killed his son. That man, he said, was not Captain Perenze, not a carabiniere. The man he named was Aspanu Pisciotta.
CHAPTER 28
ASPANU PISCIOTTA HAD felt the black worm of treachery growing in his heart for the past year.
Pisciotta had always been loyal. Since childhood he had accepted Guiliano’s leadership without jealousy. And Guiliano had always proclaimed that Pisciotta was co-leader of the band, not one of the subchiefs like Passatempo, Terranova, Andolini and the Corporal. But Guiliano’s personality was so overwhelming that the co-leadership became a myth; Guiliano commanded. Pisciotta accepted this without reservation.
Guiliano was braver than all the others. His tactics in guerrilla warfare were unmatched, his ability to inspire love in the people of Sicily unequaled since Garibaldi. He was idealistic and romantic, and he had the feral cunning so admired by Sicilians. But he had flaws that Pisciotta saw and tried to correct.
When Guiliano insisted on giving at least fifty percent of the band’s loot to the poor, Pisciotta told him, “You can be rich or you can be loved. You think the people of Sicily will rise and follow your banner in a war against Rome. They never will. They will love you when they take your money, they will hide you when you need sanctuary, they will never betray you. But they don’t have a revolution in them.”
Pisciotta had opposed listening to the blandishments of Don Croce and the Christian Democratic party. He had opposed crushing the Communist and Socialist organizations in Sicily. When Guiliano hoped for a pardon from the Christian Democrats, Pisciotta said, “They will never pardon you, and Don Croce can never permit you to have any power. Our destiny is to buy our way out of our banditry with money, or someday to die as bandits. It’s not a bad way to die, not for me anyway.” But Guiliano had not listened to him, and this finally aroused Pisciotta’s resentment and started the growth of that hidden worm of treachery.
Guiliano had always been a believer, an innocent; Pisciotta had always seen clearly. With the advent of Colonel Luca and his Special Force, Pisciotta knew the end had come. They could win a hundred victories, but a solitary defeat would mean their death. As Roland and Oliver had quarreled in the legend of Charlemagne, so Guiliano and Pisciotta had quarreled and Guiliano had been too stubborn in his heroism. Pisciotta had felt like Oliver, repeatedly begging Roland to blow his horn.
Then when Guiliano fell in love with Justina and married her, Pisciotta realized his and Guiliano’s destinies were indeed separate. Guiliano would escape to America, have a wife and children. He, Pisciotta, would be a fugitive forever. He would never have a long life; a bullet or his lung disease would finish him off. That was his destiny. He could never live in America.
What worried Pisciotta most was that Guiliano, who had found love and tenderness in a young girl, had become more ferocious as a bandit. He killed carabinieri where previously he had captured them. He had executed Passatempo while on his honeymoon. He showed no mercy to anyone he suspected of informing. Pisciotta was in terror that the man he had loved and defended all these years might turn on him. He worried that if Guiliano learned of some of the things he had recently done, he, too, might be executed.
Don Croce had studied the relationship between Guiliano and Pisciotta closely for the last three years. They were the sole danger to his plans of empire. They were the only obstacles to his rule of Sicily. At first he had thought he could make Guiliano and his band the armed forces of the Friends of the Friends. He had sent Hector Adonis to sound Guiliano out. The proposition was clear. Turi Guiliano would be the great warrior, Don Croce the great statesman. But Guiliano would have to bend his knee, and this he refused to do. He had his own star to follow, to help the poor, to make Sicily a free country, to lift the yoke of Rome. This Don Croce could not comprehend.
But from 1943 to 1947, Guiliano’s star was in ascendency. The Don still had to forge the Friends into one unified force. The Friends had not recovered from the terrible decimation of their ranks by Mussolini’s Fascist government. So the Don gentled Guiliano’s power by enticing him into an alliance with the Christian Democratic party. Meanwhile he built the Mafia empire anew and bided his time. His first stroke, the engineering of the massacre at the Portella della Ginestra, with the blame falling on Guiliano, had been a masterpiece, but he could not claim the credit his due. That stroke destroyed any chance that the government in Rome might pardon Guiliano and support his bid for power in Sicily. It also stained forever the hero’s mantle Guiliano wore as the champion of the poor in Sicily. And when Guiliano executed the six Mafia chiefs the Don had no choice. The Friends of the Friends and Guiliano’s band had to fight each other to the death.
&nbs
p; So Don Croce had focused more intently on Pisciotta. Pisciotta was clever, but as young men are clever—that is, he did not give full weight to the hidden terror and evil in the hearts of the best of men. And Pisciotta, too, had a taste for the fruits and temptations of the world. Where Guiliano disdained money, Pisciotta loved the rewards money brought. Guiliano did not have a penny for his personal fortune though he had earned over a billion lire with his crimes. He distributed his share of the spoils to the poor and to help support his family.
But Don Croce had observed that Pisciotta wore the finest tailored suits in Palermo and visited the most expensive prostitutes. Also that Pisciotta’s family lived much better than Guiliano’s. And Don Croce learned that Pisciotta had money stored in Palermo’s banks under false names, and had taken other precautions that only a man interested in staying alive would make. Like false identity papers in three different names, a safe house prepared in Trapani. And Don Croce knew that all this was a secret held from Guiliano. So he awaited Pisciotta’s visit, a visit requested by Pisciotta, who had known the Don’s house was always open to him, with interest and pleasure. And also with prudence and foresight. He was surrounded by armed guards, and he had alerted Colonel Luca and Inspector Velardi to be ready for a conference if all went well. If it did not, if he had misjudged Pisciotta or if this was a triple-dyed treachery cooked up by Guiliano to have the Don killed, then it would be the grave for Aspanu Pisciotta.
Pisciotta allowed himself to be disarmed before he was led into the presence of Don Croce. He had no fear, for he had just a few days before done the Don an enormous service; he had warned him of Guiliano’s plan to attack the hotel.
The two men were alone. Don Croce’s servants had prepared a table of food and wine, and Don Croce, an old-fashioned rustic host, filled Pisciotta’s plate and glass.
