The Best Science Fiction and Fantasy of the Year: Volume Eight (Best SF & Fantasy of the Year)

Home > Other > The Best Science Fiction and Fantasy of the Year: Volume Eight (Best SF & Fantasy of the Year) > Page 57
The Best Science Fiction and Fantasy of the Year: Volume Eight (Best SF & Fantasy of the Year) Page 57

by Jonathan Strahan


  Shut the door. Shut the door and rest a little…

  Partial head crash, foreign-reaction safe mode. Voluntary coma.

  Nix nods and opens one of the memory trays, then pulls a yellow bus card, replacing it with a spare from the consoles supply rack. Somewhere deep inside Oma's brain, there's the very faintest of hums.

  "It's a code," Nix says to herself.

  And if I can get the order of questions right, if I can keep the bzou from getting suspicious and rogueing up.

  A drop of sweat drips from her brow, stinging her right eye, but she ignores it. "Now, Grandmother, now please listen."

  "I'm all ears, child."

  "And what big ears you have."

  "All the better to hear you with."

  "Right… of course," and Nix opens a second tray, slicing into Oma's comms, yanking two fried transmit-receive bus cards. She hasn't been able to talk to Phobos. She's been deaf all this fucking time. The CPU hums more loudly, and a hexagonal arrangement of startup OLEDs flash to life.

  One down.

  "Grandmother, what big eyes you have."

  "All the better to see you with, Rotkäppchen."

  Right. Fuck you, wolf. Fuck you and your goddamn road of stones and needles.

  Nix runs reset on all of Oma's optic servos and outboards. She's rewarded with the dull thud and subsequent discordant chime of a reboot.

  "What big teeth I have," Nix says, and now she does turn towards the bzou, and as Oma wakes up, the virus begins to sketch out, fading in incremental bursts of distorts and static. "All the better to eat you with."

  "Have I found you now, old rascal?" the virus manages between bursts of white noise. "Long have I been looking for you."

  The bzou had been meant as a distress call from Oma, sent out in the last nanoseconds before the crash. "I'm sorry, Oma," Nix says, turning back to the computer. "The forest, the terra… I should have figured it out sooner." She leans forward and kisses the console. And when she looks back at the spot where the bzou had been crouched, there's no sign of it whatsoever, but there's Maia, holding her antique storybook…

  MYSTIC FALLS

  Robert Reed

  Robert Reed (www.robertreedwriter.com) has a Bachelor of Science in Biology from the Nebraska Wesleyan University, and has worked as a lab technician. He became a full-time writer in 1987, the same year he won the L. Ron Hubbard Writers of the Future Contest, and has published twelve novels, including The Leeshore, The Hormone Jungle, and far future SF Marrow and The Well of Stars. A prolific writer, Reed has published over 200 short stories, mostly in F&SF and Asimov's, which have been nominated for the Hugo, James Tiptree, Jr., Locus, Nebula, Seiun, Theodore Sturgeon Memorial, and World Fantasy awards, and have been collected in The Dragons of Springplace, The Cuckoo's Boys, Eater-of-Bone, and The Greatship. His novella "A Billion Eves" won the Hugo Award. His latest book is major SF novel The Memory of Sky. Nebraska's only SF writer, Reed lives in Lincoln with his wife and daughter, and is an ardent long-distance runner.

  There might be better known faces. And maybe you can find a voice that rides closer to everyone's collective soul.

  Or maybe there aren't, and maybe you can't.

  The world knows that one face, and it knows one of a thousand delightful names, and recognizing the woman always means that you can hear the voice. That rich musical purr brings to mind black hair flowing across strong shoulders, unless the hair is in a ponytail, or pigtails, or it's woven into one of those elaborate tangles popular among fashionable people everywhere. Beauty resides in the face, though nothing about the features is typical or expected. The Chinese is plain, but there's a strong measure of something else. Her father is from Denver, or Buenos Aires. Or is it Perth? Unless it's her mother who brought the European element into the package. People can disagree about quite a lot, including the woman's pedigree. Yet what makes her memorable – and appealing to both genders and every age – isn't her appearance half as much as the fetching, infectious love of life.

  Most of us wish we knew the woman better, but we have to make do with recollections given to us by others, and in those very little moments when our paths happen to cross.

  These incidents are always memorable, but not when they happen. In every case, you don't notice brushing elbows with the woman. Uploading your day is when you find her. Everybody knows that familiar hope: Perhaps today, just once, she was close to you. The dense, nearly perfect memory of the augmented mind runs its fine-grain netting through the seconds. That's when you discover that you glanced out the window this morning, and she was across the street, smiling as she spoke to one companion or twenty admirers. Or she was riding inside that taxi that hummed past as you argued with your phone or your spouse or the dog. Even without her face, she finds ways to be close. Her voice often rides the public wi-fi, promoting food markets and thrift markets and the smart use of the smart power grid. The common understanding is that she is a struggling actress, temporarily local but soon to strike real fame. Her talents are obvious. That voice could hawk any product. She has the perfect manner, a charming smooth unflappable demeanor. Seriously, you wouldn't take offense if she told you to buy death insurance or join an apocalyptic cult.

  Yet she never sells products or causes that would offend sane minds.

  It is doubtful that anyone has infused so much joy in others. And even more remarkable, most of humanity has spoken to the creature, face to face.

  Was it three weeks ago, or four? Checking your uploads would be easy work, but that chore never occurs to the average person.

  That is another sign of her remarkable nature.

  But if you make the proper searches, she will be waiting. Six weeks and four days ago from now, the two of you were sharing the same line at the Tulsa Green-Market, or an elevator ride in Singapore, or you found yourself walking beside the woman, two pedestrians navigating a sunbaked street in Alexandria.

  Every detail varies, save for this one:

  She was first to say, "Hello."

  Just that one word made you glad.

  She happened to know your face, your name, and the explanation was utterly reasonable. Mutual friends tie you together. Or there's a cousin or workmate or a shared veterinarian. Forty or fifty seconds of very polite conversation passed before the encounter was finished, but leaving a taproot within the trusted portions of your life. Skillful use of living people achieves quite a lot. And because you were distracted when you met, and because the encounter was so brief, you didn't dwell on the incident until later.

  The incongruities never matter. She wears layers and layers of plausibility. You aren't troubled to find her only inside uploaded memories. Finding her on a social page or spotting long black hair in the distance, you instantly retrieve that fifty seconds, and you relive them, and it's only slightly embarrassing that her smile is everywhere but inside your old-fashioned, water-and-neuron memories.

  The creature carries respectable names.

  And nobody knows her.

  Her slippery biography puts her somewhere between a youngish thirty and a world-worn twenty-three. But the reality is that the apparition isn't much more than seven weeks old.

  Most people would never imagine that she is fictional. But there are experts who live for this kind of puzzle, and a lot more is at stake here than simple curiosity.

  The mystery woman was four weeks old before she was finally noticed. Since then, talented humans and ingenious software packages have done a heroic job of studying her tricks and ramifications, and when they aren't studying her, the same experts sit inside secure rooms and cyberholes, happily telling one another that they saw this nightmare coming.

  This cypher.

  This monster.

  The most elaborate computer virus ever.

  The Web is fully infected. A parasitic body has woven itself inside the days and foibles of forty billion unprotected lives.

  Plainly, something needs to be done.

  Everyone who understands the situation agre
es with the urgency. In fact, everyone offers the same blunt solution:

  "Kill the girl."

  Though more emotional words are often used in place of "girl".

  But even as preparations are made, careful souls begin to nourish doubts. Murder is an obvious, instinctive response. The wholesale slaughter of data has been done before, many times. Yet nobody is certain who invented this mystery, and what's more, nobody has a good guess what its use might be. That's why the doubters whisper, "But what if this is the wrong move?"

  "What if it is?" the others ask. "This is clearly an emergency. Something needs to be done."

  Faces look at the floor, at the ceiling.

  At the gray unknowable future.

  Then from the back of the room, a throat clears itself.

  My throat, as it happens.

  The other heroes turn towards me – fifty minds, most of whom are superior to mine. But I manage to offer what none of the wizards ever considered.

  "Maybe we should ask what she wants," I suggest.

  "Ask who?" several experts inquire.

  "Her," I say. "If we do it right, if we ask nicely and all, maybe just maybe the lady tells us what all of this means."

  No guidebook exists for the work.

  Interviewing cyphers is a career invented this morning, and nobody pretends to be expert.

  The next step is a frantic search for the perfect interrogator. One obvious answer is to throw a second cypher at the problem – a confabulation designed by us and buffered by every means possible. But that would take too many days and too many resources. A second, more pragmatic school demands that an AI take responsibility. "One machine face to face with another," several voices argue. Interestingly enough, those voices are always human. AIs don't have the same generous assessment of their talents. And after listing every fine reason for avoiding the work, the AIs point at me. My little bit of fame stems from an ability for posing respectable, unanswerable questions, and questions might be a worthwhile skill. There are also some happenstance reasons why my life meshes nicely with "hers". And because machines are as honest as razors, they add another solid reason to back my candidacy.

  "Our good friend doesn't hold any critical skills," they chirp.

  I won't be missed, in other words.

  Nobody mentions the risks. At this point, none of us have enough knowledge to define what might or might not happen.

  So with no campaign and very little thanks, I am chosen.

  The entire afternoon is spent building the interrogation venue. Details are pulled from my public and private files. My world from six weeks ago is reproduced, various flavors of reality woven around an increasingly sweaty body. Strangers give me instructions. Friends give advice. Worries are shared, and nervous honesties. Then with a pat to the back, I am sent inside the memory of a place and moment where a young woman once smiled at me, the most famous voice in the world offering one good, "Hello."

  I am hiking again, three days deep into the wilderness and with no expectations of company. The memory is genuine, something not implanted into my head or my greater life. I walked out of the forest and into a sunwashed glade, surprised to find a small group of people sitting on one dead tree. She was sitting there too. She seemed to belong to the group. At least that's the impression I had later, and the same feeling grabs me now. The other people were a family. They wore the glowing satins of the New Faith Believers. Using that invented, hyperefficient language, the father was giving his children what sounded like encouragement. "Mystic Falls," I heard, and then a word that sounded like, "Easy." Was the falls an easy walk from here, or was he warning the little ones not to expect an easy road?

  In real life, those strangers took me by surprise. I was momentarily distracted, and meanwhile the cypher, our nemesis, sat at the far end of the log. She was with that family, and she wasn't. She wasn't wearing the New Faith clothes, but she seemed close enough to belong. The parents weren't old enough to have a grown daughter, and she didn't look like either of them. Maybe she was a family friend. Maybe she was the nanny. Or maybe she was a sexual companion to one or both parents. The New Faith is something of a mystery to me, and they make me nervous.

  Sitting on the log today, this woman is exactly what she is supposed to be. Except this time, everything is "real". I march past the three little children and a handsome mother and her handsome, distracted husband who talks about matters that I don't understand.

  "Hello," says the last figure.

  My uploaded memory claims that I stopped on this ground, here. I do that again, saying, "Hello," while the others chatter away, ignoring both of us.

  "I know you," she says.

  But I don't know her. Not at all.

  As before, she says, "Your face. That face goes where I take my dog. Do you use Wise-and-Well Veterinarians?"

  I do, and we're a thousand kilometres from its doorstep. Which makes for an amazing coincidence, and by rights, I should have been alarmed by this merging of paths. But that didn't happen. My uploaded memory claims that I managed a smile, and I said, "I like Dr. Marony."

  "I use Dr. Johns."

  The woman's prettiness is noticed, enjoyed. But again, her beauty isn't the type to be appreciated at first glance.

  "I like their receptionist too," she says.

  I start to say the name.

  "Amee Pott," she says.

  "Yes."

  "I go there because of Amee's sister. Janne and I went to the same high school, and she suggested Wise-and-Well."

  "You grew up in Lostberg?" I manage.

  "Yes, and you?"

  "Sure."

  We share a little laugh. Again, the coincidences should be enormous, but they barely registered, at least after the first time. All this distance from our mutual home, and yet nothing more will be said about our overlapping lives.

  "Your name...?" I begin.

  "Darles Jean," she says.

  "I'm Hector Borland."

  She smiles, one arm wiping the perspiration from her forehead. And with that her attentions begin to shift, those pretty dark eyes gazing up the trail that I have been following throughout the day.

  That gaze makes me want to leave.

  "Well, have a nice day," I told her once, and I say it again, but with a little more feeling. This a different, richer kind of real.

  "I will have a nice day, Mr. Borland."

  There. That rich voice says my name perfectly, measured respect capturing the gap between our ages. The original day had me walking all the way up to the Falls, alone. A few dozen new memories, pretending to be old, were subsequently woven into my uploads, proving her existence. I walked alone, never seeing her again, or that family that must have turned back before the end. But today, after a few strides, my body slows and turns, and using a fresh smile, I ask the nonexistent woman, "Would you like to walk with me?"

  Breaking the script is a serious moment.

  Experts in both camps, human and machine, have proposed that disrupting the flow of events might trigger some hidden mechanism. If the cypher is as large as she seems to be, and if she is so deeply immersed in the world's mind, then any innocuous moment could be the trigger causing her malware to unleash.

  The Web will shatter.

  The world's power and communications will fail.

  Or maybe our AIs will turn against us, their subverted geniuses bent on destroying their former masters.

  Yet no disaster happens, at least not that I see inside this make-believe realm. What does happen is that the girl that I never met gives my suggestion long consideration, and then without concern or apparent hesitation, she rises, her daypack held in the sweat-wiping hand.

  "I would like that walk," she says.

  I say, "Good."

  And without a word, we leave that nameless family behind.

  Who would build such a monster?

  Everyone asks the question, and this morning's answers have been remarkably consistent. Certain national powers have the proper
mix of resources and reasons. Several organizations have fewer resources but considerably more to gain. Crime syndicates and lawless states are at the top of every list, which is why I discount each of them in turn.

  Am I smarter than my colleagues?

  Rarely.

  Do I have some rare insight into the makings of this cypher?

  Never.

  But in life, both as a professional and as a family man, my technique is to juggle assessments and options that nobody else wants to touch. By avoiding the consensus, much of the universe is revealed to me. My children, for example. Most fathers are quite sure that their offspring are talented, and their daughters are lovely while their sons will win lovely wives in due time. But my offspring are unexceptional. In their late teens, they have done nothing memorable and certainly nothing special, and because I married an unsentimental woman with the same attitudes, our children have been conditioned to accept their lack of credible talent. Which makes them work harder than everyone else, accepting their little victories as a credit to luck as much as their own worthiness.

  I think about these exceptionally ordinary children as I walk the mountainside with a beautiful cypher.

  She is not the child of the Faceless Syndicate. We know this much already. Nor is she a product of the New Malta Band, or either of the West Wall or East Wall Marauders. Nor is she an Empire of Greater Asia weapon, or the revenge long promised by the State of Halcyon.

  She must be something else.

  Someone else's something, yes.

  The illusionary trail lifts both of us. I feel comfortable taking the lead, keeping a couple strides between us. Nothing here is flirtatious, and it won't be. The experts came up with a strategy based on a middle-aged man and steep mountain slopes and a waterfall wearing a very appropriate name. I follow the others' directions rigorously. But the script remains ours. We speak, if only rarely. She claims to like the bird songs. Nothing but honest, I tell her that I love these limestone beds and the fossilized shells trapped inside them. The word "trapped" is full of meanings, complications. I pause, and she comes up behind me, and for the first time what is as real as anything is what touches me from behind, the hand warm and a little stronger than I anticipated, not pushing me but definitely making itself felt as that wonderful voice says, "I think I hear the falls."

 

‹ Prev