The Fairest of Them All
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Praise for The Fairest of Them All
“Intricate, inventive, and charged with magic. Carolyn Turgeon masterfully clears the mists of fairy tale and legend to reveal the complex humanity that lies beneath the stories of Rapunzel and Snow White.”
—Eleanor Brown, New York Times bestselling author of The Weird Sisters
“Magical, mythical, and totally original, Turgeon’s haunting story of Rapunzel and Snow White unfolds like a waking dream, with prose that shimmers like cut diamonds. About love, longing, and loss, it turns the fairy tale into something as provocative as it is profound.”
—Caroline Leavitt, New York Times bestselling author of Pictures of You and Is This Tomorrow
“Forget everything you know about fairy tales filled with glamorous princesses and happy endings. In Carolyn Turgeon’s skilled hands, characters that have long been the bedrock of literature come to life, revealing their all-too-human desires and a mesmerizing, hidden darkness. Her body of work is already substantial and growing, which is good news for readers everywhere. The Fairest of Them All will move her into a larger sphere, worldwide. I loved this book from start to finish.”
—Jo-Ann Mapson, author of Solomon’s Oak and Finding Casey
“Turgeon reimagines two fairy tales to produce a lush, dark yarn. Her steadfast vision reveals the shadow and light battling in each of the characters’ hearts.”
—Margaret Dilloway, author of How to Be an American Housewife
“There are fairy-tale princesses like Rapunzel, who are lovely and compassionate and kind. And there are fairy-tale villainesses like Snow White’s stepmother, who are ambitious and clever and wicked. In Carolyn Turgeon’s brilliant retelling, however, good and evil are combined to create a fairy tale anti-heroine who could break your heart—and then eat it.”
—Alisa Kwitney, author of Token, Flirting in Cars, and Moonburn (as Alisa Sheckley)
“The Fairest of Them All possesses the spirit of all great fairy tales—filled with brave hearts, twists of fate, and incredible transformations. Carolyn Turgeon honors the traditional stories of Rapunzel and Snow White, yet intertwines their lives in a way that gives the tales, as well as both women, new dimensions. The dark, sensual magic at work in this book will allure readers right to the shocking, beautiful end.”
—Ronlyn Domingue, author of The Mercy of Thin Air
“To call Carolyn Turgeon’s The Fairest of Them All a retelling doesn’t seem quite accurate. This story of Rapunzel and Snow White may feel as familiar as it is thoroughly innovative, but it reads like an original—like the real story. Turgeon has managed to peel back centuries of dressing and sweetness and lace that have been heaped upon these characters. She has plucked them from their perfumed clouds and returned them to their primal form, to the unique women they were once, before their fairy tales diluted them. In gratitude, they sing from the pages, all full of suffering and longing and ferocious intellect. This is the Rapunzel I have always wanted to know.”
—Jeanine Cummins, author of A Rip in Heaven
“How very lucky we grown-ups are to have Carolyn Turgeon’s fairy tale to captivate us. What a joy to be delighted again by witches, princesses and kings—now all fleshed out and psychologically complex and compelling. Under Turgeon’s deft hand, Rapunzel’s and Snow White’s tale is as beautiful as it terrifying. Enter into this enchanted forest and be enthralled!”
—M.J. Rose, author of The Reincarnationist
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To my mother, father, and sister
PROLOGUE
I was the girl with the long long hair, trapped in the tower. You have no doubt heard of me. As a young woman I was very famous for those tresses, even though I lived in the middle of the woods and had never even been to court, not for a feast or a wedding or a matter of law.
My hair was like threads of gold flowing down my back and past the floor. If I didn’t tie it up, it would sweep across the stone and collect dust like a broom. I could lean out my tower window and it would fall out like an avalanche, gleaming like the sun hitting the water. It was as bright as sunflowers or daisies, softer than fur, stronger than an iron chain.
Every night I took horsetail and aloe from the garden, spoke words over them, and boiled them and mashed them into a thin pulp, which I then combed through my locks to make them strong and healthy and almost impossible to break. I would sing, and inhale the rich scent, to make the work go faster. To this day I love that feeling, of fingers running through my hair, the weight of it as it falls on my back.
Poets and troubadours sang of my beauty then.
It was sorcery, that hair. Sometimes now I wonder if things would have been different, had I been plain.
It is a hard thing, not being that girl any longer. Even as I sit here, I cannot help but turn toward the mirror and ask the question I have asked a thousand times before:
“Who is the fairest of them all?”
The mirror shifts. The glass moves back and forth, like water. And then my image disappears, until a voice, like a memory, or something from my bones and skin, gives me the same answer it always does now:
She is.
I turn back to the parchment in front of me and try to ignore the ache inside. The apple waits on the table next to me, gleaming with poison. All that’s left to do is write it down, everything that happened, so that there will still be some record in this world.
I was seventeen when I first saw him. I was drying herbs by the fireplace in the main house, as I sometimes did back then, enjoying the scent of the burning pinecones and wood, when I heard a knock at the front door. Loup, our cat, was curled up on the couch next to me, and our falcon, Brune, was perched on the mantel. Mathena was out back, tending the garden that grew behind the crumbling tower I lived in. The tower was a space of my own, and I loved sitting in the window, from which I could see the whole forest and even, on clear days, the king’s palace in the distance, while I brushed my hair and sang to the sparrows that gathered in the trees around me. But on those late summer afternoons, when the air was just starting to chill, I found myself in the main house, stealing time by the fire.
Without even thinking, I got up and opened the door, assuming it was another lovelorn client come to tell Mathena and me her woes and get a spell to fix them. Instead I found myself looking into the eyes of the most handsome man I’d ever seen, dressed in rich clothes that were unfamiliar to me: a velvet tunic, a neat cap, an intricate sword stuck through his belt. His mouth was full and curved into a smile. He had sparkling eyes, grayish blue, the kind I’d only ever seen in cats, and there was a mischievous joy about him that made me like him instantly. No one had ever looked at me like that, either, like he wanted to devour me, and in that instant my whole body changed into something new.
When I say he was the most handsome man I’d ever seen, I have to admit: at that time, I’d barely seen any men at all.
You see, I’d grown up hearing about the dangers of the male portion of our race. Mathena had disavowed men altogether, and was quite convincing in her reasoning. “Men will ruin you,” she’d say. “They’ll drive a woman mad more surely than the plague. Just look at what’s happened to Hannah Stout.” I’d shudder, thinking of our once-beautiful client, nearly bald now from having ripped out her own hair, hair that had been lush and shining before her new husband ran off with his stepdaughter. Mathena had cures for love, like yarrow root, whic
h could halt infatuations when added to bathwater, or elderberry bark, which could numb a heartache when boiled down and pressed against that most fickle organ. You could tell sometimes when a woman was suffering from love, from the cord twisting around her neck, from which the bark performed its duty.
Most of my experience with men came from the stories Mathena and I heard every day, from the women who sought out our cures. Men themselves did not consult us for ailments of the heart, especially as it was considered women’s work to have a heart at all. Day in and day out, I heard tales of men seducing ladies, abandoning wives, abusing daughters. I’d sit and help Mathena dispense salves and teas and potions and think how strange it was that so many women succumbed to foolish notions, as if one man could make them feel full and complete, even when he was married to someone else. But I knew so little then. I had barely set eyes upon a man in all my seventeen years, other than the occasional troubadour or marksman—or group of hunters, sometimes accompanying the king—who dashed by, through the woods.
It was only the daughters for whom I felt real sympathy, back then. If it hadn’t been for Mathena, I would have ended up like one of the bruised, tear-stained girls who showed up at our door. Once upon a time, Mathena had lived in a cottage next door to my mother and father, in the center of the kingdom. She kept a wonderful garden with a brilliant patch of rapunzel that my mother, who was with child and could see the garden from her bedroom window, longed for so much that she refused to eat anything else. She began wasting away, Mathena told me, until one day my father climbed over the wall into Mathena’s garden to steal the rapunzel, trampling over all her carrots and cabbages in the process. He came back and back. Even after I was born, my mother cared only for the plant, which was never enough for her, and she’d take out all that need and frustration on me. When I was seven, Mathena rescued me from my parents and brought me to the forest and made a potion for me so that I’d forget everything that had happened before, all that I’d suffered at my real parents’ hands. For that, I thought I’d be forever loyal to her.
Then there he was, this beautiful richly dressed man at my door, so close I could count his eyelashes, and I understood for the first time what all those spells and salves and magic teas and baths and candles were for.
I dropped the hollyhock in my hands. Immediately I was conscious of my unwashed face and ragged clothes, the cloth wrapped around my hair, which Mathena let me unloose only in the tower, so as not to attract too much attention from birds as we worked . . . the fire crackling in the background, which made me smell like smoke. I felt like a savage next to this man’s clean velvet shirt and gleaming sword. I could feel my face grow red, and the heat seemed to come right from the center of my body.
“Good afternoon,” he said, refusing to turn away despite how visibly embarrassed I must have looked. He took off his cap and bowed, though he watched me the whole time, that same impish smile playing about his lips.
“Good afternoon,” I stammered. “May I . . . help you?”
Just then Brune flew from the mantel and to my shoulder, where she perched herself menacingly. The man looked from the bird to me and back again, and seemed more delighted than perturbed.
“Well, I feel a little awkward,” he said. “But I was on a hunt a fortnight ago and I heard a young lady singing, and I was wondering. Well, I was hoping to find her.” He paused, clearing his throat, looking down shyly and then back up at me. “I have not been able to forget that voice. That song.”
I could feel my face flushing, as I remembered the hunting party passing, the way I’d sung out to them. I’d called him to me, I realized. I’d wanted to know who they were, where they were going; I’d been excited by the violence of the hunt. And here this man was, at my doorstep. My heart raced.
It did not occur to me that he might be feigning his own nervousness in order to woo me.
“Oh, yes,” I said, finally. “I saw the banners, but I couldn’t see your faces. I heard shouts and cries.” I remembered, too, the song I’d been singing when I heard the pounding of the horses’ hooves on the forest floor, how I’d aimed my song at them. Something I’d made up about the sparrows feeding their young. Their hungry mouths, their hungry hearts, the glowing worms they rip apart.
“It was you, wasn’t it? Singing up in that tower? With that glorious hair hanging down?”
The way he said it made me feel as if he’d come upon me bathing naked in the lake. “Yes,” I whispered, touching the cloth covering my hair now.
“Ah, I thought so the moment you opened the door, though you have hidden that hair away. Do you live here alone?”
The flirtatious, almost predatory note in his voice made me remember the stories and the warnings. My body tensed, and for a moment I wondered if he was going to push past me, into the house. Then he smiled, and I realized: I want him to come inside. It was a feeling I’d seen but never experienced, the feeling in those grieving women: I want to be broken.
“No,” I said. “I live here with my mother.”
“She’s a witch, isn’t she?”
“No!” I said. “Of course not.” I knew enough to know that witch was a bad word, a dangerous one, especially with those who came from the kingdom. “At court, a woman can get killed for a word like that,” Mathena had said.
“I didn’t mean to offend,” he said. “I heard stories, when I was inquiring about you.”
“We only heal here, sir, we do not practice bewitching.”
“I might have to argue with that,” he said, raising his eyebrow. I could not help but laugh at the funny expression on his face. “What is your name?”
“Rapunzel.”
“Isn’t that a type of . . . lettuce?”
“Yes,” I said. “Though I’ve never seen it myself.”
Just then, the back door opened and Mathena stepped into the room, her hands dirt-covered from the gardening, her dark hair damp with sweat. The sight of the man visibly upset her; I watched shock, then fear, pass over her face.
“Your Highness!” she said, falling into a curtsy. Brune left my shoulder for hers, her wings spanning out in warning.
I looked from Mathena to the man and back again, confused by her reaction.
Mathena rushed forward, causing Brune to fuss, and put her arm around my waist. “Excuse her, sire, she is just a country girl and does not know the royal manners.”
“Oh, I am not yet a king, madame,” he said, causing a blush to rise from Mathena’s chest to her cheeks. “I am still subject to the rule of my father, as we all are.”
I breathed in with surprise, and attempted to curtsy as Mathena had done.
“Of course,” Mathena said, stepping in front of me. “It has been so long since I’ve been at court, I forget the proper addresses.” She curtsied again. “I am Madame Mathena Gothel, and this is my daughter Rapunzel.”
He bowed to us both. “Enchanted,” he said. “And I am Prince Josef. You have a fine falcon, I see.”
“Thank you,” she said. She reached out her hand behind her, as if to make sure I was still there. To keep me there.
“My father is quite a passionate falconer,” he said.
“Yes,” she said, and now her voice was hard, cold, “and a very fine one at that.”
I began to feel dizzy. Not only because of Mathena’s behavior and the fact that there was a handsome prince standing before us, but because I had called him to me, using my own magic. I was sure of it.
“This is a charming house,” he continued. “I sometimes wonder what other kind of life I might have had, in a place like this, for instance.”
“I assure you it is much less exciting than your life in the palace. You would be quite bored here in the forest.”
I watched this exchange with fascination. I’d never seen Mathena speak the way she was speaking now, or stand the way she was standing, with her spine straight, her shoulders back, her chin lifted. She seemed years younger, suddenly. I knew that she’d spent time at court as a young w
oman and was versed in the royal decorum, but she seemed more defensive than courtly. Her body had become a fortress holding me back, as if her arms had grown and were stretching out from wall to wall. She was doing everything she could to make me disappear behind her, much as I was trying to stay in his line of vision, and keep him in mine. Who knew when I would next see a man this close, let alone a prince?
“Perhaps,” he said, ignoring her clipped tone, “if I did not have such delightful company. But if the lovely Rapunzel has not been to court, maybe it’s time to bring her? The harvest ball will be taking place on the night of the equinox. I do hope she would like to attend.”
I was equal parts astonished and delighted. A ball! Visions flashed before my eyes. Men and women twirling across a marble floor. And a palace—a place full of sunlight and diamonds and a richness I couldn’t quite visualize but knew I craved. A blurred, bright idea, like a child’s image of heaven.
“That is a generous offer,” Mathena said, yet it was clear from her voice that she did not find it kind at all. She was usually not so rude, and I bristled with embarrassment. Of course, she was not usually addressing princes. Brune didn’t help matters, jutting her beak forward and staring at him threateningly from Mathena’s shoulder.
“Yes, thank you,” I said. I craned my neck around Mathena and tried to look my most alluring. I reached up nonchalantly to move the cloth back so that he could see a swath of golden hair.
“You’re both invited,” he said. “And I hope you will each do me the honor of saving a dance.”
“We’ll try to attend,” Mathena said, “though the harvest here promises to be very demanding.”
He took Mathena’s hand to kiss it, and then somehow managed to angle past her and take mine, which I extended to him. The moment he touched me, I felt it through my whole body, shooting out as if he had fire burning in his palms.
“I look forward to seeing you again,” he said, looking straight into my eyes before turning back to Mathena. “It will be my pleasure.”