Easy Riders, Raging Bulls

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Easy Riders, Raging Bulls Page 74

by Peter Biskind


  Con-Air, 435

  Conformist, The, 233

  Conner, Bruce, 65–66, 70, 317, 343

  Connors, Jimmy, 147

  Conrad, Joseph, 323, 343, 356

  Conte, Richard, 153

  Conversation, The, 15, 92, 100, 183, 211, 216, 259, 261, 273–74, 281, 447

  Cooper, Alice, 173

  Coppola, Carmine, 274–75

  Coppola, Eleanor, 91, 149, 150, 154, 167, 208, 236, 261, 320, 350, 355–358, 360–62, 367, 372–74, 423, 442

  Coppola, Francis Ford, 13, 15, 23, 116, 141, 152–59, 162–66, 170, 201, 204, 216, 222, 243, 259–61, 273, 288, 305, 322–24, 339, 352, 354, 372–75, 390, 391, 400, 401, 405, 406, 413, 419–20, 428, 434–35, 442

  Academy Award won by, 181, 274–75

  and American Zoetrope, 81, 90–93, 100–102, 143, 158, 167, 168, 183, 208, 237, 320, 322, 381, 403, 408, 416–19

  background of, 148–49

  Brando and, 153–56, 159, 163–64, 199, 322, 323, 364, 374

  casting of amateurs by, 265

  commercialism of, 415, 426

  in Cuba, 296

  De Niro and, 246–47

  in Directors Company, 197, 206–8, 211, 212, 275

  Evans and, 142–43, 152–58, 163, 181–83, 208, 274, 410, 424–25

  first directing job of, 36, 150, 256

  flops by, 136, 142, 264, 410

  Friedkin and, 198, 205, 308

  impact of success on, 166–68

  Lucas and, 37, 90–93, 98–102, 163, 143, 154, 235–38, 244, 317, 319 322, 340–44, 346, 350, 361, 368, 380, 417, 419, 423, 424

  Mathison and, 257, 362–63, 367–68, 373–74

  Philippines locations of, 308, 314, 347–48, 350–51, 355–58, 360–61

  power in film industry of, 364, 365

  Scorsese and, 150, 153, 157, 182, 233, 242, 247, 252, 362, 409, 414–15, 419

  as screenwriter, 149–50

  selected filmography, 447

  Spielberg and, 258, 268, 278, 336–37, 416–17

  at UCLA, 36–37, 149

  Coppola, Gio, 425

  Coppola, Italia. See Shire, Talia

  Corelli, Lotus, 87

  Corman, Roger, 31, 115, 135–36, 143, 149, 150, 228, 239, 278, 302, 323, 442

  Cort, Bud, 173, 438

  Cosmic Ray, 65

  Costa-Gavras, 205

  Cotton Club, The, 159, 410, 424–25, 432

  Coutard, Raoul, 299

  Crawford, Joan, 257

  Creative Artists Agency (CAA), 281

  Creative Management Associates (CMA), 24, 184, 281

  Cremer, Bruno, 311

  Cries and Whispers, 252

  Cronkite, Walter, 60, 336

  Crosby, Stills & Nash, 72–73

  Crosse, Rupert, 174, 178

  Crowley, Mart, 203

  Crowther, Bosley, 39, 48, 49, 442

  Cruise, Tom, 278, 403

  Cruising, 413

  Cukor, George, 123, 252, 253

  Diary of a Mad Housewife, 15

  Daisy Miller, 122, 212–13, 275, 299, 447

  Dalva, Bob, 372–73, 418, 442

  Daly, Bob, 437

  Damnation Alley, 316

  Damned, The, 85

  Daniel, Sean, 21, 412, 442

  Danner, Blythe, 231

  D’Antoni, Philip, 204

  Darling, 47

  Darling Lili, 148

  David Holtzman’s Diary, 77

  Davis, Martin, 429

  Davis, Peter, 178, 187, 442

  Davis, Sammy, Jr., 47

  Day, Doris, 20, 34, 52, 155

  Day for Night, 85

  Days of Heaven, 15, 286, 296–98, 365, 397, 398, 447

  Days of Thunder, 278, 405

  Dean, James, 25, 43, 63, 397

  Death in Venice, 85

  Death Race 2000, 278

  Deep, The, 316

  Deer Hunter, The, 368, 372, 400

  De Laurentiis, Dino, 122, 371

  Delinquents, The, 87

  Deliverance, 15, 85–86, 251

  Delon, Alain, 153, 430

  Dementia 13, 149

  Demy, Jacques, 115

  De Niro, Robert, 16, 226, 295, 299, 306, 315, 325–26, 330, 384, 399, 405, 409, 442

  Academy Award won by, 274, 296

  Coppola and, 246, 373

  De Palma and, 151

  girlfriend trouble of, 247, 248

  Scorsese and, 241–43, 254, 339, 378 380, 385–87, 389, 390

  Shepherd and, 300

  weight gain for La Motta role, 392

  De Palma, Brian, 15, 151–52, 230, 232, 233, 240, 243, 244, 246, 248–49, 258–60, 265–66, 282, 288, 293–95, 297, 306, 315, 324, 326–28, 333 334, 383, 409, 420, 442

  Dern, Bruce, 42, 73, 175, 176, 232, 298, 352, 436–38, 442

  Deschanel, Caleb, 99, 373, 430, 431, 442

  De Sica, Vittorio, 86

  Desilu Productions, 87

  Devil’s Triangle, The, 308

  Devlin, Don, 434

  Diabolique, 201

  Diamond, Neil, 395

  Diary of a Mad Housewife, 126

  Diary of Anne Frank, The, 181

  Dickey, James, 86

  Didion, Joan, 77, 78, 231

  DiGiaimo, Louis, 219

  Diller, Barry, 144, 258, 268–70, 296–98, 311–12, 359, 364–66, 369, 395, 397, 401, 402, 414, 429, 430, 442

  Dillon, Melinda, 284

  Directed by John Ford, 138

  Directors Company, 197, 206–8, 211–213, 275, 403

  Directors Guild of America (DGA), 115, 202, 253, 274, 313, 381, 391, 435

  Dirty Dozen, The, 35, 39

  Dirty Harry, 16, 85, 240

  Disney Studios, 171, 318, 321, 369, 371, 429

  Doctor Dolittle, 20, 47

  Dr. No, 49

  Dr. Strangelove, 21, 45, 256

  Doctor Zhivago, 82

  Dog Day Afternoon, 16, 282, 315

  Dolenz, Mickey, 173

  Donen, Stanley, 259

  Donnelly, Patrice, 394–96, 430

  Don’t Look Now, 16

  Double Trouble, 18–19

  Dougherty, Marion, 33, 121–22, 442

  Douglas, Kirk, 142

  Douglas, Michael, 192

  Dragonslayer, 421

  Dreyfuss, Richard, 16, 232, 237, 265, 266, 271, 363

  Drive, He Said, 117–18, 160, 174, 177

  Duel, 258, 259, 263, 265, 448

  Duke, Patty, 50

  Dunaway, Faye, 16, 33, 35, 38, 48, 169, 188–89, 268, 430, 442

  Dunne, John Gregory, 231

  Duvall, Robert, 16, 153, 323, 358

  Duvall, Shelley, 370

  Dykstra, John, 326–27, 340

  Dylan, Bob, 14, 28, 85, 196, 241

  Earthquake, 16, 260

  Eastman, Carole, 118–19, 191–92, 194–195, 409, 442

  Eastman, Charles, 397, 409

  Eastwood, Clint, 16, 19, 83, 85, 234, 364

  Easy Rider, 15, 45, 52, 61–75, 77, 79, 80, 90, 91, 97, 103, 116, 118, 121, 123 125, 129, 133, 135, 137, 139, 152, 164, 177, 259, 279, 282, 328, 408, 427, 432, 433, 447

  Ehrlichman, Marty, 139

  8 Million Ways to Die, 428, 435

  8½, 60, 136

  Eisenhower, Dwight D., 87

  Eisenstein, Sergei, 343

  Eisner, Michael, 297, 369, 370, 395, 397, 401, 402, 412, 414, 429, 430, 442

  El Dorado, 114

  Ellsberg, Daniel, 177

  Elmer, LaVonne, 86

  El Topo, 76, 133

  Empire Strikes Back, The, 339, 341, 369, 380, 403, 417, 424

  Enrico, Robert, 331

  Escape Artist, The, 373

  E.T, 90, 256, 421

  Evans, Josh, 424

  Evans, Robert, 141, 144, 146–48, 189, 269, 280, 402, 409, 442

  Altman and, 369–72

  Beatty and, 190–91, 365

  Coppola and, 142–43, 152–58, 163, 181–83, 208, 274, 410, 424–25

  MacGrawand, 146, 147, 157, 159–60, 162, 182, 211

&nb
sp; and Manson murders, 78, 80

  Towne and, 51, 106, 107, 158, 161, 190, 268, 393, 429–32

  Exorcist, The, 15, 17, 85, 141, 197–200, 208, 216–24, 251–52, 259, 263, 278, 280, 310, 311, 342, 363, 414, 447

  Face in the Crowd, A, 25, 67

  Faces, 15

  Factor, Donald, 89, 95

  Fairbanks, Douglas, 19

  Falk, Harry, 50

  Famous Artists, 25

  Fargo, 435

  Fassbinder, Rainer Werner, 315, 360

  Fat City, 16, 231

  Father Goose, 25

  Faulkner, William, 40

  Federal Bureau of Investigation (FBI), 333–34

  Fehr, Rudy, 85, 100

  Feinstein, Barry, 63, 64

  Feldman, Charles, 25–26, 28, 38, 85

  Fellini, Federico, 21, 60, 84, 93, 143, 204, 205, 247, 282, 319, 409

  Fiddler on the Roof, 164

  Field, David, 368, 372, 389–91, 442

  Field, Sally, 273

  Fields, Bert, 431

  Fields, Freddie, 24, 141, 245, 281, 442

  Fields, Verna, 237, 264, 266, 276–77, 283, 315, 442

  Fiend Who Walked the West, The, 146

  Filmways, 83

  Fine, Deborah, 93

  Fine Line, 344

  Fingers, 348, 365

  Finian’s Rainbow, 36–37, 90, 116, 142, 318, 447

  First Artists, 206, 403

  Fischer, Bobby, 232

  Fisher, Carrie, 328, 332, 339

  Fitzgerald, F. Scott, 40

  Five Easy Pieces, 15, 110, 116, 118–19, 129, 164, 176, 250, 338, 448

  Flashdance, 404

  Flash Gordon, 403

  Fletcher, Louise, 214–16, 315, 442

  Flynn, Errol, 318

  Folger, Abigail, 78

  Fonda, Henry, 210

  Fonda, Jane, 16, 73, 123, 161, 352, 372

  Fonda, Peter, 23, 42–45, 54, 61–74, 78, 90, 103, 115, 123, 126, 241, 408, 442

  Fontaine, Gwen, 272–73

  Ford, Harrison, 90, 237, 328, 329, 337, 339, 374

  Ford, John, 15, 16, 113–16, 121, 131, 138, 139, 209, 210, 231

  Forman, Milos, 16, 126, 185, 192, 201, 282

  Forrest, Fred, 323, 347, 352, 417

  Fortune, The, 191, 192, 194–95, 281

  Fosse, Bob, 15, 181, 218–19, 372, 396

  Foster, Jodie, 299, 300, 328, 333–341

  Fox, The, 45

  Foxx, Redd, 299

  Freaks, 112

  Frederickson, Gray, 152, 155, 156, 158, 166, 261, 350, 356, 442

  French Connection, The, 15, 141, 159, 164–65, 202–5, 217, 309, 310, 338, 414, 447

  Frey, John, 60

  Friedkin, William, 15, 60, 93, 150, 197, 202–6, 216–24, 259, 286, 308–13, 316, 337–38, 344, 400, 403–4, 408, 409, 412–14, 442

  and Academy Awards, 141, 165, 252

  background of, 200–203

  Blatty and, 198–99, 216–19, 223

  Calley and, 84, 85

  commercialism of, 415, 426

  Coppola and, 159, 364

  in Directors Company, 206–8, 211–13

  Evans and, 147

  Lucas and, 319

  Nairn-Smith and, 219–20, 222, 307–311, 338

  selected filmography, 447

  Yablans and, 145

  Frykowski, Voytek, 78

  Fugate, Caril Ann, 249

  Fuller, Sam, 115, 126

  Funny Girl, 67

  Fury, The, 328, 333

  Gale, Bob, 331, 384

  Gallo, Fred, 157

  Gance, Abel, 425

  Garcia, Andy, 438

  Gardens of Stone, 425

  Gardos, Eva, 354

  Garland, Judy, 184

  Garr, Teri, 417, 418

  Gary, Lorraine, 264

  Gazzara, Ben, 388

  Geffen, David, 31, 73, 304–5, 395–97, 429, 442

  Gelber, Jack, 241

  Gentleman’s Agreement, 179

  Georgy Girl, 22

  Gere, Richard, 296, 298, 425

  Getaway, The, 133, 159–60, 162

  Getchell, Robert, 252

  Get to Know Your Rabbit, 151, 232

  Giant, 397

  Gigi, 24

  Gilmore, Bill, 267

  Gilruth, David, 157

  Gimme Shelter, 198

  Gittes, Harry, 117, 192, 195, 433–34, 442

  Gleason, Michie, 398, 442

  Glenn, Scott, 323, 394

  Godard, Jean-Luc, 26, 27, 104, 113, 150, 204, 205, 228, 299, 306, 313, 338, 397, 417

  Godfather, The, 15, 102, 139, 141–42, 152–67, 173, 181, 183, 222–24, 229, 236, 238, 261, 263, 264, 274, 278, 279, 282, 321, 342–44, 350, 351, 362, 368, 374, 391, 401, 420, 424, 425, 435, 447

  Godfather, The, Part II, 15, 182–83, 246, 261, 274, 296, 321, 343, 350, 351, 374, 420, 447

  Goetz, Bill, 38

  Golden Voyage of Sinbad, The, 277

  Goldman, William, 409

  Goldstein, Charlie, 272–73

  Goldstein, Morey “Razz, ” 38

  Goldwyn, Sam, 38

  Gomez, Ronda, 225, 276, 423, 442

  Gone Beaver, 111

  Gone With the Wind, 163

  Gonzÿlez, Pancho, 147

  Good, the Bad, and the Ugly, The, 16

  Goode, Sandra, 88

  GoodFellas, 404

  Good Times, 202

  Gordon, Ruth, 173, 174

  Gottlieb, Carl, 95, 260–61, 264, 266, 267, 277, 283, 328, 332, 442

  Gould, Elliott, 16, 95, 96, 102, 409

  Grace, Princess, 369

  Graduate, The, 15, 18, 34, 47, 48, 49, 81, 125

  Grant, Cary, 25, 116, 209

  Grant, Lee, 190

  Grapes of Wrath, The, 111

  Grateful Dead, 197

  Greatest Story Ever Told, The, 181

  Great White Hope, The, 264

  Green, Walon, 119, 308, 309, 311, 312, 413, 442

  Greenberg, Donna, 57–59

  Greenfield, Leo, 226

  Greenlaw, Charles, 200, 221, 442

  Greetings, 151

  Greystoke: the Legend of Tarzan, Lord of the Apes, 303, 392–94, 397, 429

  Griffith, D. W., 19

  Grisham, John, 426

  Grodin, Charles, 359

  Grosz, George, 307

  Grotjahn, Martin, 31, 395, 442

  Guardian, The, 218

  Guber, Peter, 14, 22, 67, 75, 124, 175, 184, 442

  Guerre Est Finie, La, 202

  Guess Who’s Coming to Dinner, 47, 172

  Guffey, Burnett, 48

  Guffey, Cary, 284

  Gulf + Western, 143–45, 153, 309, 310

  Gund, George, 167

  Guthrie, Woody, 195

  Haber, Joyce, 147

  Hackman, Gene, 16, 33, 153, 165, 204, 205

  Hagen, Uta, 16

  Hair, 67, 192

  Haley, Jack, Jr., 326

  Hall, Peter, 24

  Halston, 326

  Hamilburg, Michael, 291, 292

  Hamill, Mark, 328, 339

  Hampton, Janice, 349, 353–54

  Hardcore, 383, 384, 448

  Hard Day’s Night, A, 19, 57, 150, 202

  Harmetz, Aljean, 216, 424

  Harold and Maude, 170, 173–74, 178, 179, 447

  Harriman, Pamela, 43

  Hathaway, Henry, 43

  Hawaii, 20

  Hawks, Howard, 15, 113–16, 132, 137, 138, 203, 205, 209, 262, 377–78

  Hawks, Kitty, 203–5, 442

  Hawn, Goldie, 190, 194, 258, 259, 264, 304

  Hayden, Tom, 342

  Hayes, Harold, 114

  Hayward, Bill, 62, 65, 69–71, 74, 442

  Hayward, Brooke, 43–45, 59, 62, 64–66, 69, 71, 123, 133, 203, 328, 355–56, 442

  Hayward, Leland, 43, 203

  Head, 58, 60, 118, 448

  H.E.A.L.T.H., 341, 406

  Heard, Bob, 271

  Hearts and Minds, 178, 184–85, 187–88, 274, 275, 296

  Heaven Can Wai
t, 190, 358–59, 365, 372, 392, 447

  Heaven’s Gate, 17, 368, 370, 376, 390 392, 399–402, 406, 408, 447

  Hefner, Hugh, 389

  Heims, Jerry, 73

  Hell in the Pacific, 86

  Hellman, Jerome, 193, 352, 400, 402, 412, 436–38, 443

  Hellman, Monte, 126, 397

  Hello, Dolly!, 122

  Hells Angels, 197–98

  Helms, Jesse, 291

  Help!, 19, 202

  Helter Skelter, 333

  Hemingway, Mariel, 394, 396

  Henry, Buck, 40, 54, 56, 57, 59, 61, 75, 79, 84, 107, 119, 126, 138, 147, 185, 186, 303, 359, 360, 366, 388, 409, 434, 443

  Henry, Sally, 56, 57

  Hepburn, Audrey, 388

  Hershey, Barbara, 239, 406

  Herzog, Werner, 417

  Heston, Charlton, 130, 265

  Hill, John, 284

  Hill, The, 35

  Hill, Walter, 232, 383

  Hi, Mom!, 151

  Hinckley, John, 313, 333

  Hired Hand, The, 126, 137, 241

  Hirsch, Paul, 330, 335–36, 443

  Hirschfeld, Alan J., 184–85

  Hitchcock, Alfred, 54, 87, 114, 115, 202, 209, 211, 416

  Hoffman, Abbie, 271, 432

  Hoffman, Dennis, 257

  Hoffman, Dustin, 16, 34, 47, 123, 147, 295, 296, 332, 437

  Holden, William, 188

  Honeysuckle Rose, 332

  Hope, Bob, 47, 130

  Hopper, Dennis, 15, 61–76, 94, 97, 103, 110, 118, 126–27, 235, 281, 314, 409, 417, 443

  Academy Award nomination of, 74, 123

  Brooke Hayward and, 43–45, 62, 64 65

  Coppola and, 323, 373

  drug and alcohol use by, 44, 52, 75, 76, 127, 136, 355–56, 427–2 8

  Fonda and, 42–43, 61–74, 90, 408

  genre deconstruction by, 164, 342

  Jaglom and, 187

  Michelle Phillips and, 133

  Rafelson and, 59, 61, 79, 111

  selected filmography, 447

  Tanen and, 126, 133–35, 137

  Hopper, Hedda, 147

  House Un-American Activities Committee, 165

  Howard the Duck, 424

  How Green Was My Valley, 227

  Hudson, Hugh, 397

  Hudson, Rock, 20, 397

  Huppert, Isabelle, 390

  Hurricane, 122, 402

  Hurt, John, 390

  Hurwitz, Leo, 227

  Huston, John, 16, 88, 231, 268, 307

  Hutton, Lauren, 132

  Huyck, Willard, 36, 92, 101, 236, 244, 259, 260, 316, 320, 321, 324–26, 329, 330, 334, 336, 337, 339, 419, 443

  Hyams, Joe, 36, 39, 83, 220, 224, 313, 443

  Hyams, Nessa, 33, 83, 84, 138, 242

  Hyman, Eliot, 35, 46, 82

  Hyman, Ken, 35–36, 48, 82

  Images, 138

  In the Heat of the Night, 47, 48, 172

  Indiana Jones and Temple of Doom, 421, 424

  Indiana Jones and the Last Crusade, 364, 424

  Industrial Light and Magic (ILM), 326–327, 335, 340, 381, 423

  Informer, The, 227

  Inge, William, 48

  International Creative Management (ICM), 281

 

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