But what were the mysterious lights that flickered over the night lands? Most observers claimed they were forest fires caused by lightning or drought. Perhaps, perhaps not. Could the streaming "wakes" sometimes visible on the great oceans be the wakes of ships, or were they simply peculiar meteorological features? And what about the geometrical traces – circles, rectangles, straight lines – that some observers claimed to have made out in clearings along the coasts and river valleys of the Red Moon's single huge continent? What were they but evidence of intelligence?
And if any of these signs were artificial, what kind of being might live up there to make them?
Malenfant was willing to admit that one manned expedition could do little to probe the mysteries of a world with fully half the surface area of Earth. But there were mysteries that no amount of remote viewing could unravel. The fact was, the most powerful telescope could not resolve an individual human being up there.
Malenfant was never going to find Emma by staring up from Earth.
But at this time of crisis, nobody wanted to see Malenfant's drawings of rocket boosters and gliding spaceships.
Of course there was the question of resources, of priorities. But Malenfant suspected that people were shying away from dealing with the most fundamental issue here: the existence of the Red Moon itself. It was just too big, too huge, impossible to rationalize or grasp or extrapolate. The Wheel was different. A blue circle in the air, a magic doorway? Yes, we can imagine ways we might do that, even if we can't think why we should. Peculiar-looking human beings falling out of the air? Yes, we know about the plasticity of the genome; we can even imagine time travel, the retrieval of our flat-browed ancestors. But what kind of power hangs a new Moon in our sky?
He didn't last long in the water; it was too cold. He took a few brisk strokes until the water was shallow enough for him to walk. He splashed out of the surf, shivering, briskly dried himself on his shirt, and began to pull on his pants.
There was somebody standing beside the beached berg fragment, just a slim shadow in the gray dawn light, watching him.
Fire
Maxie is running around Fire's feet. "Hide and seek. Hide and seek, Fire. Hide and seek."
Fire stares at Maxie. To him the boy is a blur of movement and noise, unpredictable, incomprehensible, fascinating.
Maxie has leaves on his head. They flutter away as he runs. Sally puts them back on. "No, Maxie," she says. "Be careful of the sun."
"Hide and seek, hide and seek." He stands still. His hands cover his eyes. "Hands, Fire, eyes, Fire." His hands cover his eyes.
Fire puts his hands over his eyes. It is dark. The night is dark. He starts to feel sleepy.
Maxie calls, "Eight nine ten ready! Fire Fire Fire!"
Fire lowers his hands. It is not night. The sunlight is bright. The world is red and green and blue. He blinks.
Maxie has gone away.
Fire sees Sing on her bower of leaves. He walks towards her. He has forgotten Maxie.
Maxie is at his feet. "Here I am, here I am!" Maxie stamps his foot. Red dust rises and sticks to Maxie's white flesh. "You have to try, you silly. You have to play it right. Try again, try again. Eyes, Fire, hands. Fire." He covers his eyes.
As the sun climbs into the sky, the game goes on. Every time Maxie disappears Fire forgets about him. Every time he comes back Fire is surprised to see him.
Fire grows hungry. Fire thinks of himself in the forest, eating nuts and berries and leaves. Fire lopes towards the forest.
"Come back, come back, you nasty!" Maxie falls to the dirt and howls.
Emma comes running to Fire. "Fire, are you going to the forest? Can I come with you?"
Fire. Forest. That is what Fire hears.
"Em-ma," he says.
Emma has blue hair. Fire frowns. He thinks of Emma with brown hair. Fire's hand touches Emma's hair. The blue hair is smooth like skin. It has bits of white vine stuck to it.
Emma says, "It's just a hat. Fire. Just parachute silk." She puts the blue hair back on her head and pulls the vines under her chin. "Can I come to the forest?"
There is something on Emma's chest. It is bright red. Berries are bright red. Fire touches the berry. It is hard. It is stuck to a vine. The vine is around Emma's neck. His teeth bite the berry-thing. It is hard, like a nut. His teeth cannot break the shell.
Emma pulls it back from him. "It's my knife. Fire. I showed you yesterday. And the day before. And the day before that. Look." Emma touches her knife. When she shows him again, there is a red part, and a part like a raindrop. There is a spot of light behind the raindrop, on Emma's hand. Emma is smiling. "See, Fire? The lens? Remember this?"
Fire sees the raindrop and the light. He hoots.
Emma steps away. "Emma hungry. Emma forest. Fire forest. Emma Fire forest."
Fire thinks of Emma and Fire in the forest, gathering berries, eating berries. He smiles. "Emma Fire forest. Berries trees nuts."
Emma smiles. "Good. Let's go." She takes his hand.
The forest is a huge mouth. It is dark and green and cool.
He waits at the edge of the forest. His ears listen, his eyes see. The forest is still.
His legs walk into the wood. His feet explore the ground, finding soft bare earth. His arms and his torso and his head duck around branches. He is not thinking of how his body is moving.
His eyes learn to see the dark. His nose smells, his ears listen. He is not aware of time passing, of the sun climbing in the sky, of the dappled bits of light at his feet sliding over the forest-floor detritus.
He sees a pitcher plant. It is a big purple sac, high above his head. His hands pull it down. There is water in the pitcher plant. There are insects in the water. His hand scoops out water and insects. He drinks the water. It tastes sweet. His teeth crunch the insects.
Emma is here. He has forgotten she was here. He gives her the pitcher plant.
Her hand lifts water and bugs to her mouth. She coughs. She spits out insects.
His eyes see a cloudberry plant. It has white flowers and pink fruit. His hands pull the fruit from the plant, avoiding the spiky brambles. His mouth chews the berries.
Here is Emma. Her hands explore the blue skin on her legs. Now she has a soft shining thing in her hands. Her hands open a mouth in the shining thing. She feeds the mouth with berries. He can see them in the stomach of the shining thing.
She holds up the shining thing. "This is a bag. Fire. These berries are for Sally and Maxie. I can carry more in the bag than I can with my hands. You see?..."
He thinks of Sally eating berries. He thinks of Maxie eating berries.
He thinks of Sing, on her bower. He thinks of Sing eating berries. His hands pluck berries. His mouth wants to eat the berries, but he thinks of Sing eating them. He keeps the berries in his hands.
His legs move him on. Soon he forgets about Sing, and his mouth eats the berries.
He finds a chestnut tree. It has leaves the size of his hands and sticky buds and nuts. Beneath the chestnut something white is growing. His hands and eyes explore it. It is a morel, a mushroom. His hands pull great chunks of it free, and lift them to his mouth.
Emma is here. Her hands are taking nuts from the chestnut. The nuts want to hurt Emma. He slaps her hands so they stop taking the nuts.
His ears hear a grunt, a soft rustle.
He stops thinking. He stops moving. His ears listen, his nose smells, his eyes flicker, searching.
His eyes see a dark form, squat. It has arms that move slowly. He sees eyes glinting in the green gloom. He sees ears that listen. He sees orange-brown hair, a fat heavy gut, a head with huge cheeks, a giant jaw.
It is a Nutcracker-man.
The Nutcracker-man grunts. He lifts pistachio nuts to his huge mouth. Fire can see his broad, worn teeth, glinting in the dappled light. The Nutcracker-man grinds the nuts between his giant teeth.
Fire's mouth fills with water, to tell him it wants the nuts.
Fire stands up suddenly. He rattles branch
es and throws twigs. "Nutcracker-man. Ho!"
The Nutcracker-man screeches, startled. His arms lift him into a tree and swing him away, crashing through foliage, bits of nut falling from his mouth.
Fire pushes through the brush. His hands cram the nuts into his grateful mouth.
Emma is here. Her hands are taking nuts and putting them into the mouth of the shining thing.
His nose can still smell the dung of the Nutcracker-man. He thinks of many Nutcracker-folk, out in the shadows of the forest.
His legs take him away from the place with the pistachio nuts, back towards the open daylight.
Emma follows him. But he has forgotten Emma. He remembers the nuts and the fungus and the Nutcracker-man.
Reid Malenfant
He kept right on pulling on his pants. When he was done, his breath misting slightly, he walked up the slope of the eroded beach.
His silent observer was a woman: little more than a girl, really, slim, composed, dark. She was wearing a nondescript jumpsuit. She was very obviously Japanese.
"I know you," he said.
"We have not met." Her voice was deep, composed. "But, yes, I know you too, Reid Malenfant."
"Just Malenfant," he said absently, trying to place her. Then he snapped his fingers. "You were on Station when – "
" – when the Moon changed. Yes. My name is Nemoto." She bowed. "I am pleased to meet you."
He bowed back. He felt awkward. He couldn't care less if she had glimpsed his wrinkly ass. But he wished, oddly, that he had his shoes on.
He looked up and down the beach. He saw no sign of transportation, not so much as a bicycle. "How did you get here?"
"I walked. I have a car, parked at the Beachhouse."
"As I have."
"Yes."
"Will you walk back that way with me?"
"Yes."
Side by side, in the gathering pink-gray light, they walked north along the beach.
Malenfant glanced sideways at Nemoto. Her face was broad, pale, her eyes black; her hair was elaborately shaved, showing the shape of her skull. She could have been no more than half Malenfant's age, perhaps twenty-five.
"The Red Moon is very bright," she said.
"Yes."
"It is a great spectacle. But it will be bad for the astronomers."
"You were an astronomer..."
"I am an astronomer."
"Yeah. Sorry."
Nemoto was a Japanese citizen trained as an astronaut at NASA. Her specialty had been space-based astronomy. She had been the brilliant kid who had made it all the way into space at the incredibly young age of twenty-four. He remembered Nemoto as being bright, excitable, even bubbly. Well, she wasn't bright and bubbly now. It was as if she had gone into eclipse.
"I have been looking for you," she said now. "I have missed you several times in your tour of the NASA centers. Malenfant, when you are not at your scheduled meetings, you are something of a recluse."
"Yeah," he said ruefully. "Nowadays more than I'd like to be."
"You miss your wife," she said bluntly.
"Yes. Yes, I miss my wife."
"I almost found you at your church."
"The chapel at Ellington Air Force Base?"
"I had not realized you are Catholic."
"I guess you should call me lapsed. I converted when I married Emma, back in '82. Emma, my wife. It was for the sake of her family. When I joined NASA we looked around for a chapel. Ellington was near Johnson, and a lot of my colleagues and their families went there, and we liked the priest..."
"Are you religious now?"
"No." He had tried, for the sake of the priest, Monica Chaum, as much as anybody else. But, unlike some who came back from space charged with religious zeal, Malenfant had lost it all when he made his first flight into orbit. Space was just too immense. Humans were like ants on a log, adrift in some vast river. How could any Earth-based ritual come close to the truth of the God who had made such a universe?
"So I gave up the chapel. It caused some problems with Emma's family. But she supported me. She always did."
"But now you have returned to the faith?"
"No. I do find the chapel kind of restful. But I get a lot more comfort from going out on a toot with Monica Chaum over at the Outpost. She has quite a capacity for a woman Catholic priest. I make no excuses; I'd been through a lot." He eyed her. "As have you."
"Yes." Her face, never beautiful, was empty of expression. "As is well known."
Nemoto had been aboard the International Space Station, in low Earth orbit, when the Red Moon had made its dramatic entrance. Nemoto had been forced to watch from orbit as the first great tides battered at Japan.
"I returned to Earth as soon as I could. I and my colleague used our Japanese Hope shuttle. You may know that our landing facility was at Karitimati Island in the South Pacific – "
"Where? Oh, yeah, Christmas Island."
"There is little left of Karitimati. We were forced to come down here, at KSC."
He said carefully, "Where was your home?"
"I have no home now," was all she would reply.
He nodded. "Nor do I." It was true. He had an empty house in Clear Lake, but the hell with that. His home was with Emma – wherever she was.
Nemoto paused and looked into the sky. Although the first liquid glimmer of sun was resting on the horizon, the Red Moon still shone bright in the sky. "If you have abandoned your attempts to acquire faith, you do not believe that God is responsible for that?"
He grinned, rubbing his hand over his bare scalp, feeling a rime of salt there. "Not God, no. But I think somebody is."
"And you would like to find out who."
"Wouldn't you?"
"Do you believe that the bodies which fell through the African portal were human?"
He frowned, taken aback by the question. "Nobody can make much of the mashed-up remains that they scraped out of the savannah."
"But they appear to be human, or a human variant. You saw them, Malenfant. I've read your testimony. They share our DNA – much of it, though the recovered sequences show a large diversity from our own genome. There is speculation that they are more like one of our ancestors, a primitive hominid species."
"Yeah. So there are ape-men running all over our new Moon up there, right? I read the tabloids too."
"Malenfant, what do you believe?"
He said fiercely, "I believe that the Wheel was some kind of portal. I believe it linked Earth to its new Moon. And I believe it transported those poor unevolved saps, here from there. What I don't know is what the hell it all means."
"And you believe your wife made the return journey. That she is still alive up there on the Red Moon, breathing its air, drinking its water, perhaps eating its vegetation."
"Where else could she be?... I'm sorry. It's what I want to believe, I guess. It's what I have to believe."
"Yes." She smiled. "Everybody knows this, Malenfant. Your longing to reach her is tangible. I can see it, now, in your eyes, the set of your body."
"You think I'm an asshole," he said brutally. "You think I should let go."
"No. I think you are fully human. This is to be admired."
He felt awkward again. He'd only just met this girl, yet somehow she'd already seen him naked every which way a person could be naked.
They reached the Beachhouse. They sat on its porch, facing the ocean. Malenfant sipped water from a plastic bottle. "So how come you've been pursuing me around NASA? What do you want, Nemoto?"
"I believe we can help each other. You want to set up a mission to reach the Red Moon. So do I. I believe we should. I believe we must. I can get you there."
Suddenly his heart was pumping. "How?"
Rapidly, with the aid of a pocket softscreen, she sketched out a cut-down mission profile, using a simplified version of Malenfant's Shuttle-based Big Dumb Booster design, topped by a Space Station evacuation lander, adapted for the Moon's conditions. "It will not be safe," she said. "But
it will work. And it could be done, we believe, in a couple of months, at a cost of a few billion dollars."
It was fast and dirty, even by the standards of the proposals he had been touting himself. But it could work... "If we could get anybody to fund it."
"There are many refugee Japanese who would support this," Nemoto said gravely. "Of all the major nations it is perhaps the Japanese who have suffered most in this present disaster. Among the refugees, there is a strong desire at least to know, to understand what has caused the deaths of so many. Thus there are significant resources to call on. But we would need to work with NASA, who have the necessary facilities for ground support."
"Which is where I come in." He drank his water. "Nemoto, maybe you're speaking to the wrong guy. I've already tried, remember. And I got nowhere. I come up against brick walls like Joe Bridges the whole time."
"We must learn to work with Mr. Bridges, not against him."
"How?"
She touched his hand. Her skin was cold. He was shocked by the sudden, unexpected contact. "By telling the truth, Malenfant. You care nothing for geology or planetology or the mystery of the Red Moon, or even the Tide, do you? You want to find Emma." She withdrew her hand. "It is a motive that will awaken people's hearts."
"Ah. I get it. You want me to be a fundraiser. To blub on live TV."
"You will provide a focus for the project – a human reason to pursue it. At a time when the waters are lapping over the grain fields, nobody cares about science. But they always care about family. We need a story, Malenfant. A hero."
"Even if that hero is a Quixote."
She looked puzzled. "Quixote's was a good story. And so will yours be."
She didn't seem in much doubt that he'd ultimately fall into line. And, looking into his heart, neither did he.
Irritated by her effortless command, he snapped, "So why are you so keen to go exploring the new Moon, Nemoto? Just to figure why Japan got trashed?... I'm sorry."
She shrugged. "There is more. I have read of your speeches on the Fermi Paradox."
"I wouldn't call them speeches. Bullshit for goodwill tours..."
"As a child, your eyes were raised to the stars. You wondered who was looking back. You wondered why you couldn't see them. Just as I did, half a world away."
Manifold: Origin Page 9
