Keeper of the Castle: A Haunted Home Renovation Mystery

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Keeper of the Castle: A Haunted Home Renovation Mystery Page 28

by Juliet Blackwell


  Carlos nodded.

  “So what happened?” I asked.

  “That’s what I’m trying to find out. We have a couple of witnesses to the jump, but . . .”

  “But you think there’s more to it.”

  He shrugged. “Possibly. And the mayor’s been on a tear lately, going after folks bilking the public with phony love spells, palm readings, fraudulent psychics, that sort of thing. This fits right in with his cleanup campaign.”

  “I thought fortune-telling was covered by free speech? After all, who’s to say they aren’t seeing the future, or working magic for a fee?”

  Carlos’s lips pressed together. “I’m not interested in discussing the ins and outs of the possible. But there’s a fine line between spewing predictions and conning people. Most of the time we’re looking at charges of grand larceny and fraud, but in the case of Nicky Utley . . . well, her husband’s pushing hard to make something stick. The DA is considering filing charges of gross negligence and practicing medicine without a license, in addition to fraud.”

  “What was the curandera’s name, again?”

  “Ursula Moreno. Her botanica’s called El Pajarito. You sure you don’t know it?”

  I shook my head again. From the other side of the brocade curtain, sounds drifted in: the cheerful buzz of customers trying on different personas as they tried on a new style of dress or hat. The chiming of the old-fashioned brass cash register. A young woman cooing over Oscar, who I imagined was preening, batting his sleepy eyes up at her as he stretched lazily on his bed. The bell on the front door ringing as another shopper arrived, and someone laughing in high, melodic tones.

  They were comforting sounds, and I felt a fierce desire to tune out what Carlos was telling me. But I did not have that luxury. There aren’t a lot of folks who know enough, or have the requisite skills, to assist the police in supernatural crimes. Carlos was here because he needed my special brand of help. Such, it seemed, was my fate.

  “There’s more,” said Carlos.

  “Oh, goodie.”

  “Something’s happened, something odd.” His finger traced an invisible pattern on the green Formica tabletop.

  “Odder than occult-inspired suicide?”

  “Moreno’s store. It’s . . . acting up.”

  “I’m sorry?”

  “After Moreno was arrested yesterday, the forensics team went to her shop to gather evidence.”

  I waited, but he said nothing.

  “And?” I prompted.

  “The place went haywire. According to the chief forensics tech, stuff was flying off the shelves, the lights kept flickering on and off, a statue tossed a lit cigarette at one of the guys, and a bird skeleton seemed to come alive. It started . . . flying.”

  “Flying? That’s unusual behavior for a skeleton. Are you sure someone’s not pulling your leg?”

  “I know these guys well, Lily. They’re pros who deal with serious crime scenes every day. Chief forensic tech’s been on the job for years—it takes a lot to throw him off his game. But this time, he and his crew beat it out of the shop in a hurry and are refusing to go back. This is . . . unusual.”

  Indeed. “And you’d like me to take a look.”

  Carlos nodded. “Shouldn’t take too long. See what you see, feel what you feel. Try to figure out what’s going on there, and if it’s connected in any way to what happened to Nicky Utley.”

  “All righty.”

  Carlos gave me a suspicious look, and cocked his head in question. “That’s it? You’re not going to try to get out of it?”

  I shrugged. “You’ve worn me down, Inspector. Guess I’m the SFPD’s go-to witch. Right?”

  He smiled, and I couldn’t help but smile in return. The thing about Carlos was that every smile felt hard-won, and therefore more worth earning.

  “Besides,” I continued, “this sounds like a job for an expert. If something ‘untoward’ really is happening at the shop, somebody’s bound to get hurt.”

  Carlos nodded and started to rise.

  “I do have one question, though,” I said, and Carlos sat back down. “You’re one of homicide’s star investigators, aren’t you?”

  Carlos shrugged and nodded.

  “So why is the department asking its big gun to work on a case of possible fortune-teller fraud?”

  “I requested it.”

  “May I ask why?”

  “First, because of the strange behavior at the store. I believe I’ve told you, I’ve become the station’s woo-woo guy. But, in the interest of full disclosure, it’s also true that I knew the deceased, Nicky Utley, and her husband, Gary, though not well.”

  “Friends of yours?”

  “Acquaintances more than friends. They went to my church, St. Olaf’s.”

  “This would be a . . . Catholic church?” I had met many Catholics in my life—including Carlos—and had discovered they were good people who lived according to a creed of kindness and respect. Still, organized religions made me nervous, what with the witch hunts and the pogroms and the Inquisition and all.

  He nodded.

  “If Nicky Utley was a practicing Catholic,” I said, “why would she turn to a curandera for help?”

  “You tell me.”

  “Well, of course the two don’t preclude each other . . .” I said, thinking aloud. “Where I’m from, it isn’t unusual for churchgoers to turn to my grandmother for herbs and charms. I just haven’t run into this sort of overlap here in San Francisco.”

  Carlos stood. “People are people, Lily. They’re not all that different, no matter where they live. Listen, I have a quick errand to run. Why don’t I pick you up in, say, half an hour?”

  “I could meet you at the shop, if that’s easier.”

  “That would be better. Thanks. El Pajarito on Mission near Twenty-second.” He checked his wristwatch, a sporty model with lots of knobs. “Let’s make it an hour, to be on the safe side. And, Lily, if you get there first, don’t go in without me.”

  I nodded.

  “I’m serious.”

  “I can tell. I won’t go in without you.”

  He gave me another suspicious look.

  “What?” I asked.

  “All this easy cooperation is making me nervous. Tell me you’re not blowin’ smoke up my caboose.”

  “I’m not even sure how to do such a thing,” I laughed. “I told you: I’m resigned to my fate. But I do have one last question. . . .”

  “What’s that?”

  “Since I’m the SFPD’s official paranormal consultant, do I get dental coverage?”

  Carlos flashed me a bright white smile. “You’re official only in my book. If the department knew I was bringing in a witch to consult on this case . . . well, let’s just say I put up with enough ribbing from my colleagues as it is.”

  Carlos drew aside the curtain. Folks were milling about, crowding the aisles, inspecting long peasant skirts, faded bell-bottoms, and fringed leather vests.

  “Looks like quite the hippie convention out here.”

  “We’ve been as busy as Grandpa’s Sunday tie, as they say.”

  Carlos looked amused. “Who says that?”

  I laughed. “I guess we say that back in Texas. Anyway, the Haight Street Summer of Love Festival is this weekend.”

  The Summer of Love Festival was held annually to commemorate one of the neighborhood’s most famous eras. It had been nearly fifty years since hippies sent out the call for “gentle people” to put some flowers in their hair and meet in the Haight-Ashbury to build a new world order of peace, music, and harmony. They hadn’t quite achieved their goals, but the neighborhood had retained its willingness to accept iconoclasts and freethinkers of all stripes.

  Ambitious festivalgoers had been flocking to Aunt Cora’s Closet in search of “authentic” hippie clothes for weeks now. Vintage tie-dye and flouncy peasant dresses were flying off the racks; love beads and headbands were in short supply. Bell-bottomed jeans, pants in wild colors, and embroi
dered Mexican blouses—most of which I had picked up for a song at flea markets and yard sales—were in great demand.

  “Sure, the Summer of Love Festival.” He nodded. “I know it well.”

  “It’s my first time; I’m pretty excited. So, do you have a costume?”

  “I’m wearing it.” Carlos passed a hand over his khaki chinos and black leather jacket.

  “Think you look like a hippie, do you?”

  “Even better. I’m a narc.”

  I smiled. “You should at least wear a few love beads around your neck.”

  “Maybe I’ll dig through your treasure chest before I leave.”

  Recently I had started tossing cheap costume jewelry and plastic items—except for the valuable Bakelite, of course—in an old wooden chest that had supposedly come to San Francisco with the pioneers. Now cleansed of cobwebs and its sordid past, it had become my “treasure chest”: Everything in it went for under five dollars, and many items were just a quarter. Customers spent a lot of time digging through it with childlike abandon.

  Which reminded me . . .

  “Carlos, hold on. Didn’t you say something about a missing child?”

  “Fourteen-year-old Selena Moreno. We’re not positive she’s missing . . . Weird thing is, we can’t get a word out of Ursula. But according to the neighbors, Selena used to live with her grandmother. Hasn’t shown up to school, but it looks like her attendance has always been spotty, so it’s hard to say what’s going on there. Most likely she’s staying with relatives, but I’d feel better knowing for sure.”

  “Do you think something in the shop might point me in her direction?”

  “You know me, Lily. I don’t think anything in particular.”

  “But you’re suspicious of everything.”

  He gave me a wink and a smile.

  About the Author

  Juliet Blackwell is the pseudonym for a mystery author who also writes the Witchcraft Mystery series and, together with her sister, wrote the Art Lover’s Mystery series. The first in that series, Feint of Art, was nominated for an Agatha Award for Best First Novel. Juliet’s lifelong interest in the paranormal world was triggered when her favorite aunt visited and read her fortune—with startling results. As an anthropologist, the author studied systems of spirituality, magic, and health across cultures and throughout history. She currently resides in a happily haunted house in Oakland, California.

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