by Sarah Vowell
This assessment was born out of the president’s innate optimism and unwavering faith in the ultimate wisdom of the American people—the same traits that had propelled his unlikely five-year ascent from assemblyman in the Illinois state legislature to U.S. senator to leader of the free world. The speech that launched his rise, the keynote address at the 2004 Democratic National Convention, emerged right from this logic. He addressed himself to his “fellow Americans, Democrats, Republicans, independents,” all of whom, he insisted, were more united than they had been led to believe. America was home to devout worshippers and Little League coaches in blue states, civil libertarians and “gay friends” in red states. The presumably white “counties around Chicago” did not want their taxes burned on welfare, but they didn’t want them wasted on a bloated Pentagon budget either. Inner-city black families, no matter their perils, understood “that government alone can’t teach our kids to learn . . . that children can’t achieve unless we raise their expectations and turn off the television sets and eradicate the slander that says a black youth with a book is acting white.”
Perceived differences were the work of “spinmasters and negative-ad peddlers who embrace the politics of ‘anything goes.’” Real America had no use for such categorizations. By Obama’s lights, there was no liberal America, no conservative America, no black America, no white America, no Latino America, no Asian America, only “the United States of America.” All these disparate strands of the American experience were bound together by a common hope:
It’s the hope of slaves sitting around a fire singing freedom songs; the hope of immigrants setting out for distant shores; the hope of a young naval lieutenant bravely patrolling the Mekong Delta; the hope of a mill worker’s son who dares to defy the odds; the hope of a skinny kid with a funny name who believes that America has a place for him, too.
This speech ran counter to the history of the people it sought to address. Some of those same immigrants had firebombed the homes of the children of those same slaves. That young naval lieutenant was an imperial agent for a failed, immoral war. American division was real. In 2004, John Kerry did not win a single southern state. But Obama appealed to a belief in innocence—in particular a white innocence—that ascribed the country’s historical errors more to misunderstanding and the work of a small cabal than to any deliberate malevolence or widespread racism. America was good. America was great.
Over the next twelve years, I came to regard Obama as a skilled politician, a deeply moral human being, and one of the greatest presidents in American history. He was phenomenal—the most agile interpreter and navigator of the color line I had ever seen. He had an ability to emote a deep and sincere connection to the hearts of black people, while never doubting the hearts of white people. This was the core of his 2004 keynote, and it marked his historic race speech during the 2008 campaign at Philadelphia’s National Constitution Center—and blinded him to the appeal of Trump. (“As a general proposition, it’s hard to run for president by telling people how terrible things are,” Obama once said to me.)
But if the president’s inability to cement his legacy in the form of Hillary Clinton proved the limits of his optimism, it also revealed the exceptional nature ofhis presidential victories. For eight years Barack Obama walked on ice and never fell. Nothing in that time suggested that straight talk on the facts of racism in American life would have given him surer footing.
I had met the president a few times before. In his second term, I’d written articles criticizing him for his overriding trust in color-blind policy and his embrace of “personal responsibility” rhetoric when speaking to African Americans. I saw him as playing both sides. He would invoke his identity as a president of all people to decline to advocate for black policy—and then invoke his black identity to lecture black people for continuing to “make bad choices.” In response, Obama had invited me, along with other journalists, to the White House for off-the-record conversations. I attempted to press my points in these sessions. My efforts were laughable and ineffective. I was always inappropriately dressed, and inappropriately calibrated in tone: In one instance, I was too deferential; in another, too bellicose. I was discombobulated by fear—not by fear of the power of his office (though that is a fearsome and impressive thing) but by fear of his obvious brilliance. It is said that Obama speaks “professorially,” a fact that understates the quickness and agility of his mind. These were not like press conferences—the president would speak in depth and with great familiarity about a range of subjects. Once, I watched him effortlessly reply to queries covering everything from electoral politics to the American economy to environmental policy. And then he turned to me. I thought of George Foreman, who once booked an exhibition with multiple opponents in which he pounded five straight journeymen—and I suddenly had some idea of how it felt to be the last of them.
Last spring, we had a light lunch. We talked casually and candidly. He talked about the brilliance of LeBron James and Stephen Curry—not as basketball talents but as grounded individuals. I asked him whether he was angry at his father, who had abandoned him at a young age to move back to Kenya, and whether that motivated any of his rhetoric. He said it did not, and he credited the attitude of his mother and grandparents for this. Then it was my turn to be autobiographical. I told him that I had heard the kind of “straighten up” talk he had been giving to black youth, for instance in his 2013 Morehouse commencement address, all my life. I told him that I thought it was not sensitive to the inner turmoil that can be obscured by the hardness kids often evince. I told him I thought this because I had once been one of those kids. He seemed to concede this point, but I couldn’t tell whether it mattered to him. Nonetheless, he agreed to a series of more formal conversations on this and other topics.
The improbability of a black president had once been so strong that its most vivid representations were comedic. Witness Dave Chappelle’s profane Black Bush from the early 2000s (“This nigger very possibly has weapons of mass destruction! I can’t sleep on that!”) or Richard Pryor’s black president in the 1970s promising black astronauts and black quarterbacks (“Ever since the Rams got rid of James Harris, my jaw’s been uptight!”). In this model, so potent is the force of blackness that the presidency is forced to conform to it. But once the notion advanced out of comedy and into reality, the opposite proved to be true.
Obama’s DNC speech is the key. It does not belong to the literature of “the struggle”; it belongs to the literature of prospective presidents—men (as it turns out) who speak not to gravity and reality, but to aspirations and dreams. When Lincoln invoked the dream of a nation “conceived in liberty” and pledged to the ideal that “all men are created equal,” he erased the near-extermination of one people and the enslavement of another. When Roosevelt told the country that “the only thing we have to fear is fear itself,” he invoked the dream of American omnipotence and boundless capability. But black people, then living under a campaign of terror for more than half a century, had quite a bit to fear, and Roosevelt could not save them. The dream Ronald Reagan invoked in 1984—that “it’s morning again in America”—meant nothing to the inner cities, besieged as they were by decades of redlining policies, not to mention crack and Saturday-night specials. Likewise, Obama’s keynote address conflated the slave and the nation of immigrants who profited from him. To reinforce the majoritarian dream, the nightmare endured by the minority is erased. That is the tradition to which the “skinny kid with a funny name” who would be president belonged. It is also the only tradition in existence that could have possibly put a black person in the White House.
Obama’s embrace of white innocence was demonstrably necessary as a matter of political survival. Whenever he attempted to buck this directive, he was disciplined. His mild objection to the arrest of Henry Louis Gates Jr. in 2009 contributed to his declining favorabil-ity numbers among whites—still a majority of voters. His comments after the killing of Trayvon Martin—“If I had a son, he’d look
like Trayvon”—helped make that tragedy a rallying point for people who did not care about Martin’s killer as much as they cared about finding ways to oppose the president. Michael Tesler, a political-science professor at UC Irvine, has studied the effect of Obama’s race on the American electorate. “No other factor, in fact, came close to dividing the Democratic primary electorate as powerfully as their feelings about African Americans,” he and his coauthor, David O. Sears, coneluded in their book, Obama’s Race: The 2008 Election and the Dream of a Post-Racial America.” The impact of racial attitudes on individual vote decisions . . . was so strong that it appears to have even outstripped the substantive impact of racial attitudes on Jesse Jackson’s more racially charged campaign for the nomination in 1988.” When Tesler looked at the 2012 campaign in his second book, Post-Racial or Most-Racial? Race and Politics in the Obama Era, very little had improved. Analyzing the extent to which racial attitudes affected people associated with Obama during the 2012 election, Tesler concluded that “racial attitudes spilled over from Barack Obama into mass assessments of Mitt Romney, Joe Biden, Hillary Clinton, Charlie Crist, and even the Obama family’s dog Bo.”
Yet despite this entrenched racial resentment, and in the face of complete resistance by congressional Republicans, overtly launched from the moment Obama arrived in the White House, the president accomplished major feats. He remade the nation’s health-care system. He revitalized a Justice Department that vigorously investigated police brutality and discrimination, and he began dismantling the private-prison system for federal inmates. Obama nominated the first Latina justice to the Supreme Court, gave presidential support to marriage equality, and ended the U.S. military’s Don’t Ask, Don’t Tell policy, thus honoring the civil-rights tradition that had inspired him. And if his very existence inflamed America’s racist conscience, it also expanded the country’s anti-racist imagination. Millions of young people now know their only president to have been an African American. Writing for The New Yorker, Jelani Cobb once noted that “until there was a black Presidency it was impossible to conceive of the limitations of one.” This is just as true of the possibilities. In 2014, the Obama administration committed itself to reversing the War on Drugs through the power of presidential commutation. The administration said that it could commute the sentences of as many as 10,000 prisoners. As of November, the president had commuted only 944 sentences. By any measure, Obama’s effort fell woefully short, except for this small one: the measure of almost every other modern president who preceded him. Obama’s 944 commutations are the most in nearly a century—and more than the past eleven presidents’ combined.
Obama was born into a country where laws barring his very conception—let alone his ascendancy to the presidency—had long stood in force. A black president would always be a contradiction for a government that, throughout most of its history, had oppressed black people. The attempt to resolve this contradiction through Obama—a black man with deep roots in the white world—was remarkable. The price it exacted, incredible. The world it gave way to, unthinkable.
III. “I Decided to Become Part of That World”
When Barack Obama was ten, his father gave him a basketball, a gift that connected the two directly. Obama was born in 1961 in Hawaii and raised by his mother, Ann Dunham, who was white, and her parents, Stanley and Madelyn. They loved him ferociously, supported him emotionally, and encouraged him intellectually. They also told him he was black. Ann gave him books to read about famous black people. When Obama’s mother had begun dating his father, the news had not been greeted with the threat of lynching (as it might have been in various parts of the continental United States), and Obama’s grandparents always spoke positively of his father. This biography makes Obama nearly unique among black people of his era.
In the president’s memoir, Dreams From My Father, he says he was not an especially talented basketball player, but he played with a consuming passion. That passion was directed at something more than just the mastering of the pick-and-roll or the perfecting of his jump shot. Obama came of age during the time of the University of Hawaii basketball team’s “Fabulous Five”—a name given to its all-black starting five, two decades before it would be resurrected at the University of Michigan by the likes of Chris Webber and Jalen Rose. In his memoir, Obama writes that he would watch the University of Hawaii players laughing at “some inside joke,” winking “at the girls on the sidelines,” or “casually flipping lay-ups.” What Obama saw in the Fabulous Five was not just game, but a culture he found attractive:
By the time I reached high school, I was playing on Punahou’s teams, and could take my game to the university courts, where a handful of black men, mostly gym rats and has-beens, would teach me an attitude that didn’t just have to do with the sport. That respect came from what you did and not who your daddy was. That you could talk stuff to rattle an opponent, but that you should shut the hell up if you couldn’t back it up. That you didn’t let anyone sneak up behind you to see emotions—like hurt or fear—you didn’t want them to see.
These are lessons, particularly the last one, that for black people apply as much on the street as they do on the court. Basketball was a link for Obama, a medium for downloading black culture from the mainland that birthed the Fabulous Five. Assessing his own thought process at the time, Obama writes, “I decided to become part of that world.” This is one of the most incredible sentences ever written in the long, decorated history of black memoir, if only because very few black people have ever enjoyed enough power to write it.
Historically, in black autobiography, to be remanded into the black race has meant exposure to a myriad of traumas, often commencing in childhood. Frederick Douglass is separated from his grandmother. The enslaved Harriet Ann Jacobs must constantly cope with the threat of rape before she escapes. After telling his teacher he wants to be a lawyer, Malcolm X is told that the job isn’t for “niggers.” Black culture often serves as the balm for such traumas, or even the means to resist them. Douglass finds the courage to face the “slave-breaker” Edward Covey after being given an allegedly enchanted root by “a genuine African” possessing powers from “the eastern nations.” Malcolm X’s dancing connects him to his “long-suppressed African instincts.” If black racial identity speaks to all the things done to people of recent African ancestry, black cultural identity was created in response to them. The division is not neat; the two are linked, and it is incredibly hard to be a full participant in the world of cultural identity without experiencing the trauma of racial identity.
Obama is somewhat different. He writes of bloodying the nose of a white kid who called him a “coon,” and of chafing at racist remarks from a tennis coach, and of feeling offended after a white woman in his apartment building told the manager that he was following her. But the kinds of traumas that marked African Americans of his generation—beatings at the hands of racist police, being herded into poor schools, grinding out a life in a tenement building—were mostly abstract for him. Moreover, the kind of spatial restriction that most black people feel at an early age—having rocks thrown at you for being on the wrong side of the tracks, for instance—was largely absent from his life. In its place, Obama was gifted with a well-stamped passport and admittance to elite private schools—all of which spoke of other identities, other lives and other worlds where the color line was neither determinative nor especially relevant. Obama could have grown into a raceless cosmopolitan. Surely he would have lived in a world of problems, but problems not embodied by him.
Instead, he decided to enter this world.
“I always felt as if being black was cool,” Obama told me while traveling to a campaign event. He was sitting on Air Force One, his tie loosened, his shirtsleeves rolled up. “[Being black] was not something to run away from but something to embrace. Why that is, I think, is complicated. Part of it is I think that my mother thought black folks were cool, and if your mother loves you and is praising you—and says you look good, are smart—as yo
u are, then you don’t kind of think in terms of How can I avoid this? You feel pretty good about it.”
As a child, Obama’s embrace of blackness was facilitated, not impeded, by white people. Obama’s mother pointed him toward the history and culture of African Americans. Stanley, his grandfather, who came originally from Kansas, took him to basketball games at the University of Hawaii, as well as to black bars. Stanley introduced him to the black writer Frank Marshall Davis. The facilitation was as much indirect as direct. Obama recalls watching his grandfather at those black bars and understanding that “most of the people in the bar weren’t there out of choice,” and that “our presence there felt forced.” From his mother’s life of extensive travel, he learned to value the significance of having a home.
That suspicion of rootlessness extends throughout Dreams From My Father. He describes integration as a “one-way street” on which black people are asked to abandon themselves to fully experience America’s benefits. Confronted with a woman named Joyce, a mixed-race, green-eyed college classmate who insists that she is not “black” but “multiracial,” Obama is scornful. “That was the problem with people like Joyce,” he writes. “They talked about the richness of their multicultural heritage and it sounded real good, until you noticed that they avoided black people.” Later in the memoir, Obama tells the story of falling in love with a white woman. During a visit to her family’s country house, he found himself in the library, which was filled with pictures of the woman’s illustrious relations. But instead of being in awe, Obama realized that he and the woman lived in different worlds. “And I knew that if we stayed together, I’d eventually live in hers,” he writes. “Between the two of us, I was the one who knew how to live as an outsider.”
