by Don Winslow
Back in the day, Harlem was Harlem, and rich white people “just didn’t go there” unless they were slumming or looking for a cheap thrill. The murder rate was high, muggings and armed robberies and all the violence that came with drugs was high, but as long as blacks were raping, robbing and murdering other blacks, who gave a fuck?
Well, Malone.
Other cops.
That’s the bitter, brutal irony about police work.
That’s the root of the love-hate relationship cops have with the community and the community with the police.
The cops see it every day and every night.
The hurt, the dead.
People forget that the cops see first the victims and then the perpetrators. From the baby some crack whore dropped into the bathtub to the kid beat into stupefaction by his mother’s eighteenth live-in boyfriend, the old lady whose hip gets broken when a purse snatcher knocks her to the sidewalk, the fifteen-year-old wannabe dope slinger gunned down on the corner.
The cops feel for the vics and hate the perps, but they can’t feel too much or they can’t do their jobs and they can’t hate too much or they’ll become the perps. So they develop a shell, a “we hate everybody” attitude force field around themselves that everyone can feel from ten feet away.
You gotta have it, Malone knows, or this job kills you, physically or psychologically. Or both.
So you feel for the old lady victim, but hate the mutt who did it; you sympathize with the storeowner who just got robbed, but despise the mope who robbed him; you feel bad for the black kid who got shot, but hate the nigger who shot him.
The real problem, Malone thinks, is when you start hating the victim, too. And you do—it just wears you down. Their pain becomes yours, the responsibility for their suffering weighs on your shoulders—you didn’t do enough to protect them, you were in the wrong place, you didn’t catch the perp earlier.
You start blaming yourself and/or you start blaming the victim—why are they so vulnerable, why so weak, why do they live in those conditions, why do they join gangs, sling drugs, why do they have to shoot each other over nothing . . . why are they such fucking animals?
But Malone still fucking cares.
Doesn’t want to.
But does.
Tenelli ain’t happy.
“Why does this dick have to bring us in Christmas Eve?” she asks Malone as he comes through the doors.
“I think you answered your own question,” Malone says.
Captain Sykes is a dick.
Speaking of dicks, the prevailing opinion is that Janice Tenelli has the biggest one on Da Force. Malone has watched the detective repeatedly kick a heavy bag right where the nuts would be and it made his own package shrivel.
Or expand. Tenelli has a mane of thick black hair, a won’t-quit rack and a face straight out of an Italian movie. Every guy on Da Force would like to have sex with her, but she’s made it very clear she don’t shit where she eats.
All evidence to the contrary, Russo insists on insisting, to Tenelli’s face, that the married mother of two is a lesbian.
“Because I won’t fuck you?” she asked.
“Because it’s my dearest-held fantasy,” Russo said. “You and Flynn.”
“Flynn is a lesbian.”
“I know.”
“Knock yourself out,” Tenelli said, jerking her wrist.
“I haven’t wrapped a single gift,” she tells Malone now, “the in-laws are coming over tomorrow, I have to sit and listen to this guy make speeches? Come on, straighten him out, Denny.”
She knows what they all know—Malone was here before Sykes came and he’ll be here after he leaves. The joke is that Malone would take the lieutenant’s exam except he couldn’t take the pay cut.
“Sit and listen to his speech,” Malone says, “then go home and make . . . What are you making?”
“I dunno, Jack does all the cooking,” she says. “Prime rib, I think. You doing your annual Turkey Run this year?”
“Hence the term ‘annual.’”
“Right.”
They’re filing into the briefing room when Malone spots Kevin Callahan out of the corner of his eye. The undercover—tall, skinny, long red hair and beard—looks baked out of his mind.
Cops, undercover or otherwise, aren’t supposed to do dope, but how else are they supposed to make buys and not get made? So sometimes it turns into a habit. A lot of guys come off undercover straight into rehab and their careers are fucked.
Occupational hazard.
Malone walks over, grabs Callahan by the elbow and walks him out the door. “Sykes sees you, he’ll piss-test you straightaway.”
“I have to log in.”
“I’ll sign you out on a surveillance,” Malone says. “You get asked, you were up at the Ville for me.”
The Manhattan North Special Task Force house is conveniently located between two projects—Manhattanville, just across the street uptown, and Grant, across 125th Street below them.
Come the revolution, Malone thinks, we’re surrounded.
“Thanks, Denny.”
“Why are you still standing here?” Malone asks. “Get your ass up to the Ville. And, Callahan, you mess up again, I’ll piss you myself.”
He goes back in and takes a folding metal chair in the briefing room next to Russo.
Big Monty turns around in his chair and looks at them. He holds a steaming cup of tea, which he manages to sip even though his unlit cigar is jammed in the corner of his mouth. “I just want to enter my official protest regarding this afternoon’s activities.”
“Noted,” Malone says.
Monty turns back around.
Russo grins. “He ain’t happy.”
He is unhappy, Malone thinks, happily. It’s good to shake the otherwise unflappable Big Man up every once in a while.
Keeps him fresh.
Raf Torres walks in with his team—Gallina, Ortiz and Tenelli. Malone doesn’t like that Tenelli is with Torres, because he likes Tenelli and thinks that Torres is a piece of shit. He’s a big motherfucker, Torres, but to Malone he looks like a big, brown, pockmarked Puerto Rican toad.
Torres nods to Malone. It somehow manages to be a gesture of acknowledgment, respect and challenge at the same time.
Sykes walks in and stands behind the lectern like a professor. He’s young for a captain, but then again he has rabbis at the Puzzle Palace, brass looking out for his interests.
And he’s black.
Malone knows that Sykes has been tagged as the next big thing, and that the Manhattan North Special Task Force is a high-profile box for him to tick on his way up.
To Malone he looks like some precocious Republican Senate candidate—very crisp, very clean, his hair cut short. He sure as hell don’t have any tattoos, unless there’s an arrow pointing up his asshole reading This Way to My Brain.
That isn’t fair, Malone thinks, checking himself. The guy’s record is solid, he did some real police work on Major Crimes in Queens and then became the Job’s designated precinct janitor—he cleaned up the Tenth and the Seven-Six, real dumping grounds, and now they’ve moved him here.
To check another box on his sheet? Malone wonders.
Or to clean us up?
In either case, Sykes brought that Queens attitude with him.
Squared away, by the book.
A Queens Marine.
Sykes’s first day on command he had the whole Task Force—fifty-four detectives, undercovers, anticrime guys and uniforms—come in, sat them down and made a speech.
“I know I’m looking at the elite,” Sykes said. “The best of the best. I also know I’m looking at a few dirty cops. You know who you are. Soon, I’ll know who you are. And hear this—I catch any of you taking as much as a free coffee or a sandwich, I’ll have your shield and gun, I’ll have your pension. Now get out, go do your jobs.”
He didn’t make any friends, but he made it clear that he wasn’t there to make friends. And Sykes had also alienat
ed his people by taking a vocal stand against “police brutality,” warning them he wouldn’t tolerate intimidation, beatings, profiling or stop and frisk.
How the fuck does he think we maintain even a semblance of control? Malone thinks, looking at the man now.
The captain holds up a copy of the New York Times.
“‘White Christmas,’” Sykes reads. “‘Heroin Floods the City on the Holidays.’ Mark Rubenstein in the New York Times. And not just one article, he’s doing a series. The New York Times, gentlemen.”
He pauses to let that sink in.
It doesn’t.
Most cops don’t read the Times. They read the Daily News and the Post, mostly for the sports news or the T&A on Page Six. A few read the Wall Street Journal to keep up on their portfolios. The Times is strictly for the suits at One Police and the hacks in the mayor’s office.
But the Times says there’s a “heroin epidemic,” Malone thinks.
Which is only an epidemic, of course, because now white people are dying.
Whites started to get opium-based pills from their physicians—oxycodone, Vicodin, that shit. But it was expensive and doctors were reluctant to prescribe too much for exactly the fear of addiction. So the white folks went to the open market and the pills became a street drug. It was all very nice and civilized until the Sinaloa Cartel down in Mexico made a corporate decision that it could undersell the big American pharmaceutical companies by raising production of its heroin, thereby reducing price.
As an incentive, they also increased its potency.
The addicted white Americans found that Mexican “cinnamon” heroin was cheaper and stronger than the pills and started shooting it into their veins and overdosing.
Malone literally saw it happening.
He and his team busted more bridge-and-tunnel junkies, suburban housewives and Upper East Side madonnas than they could count. More and more of the bodies they’d find slumped dead in alleys were Caucasian.
Which, according to the media, is a tragedy.
Even congressmen and senators pulled their noses out of their donors’ ass cracks long enough to notice the new epidemic and demand that “something has to be done about it.”
“I want you out there making heroin arrests,” Sykes says. “Our numbers on crack cocaine are satisfactory, but our numbers on heroin are subpar.”
The suits love their numbers, Malone thinks. This new “management” breed of cops are like the sabermetrics baseball people—they believe the numbers say it all. And when the numbers don’t say what they want them to, they massage them like Koreans on Eighth Avenue until they get a happy ending.
You want to look good? Violent crime is down.
You need more funding? It’s up.
You need arrests? Send your people out to make a bunch of bullshit busts that will never get convictions. You don’t care—convictions are the DA’s problem—you just want the arrest numbers.
You want to prove drugs are down in your sector? Send your guys on “search and avoid” missions where there aren’t any drugs.
That’s half the scam. The other way to manipulate the numbers is to let officers know they should downgrade charges from felonies to misdemeanors. So you call a straight-up robbery a “petit larceny,” a burglary becomes “lost property,” a rape a “sexual assault.”
Boom—crime is down.
Moneyball.
“There’s a heroin epidemic,” Sykes says, “and we’re on the front lines.”
They must have really cracked Inspector McGivern’s nuts at the CompStat meeting, Malone thinks, and he passed the pain along to Sykes.
So he hands it off to us.
And we’ll pass it down to a bunch of low-level dealers, addicts who sell so they can score, and fill the house with a bunch of arrests so Central Booking will flow with puke from junkies jonesing, and bog down the court dockets with quivering losers pleading out and then going back to jail to score more smack. Come out still addicted, and start the whole cycle all over again.
But we’ll make par.
The suits at One Police can say as much as they want that there are no quotas, but every guy on the Job knows there are. Back in the “broken windows” days, they were writing summonses for everything—loitering, littering, jumping a subway stile, double-parking. The theory was if you didn’t come down on the small stuff, people would figure it was okay to do the big stuff.
So they were out there writing a lot of bullshit C-summonses, which forced a lot of poor people to take time off work they couldn’t afford to go to court to pay fines they couldn’t pay. Some just skipped their court days and got “no-show” warrants, so their misdemeanors escalated to felonies and they were looking at jail time for tossing a gum wrapper on the sidewalk.
It provoked a lot of anger toward the police.
Then there were the 250s.
The stop and frisks.
Which basically meant that if you saw a young black kid on the street, you stopped him and shook him down. It caused a lot of resentment, too, and got a lot of negative media, so we don’t do that anymore, either.
Except we do.
Now the quota that isn’t is heroin.
“Cooperation,” Sykes is saying, “and coordination are what makes us a task force and not just separate entities officed in the same space. So let’s work together, gentlemen, and get this thing done.”
Rah fuckin’ rah, Malone thinks.
Sykes probably doesn’t realize that he’s just given his people contradictory instructions—work their sources and make heroin arrests—doesn’t even get that you work your sources by popping them with drugs and then not arresting them.
They give you information, you give them a pass.
That’s the way it works.
What’s he think, a dealer is going to talk to you out of the goodness of his heart, which he doesn’t have anyway? To be a good citizen? A dealer talks to you for money or drugs, to skate on a charge or to fuck a rival dealer. Or maybe, maybe, because someone is fucking his bitch.
That’s it.
The guys on Da Force don’t look too much like cops. In fact, Malone thinks as he looks around, they look more like criminals.
The undercovers look like junkies or dope slingers—hoodies, baggy pants or filthy jeans, sneakers. Malone’s personal favorite, a black kid called Babyface, hides under a thick hood and sucks on a big pacifier as he looks up at Sykes, knowing the boss isn’t going to say shit about it because Babyface brings home the bacon.
The plainclothes guys are urban pirates. They still have tin shields—not gold—under their black leather jackets, navy peacoats and down vests. Their jeans are clean but not creased, and they prefer Chelsea boots to tennis shoes.
Except “Cowboy” Bob Bartlett, who wears shitkicker boots with skinny toes, “the better to go up a black ass.” Bartlett’s never been farther west than Jersey City, but he affects a redneck drawl and aggravates the shit out of Malone by playing country-western “music” in the locker room.
The “uniforms” in their bags don’t look like your run-of-the-mill cops either. It ain’t what they wear, it’s in their faces. They’re badasses, with the smirks as pinned on as the badges on their chests. These boys are always ready to go, ready to dance, just for the fuck of it.
Even the women have attitudes. There ain’t many of them on Da Force, but the ones who are take no prisoners. You got Tenelli and then there’s Emma Flynn, a hard-drinking (Irish, go figure) party girl with the sexual voracity of a Roman empress. And they’re all tough, with a healthy hatred in their hearts.
The detectives, though, the gold shields like Malone, Russo, Montague, Torres, Gallina, Ortiz, Tenelli, they’re in a different league altogether, “the best of the best,” decorated veterans with scores of major arrests under their belts.
The Task Force detectives aren’t uniforms or plainclothes or undercovers.
They’re kings.
Their kingdoms aren’t fields and castles but ci
ty blocks and project towers. Tony Upper West Side neighborhoods and Harlem projects. They rule Broadway and West End, Amsterdam, Lenox, St. Nicholas and Adam Clayton Powell. Central Park and Riverside where Jamaican nannies push yuppies’ kids in strollers and start-up entrepreneurs jog, and trash-strewn playgrounds where the gangbangers ball and sling dope.
We’d better rule, Malone thinks, with a strong hand, because our subjects are blacks and whites, Puerto Ricans, Dominicans, Haitians, Jamaicans, Italians, Irish, Jews, Chinese, Vietnamese, Koreans, who all hate each other and who, in the absence of kings, would kill each other more than they already do.
We rule over gangs—Crips and Bloods and Trinitarios and Latin Lords. Dominicans Don’t Play, Broad Day Shooters, Gun Clappin’ Goonies, Goons on Deck (seems to be a theme), From Da Zoo, Money Stackin’ High, Mac Baller Brims. Folk Nation, Insane Gangster Crips, Addicted to Cash, Hot Boys, Get Money Boys.
Then there’s the Italians—the Genovese family, the Lucheses, the Gambinos, the Ciminos—all of which would get totally out of control if they didn’t know there were kings out there who would cut off their heads.
We rule Da Force, too. Sykes thinks he does, or at least pretends to think he does, but it’s the detective kings who really call the shots. The undercovers are our spies, the uniforms our foot soldiers, the plainclothes our knights.
And we didn’t become kings because our daddies were—we took our crowns the hard way, like the old warriors who fought their way to the throne with nicked swords and dented armor and wounds and scars. We started on these streets with guns and nightsticks and fists and nerve and guts and brains and balls. We came up through our hard-won street knowledge, our earned respect, our victories and even our defeats. We earned our reps as tough, strong, ruthless and fair rulers, administering rough justice with tempered mercy.
That’s what a king does.
He hands down justice.
Malone knows it’s important they look the part. Subjects expect their kings to look tight, to look sharp, to wear a little money on their backs and their feet, a little style. Take Montague, for instance. Big Monty dresses like an Ivy League professor—tweedy jackets, vests, knit ties—and the trilby with a small red feather in the band. It goes against the stereotype and it’s scary because the skels don’t know what to make of him, and when he gets them in the room, they think they’re being interrogated by a genius.
