“Come on, Andrea. This isn’t you.”
“You’re right. I’m Evelyn.” Andrea switches the television on, flips the dial. “Oh, look, your favorite show, Gunsmoke.”
“Evelyn is going to be here any minute.”
“Of course she is,” says Andrea. “Just after I shoot you. I’ll leave the gun behind for her.”
“And what makes you think she’ll pick it up?”
“Oh, Ben, she doesn’t have to. Evelyn’s prints are already on it. I made sure she held the gun, and my gloves won’t leave any prints.”
“There’s no way you’ll get away with this, Andrea. Evelyn will deny it.”
“Of course she will. But isn’t that always the way? A lovers’ quarrel, that’s how I see it. She thought she was the only one, then found out about all your other women.”
“And what about you?”
“Me? Oh, Daddy will say I was in Forest Hills with him all night.” Andrea turns up the volume on the television, Marshall Dillon and his posse on horseback firing their rifles at escaping outlaws.
“Andrea, please—” Ben shouts over the blare of the television. “We can talk about this. I’ll change, I’ll—”
“I’ve gotta go,” says Andrea. She fires the gun, watches as a stunned Ben presses a hand to a red leak that has exploded in his chest, then another in his stomach. “Daddy’s waiting.”
The Creative Writing Murders
EDMUND WHITE
I NEVER GO anywhere without my iPod, which is usually rattling my teeth and every bone in my face. Today I’m listening to great rage-filled yelps by Vivaldi, a soprano biting off words over rapid, stormy, descending passages played by massed violins. The whole thing’s called “In Furore Lustissimae Irae,” which I couldn’t translate, though I did two years of high school Latin in Catholic school two decades ago and of course I speak Spanish. “In a fury of lusty—very lusty—anger?” Could it possibly mean that?
That captures my mood exactly. The two days a week I come out to Wilford College make me feel invisible and usually depressed. My undergrads seem profoundly incurious about me as a person, though a few of the senior boys check out my breasts, but only covertly, never brazenly. The boys and girls are all hooking up with each other, even if no one ever courts anyone else. That must be why they drink so much. Their only seduction method is to fall in a big sodden pile every Saturday and thrash around until they pair off, in furore lustissimae irae.
Otherwise the students are all obsessed by their homework and their infernal activities, because everyone here is expected to fence or row and work in a community literacy project and write editorials about Africa or Asia for the Will, as they call the weekly student paper. Everyone is busy and most of them seem wracked by obsessive-compulsive disorders. Nancy wrote a story about a kid who counts all the letters of all the words spoken in her presence.
web woof sing the song crazy brats prats rats kill them little fuckers oh baby you know you likah freaks
The poor crazed kid’s brain was just one quiet adding machine. When I asked on a sudden whim, “How many other people in this room do this? Count letters?” four of the twelve students in the workshop raised their hands. Oh, yeah, and Kim, seeing the others, at last timidly raised her hand, too.
I didn’t say anything. Since I’m the only Hispanic woman in the department my elderly white colleagues all prize me as if I were the last extant panda in a North American zoo. They would probably like me just as much if I were neurotic and resentful or frequently absent or if I insisted on organizing three-day Chicano festivals, but I’m not like that, which makes them even more grateful. I’m cheerful and prompt and I’ve got a book that Copper Canyon has promised to publish if I can just finish two more stories.
I went to Emory and then I was a Stegner Fellow at Stanford. There was a missing year somewhere in there when things got a bit hairy, but hey, we’re all artists, right, and sort of crazy. I had a leggy blonde roommate who moved out and created a scandal (I had to quiet her down). But otherwise my profile is impeccable and everyone here, I’m sure, is thrilled to have a polite, hardworking minority instructor on the staff. I organize the entire reading series, I introduce most of the speakers, arrange for their limos to bring them out from the city, pay them their lavish speaker’s fee, and escort them to dinner in one or another of the dire ethnic restaurants in the vicinity. I can’t help laughing when I think someone (Bert?) actually made the mistake of inviting Jhumpa Lahiri to the local Indian slop shop, Curry in a Hurry. I’m sure she’s
you fuckers so you think you can oh yeah pretty girl get you in those garters fuckin fruit
told everyone on the East Coast that Wilford treated her to the most insulting repast of her life.
I can smile my way through tangled departmental politics, through constant student demands on my time, through the two-hour commute in a dirty, smelly train, through the tedious readings in a nearly empty hall that resembles a hot, murky, sleep-inducing aquarium, a tank where no one has changed the water in a year. It even smells like stagnant chlorine buildup. I just smile my way through dutiful perusals of six student stories a week that almost always repel the attention with Teflon efficiency—I can smile my way through all this because my real emotions, furious and frustrated, are being enunciated for me by Vivaldi. My iPod is like a neck gland that collects all the venom in the body. If I’m close to snapping I just listen to Cecilia Bartoli stuttering and shrieking her way through Vivaldi’s Opera Proibita. That does the trick.
Of course I don’t know why I bother to be cheerful and hardworking (strangely enough, the student evaluations never mention my cheer). They pay me only $32,500 a year and after all the deductions for taxes and the health plan and social security I take home just seventeen hundred dollars a month. My rent is seven hundred dollars a month and my train tickets are $120 and I’m still paying off that old credit card debt to the tune of two hundred a month. My poor mother is just barely squeaking by on her nurse’s aid salary; it’s a miracle she can stuff a ten-dollar bill in an envelope every month or two and send it to me with one of those stupid kitten cards she likes. Of course she does own her house in El Paso, which I’ll inherit someday and sell for a hundred grand, big whoopty-doo. Sometimes I hate my colleagues, such spoiled brats. My mother always wants to tell me stories about her Mexican neighbors but I never let her.
My boss, an enormously fat dyed-blonde elderly gay man who writes genuinely depraved novels about drugged, homeless queers, is a tricky one. Bert. His books (at least the one I dipped into until, slightly nauseated, I had to put it down) might make you think he’s a wild thing but in fact he’s prissy and pedantic and a real stickler for the rules. Like most old queers he wants a woman to be a “lady,” and I lay it on thick—if I didn’t restrain myself I might even bob a curtsy.
You’ll look a lady my pretty with this thing up your ass and filthy old fucker why the hell are you shitting shitty, pretty
You can just see he thinks he’s adorable and avuncular, his cataract-clouded eyes looking feebly out from over his half-moon glasses, but in fact he’s cagey, an accomplished meddler, a born traitor. He doesn’t have a “partner,” but occasionally he’ll bring a twenty-year-old studly beauty to a campus function just to wow everyone—though I’m the only one who can see right away that it’s just a hustler, uneducated, uninterested, and flipping out his cell phone every minute to message his next customer. Strictly eye candy. Of course I’m the only person at Wilford from the ghetto …
The tenured faculty teaching writing at Wilford is dim and ancient and “famous.” I always hang those quotes around their “fame” since no average person has ever heard of them despite their membership in the American Academy and their Guggenheims and National Endowment fellowships. They all have prestigious publishers like Knopf and FSG but they only lay one slim volume once a decade and it usually hatches right on top of the remainder pile.
I’m not better. In the last three years I’ve grunted out may
be five pages, two of which I’ve torn up and the other three I’ve rewritten fifty times. Of course I tell Crafty Bert the Boss that at last I’m in the home stretch and that it’s Chicano all the way. I know he wants me to succeed since he’s too lazy to seek out another minority woman, but he can’t keep me after next year if I don’t have a book, at least one scheduled for publication. Unless he made an exception. Unless he went to the president. Gave me the Woolcraft Award for distinguished classroom performance. But he’d never do that for me, a mere woman, only for a cute junior guy. Maybe if I really did write stories about Chicanos, but for me that Mexi stuff has about as much flavor as week-old tacos. I prefer my stories about clean athletic blonde women.
I have a little office without a window I share with two other adjuncts, neither of them a threat. One is Corbin, a young, handsome, but thickening white boy from Kentucky who writes poems (he’s published a grand total of nine in various little magazines over the last seven years) and sings in a garage band. The resident playwright, Edgar, seems to have a crush on little Corbin; he’s always hanging around during Corbin’s office hours and smiling foolishly and raking his long white beard with his pale fingers and talking about Bob Dylan, as if that proves his interest in pop culture.
The other adjunct in my office is Adam, a balding Englishman (two novels) whose father owned a London tabloid. He’s loaded but keeps his hand in to get the medical benefits for his wife and three children. He lives in Wilmington, a horrendous commute. He flits in and out for his one class a week and gets good student evaluations for some reason. No one dislikes him but then again no one ever exactly remembers him—and anyway both my officemates are too white and male to be tenured.
It seems everyone at Wilford has family money except me. There’s Emily, a gaunt seventy-five-year-old poetess from the Philadelphia Main Line who won a Pulitzer in 1977 for her collected poems, Elements, fiendishly complicated forms like sestinas and double rondeaux about water and air and fire. Although she says she’s a socialist, her father strip-mined coal in Appalachia (which she never, ever mentions). That’s where her money comes from. She’s anorexic and proud of it; we once had lunch and she said with a reproachful look, “We’ll each have three lettuce leaves.” It’s true I’ve been getting fatter and fatter, what with my midnight Ambien eating sprees.
Edgar, our prize-winning playwright with the hearing aid, created a stir in the sixties with a verse drama about Abraham and Isaac set in modern Scranton. He’s a closeted gay and derides what he calls Bert’s “flamboyance.” He has that billy-goat white beard and red-rimmed eyes and a portly partner who puts up store-bought cherries every fall in two-hundred-proof eau-de-vie and hands out the jars two months later as alcoholic Christmas presents. I think Edgar’s lover played Isaac in the unsuccessful 1975 revival. Edgar’s the one who hovers over Corby and talks about Dylan and snaps his fingers, as translucent as church tapers.
Our staff is so old that in a general department meeting they voted down screenwriting as too radical for such an august institution (forgetting that Wilford was just a girls’ finishing school, good only for a laugh until 1972 when it went coed and got serious). The one holdover from that period is a snowy-haired New England gentleman, Alfred, who used to teach the girls to appreciate Keats and now teaches something called “life writing” in which the students are encouraged to tell all about their amateurish sex routs and predictably dysfunctional families. Alfred tells them all they’re courageous and then at faculty lunches regales us with their confessions. He has a stageworthy way of slapping his knee and “guffawing,” which is strangely different from a laugh. He’s famous for his lovely manners, which means he always holds your hand in both of his, looks you deeply in the eye, and says, “We must get together very, very soon.” I always want to snap back, “We’re together right now. What was it you wanted to talk about?”
The first murder didn’t surprise me. Or rather it seemed so unreal I scarcely reacted except to whisper, “Oh my God, it’s happened,” which I immediately regretted.
I was in my Boro Park apartment, which I share with two other women. Neither of them was there—it was a Tuesday at noon and so disgracefully late to be awakening that I sang scales before answering to chase the sleep out of my voice. I suppose I was a little perky by the time I picked up. (I must be the last person who doesn’t have a mobile—or what’s it called? A “cell” phone?) The phone almost never rings. I don’t have that many local friends and those I do e-mail me. I suppose we’ve all decided it’s more polite than telephoning.
So I was half expecting a pollster or bill collector when I heard from Edgar, the closeted playwright, that our boss, Bert, had been hanged while wearing a girdle and makeup.
“What?” I shrieked, longing for a cigarette though I no longer smoke. “What did you just say?”
Edgar seemed to resent my alarm. I suppose he must have called me last, since I was the only one, he must have figured, who’d make a “fuss.” “This is hard on all of us, Manuela, as you can imagine.” He was clearly registering a reproach.
“But did you say Bert was hanged?”
“Yes,” Edgar sighed, then added, as if I was a bit stupid, “He’s dead.”
I decided to behave more coldly—like an Anglo. “Murdered?” I asked, neither too callous nor too crisp, I hoped.
He hesitated, almost as if my question were a bit vulgar. “It’s not clear.” He swallowed. “You know there’s something called autoerotic strangulation?”
I couldn’t believe this was old ofay Edgar talking. “You mean like when the dude gets hard—”
“Yes,” he said, cutting me off.
“I read about that in Naked Lunch,” I said. My literary reference checkmated him.
That night I had another call, this time from Alfred, the life-writing prof. Maybe because of his experiences with salacious collegiate confession, he went into a whole lot of detail. He went on and on, letting himself enjoy the lurid stories until he’d catch himself and remember to be solemn. “After all,” he’d say, more to himself than to me, “we are talking about the death of a colleague.”
“Do you think he was murdered?”
“I don’t.” I could hear the loud dry snap of ice being twisted out of a plastic tray. “I think … ” first audible sip, “I think he just got a little carried away. After all, as Edgar points out, he was pretty much in your face, as the kids say.”
“So you think he was getting off on his garters and girdle and his bra and really getting into his groove and then—”
“There was also,” Alfred added with a sense of theater, “the issue of electrodes.”
“Electrodes!” I brayed, afraid I’d laugh. “What for? What on earth for?” I was afraid I could guess.
No one will stop me my pretty you done shit on me I told you web and I told you web and woof move hoof
When I got impatient and started to make conversational moves toward wrapping things up, Alfred said almost punitively, “There’s going to be an investigation tomorrow. They want us all here by ten. In our offices.”
“But it’s not one of my usual days,” I objected. Then I realized I was sounding silly. “The police?”
“I’m not sure if it’s the state police or the FBI or school authorities. I was just told by Wilma—” the new department secretary, an extremely attractive off-hours basketball player who, sadly, is a lesbian—“to be in my office at ten. She asked me to call you.” Wilma has a short reddish-blonde haircut.
“So we’re all suspects?” I asked.
“I imagine. Yes. We would be, wouldn’t we?”
It turned out next day that Bert, the victim, our boss, wasn’t quite the fag we’d imagined. He’d had not one but two ménages with women, with two children by each woman, neither of them his wife. It’s too much to go into, but he’d been hired in the eighties precisely because he was gay and the then-president had heard at a dinner party in New York about Queer Studies and that there was a homosexual alumn
us willing to put up five million to hire Bert Hawkins, whose novel, Sad Gays, he’d read as a lonely teenager. It had helped him to “come out,” as queers say, as if we were supposed to see their sinking into depravity as—well, no matter.
The only problem is that about the time Bert came on board at Wilford he’d inconveniently stopped being gay and taken up with a woman and, two years later, a second, concurrent woman. Of course he had to hide his heterosexual households; that’s why he hired all those bored hustlers for faculty samba parties; one of his two wives found them in the Philadelphia Yellow Pages shamelessly listed under Escorts.
I’ll shove your quatrains filthy stinking holes both of them
Since it was a question of a possible interstate crime, the FBI interrogated each one of us. I told them right away that I thought it was one of the hustlers, that I was sure it was murder, not autostrangulation or anything fun like that. I said that another suspect, in my opinion, was Corbin, my officemate. One of his nine poems, I pointed out, was about transvestism with an undercurrent of hysteria and that his collection, if he ever finished it, was going to be called Dressing Up.
When the investigator asked me where I’d been at the time of the death (he obviously didn’t want to commit himself to saying murder or suicide), I said I’d been in Boro Park eating tuna out of a can and watching reruns of Friends with one of my two roommates. She had her own reasons to confirm the story.
The whole thing upset me so much that I invited Wilma out to lunch to the one honest place in town that had good ol’ burgers and wasn’t ethnic. She put an arm around my waist as we left the building, out of a shared sense of sisterhood in the face of our departmental shock rather than any dykey funny business. By the end of the meal, during which she’d recounted three of her affairs (all involving the Upper Peninsula of Michigan and sordid pickup trucks), her abandoned phys-ed career (bad knees), and a few laughs at the expense of our colleagues (“Not one of them understands the blackboard function on our PCs!”), we were ready to face the rather sour music emanating from our building. Even without my iPod I could hear the deafening strains of Cecilia Bartoli. “In furore lustissimae irae,” she was shrieking, so loud I couldn’t hear Wilma, who’d become entirely too cozy, though I could see by her pretty wet teeth and shaking diaphragm that she was laughing.
The Dark End of the Street: New Stories of Sex and Crime by Today's Top Authors Page 24
