by Jane Austen
He joined her and Marianne in the breakfast-room the next morning before the others were down;2 and Marianne, who was always eager to promote their happiness as far as she could, soon left them to themselves. But before she was half way up stairs she heard the parlour door open, and, turning round, was astonished to see Edward himself come out.
“I am going into the village to see my horses,” said he, “as you are not yet ready for breakfast; I shall be back again presently.”3
Edward returned to them with fresh admiration of the surrounding country; in his walk to the village, he had seen many parts of the valley to advantage; and the village itself, in a much higher situation4 than the cottage, afforded a general view of the whole, which had exceedingly pleased him. This was a subject which ensured Marianne’s attention, and she was beginning to describe her own admiration of these scenes, and to question him more minutely on the objects that had particularly struck him, when Edward interrupted her by saying, “You must not inquire too far, Marianne—remember I have no knowledge in the picturesque,5 and I shall offend you by my ignorance and want of taste if we come to particulars. I shall call hills steep, which ought to be bold;6 surfaces strange and uncouth, which ought to be irregular and rugged; and distant objects out of sight, which ought only to be indistinct through the soft medium of a hazy atmosphere.7 You must be satisfied with such admiration as I can honestly give. I call it a very fine country—the hills are steep, the woods seem full of fine timber, and the valley looks comfortable8 and snug—with rich meadows and several neat9 farm houses scattered here and there. It exactly answers10 my idea of a fine country because it unites beauty with utility—and I dare say it is a picturesque one too, because you admire it; I can easily believe it to be full of rocks and promontories, grey moss and brush wood,11 but these are all lost on me. I know nothing of the picturesque.”
“I am afraid it is but too true,” said Marianne; “but why should you boast of it?”
“I suspect,” said Elinor, “that to avoid one kind of affectation, Edward here falls into another. Because he believes many people pretend to more admiration of the beauties of nature than they really feel,12 and is disgusted with such pretensions, he affects greater indifference and less discrimination in viewing them himself than he possesses. He is fastidious and will have an affectation of his own.”13
A traveler sketching a picturesque scene.
[From William Combe, The Tour of Dr. Syntax in Search of the Picturesque (London, 1817; 1903 reprint), p. 105]
[List of Illustrations]
“It is very true,” said Marianne, “that admiration of landscape scenery is become a mere jargon. Every body pretends to feel and tries to describe with the taste and elegance of him who first defined what picturesque beauty was. I detest jargon of every kind, and sometimes I have kept my feelings to myself, because I could find no language to describe them in but what was worn and hackneyed out of all sense and meaning.”14
“I am convinced,” said Edward, “that you really feel all the delight in a fine prospect15 which you profess to feel. But, in return, your sister must allow me to feel no more than I profess. I like a fine prospect, but not on picturesque principles. I do not like crooked, twisted, blasted trees.16 I admire them much more if they are tall, straight and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles, or thistles, or heath blossoms.17 I have more pleasure in a snug farm-house than a watchtower—and a troop of tidy, happy villagers please me better than the finest banditti in the world.”18
Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.19
The subject was continued no farther; and Marianne remained thoughtfully silent, till a new object suddenly engaged her attention. She was sitting by Edward, and in taking his tea from Mrs. Dashwood, his hand passed so directly before her, as to make a ring, with a plait of hair in the centre, very conspicuous on one of his fingers.
“I never saw you wear a ring before, Edward,” she cried. “Is that Fanny’s hair? I remember her promising to give you some. But I should have thought her hair had been darker.”20
Marianne spoke inconsiderately what she really felt—but when she saw how much she had pained Edward, her own vexation at her want of thought could not be surpassed by his. He coloured very deeply, and giving a momentary glance at Elinor, replied, “Yes; it is my sister’s hair. The setting always casts a different shade on it you know.”
Elinor had met his eye, and looked conscious likewise. That the hair was her own, she instantaneously felt as well satisfied as Marianne; the only difference in their conclusions was, that what Marianne considered as a free gift from her sister, Elinor was conscious must have been procured by some theft or contrivance unknown to herself. She was not in a humour, however, to regard it as an affront, and affecting to take no notice of what passed, by instantly talking of something else, she internally resolved henceforward to catch every opportunity of eyeing the hair and of satisfying herself, beyond all doubt, that it was exactly the shade of her own.
Edward’s embarrassment lasted some time, and it ended in an absence of mind still more settled. He was particularly grave the whole morning. Marianne severely censured herself for what she had said; but her own forgiveness might have been more speedy, had she known how little offence it had given her sister.
Before the middle of the day, they were visited by Sir John and Mrs. Jennings, who, having heard of the arrival of a gentleman at the cottage, came to take a survey of the guest. With the assistance of his mother-in-law, Sir John was not long in discovering that the name of Ferrars began with an F. and this prepared a future mine of raillery against the devoted Elinor, which nothing but the newness of their acquaintance with Edward could have prevented from being immediately sprung.21 But, as it was, she only learned from some very significant looks, how far their penetration,22 founded on Margaret’s instructions, extended.
Sir John never came to the Dashwoods without either inviting them to dine at the park the next day, or to drink tea with them that evening. On the present occasion, for the better entertainment of their visitor, towards whose amusement he felt himself bound to contribute, he wished to engage them for both.
“You must drink tea with us to night,” said he, “for we shall be quite alone—and to-morrow you must absolutely dine with us, for we shall be a large party.”23
Mrs. Jennings enforced24 the necessity. “And who knows but you may raise a dance,” said she. “And that will tempt you, Miss Marianne.”
“A dance!” cried Marianne. “Impossible! Who is to dance?”
“Who! why yourselves, and the Careys, and Whitakers to be sure.—What! you thought nobody could dance because a certain person that shall be nameless is gone!”
“I wish with all my soul,” cried Sir John, “that Willoughby were among us again.”
This, and Marianne’s blushing, gave new suspicions to Edward. “And who is Willoughby?” said he, in a low voice, to Miss Dashwood, by whom he was sitting.
She gave him a brief reply. Marianne’s countenance was more communicative. Edward saw enough to comprehend, not only the meaning of others, but such of Marianne’s expressions as had puzzled him before; and when their visitors left them, he went immediately round to her and said, in a whisper, “I have been guessing. Shall I tell you my guess?”
“What do you mean?”
“Shall I tell you?”
“Certainly.”
“Well then; I guess that Mr. Willoughby hunts.”
Marianne was surprised and confused, yet she could not help smiling at the quiet archness of his manner, and, after a moment’s silence, said,
“Oh! Edward! How can you?—But the time will come I hope.… I am sure you will like him.”
“I do not doubt it,” replied he, rather astonished at her earnestness and warmth; for had he not imagined it to be a joke for the good of her acquaintance in general, founded only on a something or a nothing between Mr.
Willoughby and herself, he would not have ventured to mention it.25
Chapter Nineteen
Edward remained a week at the cottage; he was earnestly pressed by Mrs. Dashwood to stay longer; but as if he were bent only on self-mortification, he seemed resolved to be gone when his enjoyment among his friends was at the height. His spirits, during the last two or three days, though still very unequal,1 were greatly improved—he grew more and more partial to the house and environs—never spoke of going away without a sigh—declared his time to be wholly disengaged—even doubted to what place he should go when he left them—but still, go he must. Never had any week passed so quickly—he could hardly believe it to be gone. He said so repeatedly; other things he said too, which marked the turn of his feelings and gave the lie to his actions. He had no pleasure at Norland; he detested being in town; but either to Norland or London, he must go. He valued their kindness beyond any thing, and his greatest happiness was in being with them. Yet he must leave them at the end of a week, in spite of their wishes and his own, and without any restraint on his time.
Elinor placed all that was astonishing in this way of acting to his mother’s account; and it was happy for her that he had a mother whose character was so imperfectly known to her, as to be the general excuse for every thing strange on the part of her son.2 Disappointed, however, and vexed as she was, and sometimes displeased with his uncertain behaviour to herself, she was very well disposed on the whole to regard his actions with all the candid3 allowances and generous qualifications, which had been rather more painfully extorted from her, for Willoughby’s service,4 by her mother.5 His want of spirits, of openness, and of consistency, were most usually attributed to his want of independence,6 and his better knowledge of Mrs. Ferrars’s disposition7 and designs. The shortness of his visit, the steadiness of his purpose in leaving them, originated in the same fettered inclination, the same inevitable necessity of temporising with his mother. The old, well established grievance of duty against will,8 parent against child, was the cause of all. She would have been glad to know when these difficulties were to cease, this opposition was to yield,—when Mrs. Ferrars would be reformed, and her son be at liberty to be happy. But from such vain wishes, she was forced to turn for comfort to the renewal of her confidence in Edward’s affection, to the remembrance of every mark of regard in look or word which fell from him while at Barton, and above all to that flattering proof of it which he constantly wore round his finger.
“I think, Edward,” said Mrs. Dashwood, as they were at breakfast the last morning, “you would be a happier man if you had any profession to engage your time and give an interest to your plans and actions. Some inconvenience to your friends, indeed, might result from it—you would not be able to give them so much of your time. But (with a smile) you would be materially benefited in one particular at least—you would know where to go when you left them.”
“I do assure you,” he replied, “that I have long thought on this point, as you think now. It has been, and is, and probably will always be a heavy misfortune to me, that I have had no necessary business to engage me, no profession to give me employment, or afford me any thing like independence. But unfortunately my own nicety,9 and the nicety of my friends, have made me what I am, an idle, helpless being. We never could agree in our choice of a profession.10 I always preferred the church, as I still do. But that was not smart enough for my family.11 They recommended the army. That was a great deal too smart for me.12 The law was allowed to be genteel enough;13 many young men, who had chambers in the Temple,14 made a very good appearance in the first circles, and drove about town in very knowing15 gigs.16 But I had no inclination for the law, even in this less abstruse study of it, which my family approved.17 As for the navy, it had fashion18 on its side, but I was too old when the subject was first started to enter it19—and, at length, as there was no necessity for my having any profession at all, as I might be as dashing and expensive20 without a red coat21 on my back as with one, idleness was pronounced on the whole to be the most advantageous and honourable,22 and a young man of eighteen is not in general so earnestly bent on being busy as to resist the solicitations of his friends to do nothing. I was therefore entered at Oxford and have been properly idle ever since.”23
“The consequence of which, I suppose, will be,” said Mrs. Dashwood, “since leisure has not promoted your own happiness, that your sons will be brought up to as many pursuits, employments, professions, and trades as Columella’s.”24
“They will be brought up,” said he, in a serious accent,25 “to be as unlike myself as is possible. In feeling, in action, in condition, in every thing.”
“Come, come; this is all an effusion of immediate want of spirits, Edward. You are in a melancholy humour, and fancy that any one unlike yourself must be happy. But remember that the pain of parting from friends will be felt by every body at times, whatever be their education or state.26 Know your own happiness. You want nothing but patience—or give it a more fascinating name, call it hope. Your mother will secure to you, in time, that independence you are so anxious for; it is her duty, and it will, it must ere long become her happiness to prevent your whole youth from being wasted in discontent. How much may not a few months do?”
“I think,” replied Edward, “that I may defy many months to produce any good to me.”
This desponding turn of mind, though it could not be communicated to Mrs. Dashwood,27 gave additional pain to them all in the parting, which shortly took place, and left an uncomfortable impression on Elinor’s feelings especially, which required some trouble and time to subdue. But as it was her determination to subdue it, and to prevent herself from appearing to suffer more than what all her family suffered on his going away, she did not adopt the method so judiciously employed by Marianne, on a similar occasion, to augment and fix her sorrow, by seeking silence, solitude, and idleness. Their means were as different as their objects, and equally suited to the advancement of each.
Elinor sat down to her drawing-table28 as soon as he was out of the house, busily employed herself the whole day, neither sought nor avoided the mention of his name, appeared to interest herself almost as much as ever in the general concerns of the family, and if, by this conduct, she did not lessen her own grief, it was at least prevented from unnecessary increase, and her mother and sisters were spared much solicitude on her account.
Such behaviour as this, so exactly the reverse of her own, appeared no more meritorious to Marianne, than her own had seemed faulty to her. The business of self-command she settled very easily;—with strong affections it was impossible, with calm ones it could have no merit. That her sister’s affections were calm, she dared not deny, though she blushed to acknowledge it; and of the strength of her own, she gave a very striking proof, by still loving and respecting that sister, in spite of this mortifying conviction.29
Without shutting herself up from her family, or leaving the house in determined solitude to avoid them, or laying awake the whole night to indulge meditation, Elinor found every day afforded her leisure enough to think of Edward, and of Edward’s behaviour, in every possible variety which the different state of her spirits at different times could produce;30—with tenderness, pity, approbation, censure, and doubt. There were moments in abundance, when, if not by the absence of her mother and sisters, at least by the nature of their employments, conversation was forbidden among them,31 and every effect of solitude was produced. Her mind was inevitably at liberty; her thoughts could not be chained elsewhere; and the past and the future, on a subject so interesting, must be before her, must force her attention, and engross her memory, her reflection, and her fancy.
From a reverie of this kind, as she sat at her drawing-table, she was roused one morning, soon after Edward’s leaving them, by the arrival of company. She happened to be quite alone. The closing of the little gate, at the entrance of the green court in front of the house, drew her eyes to the window, and she saw a large party walking up to the door. Amongst them w
ere Sir John and Lady Middleton and Mrs. Jennings, but there were two others, a gentleman and lady, who were quite unknown to her. She was sitting near the window, and as soon as Sir John perceived her, he left the rest of the party to the ceremony of knocking at the door, and stepping across the turf,32 obliged her to open the casement33 to speak to him, though the space was so short between the door and the window, as to make it hardly possible to speak at one without being heard at the other.
“Well,” said he, “we have brought you some strangers. How do you like them?”
“Hush! they will hear you.”
“Never mind if they do. It is only the Palmers. Charlotte is very pretty, I can tell you. You may see her if you look this way.”
As Elinor was certain of seeing her in a couple of minutes, without taking that liberty, she begged to be excused.
“Where is Marianne? Has she run away because we are come?34 I see her instrument is open.”35
“She is walking, I believe.”
They were now joined by Mrs. Jennings, who had not patience enough to wait till the door was opened before she told her story. She came hallooing36 to the window, “How do you do, my dear? How does Mrs. Dashwood do? And where are your sisters? What! all alone! you will be glad of a little company to sit with you. I have brought my other son and daughter to see you. Only think of their coming so suddenly! I thought I heard a carriage last night, while we were drinking our tea, but it never entered my head that it could be them. I thought of nothing but whether it might not be Colonel Brandon come back again; so I said to Sir John, I do think I heard a carriage; perhaps it is Colonel Brandon come back again”—
Elinor was obliged to turn from her, in the middle of her story, to receive the rest of the party;37 Lady Middleton introduced the two strangers;38 Mrs. Dashwood and Margaret came down stairs at the same time, and they all sat down to look at one another, while Mrs. Jennings continued her story as she walked through the passage into the parlour, attended by Sir John.
