Stolen Away

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Stolen Away Page 49

by Collins, Max Allan


  I’d seen her in Chicago, in LaSalle Street Station, where she stepped down off the Twentieth Century Limited.

  With a baby in her arms.

  39

  The brick terra-cotta six-flat on Sheridan looked just the same; it might have been yesterday I stood before it, not four years. Even the day was the same: gray, cold, the air flecked with icy snow. I stood on the sidewalk, studying the six-flat like a clue I couldn’t decipher.

  Only I had deciphered it.

  This was Tuesday, late Tuesday morning—almost twenty-four hours to the minute from when I saw Bernice Conroy’s mug-shot picture in Frank Wilson’s office in Washington. I had taken the train in the afternoon, got into Chicago in the middle of the night, slept like a baby in my Murphy bed in my office, till about an hour ago.

  On the train, I hadn’t slept a wink. I lay in my Pullman upper with my eyes wide open and staring, slowly piecing this together, instantly piecing that together, until I knew. I knew exactly what had happened.

  Evalyn, I told nothing. I said only that I had a long-shot lead, from something I’d seen in Wilson’s office, and that it required me going back to Chicago to follow up. She’d wanted to come, but I said no. She tried to argue, but I wasn’t having any.

  This was for me to do.

  “I’ll be back as soon as I can,” I told her.

  “What do I do till then?”

  “Same as Hauptmann,” I said, touching her face. “Wait, and pray.”

  Interpretation was required: that’s what Marinelli had said. Not long ago I thought psychics were the bunk; and I still thought most of them, Marinelli included, were scam artists. The “fortune” in “fortune-teller” was the money those sons of bitches plucked off their marks.

  But a few of these screwballs were sincere—Edgar Cayce a prime example. Even in ’32 I’d sensed that he at least thought he was for real; he, and his nice little wife and quiet little life, had impressed me, back then, though I hadn’t wanted to admit it to myself.

  Now, as I stood before the brick building on Sheridan Road, I knew he’d somehow tapped into something very real. But interpretation was required: he’d gotten so much right—the mill section of New Haven; the two-story shingled house on “Adams” (Chatham) Street, numbered 73; the name of the man who lived in that house, Paul Maglio, a.k.a. Paul Ricca; the brown building two-tenths of a mile from the end of Chatham, where neighborhood rumor had it Little Lindy had been baby-sat…

  But the child was on Scharten Street, Cayce had said. And that brown building was on Maltby.

  Interpretation: Scharten. Sounds like Scharten, sounds like Scharten…

  Sheridan?

  Only that baby had never been in the six-flat on Sheridan. I’d followed Bernice Rogers, a.k.a. Bernice Conroy, a twenty-month-old baby bundled in her arms, from LaSalle Street Station to this apartment building. And that baby had turned out to belong to Hymie Goldberg.

  You remember—it was in all the papers.

  That was the sweetest irony of all: I was picked to be the police liaison from Chicago because I’d cracked the Hymie Goldberg kidnapping. It had impressed Lindbergh himself, got me immediately into the inner circle with Breckinridge and assorted colonels and underworld types.

  But had I really cracked the Goldberg kidnapping? No charges had been pressed against Bernice Rogers, after all—Hymie Goldberg, upon return of his kid, had claimed Bernice had been acting as his Jafsie. The Goldberg kidnapping may have been a sham, a front, all along.

  What I most certainly had done, that fourth day of March in 1932, when I got suspicious of a hard-looking blonde and an innocent-looking baby in a Chicago train station, was royally botch the Lindbergh case.

  Funny, I remembered how I’d speculated that cracking the crime of the century would send my career skyrocketing. But I was a green kid, and what did I know? Certainly not what I was doing.

  That great old detective, though, my Chief of Detectives, “Old Shoes” Schoemaker, had been right on the money. We knew at the time that Bernice Rogers had adopted a boy, of a specific age, from an Evanston agency. Old Shoes had theorized that she had then gone east with the kid and set up housekeeping in some quiet neighborhood and let herself, and her charge, be seen—but not too close up. Then after the kidnapping, Charles Lindbergh, Jr., was substituted for the adoption-agency kid, who was disposed of, somehow.

  I now knew that the “quiet neighborhood” out east had been in New Haven, “in the region of” Dover, in an apartment over a grocery store in a brown building on Maltby Street. At the behest of “Paul Maglio,” whose shingled two-story on Chatham had briefly been used as a safe house. That adopted kid had probably been smothered or whatever, and buried in the basement on Chatham or something—possibly winding up, months later, in a shallow grave in the Sourland Mountains.

  Only Paul Ricca hadn’t counted on the feds pouring into New Haven in the days immediately following the snatch, looking for suspects and babies; Ricca had no way of knowing that the construction workers on Lindbergh’s estate had largely come from New Haven, and had become immediate suspects.

  So the plan was hastily changed, and Ricca had sent Bernice Rogers and her hot little package (its hair dyed black) back to Chicago, where somebody other than Bernice would take charge of the child, who would be sent deep into hiding and safekeeping.

  And that was how, and where, plainclothes officer Nathan Heller of the pickpocket detail screwed up.

  On the train last night, not long before it pulled into (of all places) LaSalle Street Station, the truth had come to me—only four years and several days too late.

  A switch had been pulled.

  Bernice Rogers had hustled her pretty ass off that train and into the train station and directly in the ladies’ room. She’d been in there less than two minutes. Not time enough to change a diaper; not time enough to take a decent pee.

  But plenty of time to trade babies with another surrogate mother, waiting for her in that can.

  Bernice Rogers Conroy had turned Charles Lindbergh, Jr., over to an awaiting accomplice, who had given her in return the son of a Jewish bootlegger named Goldberg.

  Substituting not only another child, but another kidnapped child, would make it possible for all of Bernice’s elaborate precautions—adopting another kid, going east, shuttling home—to be written off as having been done in relation to the Goldberg kidnapping. Which probably wasn’t a kidnapping at all, of course.

  What this boiled down to was, young detective Heller fucked up, major league. I should have followed that bitch into the bathroom. Grabbed her, and the kid. But I was too fucking shy—I didn’t want to wound the sensibilities of any ladies going potty.

  I was the potty one. Fuck! The grief I could have saved myself, Lindbergh, Hauptmann, the world, if I’d just had the balls to go in a goddamn ladies’ room!

  On such trivialities does history hinge—not to mention my sanity.

  Well, that was a long time ago, and now I was back in Chicago, back on Sheridan, back in front of the apartment building I’d tracked Bernice Rogers to, once upon a time. I was older, wiser, and Bernice Rogers presumably was, too—though you’d have to add “dead” to her list.

  The building janitor had a small basement apartment, shot through with pipes and scattered with dreary secondhand furniture, stacks of sleazy magazines, and pointless knickknacks. There were several pinup calendars taped to the painted cement wall, none of them the current year. The guy was a scavenger, and a pack rat. For my purposes, that was good.

  “Sure I remember Mrs. Rogers,” he rasped. He was younger than thirty and older than time, a stooped lunger with four days of stubble, a sweated-out gray T-shirt and baggy blue pants with suspenders. He had a chipmunk overbite yellow as piss, no chin and eyes that were as clear and blue as a summer sky.

  “She sure had a good build,” I said, and grinned.

  “She sure did! She got in trouble, though.” He narrowed his inexplicably beautiful blue eyes and leaned forward
, to get confidential; his breath smelled of Sen-Sen. “There was a shooting upstairs, back in ’32. She was involved in a kidnapping, I heard. But she got off.”

  “Did she stick around after that?”

  “A while, is all. A month, maybe. Then one night, all of a sudden, no notice or nothing, she lit out. Took her clothes, but she left the furniture. It wasn’t a furnished flat, neither.”

  I imagined some of that furniture was in this very room. “Did she leave anything else behind, besides furniture? Personal effects? Like letters, for example?”

  He coughed for a while; I waited. Then he said, “No, sir. But I remember, a week or so after she left, a letter did come for her. She didn’t leave no forwarding address. Sometimes people do that, you know. Move on without no forwarding address.”

  “What do you do with their mail, then? Return it to the post office?”

  He shook his head, no. “I keep it in a box. In case they should ever come for it.”

  “I’d like to see that letter.”

  “Mister, no offense, but that badge you showed me—it was a private badge, wasn’t it?”

  “Right. Would you like to see some more identification?”

  And I showed him a five-dollar bill.

  “That’s very official-looking,” he said, taking it, grinning wolfishly, sticking it into a deep pocket. “You stay here.”

  He opened a door and I caught a glimpse of the basement laundry room and storage bins for each apartment. The door stood open, but I couldn’t see him. I could hear him, rustling in there, ratlike.

  He soon returned, baring his yellow overbite. He was holding a cigar box in one hand, like a church usher with a collection plate. In the other hand was a letter, which had been opened, but then so had several dozen more in the cigar box.

  I reached for the letter.

  He pulled it back; his mouth was tight and pouty. “I want more ‘identification.’ I could get in trouble with the landlord for this kind of thing.”

  “I already gave you five bucks, pal.” I grinned at him again, but it wasn’t at all friendly. “And your landlord isn’t going to give you the kind of trouble I’m going to give you, if you don’t hand that fucker over.”

  “No,” he said, shaking his head, coughing some more. “I mean it. I’m taking a big risk, even talking to somebody like you. Mr. Ricca has strict rules.”

  That stopped me.

  “Mr. Ricca? That’s the landlord’s name?”

  “Owns the building,” he said with a somber nod. “And I hear he’s connected.”

  I’d heard that, too.

  I gave him another five dollars.

  I didn’t look at the letter until I was sitting in my car. My hands were trembling as I fished out the single page; I’m not ashamed to say so.

  It was from a woman named Madge. No last name, but the envelope had a return address: M. Belliance, Three Oaks, Michigan, a rural route.

  Cayce had mentioned a woman named “Belliance” as guarding the child. Son of a bitch, I was a believer. I couldn’t keep my goddamn hand from shaking, but I managed to read the letter.

  Dear B.,

  The boy is doing fine. He is over his cold. He and Carl are getting along famously. Carl will be a good daddy. No more boats and worry for us. This farm life is going to be a real nice change.

  It’s sweet of you to ask about the boy. He is not hard to love. I can see how you got attached to him so quick. If you know what’s best, you ought to tear this up. The picture too, but I couldn’t not send one.

  Madge

  And there was a photo. A snapshot.

  Cayce had been right again, in a roundabout way. I had found the child on “Scharten Street.” At least, this picture of a child.

  A child perhaps twenty-one months old, a beautiful toddler in a little playsuit with suspenders over a T-shirt; he had light curly hair and a dimpled chin, and stood between, with his either hand held by, a thin-faced man in a cap and bib overalls, and an apple-cheeked woman in a calico print housedress; behind them seemed to be a farmhouse. The man and woman were smiling, the little boy was frowning, though he might have been squinting in the sun.

  He was Charles Lindbergh, Jr.

  And I was on my way to Three Oaks, Michigan.

  40

  I caught Lake Shore Drive and headed to the South Side, cutting through the industrial southeastern side of the city, till the steel mills of Chicago gave way to those of Gary, Indiana. Soon the sooty scent of free enterprise was replaced by the clear, fresh air of the country, and I guided my sporty ’32 Auburn along the shore road that curved around Lake Michigan, and before long sand dunes were rising around me like a mirage of the desert. I drove quickly, but I didn’t speed, pressing forward with the single-mindedness of a hungry animal. The village of New Buffalo, in southwestern Michigan, in the heart of a summer-camp and resort area, was known as the gateway to that state. It was in that village that I stopped at a hardware store and bought a hunting knife, a coil of rope and a wide roll of electrical tape. They also sold ammunition, but I’d brought some from home.

  It wasn’t far to Three Oaks, another quaint village, where a gas-station attendant gave me directions to the Belliance farm. I turned right at the traffic light on North Elm Street and at a junction with a macadam road turned left; I passed Warren Woods, a vast acreage of virgin beech and maple, a state bird and game sanctuary. I made a left and a right, on gravel roads, passing through an area of orchards alternating with empty fields, and there it was.

  Basking in afternoon sunshine, bucolic as a feed-store lithograph, the Belliance farm rested on a gentle slope, even some green amidst the grass—whether that was because spring was coming, or the lake was relatively close, I was too citified to know. The farmhouse was a small, white, two-story clapboard, with a large red barn behind and to one side. Sarah Sivella had seen such a place, last week, in that trance she’d fallen into at the Temple of Divine Power. I swung into the drive; it was gravel, but the earth that fell to ditches on either side had a reddish cast. Edgar Cayce had said there was “red dirt on the pavement” near the house where the child was kept. I was beginning to wonder if I should trade my nine millimeter in on a crystal ball.

  For now, however, I’d stick to the nine millimeter, which I’d already slipped into the pocket of my raincoat. The wide roll of electrical tape was in the other pocket. And I had looped the coil of rope around my belt, and the hunting knife, in a leather sheath, was stuck through my belt as well; neither would show under the bulky, lined raincoat.

  I was ready to call on the Belliance family.

  Chickens scurrying noisily out of my way, I pulled the Auburn up around the side of the house, where the gravel near a fenced-in area was already accommodating a pickup truck, a late-model Chevy and a green, new-looking tractor. In addition to the recently painted, bright red barn, several other structures huddled, including a toolshed and a windmill.

  The sun slid under a cloud and reminded me how cold it still was; but there was no snow on the frozen ground. I walked to the front porch and knocked. There was a swing; the breeze was making it sway, some.

  A woman answered—the woman I’d seen in the photograph inserted in the letter to Bernice Rogers Conroy; she was in her early forties, wearing a crisp pink-and-white checked housedress with a white apron, on which she was drying her hands. She was dark blonde, apple-cheeked, and had blue eyes almost as lovely as the janitor’s back in the Sheridan six-flat.

  “Can I help you, young man?” Her smile was pleasant, her tone sincere.

  “Excuse me for bothering, but I’m having some car trouble. Is your husband home?”

  “Why, yes. He’s out back. I can get him…?”

  “Would you please? I’m sorry to be such a bother.”

  “Step in, step in.”

  I did. She went away, still wiping her hands on the apron; I heard the back door open. I slipped my hand in my raincoat pocket, gripped the nine millimeter. I put my back to the wall jus
t inside the door, so that I could see the front door as well as where she’d gone into the kitchen. A stairway rose before me. The house was simple and wellkept, wood floors, floral wallpaper. The furnishings were not expensive, but they were relatively new; there was a spinet piano in the living room. In the midst of the depression, these people had been set up out here on the farm with nice, new things.

  A scarecrow of a man in coveralls came in through the kitchen, his wife following dutifully behind him; he was wiping grease from his hands with a rag. In his mid-forties, he was bald with pouches under his eyes—like Sarah Sivella had said. His somewhat weathered face was that of the man I’d seen in the photo.

  He extended his freshly cleaned hand and smiled. “I’m Carl Belliance. I understand you’ve got a little problem.”

  “No,” I said, and I showed him the nine millimeter. “You’ve got the problem.”

  His face tightened and I thought he was going to jump me but I caught his eyes and shook my head, no. He sighed, got off the balls of his feet, and went limp, arms dangling, head lowered. He backed up a pace. His wife had raised a hand to her mouth.

  “What do you want, mister?” he said. “We got no money in the house.”

  “Can it. I’m here for the boy.”

  They glanced at each other; she seemed near tears. He shook his head, as if to say, It’s no use.

  “I figured it would catch up with us someday,” Belliance said softly.

  “Why? Who do you figure I am?”

  He smiled with one side of his face and it wasn’t really a smile. “Does it matter? You’re either a cop, or you’re not a cop. And if you’re not a cop, somebody’s decided to take everything away from us.” His mouth tightened into something bitter. “We’ve done what we were told. We never made a peep. But I suppose it was hoping for too much just to live our damn lives in peace.”

  “Who are you, Carl?”

  His eyes twitched. “I’m nobody. I’m just a farmer.”

  “Well, if you don’t want to tell me, I’ll tell you. You used to be a rumrunner for the Outfit. Repeal was on the way and you’d be out of work, soon. But you were a good man. Trustworthy. So somebody big—somebody named Capone maybe, or maybe somebody named Ricca—asked if you wanted to go straight. Go into farming. Drop out of that life.”

 

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