Solis eased between them and pushed the two women apart. He kept his gaze on the older one, but he was clearly speaking to his wife when he said in carefully clipped syllables, “Ximena. Vuelve a la cocina.”
The moment she had flounced away to remove the other children from the kitchen, Solis reached past the old woman and her belligerent shoulders to pluck the now-wailing little girl out of the sink. For a moment, the sparking energy in both the adults’ auras seemed to hiss and coruscate as if on the teetering edge of flaring into furious white heat that would consume everything near it in a flash fire of destruction.
Solis set the girl on the floor and snatched a bath towel off a stack on the clothes dryer nearby to wrap her in, and the moment’s potential faltered, sending a shiver into the Grey.
The woman let out a screech of her own and turned around to berate Solis, bony little claw fists propped on her hips and her beaky face thrust forward like a furious crow, her energy blowing outward into a harsh, violent tangle of red spikes. Her posture was so much the full-bore version of Ximena’s aborted stance that I knew the woman had to be her mother. She cawed at her son-in-law in a glass-shattering voice, dropping Spanish words I knew nice old ladies didn’t use in polite Colombian company.
Solis whipped a fisted hand up between them, pointing his index finger at her in a warning gesture as his aura flushed a deep, vibrating red. Unlike his mother-in-law’s, his energy seemed to pull inward, intensifying and burning in a tightly controlled band around him. His expression was stern enough to give a charging rhino pause. “Mi casa, mis reglas,” he snapped.
The old lady shut her mouth with a snap, her tangled strands and spikes sucking inward but not really dissipating, and glowered at him before she also spun around and marched out of the room.
“Bruja vieja y vil,” Solis muttered, rolled his eyes, and stooped to pick up the sodden child. The hard red energy around him drained away, leaving a slightly too-bright residue that gave off occasional low sparks and glimmers of white and orange. He turned and saw me and I could tell he’d momentarily forgotten my presence in his house. His sparks died away.
He cleared his throat. “Have a seat in the kitchen. I will take Claudia Elena upstairs but I won’t be gone long.”
I wasn’t sure if that was an apology in advance, a warning, or what. I shrugged. “All right.”
Solis offered a small smile and walked past me. I followed him into the kitchen, where I could just glimpse two children’s faces peering into the room from the hallway beyond until they saw their father coming and disappeared from sight. I took a seat at the oversized work island in the middle, putting the bag full of bell down on the floor beside me. Ximena Solis stood at the stove, her back to me. She was mumbling and working with jerky, angry motions, occasionally tossing her head in dismissive fury. She turned suddenly with the scorched pan in her hand and let out a fearful yelp as she saw me, jumping in shock and barely keeping hold of the pan and its burned, goopy contents. She started to question me in Spanish, then stopped, made an exasperated face while shaking her head, and restarted in English.
“Who the hell are you?” she demanded, tossing the burned pan into the sink with a clatter and a look of disgust. Her English was more heavily accented than Solis’s, but she spoke more casually—as if she were more comfortable with the language than her husband and didn’t give a damn how she sounded.
“I’m Harper Blaine,” I replied. “I’m working with Sergeant Solis for a few days.”
Her eyebrows pinched together as she looked a bit askance at me. “Harper Blaine? Really? You don’t look spooky to me.”
I let out a short laugh. “Is that how your husband describes me—spooky?”
“Espantoso,” she replied, nodding while keeping her eyes locked on mine, as if I might do something untoward at any moment. Then she shrugged. “But no one’s really that scary compared to my mother.”
I pointed in the direction the old woman had disappeared. “Was that her?”
Ximena rolled her eyes. “Oh yes. She is having one of her ‘bad days.’ She decided the children all needed to be scrubbed of their sins and she was going to do it with Tide and a wire brush.” She glanced around the kitchen in sudden anxiety and added, “I don’t know where Oscar Luis went. . . .”
“Is he about ten, has a burned shirtsleeve?”
She nodded. “Yes. Did you see him?”
“He met us in the foyer. Your husband calmed him down and sent him upstairs. He didn’t seem badly burned—just a little red on his arm.”
Ximena looked stricken, her aura going an unattractive green for a moment, and she seemed to buckle at the knees before she caught herself and stiffened her spine with the help of a loud, long inhale. “He stumbled against the stove trying to get away from Mama and he caught his sleeve on fire.”
She must have noticed my raised eyebrows; her face tightened and she shook her head. “It’s not what you think. We don’t abuse our kids. Once in a while Mama just goes crazy in the head and then things always get bad. She’s locked herself in her room now and she won’t come out until morning, probably.”
“Really.”
“Yes!”
“Do you think it’s safe for her to be upstairs with the kids at all?”
Ximena growled under her breath. “She isn’t upstairs. She has the bedroom down here.” She pointed to one of the doors leading off the kitchen. “I’m not stupid enough to let my lunatic mother sleep near my kids. I’m not sure I should let her sleep near the stove or the food, either, but she’s my mama and I can’t put her in a home. Rey is kind enough to let her stay.” She stopped suddenly and looked at the floor.
I glanced over my shoulder, thinking Solis must have returned, but he hadn’t. It was just us girls.
“Don’t you both worry?”
Mrs. Solis sniffed and said, “She’s not like this very often. When she’s all right she’s a lot of help and she loves the kids. But when she’s bad . . .” She glanced back up at me as if my understanding was a prize she coveted.
“She’s horrid?”
Ximena didn’t get the quote and just nodded. “She is . . . delicate. My parents were both artists. Papa died when I was very young and then Mama fled Colombia for the United States with me and my brother—”
“Fled?” I asked.
“Yes. Papa was killed in an accident and that was when Mama started to go a little crazy. She said he’d been murdered by the police in Cali—we lived in an artists’ colony in the foothills and she thought of Cali as a wicked and filthy city, so of course Papa couldn’t just die in a bus accident there; he had to have been assassinated over his art,” she explained with a touch of eye rolling and hand waving. “She was sure someone would come to our door one day and kill us all. She had family who had come here and they said they could get her a job and so we ran away in the night like criminals.”
“Did you believe it was true?”
She shut herself down with a shrug and glanced away. “Sometimes. I stopped when I was in high school, but”—her eyes swung back to mine from under her lowered brow and falling hair—“the first time I met Rey and he said his father was a policeman in Cali . . . for just a moment . . . I thought that maybe it wasn’t just one of my crazy mother’s crazy stories.”
“She thought I had come to kill her,” Solis added from the doorway behind me.
I turned my head toward him. “Ximena or her mother?”
“Ximena,” he replied. He walked across the room and snuggled one arm around his wife. “Didn’t you?”
Ximena nodded, biting her lip. “It’s so stupid of me, but . . . you know. . . .”
He kissed the top of her head, which forced him up on his toes since Ximena was only an inch or so shorter than Solis. “I know.” He whispered in her ear and kissed her cheek.
She made a shy smile at the floor.
“So,” Solis started, giving his wife a little squeeze. “Pizza?”
Ximena giggled and fin
ally looked up at him. “I don’t want to feed a guest pizza!”
Solis shrugged. “As you like, mi reina. But Blaine is not a guest.” He raised his eyes to mine and a momentary desperation flashed in his glance and sent a shower of anxious olive sparks into the Grey. “Are you?”
“Nope,” I agreed. “Just here to make the sergeant’s life harder.”
“Then you should go upstairs and get started,” Ximena suggested, stepping out of her husband’s arms. She made comic shooing motions at us both. “Marchaos. I can clean this up myself.”
Solis caught her nearest hand, his expression serious. “You are certain?”
“Of course,” she replied, but her voice was a touch brittle. “I’ll be fine. I’ll call you when dinner is ready.”
“And Mama?”
“I can manage Mama. I’ll pull the curtain over the door.”
Solis seemed reluctant, but he squeezed her hand a little before letting go and shrugged. “All right.”
He motioned for me to come along and headed out of the kitchen. I picked up the bag full of bell and followed, glancing back at Ximena for only a moment as I went. She stood at the sink with her back mostly turned to us and her hands covering her face. She wasn’t crying, but she seemed very close to it. I had the urge to turn back, but I didn’t because Solis didn’t and I know that the comfort of strangers is rarely appropriate when teetering between tears and rage.
ELEVEN
Solis led me back to the foyer with its polished wooden floor and up the stairs. He stopped at the top and glanced toward the back of the house. “The children are in the boys’ room. They should be all right until dinner. My office is in the attic; we’ll hear them if they misbehave.” I wasn’t sure he was talking to me as much as reassuring himself.
In a moment he opened the door to what I’d thought was a closet and started up a steep, narrow staircase to the attic.
The space under the roof was roughly divided by a partially finished wall that cut across near the back of the house. The much larger area in the front was plainly an artist’s studio with easels and drawing tables arranged to take maximum advantage of the light through the large dormer windows on three sides. Work in various stages of completion hung or leaned everywhere there was room. There was even a covered lump on a half pillar that I guessed was a small sculpture in progress—progress that had stopped long ago, judging by the accumulation of dust on everything. The floor was dusty, too, except for a trail leading to a door in the rough wall.
Solis unlocked the door with the ease of habit and waved me through as he stepped aside to fetch a chair from the studio.
His office was wide but shallow, taking up the whole width of the house at the back, but only eight feet or so of the depth. Unlike the studio, his office had only one dormer window and that was partially shaded by a huge old tree in the backyard. His desk—a pair of cheap folding banquet tables set at a right angle—took up the area under the large dormer. Piles of cardboard and plastic file boxes and a few battered two-drawer steel filing cabinets took up some of the remaining space on the floor at each side, but most of the area was empty. The walls, on the other hand, were covered with papers and photos so numerous it was difficult to see the surface on which they were pinned. I even saw scraps of fabric and small objects in plastic bags pinned, clamped, or tied among the pages. Various lamps stood here and there or were fixed to the table edges and exposed joists. I stared at it all, turning slowly, with the bell in its canvas sack swinging gently against my knees.
Where my office was carefully buttoned up—all files and notes put away and hidden from clients’ eyes—Solis’s private space was like a murder board for a serial-killer investigation. It looked as if every case he’d ever worked haunted the walls with paper ghosts.
He watched me until I stopped to blink at him, amazed and stunned. He gave a half shrug and quirked one corner of his mouth. “My wife’s family has their madness. I have mine.” He removed his coat and suit jacket and hung them on a hook at the back of the door before holding his hand out for my own coat. I gave it to him and he placed it on top of his. Then he turned back into the room and his close-hugging energy corona flushed a bright gold color as he seemed to brace himself or change mental gears. “Now let us take another look at the bell,” he added, dragging the spare chair up to the desk.
I followed him and he removed a small pile of file folders to a box on the floor to make room for our prize. I put the bag on the table and pulled out the bell, keeping it over the bag to contain any glop we’d missed earlier. Solis pulled one of the lights down closer and drew up the desk chair beside the other one. He pulled a handkerchief from his pocket—I didn’t think anyone actually carried them anymore—and wiped the bell with care, clearing water and the last of the embedded goop off the engraving.
The bell was made of bronze all through as far as we could see, but nothing new was revealed by the wiping, except a small loop on the top for a lanyard to be threaded through. The lettering still read S.S. VALENCIA and nothing more.
Solis frowned in thought, murmuring, “Valencia. So, whatever the neighbor, Mr. Francis, thought he heard, it most likely was not about shipwrecks in Spain,” he added, shooting me a sly look from the corner of his eyes.
“Maybe the wreck of Valencia,” I suggested.
Solis nodded his head a bit, but I wasn’t sure he was conscious of it. “Ghosts . . .” he muttered, keeping his eyes on the bell. His aura pulled down to a thin line of cold blue for a moment. Then he abruptly swung the chair around and scooted it to face his computer, a boxy old desktop machine that squatted like an electronic gargoyle on the corner where the two tables met. He clacked away with his ancient keyboard and mouse and the printer made some grunting noises. “I’ll start printing the other case files while we search for Valencia,” he said, barely glancing up.
He didn’t touch-type comfortably, looking down several times even though his fingers were hitting the right keys most of the time. In a minute or so the browser coughed up a Google search; all the visible listings related to a steamship named Valencia that had been wrecked in 1906. We read through the top six articles, including a Wikipedia entry and one from HistoryLink.org that revealed a grim story:
On January 20, 1906, the passenger steamer Valencia had left San Francisco heading for Seattle. It was standing in for another ship that had been dry-docked for repairs, but though the Valencia was a little older and of a less-hardy design, it was thought to be up to the task. On the night of January 22, Valencia attempted to enter the Strait of Juan de Fuca in the teeth of a storm that quickly proved to be more than the ship could weather and the steamer’s hull was gashed open on unseen rocks. Water gushed into the interior compartments—most of which were not watertight—and the boat was in danger of sinking. The captain tried to turn and beach the ship safely, but the stern ran up, not on soft sand but on a rocky reef along the southwest coast of Vancouver Island. Valencia was trapped on the rocks below a cliff twenty miles north of the strait and unable to move in any direction or safely put out the lifeboats—of which there weren’t enough to save everyone, anyhow.
The fierce storm beat at the ship without mercy and began to tear into the structure. Abandoning everything in the cabins and holds below, everyone on board—most still clad in their nightclothes—huddled on deck or in the stern cabins that were still dry and whole. At the first break in the storm the captain attempted to put the women and children ashore in six of the seven lifeboats, with two men per boat to row, but as the men left on board watched in horror, the tiny wooden boats were capsized by waves or crushed on the rocks, killing all aboard them, save nine of the men, who made landfall alive. The nine climbed to the cliff tops, but in the slashing rain they turned the wrong way and wandered away from the lighthouse that could have saved them. On the ship the remaining men climbed into what still stood of the rigging, trying to keep out of the raging surf that battered the crumbling vessel to pieces.
The last l
ifeboat was finally put down with just three men aboard, under instructions to reach the cliff top and drop a line to the boat so the remaining passengers and crew might climb to safety. This time the boat reached land and the men found a sign directing them to the lighthouse. Abandoning their instructions, they walked for two and a half hours to the lighthouse, where they were finally able to call for aid to save Valencia’s surviving men. But even when help arrived, many of the boats were unable to safely draw close enough to the sinking steamer to remove anyone and had to turn away. Some of the remaining men of the Valencia were rescued by the responding boats, but not all, and when another party arrived on the cliff with ropes to haul the last ones up, the ship broke apart and sank before their eyes, taking several dozen men, who clung to the rigging, to their deaths. They had weathered two days in the storm, watching their fellow passengers and crew die and their ship tear away and sink in pieces beneath them, seen others rescued, but not them. . . . Of the men, women, and children who had been aboard when Valencia left San Francisco, only thirty-seven men survived.
The stories differed as to how many people perished in the tragedy—maybe 117, possibly 136 or 181, since records didn’t include children or late-arriving passengers who paid when they boarded—but of the unknown total who boarded, not a single child or woman had survived. Twenty-seven years later the Valencia’s lifeboat number 5 was found adrift in a cove nearby. The nameplate was preserved in a museum, but the rest of the ill-fated steamer was left to her grave on the rocks below Pachena Point.
The wrecking of the Valencia was later dubbed America’s Titanic and was accounted to be the worst peacetime shipping disaster in North American history. And we had found its bell hidden in the engine room of another ill-fated boat.
Seawitch: A Greywalker Novel Page 13
