Money in the Morgue

by Ngaio Marsh

  ‘If you say so,’ he grumbled.

  She looked at Glossop’s pay-box, sizing it up with a practised eye. ‘I’m afraid that great case of yours is too big,’ she said. ‘Try.’

  Mr Glossop approached the japanned box to the safe. It was at least three inches too long.

  ‘Oh, Lord!’ he said. ‘Things have been like that with me all day.’

  ‘We shall have to find something else, that’s all.’

  ‘It’ll be all right. I won’t let it out of my sight, Matron. You bet I won’t.’

  ‘It’ll be out of your sight when you’re asleep, Mr Glossop.’

  ‘I won’t—’

  Matron shook her head. ‘No. I can’t take the responsibility. We’ll give you a shake-down in the anteroom to the Surgery. I don’t expect you’ll be disturbed, but we can’t have the door locked, our medicines are stored in there and I can’t guarantee something won’t be needed in the night. The money’s done up in separate lots, isn’t it?’

  ‘It is, yes. I’ve got it down to a system. Standardized rates of pay, you know. I could lay my hand on anybody’s pay with my eyes shut. Each lot in a separate envelope. My system.’

  ‘In that case,’ said Matron briskly, ‘a large canvas bag will do nicely.’

  She took one, folded neatly, from the back of the safe. ‘There you are. I’ll get you to put it in that and you’d better watch me lock it up.’

  With an air of sulky resignation, Mr Glossop emptied one after another of the many compartments in his japanned box, snapping rubber bands round each group of envelopes before he stowed them in the bag. The Matron watched him, controlling any impatience that may have been aroused by the slow coarse movements of his hands. In the last and largest compartment lay a wad of pound notes held down by a metal clip.

  ‘I haven’t made these up yet,’ Mr Glossop said. ‘Ran out of envelopes.’

  ‘You’d better count them, hadn’t you?’

  ‘There’s a hundred, Matron, and five pounds in coins.’ He wetted his thumb disagreeably and flipped the notes over.

  ‘Dirty things,’ said the Matron unexpectedly.

  ‘They look lovely to me,’ Mr Glossop rejoined and gave a stuttering laugh.

  He fastened the notes, dropped them in the bag and shovelled the coins after them. Matron tied the neck of the bag with a piece of string from her desk. ‘Wait a moment,’ she said. ‘There’s a stick of sealing-wax in the top right-hand drawer. Will you give it to me?’

  ‘You are particular,’ sighed Mr Glossop.

  ‘I prefer to be business-like. Have you a match?’

  He gave her his box of matches and whistled between his teeth while she melted the sealing-wax and sealed the knot. ‘There!’ she said. ‘Now put it in the safe, if you please.’

  Mr Glossop with difficulty compressed himself into a squatting posture before the safe. The light from the office lamp glistened upon his tight greasy curls and along the rolls of fat at the back of his neck and the bulging surface of his shoulders and arms. As he pushed the bag into the lower half of the safe he might have been a votary of some monetary god. Grunting slightly he slammed the door. Matron, with sharp bird-like movements, locked the safe and returned the key to her pocket. Mr Glossop struggled to his feet. ‘Now we needn’t worry ourselves,’ said Matron.

  As she turned to leave, the little nurse from the Records Office appeared in the doorway. ‘Yes?’ Matron said. ‘Do you want me?’

  ‘Father O’Sullivan has come, Matron.’

  Beyond the nurse stood a priest with a nakedly pink face and combed-back silver hair. He carried a small case and appeared impatient to see the Matron.

  ‘Excuse me, Mr Glossop, this is quite urgent, you know. I’ll send someone to fetch you to the Surgery anteroom,’ Matron said, and folding her hands at her waist walked out into the yard leaving Mr Glossop wiping his brow at the exertion he had just endured. He heard their voices die away as they moved off in the direction of Mr Brown’s private room.

  ‘… not long …’

  ‘… Ah … such a time … Is he …?’

  ‘… Very. Failing rapidly, but then he does keep rallying. It can’t possibly go on, of course. I’m not one to believe in miracles, although with the storm …’

  The telephone in the Records Office pealed and the little nurse hurried back to answer it. To Mr Glossop her voice sounded like an echo: ‘… Mr Brown’s condition is very low,’ she was saying. ‘Yes, I’m afraid so … failing rapidly.’

  Mr Glossop gazed vacantly across the yard at Military 1. His attention was arrested by something white that shifted in the porch entrance. He moved a little closer and then, since he was of a curious disposition and extremely short-sighted, several paces closer still. He was profoundly disconcerted to find himself staring up into Sister Comfort’s rimless spectacles.

  ‘Beg pardon, I’m sure,’ he stammered. ‘I didn’t know—getting dark, isn’t it? My mistake!’

  ‘Not at all,’ said Sister Comfort. ‘I could see you quite clearly. Good night.’

  She stalked off, down the steps and along the yard, no doubt to harangue yet another benighted soldier, and Mr Glossop turned away with elephantine airiness.

  ‘Now what the hell,’ he wondered, ‘is that old cow up to?’

  While Matron took Father O’Sullivan to minister to Mr Brown, Mr Glossop spent the next twenty minutes fidgeting and worrying in her office. He sat first in the chair opposite Matron’s desk, a lower chair than the one behind her desk, ideal for chastising foolhardy young nurses and miscreant soldiers, he assumed. He loosened his tie still further and rolled up the sleeves of his creased shirt. ‘Too damn hot by half,’ he thought, hoping Matron was right and the storm that had been threatening for days would finally make its way over the mountains tonight, clearing the air. ‘Not too wet though,’ he added to his wishes, ‘that damn bridge is worrisome enough, without the river rising as well.’ The chair creaking beneath his weight, he struggled to his feet and paced several times around Matron’s office. With effort, he bent down and tried the handle on the safe, reassuring himself that it was secure. He looked outside again, across to the row of wards and along the collection of offices hoping that Matron might be on her way back. He wanted someone to sort him out with that cot for the night, he wanted to get some sleep, and above all, he wanted to be on his way with his stack of cash, far too much money to be sitting way the hell out here, locked safe or no.

  Wiping his brow and muttering dire imprecations against the weather, the Central Office, the roads and the general state of the nation in wartime, he sat down again, this time in Matron’s own chair. Her desk was covered in papers and he absent-mindedly flicked through them, misplacing the carefully-ordered typed pages of accounts and the hand-written notes.

  He shook himself when he realized what he’d done, he’d hate to get in Matron’s bad books and he replaced the sheets carefully one on top of the other, grumbling to himself, ‘If I don’t get away from here at the crack of dawn there’ll be hell to pay, four more rounds to do. Four more and all of them to be paid before Christmas Day with the shops closing up soon enough and turkeys and stuffing and whatnot to cross off the lists. Hell to pay. None of it down to me, not a bit. I told them that old banger had no more in her. If I said it once, I said it a dozen times. I need a new van and hang the expense. Well, now they know the cost.’

  Matron checked her watch as she returned to her office. A lovely silver watch, held on an elegant bar, it was given to her by a young man she’d known long ago. He had shyly offered it up just before he left for the last war, the one they had promised would end them all. They had been wrong and the young man had not returned. Not a day passed that she didn’t think of him, and not in a foolish way either, she admitted to herself, standing at the door to her office looking at the dozing irritant that was Mr Glossop, seated in her own chair. With a start, she noticed the papers on her desk had been moved, she crossed to the desk and, making no attempt to keep qui
et for the sleeping interloper, she gathered the papers together, settling them once more with a satisfying thump.

  ‘Well, there we are,’ Glossop woke with a start, pretending he had only closed his eyes for a short while. ‘And how’s it with—you know, the fellow who’s—’

  ‘Dying?’

  ‘Yes, yes, that’s the—and the priest chap?’

  ‘Father O’Sullivan is with him now.’

  ‘Oh I see,’ Mr Glossop said disapprovingly, ‘All the Catholic doings, smells and bells and that carry on, is it?’

  ‘Not at all, Father O’Sullivan is an Anglican priest,’ Matron replied, attempting to squash his interest with the look that had her young nurses quaking and, to her chagrin, appeared to further encourage Mr Glossop.

  ‘Right you are, Matron, I’m sure you’ll tell me when I’m over-stepping bounds. I like a woman who knows her own business.’

  Matron decided to ignore him. ‘It’s just gone eight-thirty, Mr Brown’s grandson is coming in on the nine o’clock transport. I hope he makes it in time. You’ll have to excuse me now, Mr Glossop, I’ve work to do.’

  Glossop looked at the desk in front of him and realized that the papers he’d been fiddling with had been tidied out of his reach and that he himself was in Matron’s seat.

  ‘Yes, yes of course. You don’t want a spot of company? Someone to help you go through all those figures? Tricky stuff, numbers, and I’ve a good eye for accuracy, that’s why they gave me the job, of course. You’ve got to have a trusted man on the pay round.’

  ‘Thank you, but no,’ she cut him off. ‘If you head next door to the Records Office, the young nurse there will take care of you. She knows where the cots are kept and where you’re to sleep and I dare say she’ll be happy to show you to the kitchen. You’ll have to fend for yourself, mind you, our kitchen staff are daily and they left on the last transport back to town. Goodnight, Mr Glossop.’

  Knowing himself dismissed, Glossop reluctantly left Matron’s office and went out into the darkening night. And it was still too damn hot by half.

  CHAPTER THREE

  At nine o’clock Red Cross Transport Driver Sarah Warne swung the Mount Seager bus round Gold’s Corner into the last stretch of the route, known locally as the Long Leg. From Gold’s Corner to the bridge the Long Leg ran straight for fifteen miles across the plains towards the foothills. Before the blackout she used to be able to see the hospital lights for the whole way but since Japan came in the front windows had gone blank. In the aftermath of twilight Sarah could just make out a black mass of buildings against the royal texture of the hills. Behind the hills, the main range, touched on its pinnacles with perpetual snow, awaited the night against a luminous sky. Although the sun was now below the horizon the cusp of Mount Seager was tinctured miraculously with clear rose. The windscreen of the bus framed a vast landscape quite free of human interest, unscarred by human occupation, moving because of its remoteness.

  The road was unsealed and from time to time pieces of shingle flew up and banged against the floor of the bus. Sarah knew where the worst pot-holes lay but could not always avoid them. Every time they bumped across a gap or skidded in loose shingle the VADs screamed cheerfully, if a little less loudly than usual because of the young man who sat beside Sarah in the front seat. This was Mr Sydney Brown and they all knew that he was going up to the hospital because his grandfather had been asking for him for weeks and now the old man was nearing the end. Sarah spoke to him once or twice but whatever her observation his replies could be guessed before they were uttered. ‘It is, too,’ ‘I couldn’t say,’ ‘That’s right,’ he said in offended undertones. Sarah thought that perhaps, unlike her, he had not yet seen death at first hand and was sorry for him.

  The mountains assumed an incredible depth of blue and the foothills turned more darkly purple. Their margins, folded together in a pattern of firm curves, were faintly haloed with light. The road ran forward into nothingness. The plains on either side of the road and stretching out behind them had taken on a bleached look, seeming to fade rather than to darken as night fell, turning the whole scene into an other-worldly monochrome. Sarah watched the road and her petrol gauge. With one layer of her mind she attended to her job, with another she saw that the landscape was quite beautiful, and with yet another she hunted for things to say to Mr Sydney Brown, or shout to the VADs. Further back, in a hinterland of half-conscious thoughts she wondered if Dr Luke Hughes would come into the Transport Office for his letters that night when she had sorted the mail she carried in addition to her passengers. This last conjecture gradually took precedence in her mind so that when unexpectedly Mr Sydney Brown spoke of his own accord, it was a second or two before she realized that he was joining in conversation with the VADs.

  ‘Lordly Stride,’ said Sydney Brown.

  ‘I beg your pardon?’ cried Sarah.

  ‘Lordly Stride came in and paid a record price,’ said Sydney. ‘I heard it on the air while I was waiting for the bus. Rank outsider.’

  An instant babble broke out in the bus.

  ‘She’s done it! That’s Farquharson’s horse. That’s right, it’s her horse!’ And then the attenuated inevitable coda to most of the VADs’ dialogues: ‘Thass raht.’

  ‘What are you all talking about?’ Sarah demanded. She was answered immediately by each of her eight passengers. Miss Rosamund Farquharson, the Records Office clerk who usually worked days, had swapped her duty for the overnight shift, and had gone to the races down-country. She had travelled into town on the morning bus and told everybody she was going to back Lordly Stride in the last race. ‘We all said she was mad,’ the VADs explained, but the truth was Rosamund Farquharson was in a mess and needed the money, so much so that what might have felt like a steep gamble to her colleagues had seemed a genuine lifeline when she laid the bet, fingers crossed and whistling hope.

  ‘You are a lot of gossips,’ Sarah said mildly.

  ‘It’s not gossip, Transport,’ shouted one of the VADs. ‘She tells everybody about it. She’s not fussy, she doesn’t care who knows. That dress she bought for the races—well, bought! She said herself there was only one shop left where they’d give her credit.’

  ‘She’s mad,’ said a small nurse profoundly.

  ‘I’ll say.’

  ‘Did you hear about her and old Comfort?’ asked a solo voice.

  ‘Eee—yes!’ the chorus chanted.

  ‘No. What?’ the nurse demanded.

  ‘She caught Rosie kissing one of the boys when she brought the mail round.’

  ‘She’s mad.’

  ‘Comfort or Rosie?’

  ‘Both.’

  ‘I’ll say.’

  ‘But Roz is being a fool to herself.’

  ‘No need to ask which of the lads it was.’

  Mr Sydney Brown cleared his throat. The voices faltered and were obliterated by the grind of tyres on shingle, body rattles from the bus, and by the not inconsiderable racket of the engine. Sarah began to wonder uneasily on the subject of their discussion. She was surprised to discover in herself a violent distaste for this gossip about Rosamund Farquharson; surprised, because their friendship was a casual affair based on a similarity of experience rather than of taste. They had met properly in the Mount Seager Records Office. Each of them had returned to New Zealand after a long absence in England but while Miss Farquharson perpetually bewailed the lost gaieties of her glorious existence in the London of art school and galleries, Sarah tried very hard to avoid such lamentations. Since the outbreak of war she too had suffered from a painful nostalgia for the old days. Where Rosamund had attended art school, Sarah had three years at Oxford and one at a dramatic school under her belt, in addition to another two years spent struggling to find small pickings in indifferent companies. While Rosamund’s memories were constantly invoked in a rose mist of past bliss, Sarah’s were solid and genuine. After exhausting months in weekly rep, in the farthest flung corners of what her parents’ generation of New Zealanders still
referred to as ‘Home’, Sarah eventually fluked her way into a West End production and the most poignant of all her recollections were of London. She was called back to New Zealand for a family crisis when her younger sister became ill. The sister had been expected to recover, but her shocking and sudden death made it impossible for Sarah to leave their widowed mother alone in New Zealand. With a sensation of panic, she had stayed on, and then she was trapped by the war.

  ‘You’re lucky to have got away. England’s a good country to be out of now,’ the Mount Seager day porter once said, and Sarah had enormously warmed to Rosamund Farquharson when the usually cynical and smart blonde replied fiercely, ‘Do you like to keep clear when your best friends are against it? I should think not. And nor do we.’

  A little self-righteously, perhaps, they had formed an alliance. They had few tastes in common. Rosamund had been given two years at the London art school by a generous English aunt. She had, it appeared, been hailed back to New Zealand by her parents upon distracted representations made by this same aunt. Her interests were focused so ruthlessly on young men that she had the air of being a sort of specialist. The leap from small town New Zealand and the humble abode of a school teacher’s family to Bloomsbury studio parties, had reacted upon her like the emotional equivalent of an overdose of thyroid gland. Rosamund had listened first with bewilderment, then with encouragement and finally with the liveliest enthusiasm to monotonous conversations about eroticism, at that time the fashionable topic among art-students. She quickly collected an amazing jargon and a smattering of semi-technical information which, like some precocious reincarnation of the Ancient Mariner, she was quite unable to keep to herself. Rosamund was given to using tediously blasphemous and indecent language, and her favourite recreation was a process she called ‘waking up the old dump’. At first Sarah had a notion that most of Rosamund’s dissipations ruled these purple patches to her telling of them; but with the appearance of Private Maurice Sanders among the recovering men of Military 1 she was obliged to change her opinion.