Priscilla also has to conceal her intense dislike of the superficiality of life at court. Her two sisters, now married, are completely at ease with being “on show” and spending all their time within the palace walls with servants and hangers-on, but Priscilla is painfully aware that the world has more to offer. She finds an unlikely ally and mentor in an older man, the ducal librarian, Herr Fritzing. Fritzing is fifty years old and has lived and worked in both England and France. Under cover of having drawing lessons with him (Priscilla’s father would have deplored any attempt at deeper study with the librarian), she visits Fritzing regularly and it is during these “drawing lessons”, as her lady in waiting dozes, that she comes to the conclusion that she must get away. Fritzing secretly admires Priscilla for her determination and independence of spirit, but he is also so frightened of his role in encouraging her and so he tries to talk her out of it. However, nothing will deter the young woman, who is both beautiful and determined in equal measure, especially as she is now being wooed by an eligible prince and she fears being pressed into a marriage she does not want; in addition, Fritzing is infatuated enough with her to do her bidding at all costs, so an elaborate escape plan is hatched and after a rather fraught journey, Priscilla, her maid Annalise and Fritzing arrive at Dover.
They travel to the tranquil village of Symford in Somerset, where Priscilla chooses a pretty cottage to settle down in, but it is at this point that the misunderstandings begin and the rumours begin to fly around the village. Are they anarchists? What exactly are their names? Fritzing’s first challenge is to persuade the indomitable Lady Shuttleworth, the local “lady of the manor”, to allow him to buy the two cottages Priscilla has set her heart on and with the help of her son Tussie, who has met and fallen for Priscilla, he gets what his princess wants.
Complications multiply, however, when the continental trio try hard to settle into village life, but how easy will it be for Priscilla, an aristocrat that has never cooked a meal for herself and who has no idea whatsoever how poor people live? How will her two rivals in romance, Tussie and Robin, the vicar’s son, reconcile their differences and is she even interested in them? Her calm grace, combined with an aristocrat’s easy acceptance of servitude in others, only serves to intrigue them more.
This is a fairy story, with a lightweight ambience and relatively uncomplicated characters that entertain the reader rather than challenge them; possibly von Arnim wrote it as much to entertain herself as her readers, whereas with works such as The Enchanted April one can sense a definite attempt to draw the reader into the narrative. However, as an example of an alternative genre by the author, it has merit and is certainly worth exploring.
The first edition
CONTENTS
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XXII
XXIII
CONCLUSION
Mady Christians, who played Princess Priscilla in the 1929 silent film adaptation of the novel
I
Her Grand Ducal Highness the Princess Priscilla of Lothen-Kunitz was up to the age of twenty-one a most promising young lady. She was not only poetic in appearance beyond the habit of princesses but she was also of graceful and appropriate behaviour. She did what she was told; or, more valuable, she did what was expected of her without being told. Her father, in his youth and middle age a fiery man, now an irritable old gentleman who liked good food and insisted on strictest etiquette, was proud of her on those occasions when she happened to cross his mind. Her mother, by birth an English princess of an originality uncomfortable and unexpected in a royal lady that continued to the end of her life to crop up at disconcerting moments, died when Priscilla was sixteen. Her sisters, one older and one younger than herself, were both far less pleasing to look upon than she was, and much more difficult to manage; yet each married a suitable prince and each became a credit to her House, while as for Priscilla, — well, as for Priscilla, I propose to describe her dreadful conduct.
But first her appearance. She was well above the average height of woman; a desirable thing in a princess, who, before everything, must impress the public with her dignity. She had a long pointed chin, and a sweet mouth with full lips that looked most kind. Her nose was not quite straight, one side of it being the least bit different from the other, — a slight crookedness that gave her face a charm absolutely beyond the reach of those whose features are what is known as chiselled. Her skin was of that fairness that freckles readily in hot summers or on winter days when the sun shines brightly on the snow, a delicate soft skin that is seen sometimes with golden eyelashes and eyebrows, and hair that is more red than gold. Priscilla had these eyelashes and eyebrows and this hair, and she had besides beautiful grey-blue eyes — calm pools of thought, the court poet called them, when her having a birthday compelled him to official raptures; and because everybody felt sure they were not really anything of the kind the poet’s utterance was received with acclamations. Indeed, a princess who should possess such pools would be most undesirable — in Lothen-Kunitz nothing short of a calamity; for had they not had one already? It was what had been the matter with the deceased Grand Duchess; she would think, and no one could stop her, and her life in consequence was a burden to herself and to everybody else at her court. Priscilla, however, was very silent. She had never expressed an opinion, and the inference was that she had no opinion to express. She had not criticized, she had not argued, she had been tractable, obedient, meek. Yet her sisters, who had often criticized and argued, and who had rarely been obedient and never meek, became as I have said the wives of appropriate princes, while Priscilla, — well, he who runs may read what it was that Priscilla became.
But first as to where she lived. The Grand Duchy of Lothen-Kunitz lies in the south of Europe; that smiling region of fruitful plains, forest-clothed hills, and broad rivers. It is one of the first places Spring stops at on her way up from Italy; and Autumn, coming down from the north sunburnt, fruit-laden, and blest, goes slowly when she reaches it, lingering there with her serenity and ripeness, her calm skies and her windless days long after the Saxons and Prussians have lit their stoves and got out their furs. There figs can be eaten off the trees in one’s garden, and vineyards glow on the hillsides. There the people are Catholics, and the Protestant pastor casts no shadow of a black gown across life. There as you walk along the white roads, you pass the image of the dead Christ by the wayside; mute reminder to those who would otherwise forget of the beauty of pitifulness and love. And there, so near is Kunitz to the soul of things, you may any morning get into the train after breakfast and in the afternoon find yourself drinking coffee in the cool colonnades of the Piazza San Marco at Venice.
Kunitz is the capital of the duchy, and the palace is built on a hill. It is one of those piled-up buildings of many windows and turrets and battlements on which the tourist gazes from below as at the realization of a childhood’s dream. A branch of the river Loth winds round the base of the hill, separating the ducal family from the red-roofed town along its other bank. Kunitz stretches right round the hill, lying clasped about its castle like a necklet of ancient stones. At the foot of the castle walls the ducal orchards and kitchen gardens begin, continuing down to the water’s edge and clothing the base of the hill in a garment of blossom and fruit. No fairer sight is to be seen than the glimpse of these grey walls and turrets rising out of a cloud of blossom to be had by him who shall stand in the market place of Kunitz and look eastward up the narrow street on a May morning; and if he who gazes is a dreamer he could easily imagine that where the setting of life is so lovely its days must of necessity be each like a jewel, of perfect bri
ghtness and beauty.
The Princess Priscilla, however, knew better. To her unfortunately the life within the walls seemed of a quite blatant vulgarity; pervaded by lacqueys, by officials of every kind and degree, by too much food, too many clothes, by waste, by a feverish frittering away of time, by a hideous want of privacy, by a dreariness unutterable. To her it was a perpetual behaving according to the ideas officials had formed as to the conduct to be expected of princesses, a perpetual pretending not to see that the service offered was sheerest lip-service, a perpetual shutting of the eyes to hypocrisy and grasping selfishness. Conceive, you tourist full of illusions standing free down there in the market place, the frightfulness of never being alone a moment from the time you get out of bed to the time you get into it again. Conceive the deadly patience needed to stand passive and be talked to, amused, taken care of, all day long for years. Conceive the intolerableness, if you are at all sensitive, of being watched by eyes so sharp and prying, so eager to note the least change of expression and to use the conclusions drawn for personal ends that nothing, absolutely nothing, escapes them. Priscilla’s sisters took all these things as a matter of course, did not care in the least how keenly they were watched and talked over, never wanted to be alone, liked being fussed over by their ladies-in-waiting. They, happy girls, had thick skins. But Priscilla was a dreamer of dreams, a poet who never wrote poems, but whose soul though inarticulate was none the less saturated with the desires and loves from which poems are born. She, like her sisters, had actually known no other states; but then she dreamed of them continuously, she desired them continuously, she read of them continuously; and though there was only one person who knew she did these things I suppose one person is enough in the way of encouragement if your mind is bent on rebellion. This old person, cause of all the mischief that followed, for without his help I do not see what Priscilla could have done, was the ducal librarian — Hofbibliothekar, head, and practically master of the wonderful collection of books and manuscripts whose mere catalogue made learned mouths in distant parts of Europe water and learned lungs sigh in hopeless envy. He too had officials under him, but they were unlike the others: meek youths, studious and short-sighted, whose business as far as Priscilla could see was to bow themselves out silently whenever she and her lady-in-waiting came in. The librarian’s name was Fritzing; plain Herr Fritzing originally, but gradually by various stages at last arrived at the dignity and sonorousness of Herr Geheimarchivrath Fritzing. The Grand Duke indeed had proposed to ennoble him after he had successfully taught Priscilla English grammar, but Fritzing, whose spirit dwelt among the Greeks, could not be brought to see any desirability in such a step. Priscilla called him Fritzi when her lady-in-waiting dozed; dearest Fritzi sometimes even, in the heat of protest or persuasion. But afterwards, leaving the room as solemnly as she had come in, followed by her wide-awake attendant, she would nod a formally gracious “Good afternoon, Herr Geheimrath,” for all the world as though she had been talking that way the whole time. The Countess (her lady-in-waiting was the Countess Irmgard von Disthal, an ample slow lady, the unmarried daughter of a noble house, about fifty at this time, and luckily — or unluckily — for Priscilla, a great lover of much food and its resultant deep slumbers) would bow in her turn in as stately a manner as her bulk permitted, and with a frigidity so pronounced that in any one less skilled in shades of deportment it would have resembled with a singular completeness a sniff of scorn. Her frigidity was perfectly justified. Was she not a hochgeboren, a member of an ancient house, of luminous pedigree as far back as one could possibly see? And was he not the son of an obscure Westphalian farmer, a person who in his youth had sat barefoot watching pigs? It is true he had learning, and culture, and a big head with plenty of brains in it, and the Countess Disthal had a small head, hardly any brains, no soul to speak of, and no education. This, I say, is true; but it is also neither here nor there. The Countess was the Countess, and Fritzing was a nobody, and the condescension she showed him was far more grand ducal than anything in that way that Priscilla could or ever did produce.
Fritzing, unusually gifted, and enterprising from the first — which explains the gulf between pig-watching and Hofbibliothekar — had spent ten years in Paris and twenty in England in various capacities, but always climbing higher in the world of intellect, and had come during this climbing to speak English quite as well as most Englishmen, if in a statelier, Johnsonian manner. At fifty he began his career in Kunitz, and being a lover of children took over the English education of the three princesses; and now that they had long since learned all they cared to know, and in Priscilla’s case all of grammar at least that he had to teach, he invented a talent for drawing in Priscilla, who could not draw a straight line, much less a curved one, so that she should still be able to come to the library as often as she chose on the pretext of taking a drawing-lesson. The Grand Duke’s idea about his daughters was that they should know a little of everything and nothing too well; and if Priscilla had said she wanted to study Shakespeare with the librarian he would have angrily forbidden it. Had she not had ten years for studying Shakespeare? To go on longer than that would mean that she was eager, and the Grand Duke loathed an eager woman.
But he had nothing to say against a little drawing; and it was during the drawing-lessons of the summer Priscilla was twenty-one that the Countess Disthal slept so peacefully. The summer was hot, and the vast room cool and quiet. The time was three o’clock — immediately, that is, after luncheon. Through the narrow open windows sweet airs and scents came in from the bright world outside. Sometimes a bee would wander up from the fruit-gardens below, and lazily drone round shady corners. Sometimes a flock of pigeons rose swiftly in front of the windows, with a flash of shining wings. Every quarter of an hour the cathedral clock down in the town sent up its slow chime. Voices of people boating on the river floated up too, softened to melodiousness. Down at the foot of the hill the red roofs of the town glistened in the sun. Beyond them lay the sweltering cornfields. Beyond them forests and villages. Beyond them a blue line of hills. Beyond them, said Priscilla to herself, freedom. She sat in her white dress at a table in one of the deep windows, her head on its long slender neck, where the little rings of red-gold hair curled so prettily, bent over the drawing-board, her voice murmuring ceaselessly, for time was short and she had a great many things to say. At her side sat Fritzing, listening and answering. Far away in the coolest, shadiest corner of the room slumbered the Countess. She was lulled by the murmured talk as sweetly as by the drone of the bee.
“Your Grand Ducal Highness receives many criticisms and much advice on the subject of drawing from the Herr Geheimrath?” she said one day, after a lesson during which she had been drowsily aware of much talk.
“The Herr Geheimrath is most conscientious,” said Priscilla in the stately, it-has-nothing-to-do-with-you sort of tone she found most effectual with the Countess; but she added a request under her breath that the lieber Gott might forgive her, for she knew she had told a fib.
Indeed, the last thing that Fritzing was at this convulsed period of his life was what his master would have called conscientious. Was he not encouraging the strangest, wickedest, wildest ideas in the Princess? Strange and wicked and wild that is from the grand ducal point of view, for to Priscilla they seemed all sweetness and light. Fritzing had a perfect horror of the Grand Duke. He was everything that Fritzing, lean man of learning, most detested. The pleasantest fashion of describing the Grand Duke will be simply to say that he was in all things, both of mind and body, the exact opposite of Fritzing. Fritzing was a man who spent his time ignoring his body and digging away at his mind. You know the bony aspect of such men. Hardly ever is there much flesh on them; and though they are often ugly enough, their spirit blazes at you out of wonderful eyes. I call him old Fritzing, for he was sixty. To me he seemed old; to Priscilla at twenty he seemed coeval with pyramids and kindred hoarinesses; while to all those persons who were sixty-one he did not seem old at all. Only two thin
gs could have kept this restless soul chained to the service of the Grand Duke, and those two things were the unique library and Priscilla. For the rest, his life at Kunitz revolted him. He loathed the etiquette and the fuss and the intrigues of the castle. He loathed each separate lady-in-waiting, and every one of the male officials. He loathed the vulgar abundance and inordinate length and frequency of the meals, when down in the town he knew there were people a-hungered. He loathed the lacqueys with a quite peculiar loathing, scowling at them from under angry eyebrows as he passed from his apartment to the library; yet such is the power of an independent and scornful spirit that though they had heard all about Westphalia and the pig-days never once had they, who made insolence their study, dared be rude to him.
Priscilla wanted to run away. This, I believe, is considered an awful thing to do even if you are only a housemaid or somebody’s wife. If it were not considered awful, placed by the world high up on its list of Utter Unforgivablenesses, there is, I suppose, not a woman who would not at some time or other have run. She might come back, but she would surely have gone. So bad is it held to be that even a housemaid who runs is unfailingly pursued by maledictions more or less definite according to the education of those she has run from; and a wife who runs is pursued by social ruin, it being taken for granted that she did not run alone. I know at least two wives who did run alone. Far from wanting yet another burden added to them by adding to their lives yet another man, they were anxiously endeavouring to get as far as might be from the man they had got already. The world, foul hag with the downcast eyes and lascivious lips, could not believe it possible, and was quick to draw its dark mantle of disgrace over their shrinking heads. One of them, unable to bear this, asked her husband’s pardon. She was a weak spirit, and now lives prostrate days, crushed beneath the unchanging horror of a husband’s free forgiveness. The other took a cottage and laughed at the world. Was she not happy at last, and happy in the right way? I go to see her sometimes, and we eat the cabbages she has grown herself. Strange how the disillusioned find their peace in cabbages.
Delphi Collected Works of Elizabeth von Arnim (Illustrated) Page 61
