The Complete Poems of A R Ammons, Volume 2

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The Complete Poems of A R Ammons, Volume 2 Page 14

by A. R. Ammons


  the way the struck squirrel in his fifth

  day by the roadside begins with perfect

  accuracy to advertise his whereabouts: the truth

  is none of my business: I don’t care if

  865I tell a little: my business is to make

  room for the truth, to bust the couplet,

  warp the quatrain, explode the sonnet,

  tear down the curvatures of the lengthy:

  the truth is commodious, abundant: we

  870must make a room so sufficient it will

  include till nothing will be left

  over for walls, merely the thinning away

  to the numb, great vacancy visible

  39

  in the small walks & chasms

  875of despair one seeks to find and

  pretends to build enledgments to

  plateaus of staying and view but

  these unfound, pretended become high

  lake surfaces of chagrin, false, of

  880course, in themselves but,

  worse, too brilliant for common use

  40

  the honeysucklebushes already weighty

  with new leaf and blossoms can hardly

  bear the most recent foliage, snow:

  885the branches separate in the dome and

  fall all ways, in the angle of falling

  catchment for snow amply provided,

  the bent bent, the bush crushed,

  a great ground flower:

  890the desert

  mouse twitches under the rule of the

  rattler flash or owl appearing unheard:

  and

  the rattler under the flare of the

  895redhawk which destroys the head first,

  plucking out eyes and tongue: how

  worrisome the yew-snow to the

  she-cardinal, all day yesterday,

  Sunday, stirred from her nest by boys playing

  900basketball, here this morning greeted by

  another hassle: I hardly believe I don’t

  have to teach this morning: the first

  Monday off: snow, free to draw winter

  lines in the stickwork of tree and bush

  905inconvenienced inconveniences the midMay

  boughs, so full and thin, catchy:

  problem solvers subsidized with subsidies

  and grants approach solutions but artists

  dwell penniless with the central problem

  41

  910we were talking about our MFA program

  (pogrom) in Creative Writing when I said

  should we, can we, professionalize

  delight

  and what better way to point up need

  915than by the superfluous

  I said something like that, others

  were saying other things, like why

  not teach creative seeing or theory or the

  voice of tone, or point-of-view

  920what I said was disrespectfully inane

  and consequently useful to those

  needing an angle offsight to true

  up against, the clearing into range

  of a blur: by the time my blur had

  925taken on the definition of balanced

  variations and compromises it was

  no longer delightful, and I turned

  down everything clear, arranged for

  small game: I do not care to hunt

  930if I cannot be run over by

  an elephant or flushed out of the bushes

  by an inquisitive lion or buttressed

  with speed from the rear by a forward

  _________

  waterbuffalo: I wouldn’t want to kill

  935anything innocent unless it had

  weaving in ranks before it a ridge of

  cobras or dashing crocodiles: my

  walking stick, I hope I said how it

  makes me feel wooden about the

  940shanks when I go walking and dogs zoom

  out to brag on their teeth: but it is

  the very thing to challenge a dog or

  man to violence: and if a man snatched

  it away, it would become his weapon,

  945so effective and sufficient, against

  me: what was said on this subject of

  swords works for walkingsticks as well:

  the moral nature of the North is such

  it is considered indecent to be decent:

  950united we stand, divided we sit down:

  once a month about I put everything

  away, stickeraserbrush, paper, drafts,

  inks, watercolors, clips, everything

  away, clean up my room and walking out

  955declare, I am done with creativity,

  only to discover the next day or hour

  that everything cut down to

  creativity everything goes with

  that: I cut the grass, take up or

  _________

  960put in tulips, consider puttying up

  the windowpanes, hack off some live or

  dead branches here and there—but

  come back to creativity and break

  out all its gear again and set to

  965doodling: thank the Lord: home is

  where the doodle is: today cleared

  so bright blue one felt the offer,

  this is it, take it, and trying to

  take it found no way to do so: today

  970was a complete chance, a chance at the

  complete, the adequate satisfaction:

  how painful beauty is that gets away

  full and unbesmirched and how comfortable

  the rainy day that publishes your

  975lesser failures: life is roundabout

  and roundabout and we are, with ups

  and downs, linear: the round goes on

  but we break in and out: the squirrel

  killed 11 days or so ago, chucked off

  980the road by crow or cop, was chucked

  back but right on the road’s edge,

  by the man cutting his lawn: several

  days were cold and nothing touched

  the squirrel and then the snow filled

  985his ear and tallied his tail out to

  _________

  the feather bone: so he

  is doing pretty good but the old

  killing is still sketched on his face

  and one wishes for the warm days,

  990the worms rising up under him and

  draining him off into flight: I have

  mourned him so many times I grow angry

  at his self-ful staying on: disditches

  42

  minutiae is a fussy word

  995matrix is too perfect

  often is often mispronounced

  irregular suggests constipation

  irregardless is one of those things

  mucous is the nastiest slick on la lange

  1000I like strut as in strutted veins

  varicose moleways

  some people say they don’t like

  thought flowing through illustrative

  images (they can’t catch much)

  1005they prefer to dwell in one place into

  revelation unsuspected

  everybody these days mixes up

  lie and lay and mispronounces forehead

  43

  the high farm beseeches my mind,

  1010thought, my mind soars up the hard

  climb to the ridge but then

  feels the backing of the ridge

  to the sweep, the high passover

  so laborious, everything under it

  1015gentled, the still ponds, swallows

  plinking them with fine lines, flies

  spinning to burr shook into the surface

  tension, nipper fish catching a

  chink in the mirror informative as

  1020a web: the earth is so fearful

 
; and beautiful! ticks, mites,

  flukes, spilldiddlings from the

  assholes of filthy sheep—O

  troubled shepherds—

  1025I love nature especially if there’s

  a hospital nearby and macadam or

  glass in between: or

  the way it survives as cuttings

  or seedlings in claypots or plastic

  1030furrows cut off from the true ground: how

  our forefathers hated woods and sex,

  so much of both to deal with,

  cut down or back: but now the

  coonyus surrounded by taming

  1035equations of the pill, the sperm

  rage, such a wilderness, shot wild,

  why we can horse deeply in with

  irresponsibility’s ease: that’s what

  they say: I’m afraid nature’s going

  1040to send the bill: it usually does:

  ferocious tallywhacker

  44

  sweeps of space haunt the slopes,

  the ridge starved to the wind that

  skins it: boulders like springs

  1045spill winter’s coolth, residuals:

  stones will not have warmed to summer

  before frost cuts back: brook

  stones cast shadows underwater,

  deep in small falls’ flow holes:

  1050upland marshes, flow-slows, in them

  logs idle, fallen den trees, turtles

  big and little angle up the ascents

  and sun a chill that won’t come off

  45

  the thought that

  1055so much is not wasted but is

  the wellspring

  of the tight usages we take

  and spill! downridge from some spot

  any way is ten miles, so much beneath

  1060one one feels the invitational

  unlidded, the not-held-down:

  what smart fright! dive into the

  fringes of houses on dirt roads, and

  then paved narrow roads, and then

  1065the main arteries, flowing a lot more

  quickly, to the holding spleens of

  towns by lakeshores low as you can get

  46

  culture, hardened to shellac’s empty

  usage, defines in definitions

  1070hoaxdoms of remove from the true life

  which

  is smaller, leaner than a brook, no

  louder, variable as, to the true rain:

  the true life feels about its small

  1075shoulders the traces and burdens of

  death and turns for relief to berries,

  bushes bent in abundance,

  to dives into fell pockets of streams,

  to musings on the clean forward edging

  1080of the moon, to the eye of the other,

  consolation, what there is, in the small

  humbling touch

  47

  peeling the bark off a crabapple

  cane, the purplepink woodskin, I heard

  1085the loud oriole overhead in the maple

  (looking for worms, I bet—we don’t

  have many this year, wonder why that

  is, last year he could have opened

  his mouth and a

  1090bellyful would have crawled in, instead

  he searched bough on bough, flying

  and emitting scarves of music in

  between, and never I think found a

  thing)

  1095worms ending in song

  (except in the oriole’s case one would

  just as soon they didn’t)

  48

  at dusk rabbits settle

  out of the air and crop

  1100the plumequill stems of blown dandelions

  nibbling them up like drunk drinking straws

  and then in the most delicate, short-range

  leaps get over to the quince leaves

  and trim the bush hind-leg high

  49

  1105little showers yesterday evening, quiet

  as rabbits emerging into dusk to feed,

  darkened the macadam except where

  _________

  overhanging shower-holding trees drew their

  negatives in dry ground: but this morning,

  1110fog has built up drops in the branches and dripped

  wet images of trees on ground otherwise dry:

  needles and leaves collect until

  their points bulge to drop and then if

  the wind riffles a small shower will erupt

  1115and rustle: fellow said he was so weak he

  couldn’t throw a shadow: maybe fog has

  the multiplicity to deal with pollen, that

  is, touch it in the air, grain to mist-drop,

  and bring it down: but

  1120on the first breeze that stirs

  under a lifted fog, weavements and

  shimmerings of pollen unlace

  50

  a light catches somewhere, finds human

  spirit to burn on, shows its magic’s

  1125glint lines, attracts, grows, rolls

  back space and dark, stands dominant

  high in the midsphere, and reality

  goes into concordance or opposition, the

  light already dealing with darkness

  1130designating it darkness, opposition by

  naming, and the intensity of the source

  blinds out other light: reason

  sings the rightness but can do nothing

  to oppose the brilliance: it dwells:

  1135it dwells and dwells: slowly the light,

  its veracity unshaken, dies but moves

  to find a place to break out elsewhere:

  this light, tendance, neglect

  is human concern working with

  1140what is: one thing is hardly better

  or worse than another: the

  split hair of possible betterment makes

  dedication reasonable and heroic:

  the frail butterfly, a slightly

  1145guided piece of trash, the wind takes

  ten thousand miles

  51

  I like nature poetry

  where the brooks are never dammed up or

  damned to hauling dishwater or

  1150scorched out of their bottoms by acids:

  the deep en-leafing has now come and

  the real brook in certain bends dwells, its

  stone collections dry-capped, shale shelves

  in shade, leaves and falls murmuring

  1155each to the other—and yesterday I

  looked upbrook from the highway and

  there flew down midbend a catbird to

  the skinny dip, found a secure

  underwater brookstone and began, in a

  1160dawnlike conclave of tranquility, to

  ruffle and flutter, dipping into and

  breaking the reflective surfaces with

  mishmashes of tinkling circlets.

  2: Tombstones

  1

  the chisel, chipping in,

  finds names the

  wind can’t blow away

  2

  it breaks the heart

  5that stone holds

  what time let go

  but the stones are

  the time left

  that the names can be in

  3

  10the ground flat or,

  rolling from a hill rise, slightly

  shedding,

  no downpour can

  organize flows to displace

  15the stones,

  identifications tumbling

  from one mound to another

  4

  set on the line between

  time and abyss,

  20at the intersection

  of usual time ongoing

  and a time stopped within

  other times,

  the time o
f protons and electrons

  25going on as usual—a stone—

  levels of existence

  in existence, times

  in time, one organization

  gone still; otherwise,

  30nothing appears lost

  5

  the spirit, though, invisible,

  weightless is lost: its

  winding kept the winding

  going: but only

  35winding when winding stops

  disappears:

  when one loses nothing one

  loses everything

  6

  but why put a stone there:

  40we put a stone there

  too heavy to build or fence with,

  having no mineral content of value,

  weighty enough

  to hold time down,

  45a memorial, often without

  recoverable recollection,

  a deed to a million

  facts, all missing

  7

  rivulets of scattering,

  50corruption’s ways

  of getting on with things,

  rememberers unremembered,

  still the name

  will call together in the last

  55time, the new time, in the new morning,

  all the bits of information and,

  the name said,

  the form will come again—the distance

  between named and name run

  8

  60dust’s shape in air

 

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