By midnight I’ve lost count of the amount of champagne I’ve consumed to stem my nerves and give me the confidence to talk to all of Beatrice’s friends. I excuse myself from her gathering and lock myself in the downstairs loo, afraid I’m going to be sick. I should have eaten more. I lean over the sink and take deep breaths until the nausea subsides. I need to go home, I think as I splash cold water on my face and assess myself in the glass of the bathroom cabinet. As always, I jolt at my reflection; at the dark circles under my eyes, the blonde hair that has long grown out of its neat bob, the too-big mouth that always gives the impression of jollity even when I’m anything but happy.
I see Lucy everywhere, but never more than when I look in the mirror.
Chapter Three
The front door slams. Beatrice moves to her bedroom window just in time to see two dark figures weaving out of the front gate and towards the bus stop at the end of the road. They’re giggling, stumbling, quite obviously a little drunk. He has his arms about her slim waist as if to keep her from folding in on herself and their pose reminds her of a puppet-master holding up his marionette.
They pass a streetlamp, thrusting them into the spotlight and her stomach falls when she realizes it’s Ben. And Abi.
The number fourteen bus trundles past her window like a lethargic old man, the brakes squeaking against the still-hot tarmac as it halts. Beatrice watches as Abi disappears on to it, watches as Ben continues to wave even after the bus has rounded the corner out of sight. It’s too dark to see the expression on her brother’s face, but she can imagine it. The twinkle in his hazel eyes, the crooked smile on his full lips. It’s the look of a man who’s been stupefied, it’s a look she’s only ever seen on his face once before.
And as he turns slowly, reluctantly back towards the house, she knows – in that special way that only a twin can – that this is the start of something.
Beatrice thrusts the curtains together so vigorously that they continue to swing even when she turns away from them to pace the room. She refrains from switching the light on, preferring to listen out for the telltale sounds of the key in the lock, the clip-clop of Ben’s Chelsea boots on the flagstone hallway, the thud as he climbs the stairs two at a time to her room. Why does the realization that her brother might have found someone he likes make her want to cry?
He flings open the door, flooding the bedroom with light from the landing.
‘Why are you in the dark, you mad cow?’ he laughs, flicking the switch.
She shrugs and perches at her dressing table. Ben sits heavily on her double bed, the mattress sighs under his weight. ‘Cass and Jodie have gone out and Pam has fallen asleep at her easel again. So, how do you think it went?’ He seems genuinely concerned for her, which tugs at her heart.
‘Okay, I guess.’ She pulls the earrings from her ears. ‘I sold some pieces of jewellery. I gave Abi a necklace.’ She watches Ben’s expression carefully in the mirror, looking for signs. She notices the shy smile at the mention of Abi’s name, then his eyes meet hers and the smile snaps off his face.
He frowns. ‘Are you okay, Bea?’
‘I saw you with Abi.’ She knows she shouldn’t but she can’t help it. ‘You fancy her, don’t you? That wasn’t in the plan, Ben.’
‘Plan?’ A pulse throbs in Ben’s jaw and Beatrice knows she’s made him angry. ‘There is no plan. We all spent some time together, got a little drunk, had a laugh, and then I walked her to the bus stop. Not much to tell.’
‘You know what I mean. You have to be careful. You know what she’s been through.’
‘She’s a big girl.’ Ben lays back on the bed with his hands behind his head, staring at the ceiling. She notices he still has his boots on and this irritates her.
‘I’m supposed to be the one helping her,’ she snaps. ‘And I don’t think getting emotionally involved is good for her at the moment.’
‘Whatever, Bea. You’ve obviously decided she’s another one of your projects.’
‘Projects?’ she says querulously. ‘This is more than a coincidence, Ben … It’s a sign.’
‘I know, you’ve already said.’ Ben sits up again and sighs. ‘Look, I’ve had a lot to drink. I’m going to bed.’ He gets up and leaves the room, letting the door slam behind him.
Beatrice stares at herself in the mirror. She refuses to cry. Instead she swipes at her eyes with a cotton pad doused in oily make-up remover, then cleanses her face and throat in rhythmic strokes.
She’d known as soon as she met Abi who she was. Those big green eyes had tugged at her memory before she even had the chance to reveal her name. But the name had cemented it, of course. Abi Cavendish. The Cavendish twins. Their delicate heart-shaped faces had peered endearingly out of the newspaper reports at the time, unknowing of the future that lay ahead for them. She’d got home yesterday – was it only yesterday? – and retrieved the newspaper cutting hidden between her bras and knickers in her underwear drawer and shown it to Ben, prodding it with an excitable finger, telling him that it must mean something. Didn’t he see, she urged, didn’t he see that this was fate? She’d cut that piece out of the paper over a year ago, and now, nearly a year to the day, she meets the very girl from the story. She told him that if Abi turned up for the open studio then it was a sign that this was the woman that Beatrice was meant to help.
And she did turn up. See, Ben? Fate.
Beatrice swipes angrily at her face with her cotton pad. No, she mustn’t obsess. Today has been a good day, a success. Not only has she taken the first steps to becoming a bona fide artist but she has Abi in her life.
She knows she’s done something terrible, unforgivable. But by helping Abi she can begin to put things right. She can Be A Good Person. Karma.
She has to do whatever she can to ensure that this time Ben doesn’t stand in her way.
Chapter Four
Returning to my cold, empty flat after the warmth, noise and babble of Beatrice’s vibrant house makes me feel like a dog that’s been banished from its family home to a kennel in the garden.
The silence bears down on me oppressively, reminding me that I do live on my own, that there is no Nia clattering around the kitchen making endless cups of tea, or Lucy curled up on the sofa tapping away at her laptop. Even though they’ve never lived with me here, in this flat, I still can’t get used to being without them, still expect to see the ghosts of them around every corner. It’s one of the reasons I left London.
I switch on the lamp and when I cross the living room to close the curtains I catch sight of something, someone, on the street below. My heart quickens. A man is standing by the front gate, I can barely make out his silhouette against the inky night. He has his collar turned up, a cigarette hanging moodily from his lips; the detail of his face is unclear, shadowy, a pencil drawing where his features have been rubbed out, but the shape of his head, the lanky figure, is so familiar I instantly know it’s Luke. It’s Luke and he’s found me. I fumble for my mobile that’s in the pocket of the jacket I’m still wearing, desperately scrolling for my parents’ number with trembling fingers. Then he looks up at my window, his eyes briefly meeting mine and I freeze. I watch, my mobile still in my hand, as he flicks his cigarette to the kerb and saunters down our garden path to ring the bell of the flat below. It’s not Luke, of course it’s not Luke. Nia would never break her promise to me. But it’s an unpleasant reminder that I’m not the only one who can’t forgive myself for what happened that Halloween night over eighteen months ago.
I sprint around the flat in a sudden frenzy of drawing curtains and switching on lights. When my heart finally slows and my breathing returns to normal I settle on the sofa with a cup of coffee and call Mum. I need to hear a comforting voice after the fright I’ve had.
She sounds husky, as if I’ve awoken her from sleep and I realize it is past midnight. ‘Abi? Are you okay?’ I imagine her sitting up in bed in her flannel pyjamas, her heart racing, expecting to hear me in tears, so I quickly explain that nothing is
wrong. And then, without thinking, I tell her about Beatrice. I mentally slap myself when I hear the apprehension in her voice as she answers, ‘This isn’t the same as before is it, love?’
‘Of course it’s not,’ I snap, my cheeks burning when I think about Alicia.
She hesitates and I can tell that there is a lot more she wants to say, but my mother has always been a great believer in thinking before speaking. Instead she says how wonderful it is that I’ve found a friend, that I’m beginning to settle in Bath. Then she reminds me, as she always does, that I need to keep seeing Janice, that I mustn’t forget to take my antidepressants, that I have to do all I can to make sure I don’t end up in that place again – she lowers her voice when she says this last bit, in case the neighbours can hear through the walls that her daughter has been in a mental institution.
When she eventually rings off I sit with the phone in my lap. I’m consumed with an urgency I’ve not felt for a long time when I think of tonight, of Beatrice. The dancing in her living room after all her potential ‘clients’ had gone home, her cool, arty friends, the wine we drank so we were floppy and silly and finding everything hilarious, and then afterwards when the lights went down and we all slumped on to Beatrice’s velvet sofa, me squashed in between her and Ben so that each of my thighs touched one of theirs; believing for the first time in ages, that I belonged.
I touch the necklace at my throat, the necklace that Beatrice has made with her own two hands. She’s the one, surely? Even our names merge with each other – Abi and Bea – Abea. Does she sense it too? This connection, this certainty that we are supposed to meet?
Then the darkness washes over me, dousing my joy. I don’t deserve to be happy. Guilt. Such a pointless emotion, Janice constantly tells me that, yet I am consumed by it tonight. You were found not guilty, Abi. I can almost hear Lucy’s soft voice, her breath against my ear, as if she’s curled up on the sofa next to me, and then to my surprise, my own, deeper voice, coming out of nowhere, bounding off the walls of my tiny flat so that it startles me: ‘I’m so sorry, Luce. I’m so sorry. Please forgive me.’
Two days pass without a word from her. Two days holed up in my flat with the rain drumming on the skylights in the roof, the fluke hot weather of Saturday a distant dream. Mum rings and invites me over, but I decline, telling her I’ve got some work to catch up on, when in reality the thought of spending the bank holiday with my parents but without Lucy makes the grief bubble back up to a dangerous level. Our family resembles a table with a leg missing; incomplete, forever ruined.
I know it’s not healthy for me to be on my own for too long, it gives me more time to obsess, to think about Lucy, to remember her last night; the panic, the fear. It comes back to me in moments when I least expect it, when I’m lying in bed on the edge of sleep, or when I’m perusing Lucy’s page on Facebook, re-reading the condolences from her three hundred-plus Facebook friends. I can suddenly smell the wet grass mixed with the smoke from the engine, see the blood caked on Lucy’s head, her beautiful but eerily still face as Luke cradles her in his arms, hear Callum shouting desperately into a mobile phone for an ambulance, feel the touch of Nia’s comforting hand on my shoulder as I crouch by the tree, the bark rough against my back, the metallic taste of blood on my lips and bile in the back of my throat as she whispers over and over again that Lucy’s going to be okay, in a futile attempt to reassure me, or herself. And the rain, so much rain, coming down in sheets so that our clothes clung to our bodies; coming down like tears.
To vanquish the relentless, soul-destroying thoughts, I try to remember Beatrice’s soft Scottish accent, the hurried excitable way she talks, her warmth, her humour. I’m still unsure if she knows about what I’ve done – a quick Google search would reveal everything. Is that the reason she hasn’t got in touch? Who wants to be friends with someone who’s killed her own twin sister?
I have a connection with Beatrice, even more than I first thought. Not only is she a twin too, she’s lost someone close to her, she understands me. Now that I’ve found her I know that I can’t let her go.
It’s still raining when I turn up at her door clutching an umbrella and cradling a bunch of large white daisies. I pull the bell and wait, jumping back off the stone step in alarm when a brown spider with yellow flecks drops in front of my face then desperately clambers its way back up its own silvery thread to the fanlight above.
There’s no answer so I wait a few more seconds before stepping forward to pull the bell again. When nobody comes to the door, I lean over the iron railings and peer into the ground-floor window where, apart from an easel and a couple of bookshelves crammed with irregular-sized, glossy hardbacks, it’s empty. I’m about to reluctantly leave when my eye catches a flash of something at the window of the basement, what I remember as being the kitchen. It’s fleeting, a blur of hair and clothes, but it makes me uneasy and the familiar paranoia creeps over me, causing sweat to pool in my armpits. I know with a certainty that I didn’t feel this morning that I’m not wanted. Am I making a nuisance of myself, as I did once before with Alicia? The feelings I’d thought I’d long since buried of that time – before I was sectioned, when I thought in my grief-addled mind that Alicia was some kind of soul mate – resurface, making me nauseous. Could I have got Beatrice so very wrong like I did with her?
Before Lucy died, I was fun, hard-working, popular within my group of friends. Now look at me. I’ve become the sort of person that others try to avoid, to hide from. My eyes sting with humiliated tears, blurring my vision as I stumble back down the tiled pathway towards the bus stop, the daisies wilting in my arms.
The voice is almost lost in the wind but I can just make out someone calling my name. I turn and there she is, standing in her doorway in her bare feet, toenails bruised with black nail varnish, wearing a blue spotty vintage tea-dress underneath a chunky cardigan, waving frantically at me and smiling. Relief surges through me and all the old doubts crawl back into the recesses of my mind where they belong as I trot towards her.
‘I’m sorry,’ she says as I get nearer. ‘I was on the phone, talking to a client, oh I’m so thrilled to be saying that. I’ve actually got a client. I wasn’t going to answer the door until I saw it was you. Come in, come in.’ She’s talking in her usual fast, excited manner and I can’t stop grinning.
I cross the threshold into the hallway, breathing in the familiar Parma violet smell I already love so much and handing her the now crumpled-looking daisies. Confusion alters her features for a moment so she appears older, sharper. ‘Are they for me?’ she frowns. When I nod self-consciously, explaining that they’re a thank you for the necklace, she takes them from me and smiles shyly, her face softening again. ‘Thanks, Abi. But you didn’t have to. I wanted to give you the necklace. You did me a huge favour on Saturday. Do you want a cup of tea?’
I tell her that I’d love one. Dumping my wet umbrella on the doormat, I nudge off my trainers, relieved that I remembered to put matching socks on this morning, and follow Beatrice through the hallway, the flagstones warm under my feet – of course, she would have underfloor heating – and down the stairs to the basement kitchen. ‘I love your house,’ I say as I admire, yet again, the high ceilings and intricate coving, the Bath stone floors and Farrow and Ball painted walls. Considering it’s full of young people, the house is surprisingly tidy.
By now we’ve reached the kitchen and I shrug off my wet coat and hang it on the back of the chair to dry before taking a seat at the wooden table and it’s as though I’ve come home. A fluffy ginger cat with a squashed face is curled up asleep on the antique-looking armchair in the corner. Beatrice follows my gaze and informs me the cat, a Persian called Sebby, is hers. Lucy loved cats too.
‘He’s getting old now,’ she says fondly. ‘He mainly likes to snooze.’
The house is quieter than it was on Saturday, with the dripping of rain on an outside drain the only sound to be heard, and I hope that it’s only the two of us here. I didn’t notice the little
white Fiat with its red-and-green stripe parked outside. Ben told me the other night that the car was his and I recall making a joke about why a tall man would want to drive such a small car.
I watch as Beatrice busily runs the taps of her deep Belfast sink to fill a vase and then plunges the flowers into it. ‘These are lovely, thanks, Abi,’ she says as she arranges the flowers. I notice some of the daisies have drooped over the side of the vase. ‘That’s kind of you to say you love this house. I think it’s quite special, but maybe that’s because of the people who live in it with me.’ She turns to me and flashes one of her amazing smiles and a lump forms in my throat when I think of my empty flat.
‘It’s a huge house,’ I say. How can an artist and someone who works in IT afford a pad as luxurious as this?
‘It is. Too big for me and Ben. So it’s nice that we’ve got the others living here too, although Jodie is moving on.’ An emotion I can’t quite read passes fleetingly over her face like a searchlight. I play with the necklace at my throat, waiting for her to elaborate. She looks as if she’s about to say something further then appears to change her mind. ‘Let me put the kettle on,’ she says instead. ‘It’s a pitiful day and it was so sunny at the weekend. Honestly, this weather.’
‘Is Ben at work?’ I ask. Her narrow back stiffens slightly at the mention of his name. I watch as she pours boiling water into two cups, pressing the teabags against the side with her spoon, her fair hair falling in her face, and I find myself longing to go over to her, to push her silky hair back behind her ear so that it’s no longer in her eyes.
‘Yes. He only works contract.’ Her voice sounds falsely jovial and it occurs to me that perhaps they’ve had a row. ‘I don’t completely understand what he does, but I do know it involves computers.’ She laughs as she hands me the mug of tea and pulls out a chair opposite me and sits down. ‘What about you, Abi? You said on Saturday you were a journalist?’ Even when sitting, Beatrice seems to ooze energy; her legs jiggle under the table, her elegant fingers tap the side of her white bone china mug. She takes an apple from the bowl of fruit in the middle of the table and indicates I do the same. I murmur my thanks and choose a dark-red juicy plum, but when I take a bite it is hard and sour.
The Grip Lit Collection Page 3
