Marcelle persisted, and soon Flora began to curse the woman, her voice rising in fear and anger, the force of it pushing Marcelle away from the cot, “You leave me alone, you bitch! I know your tricks, I know what you’re trying to do! You just want to get me out of here so you can take my babies away from me! I’m fine, I can take care of my babies fine, just fine! Now you get out of my house! Go on, get!”
Marcelle backed slowly away, then turned and walked to the open door and outside to the sunshine and the clean fall air.
Doctor Wickshaw, Carol told her, doesn’t make house calls. Marcelle sat at her kitchen table, looked out the window, and talked on the telephone. She was watching Flora’s trailer, number 11, as if watching a bomb about to explode.
“I know that,” Marcelle said, holding the receiver between her shoulder and cheek so both hands could be free to light a cigarette. “Listen, Carol, this is Flora Pease we’re talking about, and there’s no way I’m going to be able to get her into that office. But she’s real sick, and it could be just the flu, but it could be meningitis, for all I know. My boy died of that, you know, and you have to do tests and everything before you can tell if it’s meningitis.” There was silence for a few seconds. “Maybe I should call the ambulance and get her over to the Concord Hospital. I need somebody who knows something to come here and look at her,” she said, her voice rising.
“Maybe on my lunch hour I’ll be able to come by and take a look,” Carol said. “At least I should be capable of saying if she should be got to a hospital or not.”
Marcelle thanked her and hung up the phone. Nervously tapping her fingers against the table, she thought to call in Merle Ring or maybe Captain Knox, to get their opinions of Flora’s condition, and then decided against it. That damned Dewey Knox, he’d just take over, one way or the other, and after reducing the situation to a choice between two courses, probably between leaving her alone in the trailer and calling the ambulance, he’d insist that someone other than he do the choosing, probably Flora herself, who, of course, would choose to be left alone. Then he’d walk off believing he’d done the right thing, the only right thing. Merle would be just as bad, she figured, with all his smart-ass comments about illness and death and leaving things alone until they have something to say to you that’s completely clear. Some illnesses lead to death, he’d say, and some lead to health, and we’ll know before long which it is, and when we do, we’ll know how to act. Men. Either they take responsibility for everything, or they take responsibility for nothing.
Around one, Carol Constant arrived in her little blue sedan, dressed in a white nurse’s uniform and looking, to Marcelle, very much like a medical authority. Marcelle led her into Flora’s trailer, after warning her about the clutter and the smell—“It’s like some kinda burrow in there,” she said as they stepped through the door—and Carol, placing a plastic tape against Flora’s forehead, determined that Flora was indeed quite ill, her temperature was 105 degrees. She turned to Marcelle and told her to call the ambulance.
Immediately, Flora went wild, bellowing and moaning about her babies and how she couldn’t leave them, they needed her. She thrashed against Carol’s strong grip for a moment and then gave up and fell weakly back into the cot.
“Go ahead and call,” Carol told Marcelle. “I’ll hold on to things here until they come.” When Marcelle had gone, Carol commenced talking to the ill woman in a low, soothing voice, stroking her forehead with one hand and holding her by the shoulder with the other, until, after a few moments, Flora began to whimper and then to weep, and finally, as if her heart were broken, to sob. Marcelle had returned from calling the ambulance and stood in the background almost out of sight, while Carol soothed the woman and crooned, “Poor thing, you poor thing.”
“My babies, who’ll take care of my babies?” she wailed.
“I’ll get my brother Terry to take care of them,” Carol promised, and for a second that seemed to placate the woman.
Then she began to wail again, because she knew it was a lie and when she came back her babies would be gone.
No, no, no, no, both Carol and Marcelle insisted. When she got back, the guinea pigs would be here, all of them, every last one. Terry would water and feed them, and he’d clean out the cages every day, just as she did.
“I’ll make sure he does,” Marcelle promised, “or he’ll have his ass in a sling.”
That calmed the woman, but just then two young men dressed in white, the ambulance attendants, stepped into the room, and when Flora saw them, their large, grim faces and, from her vantage point, their enormous, uniformed bodies, her eyes rolled back, and she began to wail, “No, no, no! I’m not going! I’m not going!”
The force of her thrashing movements tossed Carol off the cot onto the floor. Moving swiftly, the two young men reached down and pinned Flora against her cot. One of them, the larger one, told the other to bring his bag, and the smaller man rushed out of the trailer to the ambulance parked outside.
“I’m just going to give you something to calm yourself, ma’am,” the big man said in a mechanical way. The other man was back, and Carol and Marcelle, regarding one another with slight regret and apprehension, stepped out of his way.
In seconds, Flora had been injected with a tranquilizer, and while the two hard-faced men in white strapped her body into a four-wheeled, chromium and canvas stretcher, she descended swiftly into slumber. They wheeled her efficiently out of the trailer as if she were a piece of furniture and slid her into the back of the ambulance and were gone, with Marcelle following in her car.
Alone by the roadway outside Flora’s trailer, Carol watched the ambulance and Marcelle’s battered old Ford head out toward Old Road and away. After a moment or two, drifting from their trailers one by one, came Nancy Hubner, her face stricken with concern, and Captain Dewey Knox, his face firmed to hear the grim news, and Merle Ring, his face smiling benignly.
“Where’s my brother Terry?” Carol asked the three as they drew near.
It was near midnight that same night. Most of the trailers were dark, except for Bruce Severance’s, where Terry, after having fed, watered, and cleaned the ravenous, thirsty, and dirty guinea pigs, was considering a business proposition from Bruce that would not demand humiliating labor for mere monkey-money, and Doreen Tiede’s trailer, where Claudel Bing’s naked, muscular arm was reaching over Doreen’s head to snap off the lamp next to the bed—when, out by Old Road, the Guinea Pig Lady came shuffling along the lane between the pinewoods. She moved quickly and purposefully, just as she always moved, but silently now. She wore the clothes she’d worn in the morning when the men had taken her from her cot and strapped her onto the stretcher—old bib overalls and a faded, stained, plaid flannel shirt. Her face was ablaze with fever. Her red hair ringed her head in a stiff, wet halo that made her look like an especially blessed peasant figure in a medieval fresco, a shepherd or stonemason rushing to see the Divine Child.
When she neared the trailerpark, sufficiently close to glimpse the few remaining lights and the dully shining, geometric shapes of the trailers through the trees and, here and there, a dark strip of the lake beyond, she cut to her left and departed from the road and made for the swamp. Without hesitation, she darted into the swamp, locating even in darkness the pathways and patches of dry ground, moving slowly through the mushy, brush-covered muskeg, emerging from the deep shadows of the swamp after a while at the edge of the clearing directly behind her own trailer. Soundlessly, she crossed her backyard, passed the head-high pyramids standing like dolmens in the dim light, and stepped through the broken door of the trailer.
The trailer was in pitch darkness, and the only sound was that of the animals as they chirped, bred, and scuffled in their cages through the nighttime. With the same familiarity she had shown cutting across the swamp, Flora moved in darkness to the kitchen area, where she opened a cupboard and drew from a clutter of cans and bottles a red one-gallon can of kerosene. Then, starting at the farthest corner of the trailer
, she dribbled the kerosene through every room, looping through and around every one of the cages, until she arrived at the door. She placed the can on the floor next to the broken door, then stepped nimbly outside, where she took a single step toward the ground, lit a wooden match against her thumbnail, tossed it into the trailer, and ran.
Instantly, the trailer was a box of flame, roaring and snapping and sending a dark cloud and poisonous fumes into the night sky as the paneling and walls ignited and burst into flame. Next door, wakened by the first explosion and terrified by the sight of the flames and the roar of the fire, Carol Constant rushed from her bed to the road, where everyone else in the park was gathering, wide-eyed, confused, struck with wonder and fear.
Marcelle hollered at Terry and Bruce, ordering them to hook up garden hoses and wash down the trailers next to Flora’s. Then she yelled to Doreen. Dressed in a filmy nightgown, with the naked Claudel Bing standing in darkness behind her, the woman peered through her half-open door at the long, flame-filled coffin across the lane. “Call the fire department, for Christ’s sake! And tell Bing to get his clothes on and get out here and help us!” Captain Knox gave orders to people who were already doing what he ordered them to do, and Nancy Hubner, in nightgown, dressing gown, and slippers, hauled her garden hose from under the trailer and dragged it toward the front, screeching as she passed each window along the way for Noni to wake up, wake up and get out here and help, while inside, Noni slid along a stoned slope of sleep—dreamless, and genuinely happy. Leon LaRoche appeared fully dressed in clean and pressed khaki work clothes with gloves and silver-colored hard hat, looking like an ad agency’s version of a construction worker. He asked the Captain what he should do, and the Captain pointed him toward Bruce and Terry, who were hosing down the steaming sides of the trailers next to the fire. At the far end of the row of trailers, in darkness at the edge of the glow cast by the flames, stood Merle Ring, uniquely somber, his arms limply at his sides, in one hand a fishing rod, in the other a string of hornpout.
A few moments later, the fire engines arrived, but it was already too late to save Flora’s trailer or anything that had been inside it. All they could accomplish, they realized immediately, was to attempt to save the rest of the trailers, which they instantly set about doing, washing down the metal sides and sending huge, billowing columns of steam into the air. Gradually, as the flames subsided, the firemen turned their hoses and doused the dying fire completely. An hour before daylight, they left, and behind them, where Flora’s trailer had been, was a cold, charred, shapeless mass of indistinguishable materials—melted plastic, crumbled wood and ash, blackened, bent sheet metal, and charred flesh and fur.
By the pink light of dawn, Flora emerged from the swamp and came to stand before the remains of the pyre. She was alone, for the others, as soon as the fire engines left, had trudged heavily and exhausted to bed. Around nine, Marcelle Chagnon was stirred from her sleep by the telephone—it was the Concord Hospital, informing her that the woman she had signed in the day before, Flora Pease, had left sometime during the night without permission, and they did not know her whereabouts.
Marcelle wearily peered out the window next to the bed and saw Flora standing before the long, black heap across the lane. She told the woman from the hospital that Flora was here. She must have heard last night that her trailer burned down, over the radio, maybe, and hitchhiked back to Catamount. She assured the woman that she would look after her, but the woman said not to bother, she only had the flu and probably would be fine in a few days, unless, of course, she caught pneumonia hitchhiking last night without a hat or coat on.
Marcelle hung up the phone and continued to watch Flora, who stood as if before a grave. The others in the park, as they rose from their beds, looked out at the wreckage, and, seeing Flora there, stayed inside, and left her alone. Eventually, around midday, she slowly turned and walked back to the swamp.
Marcelle saw her leaving and ran out to stop her. “Flora!” she cried, and the woman turned back and waited in the middle of the clearing. Marcelle trotted heavily across the open space, and when she came up to her, said to Flora, “I’m sorry.”
Flora stared at her blankly, as if she didn’t understand.
“Flora, I’m sorry … about your babies.” Marcelle put one arm around the woman’s shoulders, and they stood side by side, facing away from the trailerpark.
Flora said nothing for a few moments. “They wasn’t my babies. Babies make me nervous,” she said, shrugging the arm away. Then, when she looked up into Marcelle’s big face, she must have seen that she had hurt her, for her tone softened. “I’m sorry, Mrs. Chagnon. But they wasn’t my babies. I know the difference, and babies make me nervous.”
That was in September. The fire was determined to have been “of suspicious origin,” and everyone concluded that some drunken kids from town had set it. The several young men suspected of the crime, however, came up with alibis, and no further investigation seemed reasonable.
By the middle of October, Flora Pease had built an awkwardly pitched shanty on the land where the swamp behind the trailerpark rose slightly and met the pinewoods, land that might have belonged to the Corporation and might have been New Hampshire state property. But it was going to take a judge, a battery of lawyers, and a pair of surveyors before anyone could say for sure. As long as neither the Corporation nor the state fussed about it, no one was willing to make Flora tear down her shanty and move.
She built it herself from stuff she dragged from the town dump down the road and into the woods to the swamp—old boards, galvanized sheet metal, strips of tar paper, cast-off shingles—and furnished it the same way, with a discolored, torn mattress, a three-legged card table, an easy chair with the stuffing blossoming at the seams, and a moldy rug that had been in a children’s playhouse. It was a single room, with a tin woodstove for cooking and heat, a privy out back, and a kerosene lantern for light.
For a while, a few people from the trailerpark went on occasion to the edge of the swamp and visited with her. You could see her shack easily from the park, as she had situated it on a low rise where she had the clearest view of the charred wreckage of old number 11. Bruce Severance, the college kid, dropped by fairly often, especially in early summer, when he was busily locating the feral hemp plants in the area and needed her expert help, and Terry Constant went out there, “just for laughs,” he said. He used to sit peacefully on a stump in the sun and get stoned on hemp and rap with her about his childhood and dead mother. Whether Flora talked about her childhood and her dead mother Terry never said. It got hard to talk about Flora. She was just there, the Guinea Pig Lady, even though she didn’t have any guinea pigs, and there wasn’t much anyone could say about it anymore, since everyone more or less knew how she had got to be who she was, and everyone more or less knew who she was going to be from here on out.
Merle used to walk out there in warm weather, and he continued to visit Flora long after everyone else had ceased doing it. The reason he went out, he said, was because you got a different perspective on the trailerpark from out there, practically the same perspective he said he got in winter from the lake when he was in his ice house. And though Marcelle never visited Flora’s shack herself, every time she passed it with her gaze, she stopped her gaze and for a long time looked at the place and Flora sitting outside on an old metal folding chair, smoking her cob pipe and staring back at the trailerpark. She gazed at Flora mournfully and with an anger longing for a shape, for Marcelle believed that she alone knew the woman’s secret.
Queen for a Day
The elder of the two boys, Earl, turns from the dimly lit worktable, a door on sawhorses, where he is writing. He pauses a second and says to his brother, “Cut that out, willya? Getcha feet off the walls.”
The other boy says, “You’re not the boss of this family, you know.” He is dark-haired with large brown eyes, a moody ten-year-old lying bored on his cot with sneakered feet slapped against the faded green, floral print wallpaper.<
br />
Earl crosses his arms over his narrow chest and stares down at his brother from a considerable height. The room is cluttered with model airplanes, schoolbooks, papers, clothing, hockey sticks and skates, a set of barbells. Earl says, “We’re supposed to be doing homework, you know. If she hears you tramping your feet on the walls, she’ll come screaming in here.”
“She can’t hear me. Besides, you’re not doing homework. And I’m reading,” he says, waving a geography book at him.
The older boy sucks his breath through his front teeth and glares. “You really piss me off, George. With you doing that, rubbing your feet all over the wallpaper like you’re doing, it makes me all distracted.” He turns back to his writing, scribbling with a ballpoint pen on lined paper in a schoolboy’s three-ring binder. Earl has sandy blond hair and pale blue eyes that turn downward at the corners and a full red mouth. He’s more scrawny than skinny, hard and flat-muscled, and suddenly tall for his age, making him a head taller than his brother, taller even than his mother now, and able to pat their sister’s head as if he were a full-grown adult already.
He turned twelve eight months ago, in March, and in May their father left. Their father is a union carpenter who works on projects in distant corners of the state—schools, hospitals, post offices—and for a whole year the man came home only on weekends. Then, for a while, every other weekend. Finally, he was gone for a month, and when he came home the last time, it was to say good-bye to Earl, George, and their sister, Louise, and to their mother, too, of course, she who had been saying (for what seemed to the children years) that she never wanted to see the man again anyhow, ever, under any circumstances, because he just causes trouble when he’s home and more trouble when he doesn’t come home, so he might as well stay away for good. They can all get along better without him, she insisted, which was true, Earl was sure, but that was before the man left for good and stopped sending them money, so that now, six months later, Earl is not so sure anymore that they can get along better without their father than with him.
The Angel on the Roof Page 44
