Breathless

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Breathless Page 1

by Jennifer Niven




  ALSO BY JENNIFER NIVEN

  All the Bright Places

  Holding Up the Universe

  THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  Text copyright © 2020 by Jennifer Niven

  Cover art copyright © 2020 by Tito Merello

  Cover photograph copyright © 2020 by MotionWorks Film Studio/Getty Images

  All rights reserved. Published in the United States by Alfred A. Knopf, an imprint of Random House Children’s Books, a division of Penguin Random House LLC, New York.

  Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC.

  Visit us on the Web! GetUnderlined.com

  Educators and librarians, for a variety of teaching tools, visit us at RHTeachersLibrarians.com

  Library of Congress Cataloging-in-Publication Data is available upon request.

  ISBN 9781524701963 (trade) — ISBN 9781524701970 (lib. bdg.) — ebook ISBN 9781524701987

  Random House Children’s Books supports the First Amendment and celebrates the right to read.

  Penguin Random House LLC supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part in any form without permission. You are supporting writers and allowing Penguin Random House to publish books for every reader.

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  Contents

  Cover

  Also by Jennifer Niven

  Title Page

  Copyright

  Dedication

  Epigraph

  Prologue

  Mary Grove, Ohio

  8 Days Till Graduation

  7 Days Till Graduation

  6 Days Till Graduation

  The Week of Graduation

  Graduation

  4 Days Before We Leave

  The Night Before We Leave

  The Island: One

  Day 1

  Day 1 (Still)

  Day 2

  Day 2 (Part Two)

  Day 2 (Part Three)

  Day 3

  Day 3 (Part Two)

  Day 3 (Part Three)

  Day 3 (Part Four)

  Day 4

  Day 5

  Day 5 (Part Two)

  Day 6

  Day 6 (Part Two)

  Day 6 (Part Three)

  Day 7

  Day 8

  Day 8 (Part Two)

  The Island: Two

  Day 9

  Day 10

  Day 11

  Day 11 (Part Two)

  Day 11 (Part Three)

  Days 12–14

  The Things I Learn About Myself

  Day 15

  Day 16

  Day 16 (Part Two)

  Day 17

  Day 18

  Day 19

  Day 20

  Days 21–22

  Days 23–24

  Day 24 (Part Two)

  Day 24 (Part Three)

  Day 25

  Day 25 (Part Two)

  Day 26

  Day 27

  Day 27 (Part Two)

  Day 28

  Days 29–30

  The Island: Three

  Day 31

  Day 32

  Day 32 (Part Two)

  Day 35

  Acknowledgments

  About the Author

  For Justin, the real Jeremiah Crew.

  I love you more than words.

  Nobody has ever measured,

  not even poets,

  how much the heart can hold.

  —Zelda Fitzgerald

  You were my first. Not just sex, although that was part of it, but the first to look past everything else into me.

  Some of the names and places have been changed, but the story is true. It’s all here because one day this will be the past, and I don’t want to forget what I went through, what I thought, what I felt, who I was. I don’t want to forget you.

  But most of all, I don’t want to forget me.

  MARY GROVE, OHIO

  8 DAYS TILL GRADUATION

  I open my eyes and I am tangled in the sheets, books upside down on the floor. I know without looking at the time that I’m late. I leap out of bed, one foot still wrapped in the sheet, and land flat on my face. I lie there a minute. Close my eyes. Wonder if I can pretend I’ve fainted and convince Mom to let me blow off today and stay home.

  It’s peaceful on the floor.

  But it also smells a bit. I open an eye and there’s something ground into the rug. One of Dandelion’s cat treats, maybe. I turn my head to the other side and it’s better over here, but then from outside I hear a horn blast, and this is my dad.

  So now I’m up and on my feet because he will just keep honking and honking the stupid horn until I’m in the car. I can’t find one of my books and one of my shoes, and my hair is wrong and my outfit is wrong, and basically I am wrong in my own skin. I should have been born French. If I were French, everything would be right. I would be chic and cool and ride a bike to school, one with a basket. I would be able to ride a bike in the first place. If I were living in Paris instead of Mary Grove, Ohio, these flats would look better with this skirt, my hair would be less orange red—the color of an heirloom tomato—and I would somehow make more sense.

  I scramble into my parents’ room dressed in my skirt and bikini top, the black one I bought with Saz last month, the one I plan to live in this summer. All my bras are in the wash. My mom’s closet is neat and tidy, but lacking the order of my dad’s, which is all black, gray, navy, everything organized by color because he’s colorblind and this way he doesn’t have to ask all the time, “Is this green or brown?” I rummage through the shelf above and then his dresser drawers, searching for the shirt I want: vintage 1993 Nirvana. I am always stealing this shirt and he is always stealing it back, but now it’s nowhere.

  I stand in the doorway and shout down the hall, toward the stairs, toward my mom. “Where’s Dad’s Nirvana shirt?” I’ve decided that this and only this is the thing I want to wear today.

  I wait two, three, four, five seconds, and my only answer is another blast of the horn. I run to my room and grab the first shirt I see and throw it on, even though I haven’t worn it to school since freshman year. Miss Piggy with sparkles.

  * * *

  —

  At the front door, my mom says, “I’ll come get you if Saz can’t bring you home.” My mom is a busy, well-known writer—historical novels, nonfiction, anything to do with history—but she always has time for me. When we moved into this house, we turned the guest room into her office and my dad spent two days building floor-to-ceiling bookcases to hold her hundreds of research books.

  Something must show on my face because she rests her hand
s on my shoulders and goes, “Hey. It’s going to be okay.” And she means my best friend, Suzanne Bakshi (better known as Saz), and me, that we’ll always be friends in spite of graduation and college and all the life to come. I feel some of her calm, bright energy settling itself, like a bird in a tree, onto my shoulders, melting down my arms, into my limbs, into my blood. This is one of the many things my mom does best. She makes everyone feel better.

  In the car, my dad is wearing his Radiohead T-shirt under a suit jacket, which means the Nirvana shirt is in the wash. I make a mental note to snag it when I get home so I can wear it to the party tonight.

  For the first three or four minutes, we don’t talk, but this is also normal. Unlike my mom, my dad and I are not morning people, and on the drive to school we like to maintain what he calls “companionable silence,” something Saz refuses to respect, which is why I don’t ride with her.

  I stare out the window at the low black clouds that are gathering like mourners in the direction of the college, where my dad works as an administrator. It’s not supposed to rain, but it looks like rain, and it makes me worry for Trent Dugan’s party. My weekends are usually spent with Saz, driving around town, searching for something to do, but this one is going to be different. Last official party of senior year and all.

  My dad sails past the high school, over Main Street Bridge, into downtown Mary Grove, which is approximately ten blocks of stores lining the brick-paved streets, better known as the Promenade. He roars to a stop at the westernmost corner, where the street gives way to cobbled brick and fountains. He gets out and jogs into the Joy Ann Cake Shop while I text Saz a photo of the sign over the door. Who’s your favorite person?

  In a second she replies: You are.

  Two minutes later my dad is jogging back to the car, arms raised overhead in some sort of ridiculous victory dance, white paper bag in one hand. He gets in, slams the door, and tosses me the bag filled with our usual—one chocolate cupcake for Saz and a pound of thumbprint cookies for Dad and me, which we devour on the way to the high school. Our secret morning ritual since I was twelve.

  As I eat, I stare at the cloudy, cloudy sky. “It might rain.”

  My dad says, “It won’t rain,” like he once said, “He won’t hit you,” about Damian Green, who threatened to punch me in the mouth in third grade because I wouldn’t let him cheat off me. He won’t hit you, which implied that if necessary my dad would come over to the school and punch Damian himself, because no one was going to mess with his daughter, not even an eight-year-old boy.

  “It might,” I say, just so I can hear it again, the protectiveness in his voice. It’s a protectiveness that reminds me of being five, six, seven, back when I rode everywhere on his shoulders.

  He says, “It won’t.”

  * * *

  —

  In first-period creative writing, my teacher, Mr. Russo, keeps me after class to say, “If you really want to write, and I believe you do, you’re going to have to put it all out there so that we can feel what you feel. You always seem to be holding back, Claudine.”

  He says some good things too, but this will be what I remember—that he doesn’t think I can feel. It’s funny how the bad things stay with you and the good things sometimes get lost. I leave his classroom and tell myself he doesn’t begin to know me or what I can do. He doesn’t know that I’m already working on my first novel and that I’m going to be a famous writer one day, that my mom has let me help her with research projects since I was ten, the same year I started writing stories. He doesn’t know that I actually do put myself out there.

  On my way to third period, Shane Waller, the boy I’ve been seeing for almost two months, corners me at my locker and says, “Should I pick you up for Trent’s party?”

  Shane smells good and can be funny when he puts his mind to it, which—along with my raging hormones—are the main reasons I’m with him. I say, “I’m going with Saz. But I’ll see you there.” Which is fine with Shane, because ever since I was fifteen, my dad has notoriously made all my dates wait outside, even in the dead of Ohio winter. This is because he was once a teenage boy and knows what they’re thinking. And because he likes to make sure they know he knows exactly what they’re thinking.

  Shane says, “See you there, babe.” And then, to prove to myself and Mr. Russo and everyone else at Mary Grove High that I am an actual living, feeling person, I do something I never do—I kiss him, right there in the school hallway.

  When we break apart, he leans in and I feel his breath in my ear. “I can’t wait.” And I know he thinks—hopes—we’re going to have sex. The same way he’s been hoping for the past two months that I’ll finally decide my days of being a virgin are over and “give it up to him.” (His words, not mine. As if somehow my virginity belongs to him.)

  I say this to Saz at lunch, and she laughs this booming, maniacal laugh, head thrown back, dark hair swinging, and raises her water bottle in a mock toast. “Good luck to you, Shane!” Because we both know there’s only one boy in Mary Grove, Ohio, I want my first time to be with, and it isn’t Shane Waller. Even though I tell myself maybe one day he’ll say something so exceptionally funny and I’ll get so lost in the smell of his neck that I’ll change my mind and sleep with him after all. Just because I don’t think Shane’s the one doesn’t mean I don’t want him to be.

  I say a version of this out loud. “You never know. He can be really funny.”

  Saz says, “He can be kind of funny.” She gathers her hair—heavy and straight and the bane of her existence—up on her head and holds it there. She is always cutting it off and growing it back, cutting it off and growing it back.

  “Would it be so bad for Shane to be my first?”

  Our friend Alannis Vega-Torres drops into the seat next to me. “Yes.” She digs a soda and protein bar out of her bag and tosses Saz a couple of hair ties. “By the way, it doesn’t count as losing your virginity if your hymen doesn’t break. I bled buckets my first time.”

  “That’s not true,” I say. “Hymens don’t actually break. That’s a big, fat, ignorant myth. Not everyone bleeds, and besides, not everyone has a hymen. Don’t be so heteronormative. Virginity is a bullshit social construct created by the patriarchy.” Saz holds up her hand and I high-five her. As much as I completely, one hundred percent believe this, I’m still desperate to have sex. Like, right now.

  Our other friend, Mara Choi, throws herself down across from Alannis, cardigan buttoned up wrong, tampons and lip gloss spilling out of her backpack because—except when she’s in the presence of her traditional Korean grandmother—she lives in a constant state of chaos. She disappears under the table, gathering the things that fell. She says from under it, “Fun fact: Did you know you can order hymens on the internet? There’s this place called the Hymen Shop that claims they can restore your virginity in five minutes.” She pops back up, picks up her phone, and immediately starts googling.

  “The hell?” Saz rolls her eyes at me like, These two.

  I look at her like, I know, as Mara starts reading from the Hymen Shop website. “Says here they use medical-grade red dye that looks just like human blood. Oh, and they are the ‘original and most trusted brand of artificial hymens.’ ”

  Saz says, “What a thing to be known for.”

  Alannis says, “That’s nothing. I read somewhere that girls in China pay seven hundred dollars to have their hymens surgically rebuilt.”

  I stop eating because, sex-obsessed as I am, the idea that you could place a price on virginity is, to put it mildly, insane. I say, “This whole concept is so antiquated. As if all that matters is penis-plus-vagina sex. Something like twenty percent of Americans identify as something other than completely straight, so why are we still so focused on a woman’s first time with a man? And why is a girl’s virginity such a big deal anyway? People don’t get excited about a straight guy having sex. It’
s all high fives and ‘Now you’re a man.’ They don’t sit around wringing their hands and searching the internet for replacement parts.”

  Saz snorts. I’m on a roll.

  “And another thing. Have you ever thought about the way people talk about virginity? As if it’s owned by other people? Someone ‘takes it,’ and suddenly it becomes theirs. Like it’s something we give away, something that doesn’t belong to us. She lost it. She gave it up. Popping her cherry. Taking her virginity. Deflowering—”

  “Deflowering?” Mara stares at me over her phone. “Who says deflowering?”

  “Virgins.” Alannis raises her perfectly groomed eyebrows at me. Alannis Gyalene Catalina Vega-Torres has been having sex since ninth grade.

  “Why do you always single me out?” I wave pointedly at Saz, my partner in virtue. When we were ten, Saz and I promised to celebrate every one of life’s milestones at the same time, including falling in love and having our first real relationship—which would, of course, include sex—so that we would never leave each other behind. It was our way of making sure we always put each other first and never let anyone come between us. Alannis pats my arm like I’m a poor, confused child.

 

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