A smile grew across the provost’s sizeable face. “Yes. And that means you not only cannot chair the dean’s search committee you can’t, in any way, be involved in their work. If you agree to apply, you will have to stay a mile away from that committee.” Stoddard paused.
“Oh, my.”
“Feel good about this, Red. Your faculty apparently admires what you’ve done over this past semester. So do I.” Stoddard stared at me for a moment and then winked.
Winked. For Christ’s sake.
I walked out of the journalism building buoyant and excited. A man was leaning against a car parked next to mine.
“Up for an early dinner?” asked Joe.
“I’m not sure I have an appetite.”
A big smile. “Red, you have more appetite than any woman I know.”
Right.
About the Author
Bourne Morris began writing at Bennington College where she studied under the late poet laureate, Howard Nemerov. After college, she worked at McCall’s Magazine and then went to Ogilvy&Mather, New York during the “Mad Men” era. David Ogilvy and his colleagues treated her wonderfully, promoted her several times and then sent her west to become head of their agency in Los Angeles. She had a splendid run in advertising.
In 1983, she joined the University of Nevada Reno as a full professor in Journalism where she taught until 2009. She learned about campus politics when she served as chair of the faculty senate. She retired to write mysteries in 2009 after an equally wonderful teaching career.
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Henery Press Mystery Books
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As Philadelphia’s premier image consultant, Allison Campbell helps others reinvent themselves, but her most successful transformation was her own after a scandal nearly ruined her. Now she moves in a world of powerful executives, wealthy, eccentric ex-wives and twisted ethics.
When Allison’s latest Main Line client, the fifteen-year-old Goth daughter of a White House hopeful, is accused of the ritualistic murder of a local divorce attorney, Allison fights to prove her client’s innocence when no one else will. But unraveling the truth brings specters from her own past. And in a place where image is everything, the ability to distinguish what’s real from the facade may be the only thing that keeps Allison alive.
Read all about it at www.henerypress.com
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ARTIFACT
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A dead body in her garden and a homicide detective on her doorstep…
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