The Final Victim

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by that's me


  "Be sa­fe," Mi­mi calls af­ter him, sa­me as al­ways.

  "Don't worry," he rep­li­es, sa­me as al­ways, be­fo­re he clo­ses the do­or.

  But she do­es worry. She can't help it. Sa­fely shel­te­red in the­ir cozy, two-bed­ro­om ca­nal-si­de ho­me every night af­ter dark, she do­esn't li­ke to think of him out the­re wor­king on the da­ma­ged brid­ge un­der the gla­re of con­s­t­ruc­ti­on spot­lights.

  So many things can hap­pen. The­re are de­adly ga­tors and po­iso­no­us sna­kes in the sur­ro­un­ding mar­s­h­land not to men­ti­on he­avy equ­ip­ment that can mal­fun­c­ti­on or tip and crush a per­son. Jed's se­en that hap­pen, and wor­se, in his de­ca­de as a con­s­t­ruc­ti­on wor­ker. But he stop­ped tel­ling her hor­ror sto­ri­es early on, re­ali­zing that what might en­ter­ta­in a ca­su­al gir­l­f­ri­end co­uld sca­re off a po­ten­ti­al wi­fe.

  Mimi can't be­ar the tho­ught of an­y­t­hing hap­pe­ning to Jed. He's her who­le wor­ld-he and Ca­me­ron.

  Nor do­es she li­ke to think abo­ut how clo­se she on­ce ca­me to lo­sing both of them.

  But Jed do­esn't know abo­ut that, or abo­ut the we­ighty sec­ret she's de­ter­mi­ned to carry to the gra­ve.

  If he ever fo­und out…

  "Cookie, Mommy!"

  "Okay, okay, Cam."

  Hurrying to the cup­bo­ard for the pac­ka­ge of sto­re-brand cho­co­la­te-san­d­wich co­oki­es, she for­ces away the ter­rib­le, ha­un­ting me­mo­ri­es that are ne­ver far from flo­oding her tho­ughts.

  Charlotte helps her­self to the he­aping plat­ter of hush pup­pi­es the wa­it­ress has al­re­ady set be­fo­re them. She bre­aks open a plump, warm puff and slat­hers it with ho­ney-swe­ete­ned but­ter.

  Her hus­band smi­les ac­ross the tab­le at her. "I knew you had to be hungry."

  "A lit­tle."

  "Promise to eat whi­le I'm go­ne?"

  "I'll try."

  "I'll be back be­fo­re you know it," he says aga­in. "It's only for the we­ekend. I got that first flight out on Del­ta Mon­day mor­ning."

  "I know. I just wish you had in­vi­ted Aimee he­re in­s­te­ad. Or that I co­uld be go­ing with you. I'd lo­ve to me­et her."

  The smi­le fa­des from Roy­ce's eyes. "I wish the sa­me thing. But Aimee says she isn't re­ady to me­et you yet. I'm lucky she even wants me."

  Charlotte nods. She sup­po­ses she can't bla­me the yo­ung wo­man for re­sen­ting not just the fat­her she bla­mes for a mul­ti­tu­de of sins, both re­al and ima­gi­ned by her bit­ter mot­her, but al­so the new wi­fe and fa­mily in Roy­ce's li­fe.

  "Well, so­oner or la­ter, I'll co­me with you and we'll get to me­et. Not just Aimee, but yo­ur mom, too."

  Her mot­her-in-law is in a New Or­le­ans nur­sing ho­me, too fra­il to tra­vel. Roy­ce usu­al­ly ma­kes an ef­fort to see her when he go­es back. Char­lot­te has ne­ver met her, and isn't in any hurry to, gi­ven Roy­ce's ta­les of her mo­un­ting se­ni­lity, ne­ar-de­af­ness, and con­s­tant ill-tem­per.

  "We'll ma­ke the trip," he pro­mi­ses. "May­be for Mar­dis Gras. That's a go­od ti­me to go."

  "Well, be su­re to tell Aimee she's wel­co­me to vi­sit any ti­me," Char­lot­te re­minds him, re­ver­ting auto­ma­ti­cal­ly to her in­he­rent So­ut­hern hos­pi­ta­lity. "Espe­ci­al­ly onc4 we're back ho­me." Oh, to be back ho­me. "And I ho­pe she li­kes the bro­och and ear­rings."

  "She'll lo­ve them. Thank you for pic­king them out." "It was fun. You know how much I lo­ve to shop." "And you know how much I lo­ve you for be­ing open-min­ded abo­ut my da­ug­h­ter." Roy­ce picks up her hand! and kis­ses away the crumbs that cling to her but­tery fin­gers.

  "I lo­ve you for the sa­me re­ason, es­pe­ci­al­ly now that mi­ne is such an in­suf­fe­rab­le lit­tle wench," Char­lot­te' tells him with a grin.

  "Oh, I re­mem­ber Aimee at that age, be­fo­re the di­vor­ce. Li­an­na will co­me thro­ugh this sta­ge just fi­ne. Next thing you know, she'll be a gra­ci­o­us yo­ung lady fit for the Re­min­g­ton fa­mily por­t­ra­it." "So­me­how I find that hard to be­li­eve." 'Trust me." "I do."

  And now that Gran­dad­dy is go­ne, Roy­ce is the only per­son left in Char­lot­te's world whom she do­es trust.

  Certainly no­body el­se de­ser­ves it: not the da­ug­h­ter who li­ed just last we­ek abo­ut whe­re she was go­ing and with whom; not the fa­mily mem­bers who might as well be stran­gers now in the­ir midst; not the ge­ne­ral con­t­rac­tor who re­pe­atedly as­su­red them they'd be back ho­me in Sa­van­nah by Feb­ru­ary, then May, and now August.

  Suddenly, Char­lot­te fe­els ut­terly con­su­med by ex­ha­us­ti­on. She le­ans back in her se­at, pres­sing a hand aga­inst her lips to mask a yawn. "You're ti­red."

  "I am. I fe­el li­ke I want to crawl in­to bed and sle­ep for days," she tells Roy­ce we­arily.

  "Well, then, go ahe­ad and do just that when we get ho­me." "I wish."

  "What's stop­ping you? You ne­ed to re­co­ver from all this. You sho­uld rest. Ta­ke so­me ti­me for yo­ur­self."

  She sha­kes her he­ad, thin­king aga­in of Li­an­na, of the vi­si­ting co­usins.

  Both Gib and Phylli­da are qu­ite a bit yo­un­ger than she is, and they li­ved up North, so she ne­ver re­al­ly knew them as well as she'd ha­ve li­ked to. Her fat­her al­ways dis­mis­sed them both as spo­iled brats, but Char­lot­te co­uld ima­gi­ne her Un­c­le Xavy might ha­ve sa­id the sa­me abo­ut her. He ne­ver se­emed to gi­ve his only ni­ece the ti­me of day.

  Then aga­in, for all they had in com­mon, he and Daddy we­ren't par­ti­cu­larly clo­se, eit­her. The brot­hers we­re lon­g­ti­me ri­vals in ever­y­t­hing from sports to ac­qu­iring fancy sta­tus symbols to gar­ner the­ir lo­ne pa­rent's me­ager af­fec­ti­on.

  "Listen, don't let yo­ur ob­no­xi­o­us co­usins get to you whi­le I'm go­ne," ca­uti­ons the ap­pa­rently cla­ir­vo­yant! Roy­ce.

  "They're the only fa­mily I ha­ve left in the world now that Gran­dad­dy's go­ne," she fe­els ob­li­ga­ted to po­int out "What abo­ut me?"

  "Other than you and Li­an­na," she says has­tily. "Bu you know what I me­ant. It's just kind of… stran­ge, sud­denly fe­els li­ke the Re­min­g­tons are… I don't know a dying bre­ed."

  "I'm sorry. I didn't me­an to be-"

  "Oh, I know." She smi­les up at him. "The fact is they're my only flesh and blo­od in the world, be­si­de Li­an­na, do­esn't ma­ke my co­usins any less ob­no­xi­o­us."

  Royce grins. "I just ho­pe they're not plan­ning hang aro­und for too long af­ter I'm back."

  "I do­ubt that I ha­ve a fe­eling that on­ce the will re­ad, they'll ta­ke the­ir mo­ney and run."

  "I wo­uldn't be sur­p­ri­sed."

  "And what abo­ut us?" Char­lot­te asks her hus­band.

  "What do you me­an?"

  "We're abo­ut to in­he­rit a li­fe-chan­ging amo­unt mo­ney, re­mem­ber?"

  He shrugs. "Frankly, I li­ke our li­fe just the way it Don't you?"

  She flas­hes him a gra­te­ful smi­le. "Abso­lu­tely. And i al­ways sa­id that when the ti­me ca­me, we'd just tuck away and go on the sa­me as al­ways."

  "My tho­ughts exactly. I'm as­su­ming that's still the plan?"

  "That's still the plan," Char­lot­te as­su­res him, awa­re, as al­ways, how dif­fe­rent he is from her first hus­band. Roy­ce is as ca­uti­o­us fi­nan­ci­al­ly as Vin­cent was a flashy spen­d­t­h­rift.

  Both Gran­dad­dy and Mot­her tri­ed to warn her that Vin­cent mar­ri­ed her for her mo­ney-they saw it from the start.

  But Char­lot­te, still re­eling from her fat­her's de­ath and her mot­her's can­cer di­ag­no­sis, wo­uldn't lis­ten- any mo­re than she sus­pects her own da­ug­h­ter will lis­ten to her.

  But
what can she do abo­ut that?

  Nothing, Char­lot­te dunks hel­p­les­sly for the se­cond ti­me this eve­ning, but hold my bre­ath and let go.

  CHAPTER 3

  "Want me to pick you up aga­in to­mor­row night?" Ke­vin asks ho­pe­ful­ly.

  Lianna pa­uses, her hand on the car do­or han­d­le.

  "I don't know," she hed­ges, ne­eding to think abo­ut what just hap­pe­ned bet­we­en them.

  "Well I can, if you want me to. Or I can me­et you so­mew­he­re, if you don't want to sne­ak out. You can tell yo­ur pa­rents you're with one of yo­ur fri­ends or so­met­hing."

  "You me­an my mot­her."

  "Huh?"

  ‘'You sa­id my pa­rents. My fat­her li­ves in Flo­ri­da-he's not the one with all the stu­pid ru­les. Roy­ce is just my step­fat­her."

  "Yeah," he says in a wha­te­ver to­ne, as if it do­esn't mat­ter.

  But it do­es. It mat­ters to her, a lot.

  "So let me know, okay? I ha­ve to work at the gas sta­ti­on all day so I can't an­s­wer my cell if it rings, but you can text mes­sa­ge me if you want."

  "Okay. I'll let you know."

  He le­ans over the con­so­le and kis­ses her one last ti­me. She can fe­el stub­ble on his fa­ce, a tac­ti­le re­min­der that he's ol­der than she is. Much ol­der.

  Perhaps too old, she al­lows her­self to con­si­der for the first ti­me, as she clo­ses the car do­or as so­un­d­les­sly as pos­sib­le.

  Picking her way in the he­ad­lights' be­am to­ward the sto­ne-and-iron en­t­ran­ce to Oak­ga­te, she won­ders if she's in over her he­ad.

  If the wi­ne hadn't smel­led musty and tas­ted bit­ter, who knows what might ha­ve hap­pe­ned?

  As it was, Li­an­na co­uldn't bring her­self to drink mo­re than that first ten­ta­ti­ve sip. She had tas­ted eno­ugh go­od wi­ne pil­fe­red from her fri­end De­vin's pa­rents to know that the stuff Ke­vin of­fe­red was eit­her hor­ribly che­ap or hor­ribly spo­iled, per­haps both.

  In the end, much to his di­sap­po­in­t­ment, she ma­na­ged to ma­in­ta­in her sob­ri­ety-and vir­gi­nity. Not that she's par­ti­cu­larly pro­ne to clin­ging to eit­her in the grand sche­me of things.

  But to­night, it wasn't me­ant to be. Or per­haps, just not the­re, on the is­land be­ach. Or with him.

  Having re­ac­hed the lo­west spot in the sto­ne wall sur­ro­un­ding the ga­ted en­t­ran­ce to Oak­ga­te, she wa­ves alt Ke­vin.

  He blinks the he­ad­lights on­ce be­fo­re dri­ving away, le­aving her alo­ne in the dark.

  Royce re­ac­hes over to turn off the alarm a mi­nu­te be­fo­re it rings, not wan­ting to wa­ke Char­lot­te.

  She's sle­eping so­undly at last. Bet­we­en her gri­ef and the ho­use­gu­ests and Li­an­na's typi­cal te­ena­ged stri­fe, his wi­fe is on the ver­ge of be­co­ming a physi­cal and emo­ti­onal wreck.

  And it do­esn’t help that you’re ha­ving her for a few days.

  Charlotte isn't the type to lay on a gu­ilt trip. She re­al­ly is up­set to see him go.

  Sorry, Char­lot­te, he thinks, rol­ling over to lo­ok at her, but it can't be hel­ped.

  The ro­om is bat­hed in the soft glow of the nig­ht-light she in­sists on using. She was so em­bar­ras­sed, back when they spent the­ir first night to­get­her, to ad­mit that she's af­ra­id of the dark.

  "I ha­ve be­en ever sin­ce I was a lit­tle girl," she con­fes­sed. "I know it's stu­pid, but… I can't help it. Even Li­an­na sle­eps in a dark ro­om, but I can't."

  Royce lin­gers, wat­c­hing her sle­ep, thin­king that she re­al­ly do­es lo­ok li­ke a de­fen­se­less child, lying the­re with her be­a­uti­ful fa­ce scrub­bed cle­an, her ha­ir tan­g­led on the whi­te pil­low­ca­se. The hint of vul­ne­ra­bi­lity he glim­p­sed the first ti­me he ever la­id eyes on her is of­ten swept be­hind a sop­his­ti­ca­ted fa­ca­de du­ring the day. Not so at night, es­pe­ci­al­ly when she's as­le­ep.

  Tempting as it is, he can't lie he­re wat­c­hing her a mo­ment lon­ger. He sits up no­ise­les­sly on the new king-si­zed pil­low­top Se­aly that Char­lot­te's gran­d­fat­her pur­c­ha­sed when they mo­ved in­to his gu­est ro­om.

  Nothing but the best for his fa­vo­ri­te gran­d­da­ug­h­ter- and, by proxy, her hus­band.

  Royce yawns, wis­hing he co­uld curl up be­si­de Char­lot­te and catch so­me mo­re sle­ep. But he can't. It's ti­me to get mo­ving.

  He swings his legs over the ed­ge of the bed and his ba­re fe­et ma­ke con­tact with the sa­tiny har­d­wo­od flo­or Wal­ked on by co­un­t­less Re­min­g­tons.

  Sometimes he thinks, If this old ho­use co­uld talk…

  Good thing it can't, Roy­ce tells him­self. So­me things are bet­ter kept bu­ri­ed in the past, whe­re they be­long.

  He bends over his wi­fe's sle­eping form and pres­ses a gen­t­le kiss on her ex­po­sed sho­ul­der, just be­low a red­dish, he­art-sha­ped bir­t­h­mark he on­ce tho­ught was an out-of-cha­rac­ter tat­too.

  "Are you kid­ding?" she as­ked la­ug­hingly the first ti­me he qu­es­ti­oned her abo­ut it. "Gran­dad­dy wo­uld ha­ve shot me if I ever got a tat­too!"

  She went on to re­ve­al that she grew up cal­ling the dis­tin­c­ti­ve bir­t­h­mark an "angel's kiss," one that was sha­red by a co­up­le of ot­her Re­min­g­tons. Gran­dad­dy, for one.

  Her la­te son, Adam, for anot­her.

  She sob­bed when she told Roy­ce how he lo­oked when his body was pul­led from the sea.

  His fa­ce was… It was… That's how they knew it was him, Roy­ce. Be­ca­use of the bir­t­h­mark.

  Shhh, shhh, I know, he sa­id so­ot­hingly, and ho­ped she wo­uldn't bring up the fact that he didn't know at all- that his own son's body was ne­ver fo­und.

  "Sleep well, dar­ling," he whis­pers softly now, kno­wing she pro­bably won't he­ar him. "I'll see you in a few days. Don't worry whi­le I'm go­ne."

  But she will. He's se­en the ha­un­ted ex­p­res­si­on in her eyes, ho­we­ver fle­eting; has ca­ught her bro­oding when she do­esn't re­ali­ze he's wat­c­hing her.

  She's af­ra­id. Of what, he do­esn't know. But that com­ment she ma­de ear­li­er abo­ut run­ning for her li­fe… He ma­de light of it at the ti­me, mas­king his une­asi­ness.

  But it sta­yed with him, nag­ging at him all eve­ning. I What if…?

  What if she's ha­ving so­me kind of pre­mo­ni­ti­on?

  Maybe I sho­uldn't le­ave right now, Roy­ce can't help thin­king, and he he­si­ta­tes be­si­de the bed, mul­ling it over. May­be it's not a go­od idea.

  But what abo­ut Aimee?

  He has to go.

  That's all the­re is to it.

  Waist-deep in the ro­ugh sea, Mi­mi whirls aro­und and aro­und, fla­iling her out­s­t­ret­c­hed arms in the wa­ter, gras­ping for the hel­p­less child who va­nis­hed on her watch: a li­fe­gu­ard's worst nig­h­t­ma­re.

  But it re­al­ly hap­pe­ned to her.

  And now she must con­ti­nue to re­li­ve it, over and over, in her sle­ep.

  She's awa­re that she's dre­aming as the events un­fold in num­bingly fa­mi­li­ar pro­ces­si­on.

  The fru­it­less, fran­tic se­arch among the re­len­t­less bre­akers…

  The hyste­ri­cal fat­her hur­ling ple­as and, even­tu­al­ly, ac­cu­sa­ti­ons…

  The re­qu­isi­te pa­per­work and the en­d­less ver­bal re­co­un­ting, of­fi­ci­al and ul­ti­ma­tely the­ra­pe­utic, of what, exactly, hap­pe­ned on that be­ach be­ne­ath the hot Sep­tem­ber sun…

  The shrill pe­al of the te­lep­ho­ne…

  The te­lep­ho­ne…?

  Yes.

  With that, the se­qu­en­ce is bro­ken.

  Mimi opens her eyes ab­ruptly and finds her­self lo­oking at the il­lu­mi­na­ted di�
�gi­tal clock.

  Four thir­te­en AM, and a li­fe­gu­ard's worst nig­h­t­ma­re is in­s­tantly tra­ded for a wi­fe's worst nig­h­t­ma­re.

  Something's hap­pe­ned to Jed. Or her mot­her.

  For no ot­her re­ason wo­uld the pho­ne ring at this ho­ur.

  Heart po­un­ding with dre­ad, she un­tan­g­les her­self from the she­ets and hur­ri­es to an­s­wer it.

 

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