The Final Victim

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The Final Victim Page 18

by that's me


  "That's not true," Char­lot­te pro­tests, fig­h­ting the ur­ge to cross her fin­gers aga­inst her own whi­te lie. "He can co­me he­re an­y­ti­me he wants. No­body's stop­ping him."

  "You are."

  "Lianna, I ne­ver sa­id-"

  "Maybe you didn't say it, but he can tell you ha­te him. Ever­yo­ne can tell."

  Charlotte shrugs, not qu­ite su­re who "ever­yo­ne" is, but not abo­ut to ar­gue, eit­her.

  "This ro­om is a mess," she tells her da­ug­h­ter, "so you can get busy cle­aning it now."

  "I'm still sle­eping." Li­an­na's vo­ice is muf­fled by her co­ver­let as she rolls over, to­ward the far end of the bed.

  "You so­und wi­de-awa­ke to me," Char­lot­te says, lo­oking at her watch. It's get­ting la­te. She still has to chan­ge out of the gray jer­sey shorts and whi­te Ni­ke T-shirt she threw on this mor­ning af­ter her sho­wer, and it wo­uld be ni­ce if she had an ex­t­ra few se­conds to do so­met­hing with her ha­ir. She's had it stuck in a ca­re­less pon­y­ta­il the last few days.

  Royce sho­uld be back any mi­nu­te now from his ten­nis ga­me at the club, and then they're plan­ning on he­ading to Sa­van­nah. The con­t­rac­tor has be­en nag­ging them for the last few days to pick out pa­int sha­des for the­ir new mas­ter bed­ro­om and the trim in the walk-in pantry off the re­mo­de­led kit­c­hen.

  "It's past no­on. You ne­ed to get out of bed. Now." She pulls the co­ver­let off Li­an­na. "And be su­re to ma­ke it this ti­me."

  "Isn't that Nydia's job?"

  "No, it isn't Nydia's job. It's yo­urs."

  "She's the ho­use­ke­eper."

  "She's yo­ur gran­d­fat­her's ho­use­ke­eper, not yo­urs. You can ma­ke yo­ur bed he­re just li­ke you do at ho­me. Got it?"

  "Got it," Li­an­na grum­b­les, swin­ging her long, ba­re legs aro­und to the flo­or. "What abo­ut Dad?"

  "I'll call him and tell him to co­me he­re."

  "He won't."

  "He will if I tell him that's the only way he gets to see you," Char­lot­te says with mo­re con­vic­ti­on than she fe­els.

  She'd be wil­ling to bet Vin­ce isn't just he­re to see Li­an­na this we­ekend. He pro­bably has so­me kind of re­al es­ta­te bu­si­ness in the area. He's be­en in­vol­ved the last co­up­le of ye­ars in flip­ping ho­uses down in Flo­ri­da- anot­her of his get-rich-qu­ick sche­mes, no do­ubt, but one that might ac­tu­al­ly ha­ve so­me me­rit "Can I call him in­s­te­ad?" Li­an­na asks, and adds, "Sin­ce tal­king to you won't put him in a go­od mo­od."

  You just had to get in anot­her dig, didn't you? Char­lot­te thinks we­arily.

  "You can call him, but re­mem­ber what I told you. You aren't to le­ave this ho­use, Li­an­na. Not for any re­ason."

  "I know." Li­an­na se­ems to cho­ke on her next words: "And you don't ca­re if that me­ans I don't get to see my dad."

  Struck by a sud­den hint of vul­ne­ra­bi­lity in her da­ug­h­ter's to­ne, Char­lot­te longs to ta­ke Li­an­na in­to her arms and rock her, the way she used to. She can't help but no­ti­ce that she lo­oks li­ke a lit­tle girl aga­in, sit­ting the­re in shorty pink pa­j­amas, her ha­ir to­us­led and her fa­ce puffy with sle­ep.

  It's al­most eno­ugh to ma­ke her re­lent, just this on­ce, abo­ut the gro­un­ding.

  Then Li­an­na se­es her mot­her lo­oking at her, her ex­p­res­si­on har­dens, and the mo­ment is go­ne.

  Charlotte turns to le­ave the ro­om, step­ping over se­ve­ral ma­ga­zi­nes, a pa­ir of sne­akers, and one pink flip-flop.

  "Nydia will be aro­und if you ne­ed an­y­t­hing," she tells Li­an­na. "And she knows you're gro­un­ded, so don't try to pull an­y­t­hing."

  Her co­usins might be aro­und, too, but she wo­uldn't know the­ir plans, and she wo­uldn't ex­pect them to ke­ep an eye on her da­ug­h­ter. They've gi­ven her a wi­de berth, and vi­ce ver­sa, ever sin­ce the con­f­ron­ta­ti­on in the law­yer's of­fi­ce.

  Royce is in­c­re­du­lo­us when he co­mes ho­me at night, asks whet­her she's had any con­tact with them, and is told that she hasn't "They're li­ving un­der this ro­of, for God's sa­ke, Char­lot­te. How can you not in­te­ract with them?"

  "It's a big ho­use," she po­in­ted out "Aunt Je­an­ne li­ves he­re, too… How of­ten do we see her?"

  "That's dif­fe­rent. She's an in­va­lid. But yo­ur co­usins- I just can't be­li­eve y'all ha­ve ma­na­ged to avo­id each ot­her com­p­le­tely."

  "Considering that we all sha­re the sa­me go­al-stay the hell out of each ot­her's way-it isn't all that dif­fi­cult Roy­ce."

  Plus, they're all on com­p­le­tely dif­fe­rent sche­du­les. Phylli­da and her fa­mily are still on West Co­ast ti­me, so they sle­ep la­te and stay up la­te, whi­le Char­lot­te tends to do the op­po­si­te. Gib might li­ve in the sa­me ti­me zo­ne, but he se­ems to be on his own la­id-back in­ner clock. An­y­way, he's go­ne a lot do­ing God knows what Pro­bably out in the clubs, prow­ling for wo­men, if his­tory ser­ves.

  Charlotte has ma­de lit­tle he­ad­way in fi­gu­ring out why Gran­dad­dy di­sin­he­ri­ted them-in part be­ca­use of what's go­ne on with Li­an­na.

  But it will be her first pri­ority just as so­on as things set­tle down eno­ugh so that she can think stra­ight and start lo­oking mo­re clo­sely in­to Gran­dad­dy's pa­pers.

  "Where are you go­ing?" Li­an­na calls af­ter her as she opens the do­or to the hall.

  To Sa­van­nah with Roy­ce, to ta­ke ca­re of so­me things with the ho­use. We'll be back la­ter to­night And ma­ke su­re you cle­an up this mess."

  "I sa­id I will."

  "And Li­an­na?" Char­lot­te pa­uses with her hand still on the knob, one fo­ot in the hal­lway.

  "Yeah?"

  "If yo­ur dad do­es co­me over to­day, ha­ve a go­od ti­me with him."

  Silence from Li­an­na.

  Then, "He won't co­me."

  No. He won't.

  I'm sorry, Char­lot­te si­lently tells her da­ug­h­ter, and clo­ses die do­or qu­i­etly be­hind her.

  Alone at her third-flo­or win­dow, Je­an­ne wat­c­hes Me­la­nie dri­ve away, just as Char­lot­te and Roy­ce did ear­li­er, fol­lo­wing the se­pa­ra­te de­par­tu­res of Gib, and Phylli­da's hus­band and son.

  Earlier, Je­an­ne stra­te­gi­cal­ly com­p­la­ined of an up­set sto­mach and as­ked if the­re was any gin­ger ale in the ho­use.

  Melanie chec­ked. Sur­p­ri­se, sur­p­ri­se: the­re wasn't.

  "Do you want me to go out and buy so­me for you, Je­an­ne?"

  "No, don't go to all that tro­ub­le. If I still don't fe­el go­od to­mor­row, you can bring so­me then."

  "It's no tro­ub­le. And I won't be he­re to­mor­row, so he­re's yo­ur big chan­ce." She smi­les che­er­ful­ly.

  "You won't be he­re to­mor­row?"

  "It's a Sun­day," Me­la­nie re­minds her gently. "I don't co­me on Sun­days, re­mem­ber?"

  "Oh. Well, it's all right. I don't want to ma­ke you go out in the he­at."

  "Come on, Je­an­ne… Yo­ur wish is my com­mand."

  "Really?" Je­an­ne as­ked.

  "Really. You know I'd do an­y­t­hing for you, hon."

  If Je­an­ne had any do­ubt abo­ut that, it's be­en era­sed.

  And if ever she ne­eded that cru­ci­al as­su­ran­ce, it's now.

  So Me­la­nie left, le­aving Je­an­ne alo­ne in the ho­use with just Nydia, Li­an­na, and Phylli­da-and she hasn't he­ard any of them stir­ring be­low for qu­ite a whi­le.

  Now is the ti­me.

  She rolls her whe­el­c­ha­ir over to the do­or, ex­pertly ste­ering aro­und the ob­s­tac­le co­ur­se of fur­ni­tu­re that has fo­und its way up he­re over the ye­ars, just as if it was still an at­tic.

  Which it isn't.
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br />   It's her ro­om now, and has be­en for ye­ars. Gil­bert had it fi­nis­hed off ni­cely for her: whi­te­was­hed walls, car­pe­ting, a slight drop ce­iling to con­ce­al the raf­ters.

  Most of the fa­mily's unu­sed junk-ho­use­hold clut­ter, dusty pho­tog­raph al­bums, vin­ta­ge clot­hing he­aped in ste­amer trunks, for­got­ten cor­res­pon­den­ce from for­got­ten pe­op­le-is re­le­ga­ted to one win­dow­less, un­fi­nis­hed sto­ra­ge ro­om be­ne­ath the eaves.

  She re­al­ly sho­uld ask so­me­body to mo­ve so­me of this ex­t­ra fur­ni­tu­re in the­re-if the­re's ro­om. Which the­re pro­bably isn't She ex­pertly ste­ers her cha­ir aro­und a ca­fe tab­le and cha­irs that on­ce sto­od in the fir­st-flo­or at­ri­um, be­fo­re Char­lot­te's hus­band mo­ved in with his exer­ci­se equ­ip­ment.

  "Isn't this ni­ce, Aunt Je­an­ne?" Char­lot­te as­ked, when Roy­ce car­ri­ed the tab­le and cha­irs up to the third flo­or. "Now you'll ha­ve a pla­ce for pe­op­le to sit and eat lunch with you."

  Yes, but no­body, ex­cept Me­la­nie, ever do­es.

  I'd do an­y­t­hing for you, hon…

  God bless Me­la­nie.

  Having re­ac­hed the do­or at last, Je­an­ne stops rol­ling and lis­tens in­tently for so­me mo­ve­ment be­low.

  All is si­lent.

  Still, may­be it's too risky.

  What if she gets ca­ught?

  She we­ighs the chan­ces of be­ing se­en by each of the three cur­rent oc­cu­pants of the se­cond flo­or.

  There's Nydia, whom Je­an­ne has ne­ver li­ked, not from the very start. She has a fe­eling the sen­ti­ment is mu­tu­al. The ho­use­ke­eper co­mes and go­es li­ke a cat, as if she's sne­aking aro­und the pla­ce, whet­her she is or not For all Je­an­ne knows, she's lying in wa­it at the fo­ot of the sta­irs, ho­ping to catch Je­an­ne up to so­met­hing il­li­cit.

  Then the­re's Li­an­na. Char­lot­te's da­ug­h­ter le­aves her ro­om al­most as in­f­re­qu­ently as Je­an­ne le­aves hers. At le­ast, Li­an­na do­esn't co­me and go by tra­di­ti­onal me­ans. So, odds are aga­inst Je­an­ne run­ning in­to her in the se­cond-flo­or hall.

  As for Phylli­da, the­re's no tel­ling what she's do­ing with her­self now that her hus­band and son ha­ve aban­do­ned her at Oak­ga­te, wit­ho­ut a car. But she's the le­ast awa­re of the ho­use­hold's nor­mal rhythms, and the le­ast li­kely to re­ali­ze that Je­an­ne do­esn't be­long whe­re she's abo­ut to ven­tu­re.

  The ele­va­tor is out of the qu­es­ti­on-it's so cre­aky it wo­uld alert the en­ti­re ho­use­hold to Je­an­ne's mo­ve­ments.

  She opens the do­or and pa­uses on­ce mo­re, the whe­el­c­ha­ir's ti­res alig­ned with the thres­hold.

  Silence be­low.

  Aware of the dan­ger if she go­es too far, she in­c­hes pa­in­s­ta­kingly for­ward to the he­ad of the ste­ep flight of sta­irs be­fo­re set­ting the bra­ke.

  Then she stands and ma­kes her way qu­ickly down the steps to the se­cond flo­or… and her la­te brot­her's pri­va­te qu­ar­ters.

  CHAPTER 7

  Jed has be­en sle­eping ever sin­ce Mi­mi got ho­me aro­und lun­c­h­ti­me. Now, as she sits on the co­uch re­ading Are You My Mot­her? to Ca­me­ron for at le­ast the tenth ti­me in a row, she he­ars a mo­ve­ment in the do­or­way.

  Looking up, she se­es her hus­band stan­ding the­re.

  "Hey…" She lo­wers the bo­ok. "How are you fe­eling?"

  "Great," he says, eit­her out of sar­casm, or a va­li­ant ef­fort to put up a go­od act in front of Cam.

  Mimi can't tell which, as the in­f­lec­ti­on is con­tor­ted by a flinch of pa­in.

  "Here, sit down." She tos­ses the bo­ok asi­de, to Ca­me­ron's im­me­di­ate pro­test, and ri­ses to help him.

  But Jed sha­kes off her sup­por­ti­ve hand be­ne­ath his el­bow, grun­ting, "I'm fi­ne," as he ma­kes his way to­ward the ne­arest cha­ir.

  Mimi ga­zes hel­p­les­sly at him. He isn't fi­ne.

  "You ne­ed to ta­ke a Hydro­co­do­ne, Jed."

  "I to­ok one ear­li­er."

  "It wo­re off."

  "How do you know? Are you psychic?"

  Ignoring the de­fi­ni­te sar­casm that ti­me, she says, "I can tell you're in pa­in, and you don't ha­ve to be. That's why the doc­tor ga­ve you the drugs." 'They mess with my he­ad, and they knock me out" Jed eases him­self in­to the cha­ir. "Plus, we can't af­ford them. You know that. They're cos­ting us a for­tu­ne."

  So that's why he's ta­king the pres­c­rip­ti­on pa­in pills so spa­ringly. Te­ars spring to her eyes as she says, "Jed, you ha­ve to ta­ke yo­ur me­di­ci­ne. Ple­ase… I can't stand se­e­ing you tos­sing and tur­ning in bed all night long."

  He lo­oks up, stu­di­es her fa­ce for a mo­ment. Then he says simply, "I'm not ta­king it du­ring the day. Just at night, so I won't ke­ep you awa­ke."

  "Jed, that's not what I-"

  "I know, Mi­mi. Co­me on, let's drop it." He tilts his he­ad me­anin­g­ful­ly in the­ir son's di­rec­ti­on. "I'll be all right. Cam, buddy, co­me over he­re."

  Swiping a hand ac­ross her mo­ist che­eks, Mi­mi wat­c­hes the lit­tle boy re­luc­tantly climb off the co­uch and cross the car­pet to his fat­her's si­de.

  "Hi, Daddy," Cam says wa­rily.

  Gone is the exu­be­rant child who on­ce wres­t­led in his fat­her's arms and sho­we­red him with kis­ses. Go­ne is the big, strong Daddy who car­ri­ed his son ef­for­t­les­sly on strong sho­ul­ders and ma­de him fe­el sa­fe.

  They ha­ven't told Ca­me­ron abo­ut Jed's di­se­ase, but it's ob­vi­o­us, even to a tod­dler, that so­met­hing has chan­ged.

  In the past few days alo­ne, Jed has lost even mo­re we­ight, and his fa­ce has ta­ken on a ga­unt lo­ok Mi­mi's se­en be­fo­re. She saw it set­tle over her fat­her's fe­atu­res not long be­fo­re he di­ed of lung can­cer.

  That lo­ok sca­res her.

  It sca­res her to de­ath, but she hasn't gi­ven up. Not by a long shot.

  "How's it go­ing?" Jed asks Cam in an ef­fort to be che­er­ful. "Are you re­ading bo­oks with Mommy?"

  "One bo­ok."

  "It's his fa­vo­ri­te," Mi­mi says softly, go­ing to kne­el be­si­de Cam, ho­ping to ease the stil­ted con­ver­sa­ti­on bet­we­en fat­her and son.

  "I tho­ught Mi­ke Mul­li­gan and His Ste­am Sho­vel was his fa­vo­ri­te."

  "That was last month," Mi­mi says, and be­la­tedly re­ali­zes she sho­uldn't ha­ve.

  Jed was the one who got that bo­ok for Cam from the lib­rary; the one who re­ad it to him non­s­top, pa­using to an­s­wer Cam's qu­es­ti­ons abo­ut con­s­t­ruc­ti­on mac­hi­nery he uses in his own job.

  Now Jed hasn't wor­ked in days and the bo­ok sits, un­to­uc­hed and over­due, col­lec­ting fi­nes and dust on a shelf in Cam's ro­om.

  "Do you want me to go get Mi­ke Mul­li­gan so you can re­ad it to him, Jed?"

  The qu­es­ti­on hangs in the air.

  Jed's fa­ce is con­tor­ted in pa­in on­ce aga­in-ph­y­si­cal pa­in, but the emo­ti­onal pa­in lurks, too, just be­ne­ath the sur­fa­ce. She can sen­se it.

  Mimi turns fer­vently to Cam. "Ho­ney? Do you want Daddy to re­ad Mi­ke Mul­li­gan to you?"

  Cam's only res­pon­se is a blank sta­re.

  He's for­got­ten, she re­ali­zes in des­pa­ir. He's for­got­ten all abo­ut the bo­ok.

  But how co­uld he? It was his fa­vo­ri­te. He spent every day car­rying it aro­und…

  He's so yo­ung. They for­get so qu­ickly at this age.

  Cam has for­got­ten the bo­ok his fat­her sha­red with him, and one day, he might for­get…

  No, Mi­mi thinks fi­er­cely, he won't. I won't let him. He'll ne­ver for­get his fat­her any mo­re than I've for­got­ten mi­ne. Not even if J
ed…

  Once aga­in, she re­fu­ses to al­low the un­t­hin­kab­le in­to her he­ad.

  Today, dif­fi­cult as it was, she set things in­to mo­ti­on with Gib.

  His re­ac­ti­on wasn't qu­ite what she had ho­ped for… but the­re's still ti­me. Not a lot, but ti­me eno­ugh.

 

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