The Final Victim

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The Final Victim Page 21

by that's me


  "Thank you," she says stiffly.

  He do­esn't reply. No, he's not the most ple­asant guy in the world, but the­se are far from ple­asant cir­cum­s­tan­ces.

  Being cal­led by her pro­per na­me and tit­le sho­uld be the le­ast of Char­lot­te's con­cerns at a ti­me li­ke this, but she can't help it. She's be­en the obj­ect of bla­tant cu­ri­osity ever sin­ce so­me­body on the hos­pi­tal staff re­cog­ni­zed the Oak­ga­te ad­dress on the pa­per­work and as­ked- with the ot­her ER wa­iting ro­om oc­cu­pants in ear­s­hot- whet­her she's one of ^Re­min­g­tons.

  As in, one of the Re­min­g­tons for whom the en­ti­re am­bu­la­tory wing of the hos­pi­tal is na­med.

  Like his fat­her and gran­d­fat­her be­fo­re him, Gran-dad­dy ne­ver was much of a phi­lan­t­h­ro­pist-not, that is, un­til fa­irly re­cently. But in Char­lot­te's opi­ni­on, the sta­te-of-the-art ad­di­ti­on to the hos­pi­tal co­uld hardly be con­si­de­red too lit­tle, too la­te.

  She just wis­hes Roy­ce had be­en bro­ught to so­me ot­her hos­pi­tal, or that she hadn't be­en re­cog­ni­zed.

  As word spre­ad, so­me of the nur­ses se­emed mo­re cu­ri­o­us abo­ut her pe­dig­ree-and the po­ten­ti­al scan­dal of her hus­band be­ing gun­ned down on a city stre­et-than they we­re con­cer­ned abo­ut her hus­band's well-be­ing.

  Oh, how the mighty ha­ve fal­len, she can ima­gi­ne pe­op­le thin­king as they sta­re at her: un­kempt, her rum­p­led li­nen shift co­ve­red in dri­ed blo­od, her che­eks mas­ca­ra-sta­ined.

  She was a crying, qu­ive­ring mess, per­pe­tu­al­ly on the ver­ge of hyste­ria be­fo­re she fo­und out Roy­ce is go­ing to pull thro­ugh.

  But even now…

  Somebody shot my hus­band. De­ar God, this can't be hap­pe­ning…

  "What abo­ut the perp's bu­ild?" The qu­es­ti­on co­mes from the ot­her of­fi­cer, De­tec­ti­ve Phil­lip Do­ra­do, who's abo­ut twenty ye­ars yo­un­ger and a hun­d­red po­unds lig­h­ter than his hul­king par­t­ner. With his La­ti­no go­od lo­oks, he co­uld be pla­ying the ro­le of a cop on one of tho­se te­le­vi­si­on dra­mas Roy­ce li­kes to watch. And the­re's a shim­mer of kin­d­ness in his rich moc­ha-co­lo­red eyes when he spe­aks, as tho­ugh he, un­li­ke his par­t­ner, re­ali­zes Char­lot­te is a vic­tim, not a per­pet­ra­tor.

  "His bu­ild? I don't know…" Char­lot­te clo­ses her eyes, trying to re­mem­ber. "He was so far away from whe­re I was in the win­dow…" 'Was he tall? Short?" Wil­li­am­son prods im­pa­ti­ently.

  "About me­di­um-si­zed…"

  Hearing his snort in res­pon­se, she ke­eps her eyes shut, not wan­ting to see his ex­p­res­si­on as he jots that down on his re­port.

  He's al­re­ady all but be­ra­ted her for not ha­ving any idea-who co­uld pos­sibly want to hurt Roy­ce. He qu­es­ti­oned re­len­t­les­sly, as tho­ugh if he as­ked eno­ugh ti­mes, she'd pull a li­kely sus­pect out of thin air-or con­fess to the cri­me her­self.

  "Was he fat?" Do­ra­do con­ti­nu­es. "Skinny?"

  "About me­di­um we­ight, I gu­ess," she re­luc­tantly says aga­in, and opens her eyes in ti­me to see the lo­ok that pas­ses bet­we­en the two men.

  "Listen, I know I'm not much help, but I'm do­ing the best I can." Her to­ne is as ste­ely as she can mus­ter, and she clasps her hands on her lap be­ne­ath the tab­le so they won't see how badly she's still sha­king even now, a go­od eight ho­urs af­ter Roy­ce was shot.

  "We're trying to help you, Ms. Rem-Mrs. Ma­it­land,"

  Detective Do­ra­do tells her. "We're go­ing to do ever­y­t­hing we can to find who­ever did this to yo­ur hus­band. We just ne­ed every de­ta­il you can pos­sibly co­me up with."

  "Okay."

  "Is the­re an­y­t­hing el­se you can tell us abo­ut his ap­pe­aran­ce?"

  "Just that I know the per­son was small eno­ugh and agi­le eno­ugh for me to think he might be a te­ena­ger. You know-he wasn't big and bulky." Li­ke you, she adds si­lently to De­tec­ti­ve Wil­li­am­son.

  "Can you es­ti­ma­te his he­ight?" Wil­li­am­son asks.

  "Not re­al­ly." Sen­sing by the lo­ok on his fa­ce that her an­s­wer isn't suf­fi­ci­ent, she of­fers, "I gu­ess so­mew­he­re bet­we­en fi­ve-fo­ot-fi­ve and six fe­et"

  He wri­tes it down. "And we­ight?"

  "I don't know… un­der two hun­d­red po­unds, I gu­ess."

  There's a mo­ment of si­len­ce as the de­tec­ti­ve fi­nis­hes wri­ting. Then he clo­ses his pad, a cue for him and Do­ra­do to get to the­ir fe­et and thank her.

  "What do y'all do now?" Char­lot­te asks them.

  "Now that the sun is up, we'll be con­duc­ting a mo­re tho­ro­ugh in­ves­ti­ga­ti­on of the ce­me­tery," Wil­li­am­son in­forms her.

  "Let me know what y'all find." She, too, stands, and re­ali­zes her legs fe­el as tho­ugh they're go­ing to gi­ve out Well, what do you ex­pect af­ter a night wit­ho­ut sle­ep and at le­ast eig­h­te­en ho­urs wit­ho­ut fo­od?

  She can't ima­gi­ne eating an­y­t­hing right now, but she co­uld pro­bably for­ce down a cup of cof­fee. She ne­eds the caf­fe­ine. It's be­en a long night and it's go­ing to be a long day.

  Royce won't be out of sur­gery for at le­ast anot­her ho­ur. She'll go ma­ke a co­up­le of pho­ne calls, then stop in the ca­fe­te­ria for cof­fee to bring back up.

  "We'll be back to check in with you as so­on as we know so­met­hing, Mrs. Ma­it­land," Do­ra­do says, and both men sha­ke her hand. Wil­li­am­son's be­efy grasp is swe­aty and it's all she can do not to wi­pe her palm on her dress. She's not exactly un­sul­li­ed her­self.

  After the de­tec­ti­ves le­ave, she checks in with the he­ad OR nur­se to ma­ke su­re the­re's no news abo­ut Roy­ce. The­re isn't Clut­c­hing her cell pho­ne in her hand, she hur­ri­es to the ne­arest exit, past signs in­di­ca­ting the tur­noff to­ward the Re­min­g­ton Wing.

  The first call she pla­ces is to Oak­ga­te, ho­ping so­me­one will an­s­wer be­fo­re the rin­ging wa­kes Li­an­na. Gran-dad­dy had ne­ver bot­he­red get­ting an an­s­we­ring mac­hi­ne or vo­ice ma­il.

  As the pho­ne rings on and on with no an­s­wer, she re­mem­bers that it's Sun­day, the ho­use­ke­eper's day off. But Nydia usu­al­ly do­esn't le­ave un­til la­te mor­ning, and it's still early, so may­be- "Hel­lo?"

  "Nydia?"

  "Yes?"

  "Have you he­ard what hap­pe­ned?"

  There's a pa­use. "What do you me­an?"

  Charlotte fills her in as qu­ickly as she can. T know this is yo­ur day off, but-"

  "I'll stay right he­re," Nydia of­fers wit­ho­ut he­si­ta­ti­on. "I didn't ha­ve any plans for to­day, an­y­way."

  Grateful, Char­lot­te do­esn't ar­gue with her. "This news is bo­und to get out, and when it do­es, re­por­ters might call the ho­use. Can y'all ple­ase ma­ke su­re you don't gi­ve out any in­for­ma­ti­on? And wha­te­ver you do,don't let Li­an­na find out. She sho­uldn't he­ar this from an­yo­ne but me."

  "I won't say a word."

  "Are my co­usins the­re?"

  "I don't know. Do you want to hold on whi­le I check?"

  No, she do­esn't want to hold. She wants to do so­met­hing el­se, an­y­t­hing el­se. She wants to be so­mep­la­ce ot­her than this hos­pi­tal; longs to flee the con­c­re­te wal­k­way le­ading up to the sur­gi­cal wing whe­re her wo­un­ded hus­band li­es un­con­s­ci­o­us and rip­ped open.

  "Yes," she tells Nydia, "I'll hold."

  She's go­ne se­ve­ral mi­nu­tes. Char­lot­te lis­tens to si­len­ce on the ot­her end, wat­c­hes a co­up­le of doc­tors step out­si­de and light ci­ga­ret­tes, jo­ining a gro­up of ot­her em­p­lo­ye­es on a smo­king bre­ak. She turns her back on them, not in the mo­od to wit­ness the­ir eas­y­go­ing,
up­be­at, me­anin­g­less chat­ter out he­re in the sun­s­hi­ne.

  The ER doc­tor told her Roy­ce was lucky. The bul­let lod­ged in the mus­c­le tis­sue of his up­per thigh. If he had be­en hit as lit­tle as an inch in any ot­her di­rec­ti­on, things might ha­ve be­en very dif­fe­rent. He sho­uld re­ga­in full use of his leg af­ter sur­gery, re­cu­pe­ra­ti­on, and physi­cal the­rapy.

  Lucky.

  The irony of that word cho­ice ke­eps co­ming back to ha­unt Char­lot­te. Lucky, to be cho­sen at ran­dom by a sni­per?

  "Mrs. Ma­it­land?" Nydia is back on the li­ne. "Mrs. Har­per is he­re. I told her what hap­pe­ned and I'm han­ding her the pho­ne now."

  Phyllida is on the li­ne in­s­tantly, as­king one fer­vent qu­es­ti­on af­ter anot­her. It ta­kes a whi­le for Char­lot­te to even get to the po­int of the call and ask her to bring a chan­ge of clot­hes and her to­iletry bag to the hos­pi­tal.

  There's a mo­ment of si­len­ce. "I don't ha­ve a car, Char­lot­te."

  "Isn't Gib the­re?"

  "No. I don't know whe­re he is, but I'll try to re­ach him on his cell. We'll be at the hos­pi­tal with yo­ur things as so­on as I find him."

  "Thanks."

  It isn't un­til she's hung up that Char­lot­te re­ali­zes this is the first con­ver­sa­ti­on she's had with eit­her of her co­usins sin­ce the me­eting in Tyler's of­fi­ce the ot­her day. Now she'll be for­ced to co­me fa­ce-to-fa­ce with them as well.

  But Phylli­da and Gib's lin­ge­ring ani­mo­sity and con­tes­t­ment of the will are the le­ast of her wor­ri­es.

  Right now, all she ca­res abo­ut is Roy­ce.

  She re­ac­hes in­to her poc­ket and finds his cell pho­ne, which the nur­ses ga­ve her along with the rest of his per­so­nal be­lon­gings. For the se­cond ti­me sin­ce the sho­oting, she se­ar­c­hes the pho­ne's me­mory ba­se for his da­ug­h­ter's cell pho­ne num­ber, then pres­ses send.

  It ta­kes a few rings for Aimee to an­s­wer, with a fum­b­ling so­und as she do­es.

  "Sorry, Char­lot­te, I'm at the air­port trying to get to the ga­te," she says, so­un­ding a lit­tle bre­at­h­less.

  "I'm glad you got a flight." Char­lot­te can he­ar the no­ise from the ter­mi­nal in the bac­k­g­ro­und.

  "I'm on the next pla­ne out of he­re, but I ha­ve to con­nect thro­ugh At­lan­ta so it's go­ing to be a whi­le. How's Daddy? Is he out of sur­gery yet?"

  "Not yet. What flight are you on, Aimee? Do you want me to ha­ve so­me­body me­et you at the air­port?" Even as she asks the qu­es­ti­on, she ho­pes her step­da­ug­h­ter will say no. Who, af­ter all, co­uld Char­lot­te pos­sibly send to the air­port?

  The cha­uf­fe­ur is away, she wants Nydia to stay at ho­me with Li­an­na, and she isn't com­for­tab­le as­king her co­usins for yet anot­her fa­vor. Ne­arly all of Char­lot­te's fri­ends in Sa­van­nah are tra­ve­ling this sum­mer, and she hasn't be­en in clo­se con­tact with them, an­y­way, sin­ce mo­ving out to Oak­ga­te. Not clo­se eno­ugh to in­vol­ve them in­ti­ma­tely in so­met­hing li­ke this.

  But it do­esn't mat­ter, be­ca­use Aimee tells her she'll just ta­ke a cab to the hos­pi­tal when she lands.

  "Make su­re you tell the cab dri­ver that it's the hos­pi­tal off the ex­p­res­sway… Are you at all fa­mi­li­ar with Sa­van­nah?" Char­lot­te asks.

  "No-hang on a se­cond, they're ma­king an an­no­un­ce­ment…"

  In the bac­k­g­ro­und, Char­lot­te he­ars, "The air­c­raft that will ma­ke up Del­ta Air­li­nes Flight 640 to At­lan­ta is now at the ga­te and will be­gin bo­ar­ding mo­men­ta­rily. Ple­ase ha­ve yo­ur tic­kets re­ady so we can bo­ard the pla­ne for an on-ti­me de­par­tu­re."' "I ha­ve to go," Aimee says in a rush. "I'll get the­re as so­on as I land."

  "Have a sa­fe flight."

  Delia Air­li­nes flight 640…

  That's the one Roy­ce al­ways ta­kes ho­me to her from New Or­le­ans, first thing in the mor­ning. Iro­nic that just days ago, Char­lot­te was sit­ting in the Oy­s­ter Bar, wor­ri­ed abo­ut so­met­hing hap­pe­ning to him.

  Maybe it re­al­ly was a pre­mo­ni­ti­on.

  And may­be the next ti­me you ha­ve one, you sho­uld lis­ten.

  Remembering to stop in the ca­fe­te­ria, she wa­its in li­ne for cof­fee with yet anot­her gro­up of ca­su­al, chat­ting staff mem­bers, along with a smat­te­ring of pa­ti­ents' lo­ved ones. They're easily iden­ti­fi­ab­le, not just by the­ir stre­et clot­hes and hus­hed con­ver­sa­ti­ons, but by the­ir drawn fa­ces et­c­hed with tel­lta­le con­cern.

  To the wor­kers, who se­em dis­con­cer­tingly ob­li­vi­o­us to the li­fe-and-de­ath do­mes­tic dra­mas un­fol­ding aro­und them, this is just anot­her mor­ning on the job.

  As Char­lot­te flips a black le­ver and wat­c­hes ste­aming, aro­ma­tic li­qu­id po­uring in­to her whi­te fo­am cup, a long-for­got­ten de­ta­il flits in­to her ex­ha­us­ted mind.

  She re­mem­bers be­ing hud­dled in the sand on the dusky be­ach off Ac­ho­co Is­land, so­me dis­tan­ce from the clus­ter of di­vers that had just emer­ged, em­p­ty-han­ded, from the depths of the sea.

  She co­uldn't he­ar what they we­re sa­ying as they re­mo­ved the­ir equ­ip­ment.

  Then the wind shif­ted ab­ruptly and the un­mis­ta­kab­le so­und of la­ug­h­ter re­ac­hed her ears. As she lis­te­ned in dis­be­li­ef, it be­ca­me cle­ar that they we­re dis­cus­sing bets they had pla­ced on the we­ekend's ope­ning ga­mes of the NFL se­ason.

  Somebody's son had be­en lost in the tre­ac­he­ro­us At­lan­tic, and the men res­pon­sib­le for fin­ding the child we­re en­ga­ged in lig­h­t­he­ar­ted, me­anin­g­less con­ver­sa­ti­on.

  She ne­ver for­got it.

  Nor did she ever tell Roy­ce.

  The di­vers we­re hu­man. They we­re do­ing the­ir job. The­ir ca­va­li­er talk of fo­ot­ball wa­gers had not­hing to do with the fact that they didn't ret­ri­eve Theo Ma­it­land's body.

  Intellectually, she knew that. Of co­ur­se she did.

  She just ne­ver got over that fe­eling of bet­ra­yal-or the re­ali­za­ti­on that the im­me­di­ate fa­mily, des­pi­te the hus­t­le of ac­ti­vity by the many hel­ping hands that ma­te­ri­ali­ze in the­ir ti­me of ne­ed, is unal­te­rably iso­la­ted in any loss.

  Feeling lo­ne­li­er than she has in ye­ars, Char­lot­te pays for her cof­fee, grabs a co­up­le of cre­amers and a pac­ket of Splen­da, and ma­kes her way back to the ele­va­tor.

  Upstairs, the nur­se spots her co­ming to­ward the sta­ti­on and sha­kes her he­ad. "Not­hing yet, Ms. Re­min­g­ton."

  'Thank you."

  And it's Mrs. Ma­it­land.

  Toting Ca­me­ron on her hip, Mi­mi steps in­to the kit­c­hen of her mot­her's small tract ho­use in Ti­de­wa­ter Me­adow to find Ma­ude Gas­par se­ated at the tab­le with a cup of cof­fee, ut­terly fi­xa­ted on the small por­tab­le te­le­vi­si­on on a me­tal stand in the cor­ner.

  "Good mor­nin', Ho­ney Buns. How's Jed to­day?"

  "Still as­le­ep. He had anot­her res­t­less night" And so did I.

  "I lit a can­d­le for him down at church this mor­ning." Ma­ude's eyes re­ma­in fas­te­ned to the scre­en even as she holds out her arms for Ca­me­ron. "Whe­re's my pre­ci­o­us gran­d­son? Co­me he­re to Granny, su­gar, and let me gi­ve you so­me lo­vin'."

  "Is the­re cof­fee?" Mi­mi asks, pla­cing her son in her mot­her's em­b­ra­ce.

  "Is the sky blue?"

  She glan­ces out the win­dow abo­ve the sink, fra­med by limp, on­ce-whi­te cur­ta­ins trim­med with red ric­k­rack. To­day, it is."

  "Gonna stay that way till abo­ut no­on, ac­cor­din' to the we­at­her­man."

  Mimi cros­ses to the co­un­ter, and the elec
­t­ric per­co­la­tor her pa­rents re­ce­ived as a wed­ding sho­wer gift three de­ca­des ago. Her mot­her has used it fa­it­h­ful­ly every mor­ning, but Mi­mi won­ders now how much lon­ger it can pos­sibly last wit­ho­ut Daddy he­re to tin­ker with it the next ti­me it go­es on the fritz.

  Behind her, Ca­me­ron squ­e­als, "Bob!"

  "Bob?" Ma­ude bo­un­ces him on her lap. "What do­es that me­an?"

  "He wants to watch Bob the Bu­il­der. On TV. It's his new fa­vo­ri­te show."

  "I tho­ught you didn't li­ke him to watch te­le­vi­si­on."

 

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