The Final Victim

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The Final Victim Page 34

by that's me


  Again, she won­ders whet­her her co­usin ma­de it ho­me to Ca­li­for­nia, and why she didn't at le­ast say go­od-bye be­fo­re she left. True, they aren't on the best of terms af­ter all that's hap­pe­ned, but Phylli­da must know Char­lot­te do­esn't hold her res­pon­sib­le for her brot­her's ac­ti­ons.

  Gib.

  Even now, af­ter all the­se days, she still can't qu­ite grasp the enor­mity of what he did. Every mor­ning, the shoc­king truth set­tles over her anew, li­ke an ill-fit­ting uni­form you can't wa­it to strip off when the day is do­ne.

  She sup­po­ses she'll get used to the idea that the enemy was lur­king un­der this very ro­of-be­hind the mask of a lo­ved one, no less.

  Crossing the thres­hold in­to the par­lor, she finds the he­avy am­ber-silk dra­pe­ri­es still pul­led ac­ross the la­ce cur­ta­ins, to block out the mor­ning light.

  When her eyes ha­ve grown ac­cus­to­med to the dim in­te­ri­or, she glan­ces to­ward the hos­pi­tal bed on the far side of the ro­om, in a no­ok be­si­de the win­dow. Roy­ce is the­re, his mo­uth thrown open, ob­vi­o­usly in a de­ep sle­ep.

  After cros­sing the car­pet on tip­toe, Char­lot­te re­ali­zes she'll ne­ed to tuck her car keys in­to her pur­se to free her hands for car­rying the ra­dio.

  Unfortunately, she mis­ses the zip­pe­red poc­ket, and the keys plum­met to the flo­or. Of all the luck, en ro­ute, they stri­ke one of the an­ti­que brass an­di­rons with a de­afe­ning jan­g­le.

  Gasping in dis­may, Char­lot­te swi­vels her he­ad to lo­ok at Roy­ce.

  He do­esn't even ap­pe­ar to ha­ve mo­ved a mus­c­le.

  Panic over­ta­kes her as she re­mem­bers the sight of Gran­dad­dy's cor­p­se, lo­oking as tho­ugh he had fal­len so­und as­le­ep in the tub. In fact, she had al­most con­vin­ced her­self that Nydia was hyste­ri­cal over not­hing, jum­ping to con­c­lu­si­ons…

  Until she to­uc­hed his skin and fo­und it as cold as the bat­h­wa­ter and hard as the por­ce­la­in tub.

  Heart po­un­ding in dre­ad, she walks over to Roy­ce.

  No, she thinks. This can't be hap­pe­ning.

  I can't lo­se him now, af­ter ever­y­t­hing.

  Slowly, she re­ac­hes for his hand, ex­po­sed on top of the she­et.

  Thank God, she thinks as her fin­gers gra­ze her hus­band's un­mis­ta­kably warm flesh.

  He do­esn't even flinch as she gi­ves him one last, firm stro­ke, just to be su­re.

  Aimee was right, she thinks, amu­sed as she go­es back to ret­ri­eve the keys. That pa­in­kil­ler he's on is go­od stuff. A fre­ight tra­in co­uld ro­ar thro­ugh he­re, and it pro­bably wo­uldn't even wa­ke him.

  On her key ring, the plas­tic fra­me that holds the Grand Can­yon pho­to of her­self and Roy­ce has crac­ked.

  Taken aback, Char­lot­te se­es that a jag­ged li­ne now ap­pe­ars to di­vi­de it in half, right bet­we­en the­ir smi­ling fa­ces, al­most as if it's a har­bin­ger to…

  No. Don't be ri­di­cu­lo­us. Not­hing is go­ing to hap­pen to Roy­ce.

  Anyway, the who­le pic­tu­re is an il­lu­si­on in the first pla­ce: ar­ti­fi­ci­al bac­k­d­rop, smi­les, and all. They'd had a ra­re ar­gu­ment shortly be­fo­re it was ta­ken. Over what, she can no lon­ger re­mem­ber. It do­esn't mat­ter.

  She gi­ves her sle­eping hus­band one last, gra­te­ful glan­ce. He's go­ing to be fi­ne. Re­al­ly.

  "I won't be go­ne long," she whis­pers. "I lo­ve you."

  Now she just ne­eds to grab the ra­dio, dash back to the kit­c­hen for the re­ci­pe card, which she for­got on the co­un­ter, and be on her way.

  There's just one prob­lem.

  The spot in the cen­ter of the man­tel…

  The spot whe­re the ra­dio sat for de­ca­des in its pla­ce of ho­nor…

  Is now con­s­pi­cu­o­usly empty.

  After a qu­ick, fru­it­less se­arch of the ro­om-in­de­ed, the en­ti­re first flo­or-Char­lot­te, dum­b­fo­un­ded, con­c­lu­des that her Gran­dad­dy's ra­dio se­ems to ha­ve so­me­how va­nis­hed al­to­get­her.

  With lit­tle to do each day but ob­ser­ve his own dro­ughts, Gib has grown to lo­at­he De­tec­ti­ve Wil­li­am­son.

  Dorado is to­le­rab­le-you get the fe­eling that he's at le­ast hu­man, that you might ac­tu­al­ly li­ke him un­der re­gu­lar cir­cum­s­tan­ces. His par­t­ner, ho­we­ver, is tho­ro­ughly ab­ra­si­ve in every pos­sib­le way.

  Thus, when Gib is sum­mo­ned to fa­ce him in a win­dow-less ro­om no dif­fe­rent, re­al­ly, than a ja­il cell, it's all he can do not to-

  What? Spit in his fa­ce? Gi­ve him the fin­ger?

  Yeah, that'll go over big. Es­pe­ci­al­ly with Tyler he­re. Gib can't help but no­ti­ce that the law­yer se­ems to be gro­wing less be­ne­vo­lent with every pas­sing day.

  In fact, this mor­ning, Tyler sits, arms fol­ded, as tho­ugh he's wa­iting im­pa­ti­ently for the de­tec­ti­ves to be­gin… or end, so he can get on with his day.

  He al­so re­fu­ses to me­et Gib's eyes.

  That isn't a go­od sign.

  Gib as­su­mes they're all he­re for anot­her at­tempt at plea bar­ga­ining. If so, they're was­ting the­ir ti­me.

  "We ha­ve a few mo­re qu­es­ti­ons for you, Re­min­g­ton," Do­ra­do in­forms him, and so­met­hing in his to­ne warns Gib the ca­se has ta­ken a turn. For bet­ter or wor­se, he isn't cer­ta­in. But he sen­ses that the­re's be­en a new de­ve­lop­ment.

  His bra­in is im­me­di­ately fra­ught with pos­si­bi­li­ti­es- and fe­ar. Still, he's ca­re­ful to ma­in­ta­in an ut­terly blank fa­ca­de, lest the cir­c­ling pre­da­tors sniff blo­od in the wa­ter. Gib knows now, from ex­pe­ri­en­ce, that they will fe­ed off the slig­h­test hint of vul­ne­ra­bi­lity.

  What the hell is go­ing on?

  Did they do anot­her se­arch of his be­lon­gings?

  Did they lo­ok mo­re clo­sely at the items in his Dopp bag?

  Could they pos­sibly ha­ve fo­und the con­tents of the re­cep­tac­les dis­gu­ised as a sha­ving cre­am can and ha­ir pro­duct?

  No! Of co­ur­se not. If they didn't find it the first ti­me, they aren't go­ing to ke­ep go­ing over and over the sa­me evi­den­ce, Gib re­minds him­self.

  Still, it ta­kes every bit of his con­cen­t­ra­ti­on to ke­ep from bet­ra­ying his fo­re­bo­ding as Wil­li­am­son says, "We're not go­ing to be­at aro­und the bush with you, Re­min­g­ton."

  Gib shrugs, even as a shrill vo­ice in his he­ad shri­eks, They 've fo­und it. They know ever­y­t­hing. You 're fri­ed.

  "I'm go­ing to ask you a stra­ig­h­t­for­ward qu­es­ti­on, Re­min­g­ton." Wil­li­am­son le­ans for­ward, his vo­ice me­na­cingly low, "And I want a stra­ig­h­t­for­ward an­s­wer. Got it?"

  Gib nods, hol­ding his bre­ath, re­min­ding him­self that this who­le nig­h­t­ma­rish si­tu­ati­on is get­ting blown out of pro­por­ti­on.

  Seriously, it's not li­ke I've be­en ac­cu­sed of mur­der.

  But Wil­li­am­son's next words ma­ke qu­ick wrec­ka­ge of that par­ti­cu­lar tho­ught, hit­ting Gib li­ke a cyclo­ne.

  "Where we­re you on the night yo­ur gran­d­fat­her di­ed?"

  Royce sighs, wat­c­hing Char­lot­te on­ce aga­in lo­ok at the empty spot on the man­tel, al­most as tho­ugh she ex­pects the mis­sing ra­dio to ha­ve mi­ra­cu­lo­usly ma­te­ri­ali­zed the­re.

  "Charlotte, the­re has to be a lo­gi­cal ex­p­la­na­ti­on for this," he says gently, and not for the first ti­me sin­ce he wo­ke from a so­und sle­ep to find her mo­ving the co­uch to se­arch be­hind it.

  "I know the­re is."

  He can't help but say, "I pro­mi­se that the ho­use be­ing ha­un­ted by yo­ur gran­d­fat­her's ghost isn't it."

  "I k
now it so­unds cra2y…" She smi­les she­epishly, tur­ning away from the man­tel to re­turn to his bed­si­de. "It's just that when it wasn't wor­king, I tho­ught may­be it 1 was be­ca­use Gran­dad­dy's spi­rit did so­met­hing to it."

  "Which ma­kes a who­le lot of sen­se." He re­turns her smi­le to show that he's te­asing.

  "Royce, don't la­ugh at me."

  "I'm not la­ug­hing, ho­ney. I'm just trying to con­vin­ce you that so­me­body-a hu­man be­ing in this ho­use- must ha­ve mo­ved the ra­dio. Or ta­ken it."

  "Who wo­uld pos­sibly do that?"

  "Think abo­ut it, Char­lot­te. Who do you think?"

  She shrugs. "I've al­re­ady chec­ked with Nydia and Aimee. I know Li­an­na co­uldn't ha­ve had an­y­t­hing to do with it…" She gi­ves a pur­po­se­ful nod, and he can tell she hasn't let go of his ear­li­er in­si­nu­ati­on abo­ut the pa­in me­di­ca­ti­on.

  This pro­bably isn't a go­od ti­me for him to men­ti­on that he's no­ti­ced the supply se­ems to be dwin­d­ling. He'll bring it up la­ter, when she isn't as dis­t­rac­ted.

  'The only ot­her per­son in this ho­use is Aunt Je­an­ne," Char­lot­te po­ints out, "and un­less she told her nur­se to co­me down and grab it, she's out of the qu­es­ti­on."

  "Maybe she did just that."

  There's a long pa­use.

  "Why wo­uld she?"

  Why? Be­ca­use she's a nut­ca­se, is what he wants to say.

  But he opts for the mo­re sen­si­ti­ve, "You know she's not exactly of so­und mind. Why do­es she do or say an­y­t­hing?"

  Charlotte shrugs aga­in. "I'll ask her nur­se to­mor­row. She do­esn't co­me on Sun­days, and the­re's no use as­king Aunt Je­an­ne di­rectly."

  "I don't think that mat­ters," Roy­ce says me­anin­g­ful­ly.

  His wi­fe ra­ises a brow. "Why?" 'Think abo­ut it, Char­lot­te. You for­got abo­ut one ot­her per­son who's be­en in this ho­use."

  "Who? Phylli­da?"

  "Bingo."

  "You think she to­ok the ra­dio? Why wo­uld she do that?"

  Now he shrugs. "Out of spi­te? Be­ca­use she knows that of ever­y­t­hing in this ho­use, it had the most sen­ti­men­tal va­lue to you?"

  The light dawns bla­tantly on Char­lot­te's fa­ce… along with un­mis­ta­kab­le out­ra­ge. "You're right. I bet she did ta­ke it. I can't be­li­eve that. What sho­uld I do?"

  "Write it off as a loss, and go­od rid­dan­ce to yo­ur co­usin?"

  "No. I'm not go­ing to just drop it." She lo­oks at her watch. "It's still too early to call Ca­li­for­nia. But be­li­eve me, as so­on as it's a re­aso­nab­le ho­ur, I'm go­ing to get ahold of her and ask her abo­ut it."

  Having fi­nal­ly wor­ked up her ner­ve to call the te­lep­ho­ne num­ber she had com­mit­ted to me­mory in her mis­gu­ided yo­uth, Mi­mi is im­me­di­ately dis­co­ura­ged when a re­cor­ded vo­ice gre­ets the call. "We're sorry, you ha­ve re­ac­hed a num­ber that has be­en dis­con­nec­ted or is no lon­ger in ser­vi­ce. If you fe­el you ha­ve re­ac­hed this re­ading in er­ror, ple­ase check the area co­de and the num­ber and try yo­ur call aga­in."

  All right, so may­be her me­mory isn't fa­il-pro­of.

  Still, she gi­ves the me­mo­ri­zed num­ber anot­her try, pres­sing the but­tons mo­re slowly. Af­ter all, it's not as tho­ugh her hands we­ren't sha­king li­ke crazy when she di­aled the first ti­me, nor was she ta­king her ti­me.

  Once her mind was ma­de up to ta­ke the plun­ge and ma­ke the call to Oak­ga­te, she co­uldn't con­nect fast eno­ugh.

  But she's go­ing to ha­ve to wa­it a lit­tle lon­ger.

  Once aga­in, the vo­ice in­forms her that the num­ber isn't in ser­vi­ce.

  She he­si­ta­tes only bri­efly be­fo­re cal­ling di­rec­tory as­sis­tan­ce. They'll ha­ve to co­me up with the ex­t­ra fifty cents, or wha­te­ver it costs, when the bill co­mes next month. This is im­por­tant…

  Life or de­ath, she thinks, bro­oding as she wa­its to bypass the auto­ma­ted res­pon­se.

  When the ope­ra­tor co­mes on the li­ne, Mi­mi re­qu­ests the num­ber for the Re­min­g­tons, only to be in­for­med that it's un­lis­ted.

  Plunking the pho­ne back in­to its crad­le, she pa­ces ac­ross the kit­c­hen to the do­or­way and pe­eks in­to the next ro­om.

  Jed is still so­und as­le­ep on the co­uch, co­ur­tesy of the pres­c­rip­ti­on pa­in­kil­lers he fi­nal­ly ag­re­ed to ta­ke du­ring the day, but only af­ter she sho­wed him that he still had plenty to spa­re.

  Mimi's mot­her, God bless her, kept Ca­me­ron over­night aga­in and pro­mi­sed to bring him ho­me to­mor­row mor­ning, first thing. To­day, she in­sis­ted on ha­ving him stay for church and a lit­tle pic­nic at the play­g­ro­und.

  Maude Gas­par has be­en a god­send the­se past few days, ke­eping her gran­d­son hap­pily oc­cu­pi­ed so that Mi­mi can at­tend to Jed-and the newly com­p­li­ca­ted mat­ter at hand.

  I ha­ve to spe­ak to Gib's co­usin, she thinks re­so­lu­tely, wat­c­hing Jed's chest ri­se and fall in re­as­su­ring ca­den­ce. The se­cond Mom gets he­re to­mor­row, I'm le­aving her he­re with Jed and Cam and go­ing stra­ight over to Oak­ga­te.

  She's ne­ver of­fi­ci­al­ly met Char­lot­te Re­min­g­ton Ma­it­land, but she used to see her at the be­ach when she was a li­fe­gu­ard. She re­mem­bers wat­c­hing the be­a­uti­ful and sop­his­ti­ca­ted Char­lot­te in ad­mi­ra­ti­on as she sat re­ading in the sha­de of her be­ach um­b­rel­la. She re­mem­bers won­de­ring if it was hard for her to be on the be­ach at Ac­ho­co, af­ter lo­sing her son in that aw­ful drow­ning ac­ci­dent the­re.

  She re­mem­bers, too, day­d­re­aming abo­ut what it wo­uld be li­ke to be a Re­min­g­ton her­self.

  As if Gib ever wo­uld ha­ve mar­ri­ed the li­kes of Mi­mi Gas­par.

  Well, thank go­od­ness he didn't want me, she thinks now, ac­k­now­led­ging what's be­co­me of her for­mer boy­f­ri­end.

  She shud­ders and pus­hes away the very tho­ught of him, as she has all we­ek, not even wan­ting to ac­k­now­led­ge Gib Re­min­g­ton's ro­le in her past-let alo­ne hers in his ap­pa­rently dis­mal fu­tu­re.

  But that hasn't stop­ped her from re­ading the pa­pers. Not this ti­me.

  There's be­en no men­ti­on of the tip that led to Gib be­co­ming a sus­pect in the first pla­ce, thank God.

  The ac­co­unts are full of bac­k­g­ro­und abo­ut the il­lus­t­ri­o­us fa­mily, with de­ta­ils abo­ut every pla­yer-from Roy­ce Ma­it­land's twen­ty-fi­ve-ye­ar-old da­ug­h­ter, Aimee, rus­hing to his bed­si­de from New Or­le­ans to Gib's sis­ter, Phylli­da, age res­pec­t­ful­ly omit­ted, and re­fer­red to as a Hol­lywo­od star­let, tho­ugh the­re's ne­ver any men­ti­on of which films or TV prog­rams, exactly, she has star­red in.

  There is, of co­ur­se, plenty of me­dia spe­cu­la­ti­on abo­ut what co­uld ha­ve dri­ven the dis­g­ra­ced sci­on to such vi­olen­ce.

  But Gib is no lon­ger the fa­mily mem­ber who is most im­por­tant to Mi­mi.

  Nor, at the mo­ment, is the sec­ret that is far mo­re li­kely to des­t­roy what is left of her hus­band's li­fe than to sa­ve it.

  Charlotte is the only Re­min­g­ton Mi­mi is in­te­res­ted in con­tac­ting.

  First thing to­mor­row, she pro­mi­ses her­self aga­in, wis­hing she didn't ha­ve to wa­it that long. But she can't le­ave Jed he­re unat­ten­ded, no mat­ter how pres­sing her ne­ed to get over to Oak­ga­te.

  It's all right. To­mor­row will be he­re be­fo­re you know it.

  It has a way of do­ing that la­tely, she thinks grimly, won­de­ring why ti­me se­ems to stand still only when you long to sa­vor pre­ci­o­us mo­ments. The­se last few we­eks ha­ve flown by, each day se­eming to alight fle­etingly be­fo�
�re be­ing swept away, li­ke the ra­pidly flip­ping ca­len­dar pa­ges in a si­lent mo­vie sce­ne de­pic­ting the swift pas­sa­ge of ti­me.

  Yes, to­mor­row will dawn all too so­on, Mi­mi tells her­self, brus­hing away the te­ars that spring to her eyes.

  I just ha­ve to ask Char­lot­te what she knows abo­ut her mot­her… and just ho­pe it's not too la­te.

  Gib is lying.

  Tyler is cer­ta­in of it.

  Alone with his cli­ent at last, he lo­oks Gib in the eye. "Let me ma­ke one thing cle­ar. Yo­ur gran­d­fat­her is the only re­ason I'm even he­re in the first pla­ce. He was a clo­se fri­end of mi­ne thro­ug­ho­ut my li­fe."

 

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