The Final Victim

Home > Other > The Final Victim > Page 43
The Final Victim Page 43

by that's me


  She at­tempts to pad­dle away from it, to­ward the is­land's rocky wes­tern sho­re that, ho­urs ago in this spot, wo­uld ha­ve be­en dry land be­ne­ath her fe­et.

  Dragged un­der by the re­len­t­less cur­rent, she strug­gles to sur­fa­ce.

  I'm drow­ning, she re­ali­zes in dis­be­li­ef.

  Is this what Adam felt?

  Oh, Adam… my baby.

  Her re­sol­ve ra­pidly we­ake­ning, she fla­ils hel­p­les­sly whe­re the sur­fa­ce sho­uld be, fin­ding not­hing but wa­ter.

  Lianna…

  Lianna ne­eds me.

  I ha­ve to get to her…

  With a burst of ad­re­na­li­ne and a mighty up­ward thrust, she ma­na­ges to get her he­ad abo­ve wa­ter.

  Immediately, a ro­gue wa­ve hur­t­les her back to­ward the pi­ling; this ti­me, fig­h­ting her way to the sur­fa­ce in­c­hes from it, she in­s­tin­c­ti­vely grabs hold.

  Her fe­et claw hel­p­les­sly at the smo­oth ce­ment sur­fa­ce and, mi­ra­cu­lo­usly, find a to­ehold. Prop­ping her ar­c­hes on what fe­els li­ke a jut­ting me­tal prong, she ho­ists her­self up­ward so that the in­ces­sant wa­ves bat­ter her kne­es and thighs in­s­te­ad of re­pe­atedly swe­eping over her he­ad.

  I'm still go­ing to die, she thinks, lo­oking hel­p­les­sly at the sho­re just yards away.

  I'm go­ing to die and Li­an­na will be left alo­ne.

  No, not alo­ne.

  Charlotte clo­ses her eyes aga­inst the spray.

  Lianna will be left with her step­fat­her and step­sis­ter-who inex­p­li­cably call them­sel­ves Roy­ce and Aimee Ma­it­land.

  Charlotte's eye­lids snap open ab­ruptly.

  Gazing, with a re­ne­wed vow to sur­vi­ve, at the cob­bles­to­ne bo­at ramp on the rocky sho­re, she ne­ver se­es the mon­s­t­ro­us wa­ve be­aring down on her from be­hind.

  "Dr. Ne­vil­le tre­ated Con­nie June along with the ot­her pa­ti­ents on Ac­ho­co who we­re ill with the sa­me di­se­ase," Tyler in­forms his rapt audi­en­ce. "Most of them we­re for­mer em­p­lo­ye­es of Re­min­g­ton Pa­per, and two we­re chil­d­ren who li­ved in ho­uses at Ti­de­wa­ter Me­adow."

  "And whe­re is that?" De­tec­ti­ve Jones asks, now ta­king no­tes.

  It is Mi­mi who, wi­de-eyed, rep­li­es be­fo­re Haw­t­hor­ne has a chan­ce. "It's the low-in­co­me ho­using de­ve­lop­ment that was bu­ilt on the old Re­min­g­ton Pa­per fac­tory si­te. Both my hus­band and I grew up the­re."

  Tyler isn't sur­p­ri­sed. He con­ti­nu­es his ta­le, "The­re's a doc­tor in Euro­pe-"

  "Dr. Pet­ra Von Ca­ve," Mi­mi cuts in.

  "Yes. She's be­en the world's fo­re­most Kep­ton-Man­ning re­se­arch sci­en­tist for de­ca­des. Gil­bert ma­na­ged to lo­ca­te her and she did at­tempt, to tre­at his da­ug­h­ter-in-law.

  But that was be­fo­re Gil­bert re­ali­zed just how many pe­op­le had be­en af­fec­ted-and that the­re was not­hing Dr. Von Ca­ve co­uld do an­y­way."

  "She do­es ha­ve so­me kind of ex­pe­ri­men­tal tre­at­ment she's wor­king with now."

  Tyler lo­oks at Mi­mi, se­es the con­s­ter­na­ti­on in her eyes. "Thanks to Gil­bert," he says qu­i­etly, "by now, she may. He'd be­en qu­i­etly fi­nan­cing her re­se­arch fo­un­da­ti­on ever sin­ce Con­nie June di­ed."

  "What a guy," De­tec­ti­ve Jones says dryly, sha­king her he­ad as she ma­kes a no­te. Cle­arly, she al­re­ady sus­pects whe­re this is go­ing.

  Tyler opens his mo­uth to de­fend his fri­end as nob­le, but his con­s­ci­en­ce won't let him.

  It's too lit­tle, too la­te and you know it. Pos­sibly sa­ving li­ves in the fu­tu­re do­esn’t ma­ke up for the ones that co­uld ha­ve be­en sa­ved in the past, if he had just co­me cle­an with ever­y­t­hing.

  But all that ever mat­te­red to Gil­bert in the end was pro­tec­ting him­self and the Re­min­g­ton na­me-even pos­t­hu­mo­usly. He didn't ha­ve the de­cen­cy-or the guts-to ma­ke a be­qu­est to the fo­un­da­ti­on in his will. Tyler sug­ges­ted it many ti­mes, but Gil­bert was af­ra­id it might es­tab­lish a link bet­we­en him­self and Kep­ton-Man­ning.

  "When I cal­led Dr. Von Ca­ve," Mi­mi spe­aks up, "she re­cog­ni­zed my area co­de and that I li­ved on or ne­ar Ac­ho­co Is­land. She ma­de the con­nec­ti­on bet­we­en Jed and Con­nie June's ca­se. That's why she cal­led me back. But she didn't tell me the­re we­re so many."

  Tyler averts his ga­ze. "That's be­ca­use she didn't know."

  "Do you me­an," the de­tec­ti­ve says, "that this Dr. Von Ca­ve wasn't part of the co­ver-up?"

  "No. She was just Gil­bert's at­tempt to sa­ve his da­ug­h­ter-in-law's li­fe." And ease his own gu­ilty con­s­ci­en­ce. "Dr. Von Ca­ve long ago iso­la­ted the ca­use of this di­se­ase to a few pos­sib­le en­vi­ron­men­tal fac­tors. One of them is the ex­po­su­re to a to­xic che­mi­cal that hap­pens to ha­ve be­en a by-pro­duct of Re­min­g­ton Pa­per. It was dum­ped on-si­te for ye­ars."

  "Was that le­gal?"

  Tyler lo­wers his he­ad but only bri­efly. "No. But I wasn't awa­re of that when it was hap­pe­ning. No­body was. Gil­bert only in­vol­ved me la­ter-when things got com­p­li­ca­ted."

  "Complicated how?"

  Tyler draws a de­ep bre­ath. "Li­ke I sa­id, no­body, not even Dr. Von Ca­ve, ever re­ali­zed the­re was a clus­ter of ca­ses on Ac­ho­co Is­land-not even the pa­ti­ents them­sel­ves. The­ir lo­cal physi­ci­an di­ag­no­sed them with va­ri­o­us ter­mi­nal di­se­ases, and sent them ho­me to the. They did, and qu­ickly."

  "Are you tel­ling me that they all used the sa­me doc­tor? And that he was a part of a con­s­pi­racy to con­ce­al the he­alth risks?"

  "Yes, and so was I." Tyler's vo­ice is le­vel. "But it was Gil­bert who en­gi­ne­ered the who­le thing. He was des­pe­ra­te to co­ver it up. He wo­uld ha­ve be­en ru­ined if it had ever got­ten out."

  Mimi lo­oks as tho­ugh her he­ad is spin­ning. So, ap­pa­rently, is De­tec­ti­ve Jones's, be­ca­use she sha­kes her cor­n­rows, clat­te­ring the wo­oden be­ads. "Back up. How on earth did Gil­bert en­su­re that every one of tho­se pa­ti­ents saw the sa­me physi­ci­an?"

  A brisk knock on the do­or star­t­les all three of them.

  A ser­ge­ant po­kes his he­ad in. "Mrs. Joh­n­s­ton? De­tec­ti­ve Do­ra­do ne­eds to see you right away."

  Mimi le­aps to her fe­et, mur­murs an apo­logy to Tyler and Jones, and is qu­ickly es­cor­ted from the ro­om.

  Tyler lo­oks at De­tec­ti­ve Jones, who is still wa­iting for a reply to her qu­es­ti­on abo­ut Si­las Ne­vil­le.

  'Just how many doc­tors do you think the­re we­re back then on Ac­ho­co Is­land, De­tec­ti­ve? One. And how many em­p­lo­yers?" Aga­in Tyler an­s­wers his own qu­es­ti­on. "Asi­de from the fis­hing in­dustry and a co­up­le of res­ta­urants and sto­res, Re­min­g­ton Pa­per was it. Gil­bert pro­vi­ded an em­p­lo­yee he­alth plan. Man­da­tory free physi­cals twi­ce a ye­ar even­tu­al­ly be­ca­me a part of it."

  "I think I un­der­s­tand how the doc­tor fits in­to Gil­bert's co­ver-up," De­tec­ti­ve Jones tells him, "but whe­re do you co­me in?"

  Tyler swal­lows hard. "Gil­bert dis­c­re­etly ar­ran­ged to pay for ever­y­t­hing for tho­se pa­ti­ents rig­ht-up front: me­di­cal ca­re, fu­ne­ral ex­pen­ses, on­go­ing be­ne­fits for the­ir fa­mi­li­es. He did it un­der the gu­ise of phi­lan­t­h­ropy."

  Tyler sha­kes his he­ad, re­mem­be­ring the gra­ti­tu­de of tho­se po­or pe­op­le. They we­re pro­fo­undly to­uc­hed that the­ir be­ne­fac­tor didn't even want his ge­ne­ro­sity pub­licly ac­k­now­led­ged. In­de­ed, so hum­b­le, so ho­no­rab­le was Gil­bert Re­min­g­ton that he for­ba­de them to re­ve­al his fi­nan­ci­al sup­port
.

  "Mr. Haw­t­hor­ne…"

  "Yes, I'm sorry, I'll con­ti­nue." He cle­ars his thro­at. "Each pa­ti­ent and the­ir fa­mily or gu­ar­di­an had to sign a le­gal con­t­ract sti­pu­la­ting cer­ta­in con­di­ti­ons."

  "You drew up and exe­cu­ted tho­se con­t­racts." 'That's right." Tyler he­aves a sigh, re­li­eved that af­ter all the­se ye­ars, the who­le sha­me­ful bu­si­ness is out in the open.

  "Why, Mr. Haw­t­hor­ne? Why wo­uld an ot­her­wi­se res­pec­tab­le law­yer and doc­tor sto­op to this le­vel?"

  He lo­oks Jones in the eye, won­de­ring if she can pos­sibly un­der­s­tand abo­ut the Tel­fa­ir Trio, or be­ing ra­ised with so much that you al­ways want mo­re.

  No, she can't.

  Because I don't un­der­s­tand, myself.

  In the end, all the­re is, all I can do, is ac­cept the bla­me.

  "Be­ca­use Gil­bert was our fri­end," he says simply, with a shrug.

  This is it, Char­lot­te com­p­re­hends as she is rut­h­les­sly wren­c­hed from the con­c­re­te re­fu­ge, a hel­p­less pawn in a ra­ging bat­tle at sea. It's over.

  Her fla­iling limbs are po­wer­less; her fu­ri­o­us, ter­ri­fi­ed scre­am snuf­fed by the tem­pest's mighty ro­ar.

  She is en­gul­fed…

  And then, mi­ra­cu­lo­usly, she is not.

  It is an ex­c­ru­ci­ating lan­ding, her body ca­ta­pul­ted on­to a rocky bed of sho­re­li­ne.

  She can fe­el jag­ged ed­ges sli­cing in­to her ten­der skin, le­aving her raw and ble­eding, dren­c­hed in sal­t­wa­ter that mer­ci­les­sly stings her fresh wo­unds.

  For a mo­ment, she's cer­ta­in she's go­ing to die, so bru­tal is the agony.

  But the mo­ment pas­ses, and she's ali­ve.

  Alive, and he­aving her­self on­to the bat­te­red, wobbly legs that will carry her stra­ight to Oak­ga­te, and her da­ug­h­ter.

  "Did you get in to­uch with the po­li­ce on the is­land?" Mi­mi asks Do­ra­do, fin­ding him wa­iting for her in the of­fi­ce whe­re she left him ear­li­er.

  He an­s­wers wit­ho­ut lo­oking up from his com­pu­ter scre­en, still ra­pidly tap­ping the key­bo­ard. "I did, but I had a hell of a ti­me get­ting them to ag­ree to go check things out at Oak­ga­te. They've got the­ir hands full with this storm and it won't be easy for them to get up the­re.

  They sa­id a tree fell ac­ross the ro­ad just north of the ca­use­way. It cut off the only ro­ute that le­ads up the­re."

  "Can't they go on fo­ot or by bo­at or so­met­hing?"

  "They'll get the­re just as so­on as they can, ho­we­ver they can."

  He lo­oks up at her at last. "I ne­ed you to lo­ok at so­met­hing, Mrs. Joh­n­s­ton. I don't think you no­ti­ced it the first ti­me. Ne­it­her did I."

  "What is it?"

  He ges­tu­res for her to co­me aro­und be­hind his desk.

  She le­ans over his sho­ul­der to see the com­pu­ter scre­en and finds the New Or­le­ans new­s­pa­per wri­te-up she'd re­ad ear­li­er.

  Once aga­in, the un­fa­mi­li­ar fa­ces of the do­omed fat­her and da­ug­h­ter smi­le at her, and she sup­pres­ses a shud­der.

  'They lo­ok so happy," she tells Do­ra­do, sha­king her he­ad. "What am I sup­po­sed to be se­e­ing in the pic­tu­re?"

  "You're sup­po­sed to be re­ading the ar­tic­le. He­re."

  He jabs an in­dex fin­ger at a pa­rag­raph of text.

  She re­ads it alo­ud.

  "Arriving at the sce­ne of the ac­ci­dent, whe­re a ste­ady stre­am of Aimee Ma­it­land's fri­ends ha­ve be­en le­aving flo­wers, no­tes, and can­d­les, her mot­her, Ka­ren, bro­ke down in te­ars. 'She was my baby-my only child. She and Roy­ce we­re ever­y­t­hing to me.' The an­gu­is­hed mot­her-“

  Mi­mi bre­aks off and lo­oks up at the de­tec­ti­ve as it dawns on her.

  He nods. "Her only child." He grabs the mo­use and scrolls down the pa­ge. "He­re, lo­ok at the obi­tu­ari­es. See he­re? It says Roy­ce Ma­it­land is sur­vi­ved by his wi­fe, his mot­her, two aunts, and se­ve­ral co­usins. Pe­ri­od."

  "But…" Sha­king her he­ad, Mi­mi asks, "What abo­ut his son? Theo? Ten ye­ars ago, Theo was still ali­ve."

  "Not ac­cor­ding to this."

  "I don't…" She tra­ils off, trying to wrap her bra­in aro­und the im­pos­sib­le un­til Do­ra­do sta­tes it for her.

  "Mrs. Joh­n­s­ton, Theo Ma­it­land ne­ver exis­ted at all."

  The fist-si­zed cob­bles­to­nes of the bo­at ramp le­ading away from the wa­ter ma­ke it im­pos­sib­le for Char­lot­te to run. Even in sne­akers, she has to pick her way slowly over the ro­ugh sur­fa­ce, lest she twist an an­k­le.

  Can you ima­gi­ne ha­ving to run for yo­ur li­fe on this sur­fa­ce?

  Was it only we­eks ago that she as­ked that se­emingly ab­surd qu­es­ti­on of her hus­band, on the­ir way out to din­ner in Sa­van­nah?

  His an­s­wer, so re­as­su­ring then, now fills her ve­ins with an icy cur­rent.

  Why wo­uld you be run­ning for yo­ur li­fe?

  Why, Roy­ce? Why am I run­ning for my li­fe-and run­ning from you?

  Dragging his throb­bing leg be­hind him, Roy­ce limps over to the clo­set do­or.

  He jerks Li­an­na's clot­hing back and forth, han­gers clat­te­ring and ras­ping along the me­tal po­le, half-ex­pec­ting to find her con­ce­aled among the gar­ments.

  But the clo­set is as empty as the spa­ce be­ne­ath the bed, and be­hind the bat­h­ro­om do­or, and alon­g­si­de the dres­ser and ar­mo­ire. He even wed­ged him­self pa­in­ful­ly in­to the fi­rep­la­ce and lo­oked up, thin­king she might so­me­how ha­ve stuf­fed her­self in­to the chim­ney.

  No Li­an­na.

  All right, so whe­re can she be?

  She was in this ro­om, and she didn't le­ave thro­ugh the do­or. He pus­hed it in; it was lat­c­hed from the in­si­de.

  She co­uldn't ha­ve go­ne thro­ugh the win­dows, eit­her. All of them are clo­sed and lat­c­hed from the in­si­de.

  That le­aves only two ex­p­la­na­ti­ons: eit­her Li­an­na is a lit­tle witch, and she used her ma­gi­cal po­wers to va­nish in­to thin air, or the­re's anot­her way in and out of this ro­om.

  She can be a lit­tle witch, Roy­ce thinks, his jaw set as he sur­veys the la­yo­ut of the ro­om, but I su­re as hell don't be­li­eve in ma­gic.

  He smirks, re­mem­be­ring that he sa­id just the op­po­si­te to his wi­fe, back when they first met. She just abo­ut swo­oned over the corny li­ne, and he ma­de su­re to kiss her go­od and hard af­ter he sa­id it.

  Yes, if ever a wo­man was ri­pe to fall in lo­ve, it was Char­lot­te Re­min­g­ton…

  And that was pre­ci­sely what he was ban­king on the day he first met her, as if by chan­ce, at the one pla­ce whe­re she was wil­ling to open up and show her vul­ne­ra­bi­lity: the be­re­aved pa­rents gro­up.

  Of co­ur­se, be­fo­re he co­uld jo­in, he had to be­co­me a be­re­aved pa­rent…

  A sim­p­le eno­ugh task, if you re­al­ly put yo­ur mind to it.

  As he li­kes to tell Odet­te, No chil­d­ren or ani­mals we­re har­med in cre­ating this scam.

  But he do­esn't ex­pect that to hold true for much lon­ger.

  "Lianna!" he bel­lows, run­ning his hands over the mol­ding aro­und the clo­set do­or. "Li­an­na!"

  An eter­nity se­ems to ha­ve pas­sed from the ti­me Char­lot­te drag­ged her­self to her fe­et and the mo­ment she ar­ri­ves at the sto­ne en­t­ran­ce to Oak­ga­te.

  The ga­tes are clo­sed; she can't open them wit­ho­ut her elec­t­ro­nic re­mo­te.

  She runs alon­g­si­de the old sto­ne wall un­til she re­ac­hes a spot low eno­ugh to easily scram­b­le over. On the ot­her si­de, she darts ac­ross th
e stretch of well-ten­ded lawn dot­ted with old tre­es and blo­oming shrubs.

  The sum­mer lush and ver­dant lan­d­s­ca­pe is lit­te­red with dow­ned tree limbs and clumps of wind-tos­sed Spa­nish moss, the gro­und spongy and flo­oded be­ne­ath her fe­et. Se­ve­ral ti­mes Char­lot­te skids in the muddy grass, but ma­na­ges to ke­ep her ba­lan­ce so­me­how; ma­na­ges to pro­pel her­self to­ward the ho­use.

 

‹ Prev