by Stephen King
There was a very touching apology to a bandage-wrapped, black-eyed Mr. Carlson and his stony-eyed wife (" . . . distraught . . . haven't been myself . . . sorrier than I can say . . . "), but I got no apology for being badgered in front of the chemistry class as I stood sweating at the blackboard with all the numbers looking like fifth-century Punic. No apology from Dicky Cable or Dana Collette. Or from your Friendly Neighborhood Creaking Thing who told me through tight lips on the way home from the hospital that he wanted to see me out in the garage after I had changed my clothes.
I thought about that as I took off my sport jacket and my best slacks and put on jeans and an old chambray workshirt. I thought about not going-just heading off down the road instead. I thought about just going out and taking it. Something in me rebelled at that. I had been suspended. I had spent five hours in a holding cell in Placerville Center before my father and my hysterical mother ("Why did you do it, Charlie? Why? Why?") forked over the bail money-the charges, at the joint agreement of the school, the cops, and Mr. Carlson (not his wife; she had been hoping I'd get at least ten years), had been dropped later.
One way or the other, I thought my father and I owed each other something. And so I went out to the garage.
It's a musty, oil-smelling place, but completely trim. Shipshape. It's his place, and he keeps it that way. A place for everything, and everything in its place. Yoho-ho, matey. The riding lawnmower placed neatly with its nose against the wall. The gardening and landscaping tools neatly hung up on nails. Jar tops nailed to the roof beams so jars of nails could be screwed into them at eye level. Stacks of old magazines neatly tied up with twine-Argosy, Bluebook, True, Saturday Evening Post. The ranch wagon neatly parked facing out.
He was standing there in an old faded pair of twill khakis and a hunting shirt. For the first time, I noticed how old he was starting to look. His belly had always been as flat as a two-by-four, but now it was bulging out a little-too many beers down at Gogan's. There seemed to be more veins in his nose burst out into little purple deltas under the skin, and the lines around his mouth and eyes were deeper.
"What's your mother doing?" he asked me.
"Sleeping, " I said. She had been sleeping a lot, with the help of a Librium prescription. Her breath was sour and dry with it. It smelled like dreams gone rancid.
"Good," he said, nodding. "That's how we want it, isn't it?"
He started taking off his belt.
"I'm going to take the hide off you," he said.
"No," I said. "You're not."
He paused, the belt half out of the loops. "What?"
"If you come at me with that thing, I'm going to take it away from you," I said. My voice was trembling and uneven. "I'm going to do it for the time you threw me on the ground when I was little and then lied about it to Mom. I'm going to do it for every time you belted me across the face for doing something wrong, without giving me a second chance. I'm going to do it for that hunting trip when you said you'd slit her nose open if you ever caught her with another man."
He had gone a deadly pale. Now it was his voice trembling. "You gutless, spineless wonder. Do you think you can blame this on me? You go tell that to that pansy psychiatrist if you want to, that one with the pipe. Don't try it on me."
"You stink," I said. "You fucked up your marriage and you fucked up your only child. You come on and try to take me if you think you can. I'm out of school. Your wife's turning into a pinhead. You're nothing but a booze-hound." I was crying. "You come on and try it, you dumb fuck. "
"You better stop it, Charlie," he said. "Before I stop just wanting to punish you and start wanting to kill you. "
"Go ahead and try," I said, crying harder. "I've wanted to kill you for thirteen years. I hate your guts. You suck. "
So then he came at me like something out of a slave-exploitation movie, one end of his Navy-issue belt wrapped in his fist, the other end, the buckle end, dangling down. He swung it at me, and I ducked. It went by my shoulder and hit the hood of his Country Squire wagon with a hard clank, scoring the finish. His tongue was caught between his teeth, and his eyes were bulging. He looked the way he had that day I broke the storm windows. Suddenly I wondered if that was the way he looked when he made love to my mother (or what passed for it); if that's what she had to look up at while she was pinned under him. The thought froze me with such a bolt of disgusted revelation that I forgot to duck the next one.
The buckle came down alongside my face, ripped into my cheek, pulling it open in a long furrow. It bled a lot. It felt like the side of my face and neck had been doused in warm water.
"Oh, God," he said. "Oh, God, Charlie."
My eye had watered shut on that side, but I could see him coming toward me with the other. I stepped to meet him and grabbed the end of the belt and pulled. He wasn't expecting it. It jerked him off balance, and when he started to run a little to catch it back, I tripped him up and he thumped to the oil-stained concrete floor. Maybe he had forgotten I wasn't four anymore, or nine years old and cowering in a tent, having to take a whiz while he yucked it up with his friends. Maybe he had forgotten or never knew that little boys grow up remembering every blow and word of scorn, that they grow up and want to eat their fathers alive.
A harsh little grunt escaped him as he hit the concrete. He opened his hands to break his fall, and I had the belt. I doubled it and brought it down on his broad khaki ass. It made a loud smack, and it probably didn't hurt much, but he cried out in surprise, and I smiled. It hurt my cheek to smile. He had really beaten the shit out of my cheek.
He got up warily. "Charlie, put that down," he said. "Let's take you to the doctor and get that stitched up. "
"You better say yes-sir to the Marines you see if your own kid can knock you down," I said.
That made him mad, and he lunged at me, and I hit him across the face with the belt. He put his hands up to his face, and I dropped the belt and hit him in the stomach as hard as I could. The air whiffled out of him, and he doubled over. His belly was soft, even softer than it had looked. I didn't know whether to feel disgust or pity suddenly. It occurred to me that the man I really wanted to hurt was safely out of my reach, standing behind a shield of years.
He straightened up, looking pale and sick. There was a red mark across his forehead where I had hit him with the belt.
"Okay," he said, and turned around. He pulled a hardhead rake off the wall. "If that's how you want it. "
I reached out beside me and pulled the hatchet off the wall and held it up with one hand.
"That's how I want it," I said. "Take one step, and I'll cut your head off, if I can. "
So we stood there, trying to figure out if we meant it. Then he put the take back, and I put the hatchet back. There was no love in it, no love in the way we looked at each other. He didn't say, "If you'd had the guts to do that five years ago, none of this would have happened, son . . . come on, I'll take you down to Gogan's and buy you a beer in the back room." And I didn't say I was sorry. It happened because I got big enough, that was all. None of it changed anything. Now I wish it was him I'd killed, if I had to kill anyone. This thing on the floor between my feet is a classic case of misplaced aggression.
"Come on," he said. "Let's get that stitched up."
"I can drive myself. "
"I'll drive you."
And so he did. We went down to the emergency room in Brunswick, and the doctor put six stitches in my cheek, and I told him that I had tripped over a chunk of stove wood in the garage and cut my cheek on a fireplace screen my dad was blacking. We told Mom the same thing. And that was the end of it. We never discussed it again. He never tried to tell me what to do again. We lived in the same house, but we walked in wide circles around each other, like a pair of old toms. If I had to guess, I'd say he'll get along without me very well . . . like the song says.
During the second week of April they sent me back to school with the warning that my case was still under consideration and I would have to go see Mr.
Grace every day. They acted like they were doing me a favor. Some favor. It was like being popped back into the cabinet of Dr. Caligari.
It didn't take as long to go bad this time. The way people looked at me in the halls. The way I knew they were talking about me in the teachers' rooms. The way nobody would even talk to me anymore except Joe. And I wasn't very cooperative with Grace.
Yes, folks, things got bad very fast indeed, and they went from bad to worse. But I've always been fairly quick on the uptake, and I don't forget many lessons that I've learned well. I certainly learned the lesson about how you could get anyone's number with a big enough stick. My father picked up the hardhead take, presumably planning to trepan my skull with it, but when I picked up the hatchet, he put it back.
I never saw that pipe wrench again, but what the fuck. I didn't need that anymore, because that stick wasn't big enough. I'd known about the pistol in my father's desk for ten years. Near the end of April I started to carry it to school.
Chapter 30
I looked up at the wall clock. It was 12:30. I drew in all my mental breath and got ready to sprint down the homestretch.
"So ends the short, brutal saga of Charles Everett Decker," I said. "Questions?"
Susan Brooks said very quietly in the dim room, "I'm sorry for you, Charlie." It was like the crack of damnation.
Don Lordi was looking at me in a hungry way that reminded me of Jaws for the second time that day. Sylvia was smoking the last cigarette in her pack. Pat Fitzgerald labored on his plane, crimping the paper wings, the usual funny-sly expression gone from his face, replaced by something that was wooden and carved. Sandra Cross still seemed to be in a pleasant daze. Even Ted Jones seemed to have his mind on other matters, perhaps on a door he had forgotten to latch when he was ten, or a dog he might once have kicked.
"If that's all, then it brings us to the final order of business in our brief but enlightening stay together," I said. "Have you learned anything today? Who knows the final order of business? Let's see."
I watched them. There was nothing. I was afraid it wouldn't come, couldn't come. So tight, so frozen, all of them. When you're five and you hurt, you make a big noise unto the world. At ten you whimper. But by the time you make fifteen you begin to eat the poisoned apples that grow on your own inner tree of pain. It's the Western Way of Enlightenment. You begin to cram your fists into your mouth to stifle the screams. You bleed on the inside. But they had gone so far . . .
And then Pig Pen looked up from his pencil. He was smiling a small, red-eyed smile, the smile of a ferret. His hand crept up into the air, the fingers still clenched around his cheap writing instrument. Be-bop-a-lula, she's my baby.
So then it was easier for the rest of them. One electrode begins to arc and sputter, and-yoiks!-look, professor, the monster walks tonight.
Susan Brooks put her hand up next. Then there were several together: Sandra raised hers, Grace Stanner raised hers-delicately-and Irma Bates did likewise. Corky. Don. Pat. Sarah Pasterne. Some smiling a little, most of them solemn. Tanis. Nancy Caskin. Dick Keene and Mike Gavin, both renowned in the Placerville Greyhounds' backfield. George and Harmon, who played chess together in study hall. Melvin Thomas. Anne Lasky. At the end all of them were up-all but one.
I called on Carol Granger, because I thought she deserved her moment. You would have thought that she might have had the most trouble making the switch, crossing the terminator, so to speak, but she had done it almost effortlessly, like a girl shedding her clothes in the bushes after dusk had come to the class picnic.
"Carol?" I said. "What's the answer?"
She thought about how to word it. She put a finger up to the small dimple beside her mouth as she thought, and there was a furrow in her milk-white brow.
"We have to help," she said. "We have to help show Ted where he has gone wrong. "
That was a very tasteful way to put it, I thought.
"Thank you, Carol," I said.
She blushed.
I looked at Ted, who had come back to the here and now. He was glaring again, but in kind of a confused way.
"I think the best thing," I said, "would be if I became a sort of combination judge and public attorney. Everyone else can be witnesses; and of course, you're the defendant, Ted."
Ted laughed wildly. "You," he said. "Oh, Jesus, Charlie. Who do you think you are? You're crazy as a bat. "
"Do you have a statement?" I asked him.
"You're not going to play tricks with me, Charlie. I'm not saying a darn thing. I'll save my speech for when we get out of here." His eyes swept his classmates accusingly and distrustfully. "And I'll have a lot to say."
"You know what happens to squealers, Rocco," I said in a tough Jimmy Cagney voice. I brought the pistol up suddenly, pointed it at his head, and screamed "BANG!"
Ted shrieked in surprise.
Anne Lasky laughed merrily.
"Shut up! " Ted yelled at her.
"Don't you tell me to shut up," she said. "What are you so afraid of?"
"What . . . ?" His jaw dropped. The eyes bulged. In that moment I felt a great deal of pity for him. The Bible says the snake tempted Eve with the apple. What would have happened if he had been forced to eat it himself?
Ted half-rose from his seat, trembling. "What am I . . . ? What am I . . . ?" He pointed a shivering finger at Anne, who did not cringe at all. "YOU GODDAMN SILLY BITCH! HE HAS GOT A GUN! HE IS CRAZY! HE HAS SHOT TWO PEOPLE! DEAD! HE IS HOLDING US HERE!"
"Not me, he isn't," Irma said. "I could have walked right out."
"We've learned some very good things about ourselves, Ted," Susan said coldly. "I don't think you're being very helpful, closing yourself in and trying to be superior. Don't you realize that this could be the most meaningful experience of our lives?"
"He's a killer," Ted said tightly. "He killed two people. This isn't TV. Those people aren't going to get up and go off to their dressing rooms to wait for the next take. They're really dead. He killed them.'
"Soul killer!" Pig Pen hissed suddenly.
"Where the fuck do you think you get off?" Dick Keene asked. "All this just shakes the shit out of your tight little life, doesn't it? You didn't think anybody'd find out about you banging Sandy, did you? Or your mother. Ever think about her? You think you're some kind of white knight. I'll tell you what you are. You're a cocksucker. "
"Witness! Witness!" Grace cried merrily, waving her hand. "Ted Jones buys girlie magazines. I've seen him in Ronnie's Variety doing it."
"Beat off much, Ted?" Harmon asked. He was smiling viciously.
"And you were a Star Scout," Pat said dolorously.
Ted twitched from them like a bear that has been tied to a post for the villagers' amusement. "I don't masturbate! " he yelled.
"Right," Corky said disgustedly.
"I bet you really stink in bed," Sylvia said. She looked at Sandra. "Did he stink in bed?"
"We didn't do it in bed," Sandra said. "We were in a car. And it was over so quick . . . "
"Yeah, that's what I figured."
"All right," Ted said. His face was sweaty. He stood up. "I'm walking out of here. You're all crazy. I'll tell them . . . " He stopped and added with a strange and touching irrelevancy, "I never meant what I said about my mother. " He swallowed. "You can shoot me, Charlie, but you can't stop me. I'm going out."
I put the gun down on the blotter. "I have no intention of shooting you, Ted. But let me remind you that you haven't really done your duty."
"That's right," Dick said, and after Ted had taken two steps toward the door, Dick came out of his seat, took two running steps of his own, and collared him. Ted's face dissolved into utter amazement.
"Hey, Dick," he said.
"Don't you Dick me, you son of a bitch."
Ted tried to give him an elbow in the belly, and then his arms were pinned behind him, one by Pat and one by George Yannick.
Sandra Cross got slowly out of her seat and walked to him, demurely, like a girl on a country ro
ad. Ted's eyes were bulging, half-mad. I could taste what was coming, the way you can taste thunderheads before summer rain . . . and the hail that comes with it sometimes.
She stopped before him, and an expression of sly, mocking devotion crossed her face and was gone. She put a hand out, touched the collar of his shirt. The muscles of his neck bunched as he jerked away from her. Dick and Pat and George held him like springs. She reached slowly inside the open collar of the khaki shirt and began to pull it open, popping the buttons. There was no sound in the room but the tiny, flat tic-tic as the buttons fell to the floor and rolled. He was wearing no undershirt. His flesh was bare and smooth. She moved as if to kiss it, and he spit in her face.
Pig Pen smiled from over Sandra's shoulder, the grubby court jester with the king's paramour. "I could put your eyes out," he said. "Do you know that? Pop them out just like olives. Poink! Poink!"
"Let me go! Charlie, make them let me-"
"He cheats, " Sarah Pasterne said loudly. "He always looks at my answer sheet in French. Always."
Sandra stood before him, now looking down, a sweet, murmurous smile barely curving the bow of her lips. The first two fingers of her right hand touched the slick spittle on her cheek lightly.
"Here," Billy Sawyer whispered. "Here's something for you, handsome." He crept up behind Ted on tippy-toe and suddenly pulled his hair.
Ted screamed.
"He cheats on the laps in gym, too," Don said harshly. "You really quit football because you dint have no sauce, dintchoo?"
"Please," Ted said. "Please, Charlie." He had begun to grin oddly, and his eyeballs were shiny with tears. Sylvia had joined the little circle around him. She might have been the one who goosed him, but I couldn't really see.
