The effects of this savage punishment passed off more swiftly than I would have expected, but far from completely: that pain in my head and eardrums and the overall soreness of my body would be with me for quite a long time to come – that I knew. But the effects weren’t wearing off quite as quickly as I thought, because it took me over a minute to realize that if Goodbody and Jacques came back that moment and found me sitting against the wall with what was unquestionably an idiotic expression of bliss on my face, they wouldn’t be indulging in any half measures next time round. I glanced quickly up at the glass-topped door but there were no raised eyebrows in sight yet.
I stretched out on the floor again and resumed my rolling to and fro. I was hardly more than ten seconds too soon, for on my third or fourth roll towards the door I saw Goodbody and Jacques thrust their heads into view. I stepped up my performance, rolled about more violently than ever, arched my body and flung myself so convulsively to and fro that I was suffering almost as much as I had been when I was undergoing the real thing. Every time I rolled towards the door I let them see my contorted face, my eyes either staring wide or screwed tightly shut in agony and I think that my sweat-sheened face and the blood welling from my lip and from one or two of the reopened gashes that Marcel had given must have added up to a fairly convincing spectacle. Goodbody and Jacques were both smiling broadly, although Jacques’s expression came nowhere near Goodbody’s benign saintliness.
I gave one particularly impressive leap that carried my entire body clear of the ground and as I near as a toucher dislocated my shoulder as I landed I decided that enough was enough – I doubt if even Goodbody really knew the par for the course – and allowed my strugglings and writhings to become feebler and feebler until eventually, after one last convulsive jerk, I lay still.
Goodbody and Jacques entered. Goodbody strode across to switch off the amplifier, smiled beautifully and switched it on again: he had forgotten that his intention was not only to render me unconscious but insane. Jacques, however, said something to him, and Goodbody nodded reluctantly and switched off the amplifier again – perhaps Jacques, activated not by compassion but the thought that it might make it difficult for them if I were to die before they injected the drugs, had pointed this out – while Jacques went around stopping the pendulums of the biggest clocks. Then both came across to examine me. Jacques kicked me experimentally in the ribs but I’d been through too much to react to that.
‘Now, now, my dear fellow—’ I could faintly hear Goodbody’s reproachful voice – ‘I approve your sentiments but no marks, no marks. The police wouldn’t like it.’
‘But look at his face,’ Jacques protested.
‘That’s so,’ Goodbody agreed amicably. ‘Anyway, cut his wrists free – wouldn’t do to have gouge marks showing on them when the fire brigade fish him out of the canal: and remove those earphones and hide them.’ Jacques did both in the space of ten seconds: when he removed the earphones it felt as if my face was coming with it: Jacques had a very cavalier attitude towards Scotch tape.
‘As for him—’ Goodbody nodded at George Lemay – ‘dispose of him. You know how. I’ll send Marcel out to help you bring Sherman in.’ There was silence for a few moments. I knew he was looking down at me, then Goodbody sighed. ‘Ah, me. Ah, me. Life is but a walking shadow.’
With that, Goodbody took himself off. He was humming as he went, and as far as one can hum soulfully, Goodbody was giving as soulful a rendition of ‘Abide with me’ as ever I had heard. He had a sense of occasion, had the Reverend Goodbody.
Jacques went to a box in the corner of the room, produced half a dozen large pendulum weights and proceeded to thread a piece of rubber cable through their eyelets and attach the cable to George’s waist: Jacques was leaving little doubt as to what he had in mind. He dragged George from the room out into the corridor and I could hear the sound of the dead man’s heels rubbing along the floor as Jacques dragged him to the front of the castle. I rose, flexed my hands experimentally, and followed.
As I neared the doorway I could hear the sound of the Mercedes starting up and getting under way. I looked round the corner. Jacques, with George lying on the floor beside him, had the window open and was giving a sketchy salute: it could only have been to the departing Goodbody.
Jacques turned from the window to attend to George’s last rites. Instead he stood there motionless, his face frozen in total shock. I was only five feet from him and I could tell even from his stunned lack of expression that he could tell from mine that he had reached the end of his murderous road. Frantically, he scrabbled for the gun under his arm, but for what may well have been the first and was certainly the last time in his life Jacques was too slow, for that moment of paralysed incredulity had been his undoing. I hit him just beneath the ribs as his gun came clear and when he doubled forward wrested the gun from his almost unresisting hand and struck him savagely with it across the temple. Jacques, unconscious on his feet, took one involuntary step back, the window-sill caught him behind the legs and he began to topple outwards and backwards in oddly slow motion. I just stood there and watched him go, and when I heard the splash and only then, I went to the window and looked out. The roiled waters of the moat were rippling against the bank and the castle walls and from the middle of the moat a stream of bubbles ascended. I looked to the left and could see Goodbody’s Mercedes rounding the entrance arch to the castle. By this time, I thought, he should have been well into the fourth verse of ‘Abide with me’.
I withdrew from the window and walked downstairs. I went out, leaving the door open behind me. I paused briefly on the steps over the moat and looked down, and as I did the bubbles from the bottom of the moat gradually became fewer and smaller and finally ceased altogether.
THIRTEEN
I sat in the Opel, looked at my gun which I’d recovered from Jacques, and pondered. If there was one thing that I had discovered about that gun it was that people seemed to be able to take it from me whenever they felt so inclined. It was a chastening thought but one that carried with it the inescapable conclusion that what I needed was another gun, a second gun, so I brought up Astrid’s handbag from under the seat and took out the little Lilliput I had given her. I lifted my left trouser-leg a few inches, thrust the little gun barrel downwards, inside my sock and the inside top of my shoe, pulled the sock up and the trouser-leg down. I was about to close the bag when I caught sight of the two pairs of handcuffs. I hesitated, for on the form to date the likelihood was that, if I took them with me, they’d end up on my own wrists, but as it seemed too late in the day now to stop taking the chances that I’d been taking all along ever since I’d arrived in Amsterdam, I put both pairs in my left-hand jacket pocket and the duplicate keys in my right.
When I arrived back in the old quarter of Amsterdam, having left my usual quota of fist-shaking and police-telephoning motorists behind me, the first shades of early darkness were beginning to fall. The rain had eased, but the wind was steadily gaining in strength, ruffling and eddying the waters of the canals.
I turned into the street where the warehouse was. It was deserted, neither cars nor pedestrians in sight. That is to say, at street level it was deserted: on the third floor of Morgenstern and Muggenthaler’s premises a burly shirt-sleeved character was leaning with his elbows on the sill of an open window, and from the way in which his head moved constantly from side to side it was apparent that the savouring of Amsterdam’s chilly evening air was not his primary purpose for being there. I drove past the warehouse and made my way up to the vicinity of the Dam where I called de Graaf from the public phone-box.
‘Where have you been?’ de Graaf demanded. ‘What have you been doing?’
‘Nothing that would interest you.’ It must have been the most unlikely statement I’d ever made. ‘I’m ready to talk now.’
‘Talk.’
‘Not here. Not now. Not over the telephone. Can you and van Gelder come to Morgenstern and Muggenthaler’s place now.’
; ‘You’ll talk there?’
‘I promise you.’
‘We are on our way,’ de Graaf said grimly.
‘One moment. Come in a plain van and park further along the street. They have a guard posted at one of the windows.’
‘They?’
‘That’s what I’m going to talk to you about.’
‘And the guard?’
‘I’ll distract him. I’ll think up a diversion of some kind.’
‘I see.’ De Graaf paused and went on heavily: ‘On your form to date I shudder to think what form the diversion will take.’ He hung up.
I went into a local ironmongery store and bought a ball of twine and the biggest Stilson wrench they had on their shelves. Four minutes later I had the Opel parked less than a hundred yards from the warehouse, but not in the same street.
I made my way up the very narrow and extremely ill-lit service alley between the street in which the warehouse stood and the one running parallel to it. The first warehouse I came to on my left had a rickety wooden fire-escape that would have been the first thing to burn down in a fire but that was the first and last. I went at least fifty yards past the building I reckoned to be Morgenstern and Muggenthaler’s, and nary another fire-escape did I come to: knotted sheets must have been at a premium in that part of Amsterdam.
I went back to the one and only fire-escape and made my way up to the roof. I took an instant dislike to this roof as I did to all the other roofs I had to cross to arrive at the one I wanted. All the ridgepoles ran at right angles to the street, the roofs themselves were steeply pitched and treacherously slippery from the rain and, to compound the difficulties, the architects of yesteryear, with what they had mistakenly regarded as the laudable intention of creating a diversity of skyline styles, had craftily arranged matters so that no two roofs were of precisely the same design or height. At first I proceeded cautiously, but caution got me nowhere and I soon developed the only practical method of getting from one ridgepole to the next – running down one steeply pitched roof-side and letting the momentum carry me as far as possible up the other side before falling flat and scrabbling the last few feet up on hands and knees. At last I came to what I thought would be the roof I wanted, edged out to street level, leaned out over the gable and peered down.
I was right first time, which made a change for me. The shirt-sleeved sentry, almost twenty feet directly below me, was still maintaining his vigil. I attached one end of the ball of twine securely to the hole in the handle of the Stilson, lay flat so that my arm and the cord would clear the hoisting beam and lowered the Stilson about fifteen feet before starting to swing it in a gentle pendulum arc which increased with every movement of my hand. I increased it as rapidly as possible, for only feet beneath me a bright light shone through the crack between the two loading doors in the top storey and I had no means of knowing how long those doors would remain unopened.
The Stilson, which must have weighed at least four pounds, was now swinging through an arc of almost 90°. I lowered it three more feet and wondered how long it would be before the guard would become puzzled by the soft swish of sound that it must inevitably be making in its passage through the air, but at that moment his attention was fortunately distracted. A blue van had just entered the street and its arrival helped me in two ways: the watcher leaned further out to investigate this machine and at the same time the sound of its engine covered any intimation of danger from the swinging Stilson above.
The van stopped thirty yards away and the engine died. The Stilson was at the outer limit of its swing. As it started to descend I let the cord slip another couple of feet through my fingers. The guard, aware suddenly but far too late that something was amiss, twisted his head round just in time to catch the full weight of the Stilson on the forehead. He collapsed as if a bridge had fallen on him and slowly toppled backwards out of sight.
The door of the van opened and de Graaf got out. He waved to me. I made two beckoning gestures with my right arm, checked to see that the small gun was still firmly anchored inside my sock and shoe, lowered myself till my stomach was resting on the hoisting beam, then transferred my position till I was suspended by hands. I took my gun from its shoulder-holster, held it in my teeth, swung back, just once, then forwards, my left foot reaching for the loading sill, and my right foot kicking the doors open as I reached out my hands to get purchase on the door jambs. I took the gun in my right hand.
There were four of them there, Belinda, Goodbody and the two partners. Belinda, whitefaced, struggling, but making no sound, was already clad in a flowing Huyler costume and embroidered bodice, her arms held by the rubicund, jovially good-natured Morgenstern and Muggenthaler whose beaming avuncular smiles now began to congeal in almost grotesque slow motion: Goodbody, who had had his back to me and had been adjusting Belinda’s wimpled headgear to his aesthetic satisfaction, turned round very slowly. His mouth fell slowly open, his eyes widened and the blood drained from his face until it was almost the colour of his snowy hair.
I took two steps into the loft and reached an arm for Belinda. She stared at me for unbelieving seconds, then shook off the nerveless hands of Morgenstern and Muggenthaler and came running to me. Her heart was racing like a captive bird’s but she seemed otherwise not much the worse for what could only have been the most ghastly experience.
I looked at the three men and smiled as much as I could without hurting my face too much. I said: ‘Now, you know what death looks like.’
They knew all right. Their faces frozen, they stretched their hands upwards as far as they could. I kept them like that, not speaking, until de Graaf and van Gelder came pounding up the stairs and into the loft. During that time nothing happened. I will swear none of them as much as blinked. Belinda had begun to shake uncontrollably from the reaction, but she managed to smile wanly at me and I knew she would be all right: Paris Interpol hadn’t just picked her out of a hat.
De Graaf and van Gelder, both with guns in their hands, looked at the tableau. De Graaf said: ‘What in God’s name do you think you are about, Sherman? Why are those three men—’
‘Suppose I explain?’ I interrupted reasonably.
‘It will require some explanation,’ van Gelder said heavily. ‘Three well-known and respected citizens of Amsterdam—’
‘Please don’t make me laugh,’ I said. ‘It hurts my face.’
‘That too,’ de Graaf said. ‘How on earth—’
‘I cut myself shaving.’ That was Astrid’s line, really, but I wasn’t at my inventive best. ‘Can I tell it?’
De Graaf sighed and nodded.
‘In my way?’
He nodded again.
I said to Belinda: ‘You know Maggie’s dead?’
‘I know she’s dead.’ Her voice was a shaking whisper, she wasn’t as recovered as I’d thought. ‘He’s just told me. He told me and he smiled.’
‘It’s his Christian compassion shining through. He can’t help it. Well,’ I said to the policeman, ‘take a good look, gentlemen. At Goodbody. The most sadistically psychopathic killer I’ve ever met – or heard of, for that matter. The man who hung Astrid Lemay on a hook. The man who had Maggie pitchforked to death in a hayfield in Huyler. The man—’
‘You said pitchforked?’ De Graaf asked. You could see his mind couldn’t accept it.
‘Later. The man who drove George Lemay so mad that he killed him. The man who tried to kill me the same way; the man who tried to kill me three times today. The man who puts bottles of gin in the hands of dying junkies. The man who drops people into canals with lead piping wrapped round their waists after God knows what suffering and tortures. Apart from being the man who brings degradation and dementia and death to thousands of crazed human beings throughout the world. By his own admission, the master puppeteer who dangles a thousand hooked puppets from the end of his chains and makes them all dance to his tune. The dance of death.’
‘It’s not possible,’ van Gelder said. He seemed dazed. ‘It can’t be. Dr Go
odbody? The pastor of—’
‘His name is Ignatius Catanelli and he’s on our files. An ex-member of an Eastern Seaboard cosa nostra. But even the Mafia couldn’t stomach him. By their lights they never kill wantonly, only for sound business reasons. But Catanelli killed because he’s in love with death. When he was a little boy he probably pulled the wings off flies. But when he grew up, flies weren’t enough for him. He had to leave the States, for the Mafia offered only one alternative.’
‘This – this is fantastic.’ Fantastic or not the colour still wasn’t back in Goodbody’s cheeks. ‘This is outrageous. This is—’
‘Be quiet,’ I said. ‘We have your prints and cephalic index. I must say that he has, in the American idiom, a sweet set-up going for him here. Incoming coasters drop heroin in a sealed and weighted container at a certain off-shore buoy. This is dragged up by barge and taken to Huyler, where it finds its way to a cottage factory there. This cottage factory makes puppets, which are then transferred to the warehouse here. What more natural – except that the very occasional and specially marked puppet contains heroin.’
Goodbody said: ‘Preposterous, preposterous. You can’t prove any of this.’
‘As I intend to kill you in a minute or two I don’t have to prove anything. Ah yes, he had his organization, had friend Catanelli. He had everybody from barrel-organ players to strip-tease dancers working for him – a combination of blackmail, money, addiction and the final threat of death made them all keep the silence of the grave.’
‘Working for him?’ De Graaf was still a league behind me. ‘In what way?’
Puppet on a Chain Page 21
