They had come up on the grassy scalp of the hill, one of the few bald spots that stood clear of the crashing and roaring pine forest. A mean enclosure, partly timber and partly wire, rattled in the tempest to tell them the border of the graveyard. But by the time Inspector Craven had come to the corner of the grave, and Flambeau had planted his spade point downwards and leaned on it, they were both almost as shaken as the shaky wood and wire. At the foot of the grave grew great tall thistles, grey and silver in their decay. Once or twice, when a ball of thistledown broke under the breeze and flew past him, Craven jumped slightly as if it had been an arrow.
Flambeau drove the blade of his spade through the whistling grass into the wet clay below. Then he seemed to stop and lean on it as on a staff.
"Go on," said the priest very gently. "We are only trying to find the truth. What are you afraid of?"
"I am afraid of finding it," said Flambeau.
The London detective spoke suddenly in a high crowing voice that was meant to be conversational and cheery. "I wonder why he really did hide himself like that. Something nasty, I suppose; was he a leper?"
"Something worse than that," said Flambeau.
"And what do you imagine," asked the other, "would be worse than a leper?"
"I don't imagine it," said Flambeau.
He dug for some dreadful minutes in silence, and then said in a choked voice, "I'm afraid of his not being the right shape."
"Nor was that piece of paper, you know," said Father Brown quietly, "and we survived even that piece of paper."
Flambeau dug on with a blind energy. But the tempest had shouldered away the choking grey clouds that clung to the hills like smoke and revealed grey fields of faint starlight before he cleared the shape of a rude timber coffin, and somehow tipped it up upon the turf. Craven stepped forward with his axe; a thistle-top touched him, and he flinched. Then he took a firmer stride, and hacked and wrenched with an energy like Flambeau's till the lid was torn off, and all that was there lay glimmering in the grey starlight.
"Bones," said Craven; and then he added, "but it is a man," as if that were something unexpected.
"Is he," asked Flambeau in a voice that went oddly up and down, "is he all right?"
"Seems so," said the officer huskily, bending over the obscure and decaying skeleton in the box. "Wait a minute."
A vast heave went over Flambeau's huge figure. "And now I come to think of it," he cried, "why in the name of madness shouldn't he be all right? What is it gets hold of a man on these cursed cold mountains? I think it's the black, brainless repetition; all these forests, and over all an ancient horror of unconsciousness. It's like the dream of an atheist. Pine-trees and more pine-trees and millions more pine-trees-"
"God!" cried the man by the coffin, "but he hasn't got a head."
While the others stood rigid the priest, for the first time, showed a leap of startled concern.
"No head!" he repeated. "No head?" as if he had almost expected some other deficiency.
Half-witted visions of a headless baby born to Glengyle, of a headless youth hiding himself in the castle, of a headless man pacing those ancient halls or that gorgeous garden, passed in panorama through their minds. But even in that stiffened instant the tale took no root in them and seemed to have no reason in it. They stood listening to the loud woods and the shrieking sky quite foolishly, like exhausted animals. Thought seemed to be something enormous that had suddenly slipped out of their grasp.
"There are three headless men," said Father Brown, "standing round this open grave."
The pale detective from London opened his mouth to speak, and left it open like a yokel, while a long scream of wind tore the sky; then he looked at the axe in his hands as if it did not belong to him, and dropped it.
"Father," said Flambeau in that infantile and heavy voice he used very seldom, "what are we to do?"
His friend's reply came with the pent promptitude of a gun going off.
"Sleep!" cried Father Brown. "Sleep. We have come to the end of the ways. Do you know what sleep is? Do you know that every man who sleeps believes in God? It is a sacrament; for it is an act of faith and it is a food. And we need a sacrament, if only a natural one. Something has fallen on us that falls very seldom on men; perhaps the worst thing that can fall on them."
Craven's parted lips came together to say, "What do you mean?"
The priest had turned his face to the castle as he answered: "We have found the truth; and the truth makes no sense."
He went down the path in front of them with a plunging and reckless step very rare with him, and when they reached the castle again he threw himself upon sleep with the simplicity of a dog.
Despite his mystic praise of slumber, Father Brown was up earlier than anyone else except the silent gardener; and was found smoking a big pipe and watching that expert at his speechless labours in the kitchen garden. Towards daybreak the rocking storm had ended in roaring rains, and the day came with a curious freshness. The gardener seemed even to have been conversing, but at sight of the detectives he planted his spade sullenly in a bed and, saying something about his breakfast, shifted along the lines of cabbages and shut himself in the kitchen. "He's a valuable man, that," said Father Brown. "He does the potatoes amazingly. Still," he added, with a dispassionate charity, "he has his faults; which of us hasn't? He doesn't dig this bank quite regularly. There, for instance," and he stamped suddenly on one spot. "I'm really very doubtful about that potato."
"And why?" asked Craven, amused with the little man's hobby.
"I'm doubtful about it," said the other, "because old Gow was doubtful about it himself. He put his spade in methodically in every place but just this. There must be a mighty fine potato just here."
Flambeau pulled up the spade and impetuously drove it into the place. He turned up, under a load of soil, something that did not look like a potato, but rather like a monstrous, over-domed mushroom. But it struck the spade with a cold click; it rolled over like a ball, and grinned up at them.
"The Earl of Glengyle," said Brown sadly, and looked down heavily at the skull.
Then, after a momentary meditation, he plucked the spade from Flambeau, and, saying "We must hide it again," clamped the skull down in the earth. Then he leaned his little body and huge head on the great handle of the spade, that stood up stiffly in the earth, and his eyes were empty and his forehead full of wrinkles. "If one could only conceive," he muttered, "the meaning of this last monstrosity." And leaning on the large spade handle, he buried his brows in his hands, as men do in church.
All the corners of the sky were brightening into blue and silver; the birds were chattering in the tiny garden trees; so loud it seemed as if the trees themselves were talking. But the three men were silent enough.
"Well, I give it all up," said Flambeau at last boisterously. "My brain and this world don't fit each other; and there's an end of it. Snuff, spoilt Prayer Books, and the insides of musical boxes-what-"
Brown threw up his bothered brow and rapped on the spade handle with an intolerance quite unusual with him. "Oh, tut, tut, tut, tut!" he cried. "All that is as plain as a pikestaff. I understood the snuff and clockwork, and so on, when I first opened my eyes this morning. And since then I've had it out with old Gow, the gardener, who is neither so deaf nor so stupid as he pretends. There's nothing amiss about the loose items. I was wrong about the torn mass-book, too; there's no harm in that. But it's this last business. Desecrating graves and stealing dead men's heads-surely there's harm in that? Surely there's black magic still in that? That doesn't fit in to the quite simple story of the snuff and the candles." And, striding about again, he smoked moodily.
"My friend," said Flambeau, with a grim humour, "you must be careful with me and remember I was once a criminal. The great advantage of that estate was that I always made up the story myself, and acted it as quick as I chose. This detective business of waiting about is too much for my French impatience. All my life, for good or evil, I have d
one things at the instant; I always fought duels the next morning; I always paid bills on the nail; I never even put off a visit to the dentist-"
Father Brown's pipe fell out of his mouth and broke into three pieces on the gravel path. He stood rolling his eyes, the exact picture of an idiot. "Lord, what a turnip I am!" he kept saying. "Lord, what a turnip!" Then, in a somewhat groggy kind of way, he began to laugh.
"The dentist!" he repeated. "Six hours in the spiritual abyss, and all because I never thought of the dentist! Such a simple, such a beautiful and peaceful thought! Friends, we have passed a night in hell; but now the sun is risen, the birds are singing, and the radiant form of the dentist consoles the world."
"I will get some sense out of this," cried Flambeau, striding forward, "if I use the tortures of the Inquisition."
Father Brown repressed what appeared to be a momentary disposition to dance on the now sunlit lawn and cried quite piteously, like a child, "Oh, let me be silly a little. You don't know how unhappy I have been. And now I know that there has been no deep sin in this business at all. Only a little lunacy, perhaps-and who minds that?"
He spun round once more, then faced them with gravity.
"This is not a story of crime," he said; "rather it is the story of a strange and crooked honesty. We are dealing with the one man on earth, perhaps, who has taken no more than his due. It is a study in the savage living logic that has been the religion of this race.
"That old local rhyme about the house of Glengyle-
As green sap to the simmer trees
Is red gold to the Ogilvies-
was literal as well as metaphorical. It did not merely mean that the Glengyles sought for wealth; it was also true that they literally gathered gold; they had a huge collection of ornaments and utensils in that metal. They were, in fact, misers whose mania took that turn. In the light of that fact, run through all the things we found in the castle. Diamonds without their gold rings; candles without their gold candlesticks; snuff without the gold snuff-boxes; pencil-leads without the gold pencil-cases; a walking stick without its gold top; clockwork without the gold clocks-or rather watches. And, mad as it sounds, because the halos and the name of God in the old missals were of real gold; these also were taken away."
The garden seemed to brighten, the grass to grow gayer in the strengthening sun, as the crazy truth was told. Flambeau lit a cigarette as his friend went on.
"Were taken away," continued Father Brown; "were taken away-but not stolen. Thieves would never have left this mystery. Thieves would have taken the gold snuff-boxes, snuff and all; the gold pencil-cases, lead and all. We have to deal with a man with a peculiar conscience, but certainly a conscience. I found that mad moralist this morning in the kitchen garden yonder, and I heard the whole story.
"The late Archibald Ogilvie was the nearest approach to a good man ever born at Glengyle. But his bitter virtue took the turn of the misanthrope; he moped over the dishonesty of his ancestors, from which, somehow, he generalised a dishonesty of all men. More especially he distrusted philanthropy or free-giving; and he swore if he could find one man who took his exact rights he should have all the gold of Glengyle. Having delivered this defiance to humanity he shut himself up, without the smallest expectation of its being answered. One day, however, a deaf and seemingly senseless lad from a distant village brought him a belated telegram; and Glengyle, in his acrid pleasantry, gave him a new farthing. At least he thought he had done so, but when he turned over his change he found the new farthing still there and a sovereign gone. The accident offered him vistas of sneering speculation. Either way, the boy would show the greasy greed of the species. Either he would vanish, a thief stealing a coin; or he would sneak back with it virtuously, a snob seeking a reward. In the middle of that night Lord Glengyle was knocked up out of his bed-for he lived alone-and forced to open the door to the deaf idiot. The idiot brought with him, not the sovereign, but exactly nineteen shillings and eleven-pence three-farthings in change.
"Then the wild exactitude of this action took hold of the mad lord's brain like fire. He swore he was Diogenes, that had long sought an honest man, and at last had found one. He made a new will, which I have seen. He took the literal youth into his huge, neglected house, and trained him up as his solitary servant and-after an odd manner-his heir. And whatever that queer creature understands, he understood absolutely his lord's two fixed ideas: first, that the letter of right is everything; and second, that he himself was to have the gold of Glengyle. So far, that is all; and that is simple. He has stripped the house of gold, and taken not a grain that was not gold; not so much as a grain of snuff. He lifted the gold leaf off an old illumination, fully satisfied that he left the rest unspoilt. All that I understood; but I could not understand this skull business. I was really uneasy about that human head buried among the potatoes. It distressed me-till Flambeau said the word.
"It will be all right. He will put the skull back in the grave, when he has taken the gold out of the tooth."
And, indeed, when Flambeau crossed the hill that morning, he saw that strange being, the just miser, digging at the desecrated grave, the plaid round his throat thrashing out in the mountain wind; the sober top hat on his head.
The Wrong Shape
Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on. If anyone walks along one of these roads he will pass a house which will probably catch his eye, though he may not be able to explain its attraction. It is a long, low house, running parallel with the road, painted mostly white and pale green, with a veranda and sun-blinds, and porches capped with those quaint sort of cupolas like wooden umbrellas that one sees in some old-fashioned houses. In fact, it is an old-fashioned house, very English and very suburban in the good old wealthy Clapham sense. And yet the house has a look of having been built chiefly for the hot weather. Looking at its white paint and sun-blinds one thinks vaguely of pugarees and even of palm trees. I cannot trace the feeling to its root; perhaps the place was built by an Anglo-Indian.
Anyone passing this house, I say, would be namelessly fascinated by it; would feel that it was a place about which some story was to be told. And he would have been right, as you shall shortly hear. For this is the story-the story of the strange things that did really happen in it in the Whitsuntide of the year 18-:
Anyone passing the house on the Thursday before Whit-Sunday at about half-past four p.m. would have seen the front door open, and Father Brown, of the small church of St. Mungo, come out smoking a large pipe in company with a very tall French friend of his called Flambeau, who was smoking a very small cigarette. These persons may or may not be of interest to the reader, but the truth is that they were not the only interesting things that were displayed when the front door of the white-and-green house was opened. There are further peculiarities about this house, which must be described to start with, not only that the reader may understand this tragic tale, but also that he may realise what it was that the opening of the door revealed.
The whole house was built upon the plan of a T, but a T with a very long cross piece and a very short tail piece. The long cross piece was the frontage that ran along in face of the street, with the front door in the middle; it was two stories high, and contained nearly all the important rooms. The short tail piece, which ran out at the back immediately opposite the front door, was one story high, and consisted only of two long rooms, the one leading into the other. The first of these two rooms was the study in which the celebrated Mr. Quinton wrote his wild Oriental poems and romances. The farther room was a glass conservatory full of tropical blossoms of quite unique and almost monstrous beauty, and on such afternoons as these glowing w
ith gorgeous sunlight. Thus when the hall door was open, many a passer-by literally stopped to stare and gasp; for he looked down a perspective of rich apartments to something really like a transformation scene in a fairy play: purple clouds and golden suns and crimson stars that were at once scorchingly vivid and yet transparent and far away.
Leonard Quinton, the poet, had himself most carefully arranged this effect; and it is doubtful whether he so perfectly expressed his personality in any of his poems. For he was a man who drank and bathed in colours, who indulged his lust for colour somewhat to the neglect of form-even of good form. This it was that had turned his genius so wholly to eastern art and imagery; to those bewildering carpets or blinding embroideries in which all the colours seem fallen into a fortunate chaos, having nothing to typify or to teach. He had attempted, not perhaps with complete artistic success, but with acknowledged imagination and invention, to compose epics and love stories reflecting the riot of violent and even cruel colour; tales of tropical heavens of burning gold or blood-red copper; of eastern heroes who rode with twelve-turbaned mitres upon elephants painted purple or peacock green; of gigantic jewels that a hundred negroes could not carry, but which burned with ancient and strange-hued fires.
In short (to put the matter from the more common point of view), he dealt much in eastern heavens, rather worse than most western hells; in eastern monarchs, whom we might possibly call maniacs; and in eastern jewels which a Bond Street jeweller (if the hundred staggering negroes brought them into his shop) might possibly not regard as genuine. Quinton was a genius, if a morbid one; and even his morbidity appeared more in his life than in his work. In temperament he was weak and waspish, and his health had suffered heavily from oriental experiments with opium. His wife-a handsome, hard-working, and, indeed, over-worked woman objected to the opium, but objected much more to a live Indian hermit in white and yellow robes, whom her husband insisted on entertaining for months together, a Virgil to guide his spirit through the heavens and the hells of the east.
The Innocence of Father Brown Page 12
