We journeyed to about 7000 feet above sea level and found ourselves in a very remote out-of-the-way village, in which narrow, cobblestone streets led us to a high place above the town where there was a Catholic church.
Catholic church at Huaytara. Photo by author.
This church was built over a very ancient site that may go back thousands of years, perhaps even to the time of Noah’s flood. As you will see, this was my first introduction to the stone work that defies modern building techniques because the stones are polygonal blocks whose jointing is without mortar and is so fine a human hair cannot pass between them!
No one knows who built this structure, what it looked like, or why it was used. The mainstream archaeologist will insist this was built by the Inca, but, as this picture shows, there appear to be two buildings and builders. The original one had foundation stones, doorways, and lintels that are without question refined and superior to what is thrown on top of them.
Exterior Huaytara “church.” Two Builders! Photo by the author.
Exterior Huaytara “church.” Photo by the author .
We also see the trapezoid shape used throughout the structure.
In the interior of the church, these trapezoids created a niche where the Catholics had placed statues and pictures of biblical scenes.
Again, mainstream archaeologists will tell us these niches were used to hold the idols of the Inca. I find this presumptuous and, frankly, absurd. The builders went out of their way to shape the stones in such a way that no two stones are alike. The idea of a mold doesn’t hold up as it would require a mold for each of the stones. Some of these were quarried from miles away and are granite, which is a difficult material to transport, cut and shape into the final setting we see here.
Interior of the Church at Huaytara with statues in the trapezoids. Photo by the author.
When we look at the joinery and the “playfulness” of the builders, we see that it would appear that this construction is easy for them to accomplish. It also speaks of a technology that has been lost to us for perhaps thousands of years.
Again, I would point out the juxtaposition of the Inca stonework, which is above the pristine, crafted work directly below it. There is, in my opinion, no comparison between the two.
When I first gazed at the wall, I wondered if I was looking at something in Egypt or Peru! Notice the trapezoid design that is incorporated into the structure. In my opinion, this is not for architectural embellishment but serves another purpose, one which I will advance in the later chapters of this book.
On the way to Huaytara we encountered the remains of an Inca fort. We see the trapezoid shape employed by the Inca, but as you can readily see, the stonework is vastly inferior. Photo by author.
The Mummy in the Glass Booth
Another reason why Brien took us to this remote village was the mummy encased in a glass display or booth.
We went into the museum and there were no lights on. Brien had to ask the curator to turn on the lights so we could examine the artifacts displayed there. We climbed the stairs to the second floor and there we beheld the three mummies in a glass booth.
Three mummies in a glass booth. Photo by author.
We were directed to one mummy in particular, as it had a very large elongated skull. This may be one of the strangest images I have ever seen. Photo by author.
What are we looking at here? You will notice the skull bears the marks of a headband which was wrapped around it. It also appears to have only one parietal plate instead of the normal two humans have. You will also notice the head is almost as large as its torso. Is this the result of hydrocephalic disease or something more?
Hydrocephalus. I’m enclosing a picture of a deformed skull of a person who died of hydrocephalic disease.
Huaytara child mummy. Please take note of how the eye sockets of the mummy appear much larger than normal. Photo courtesy Richard Shaw.
Without DNA testing, there is simply no way to know at what we are looking.
This mummy was found only a few miles from the village. Are there more interred there? Why is it that we find the same elongated skull repeatedly throughout this area? Sr. Juan informed us the Paracas people were supposed to have inhabited this region as well.
Close-up of child elongated mummy. Photo by author.
The Flying Men of Paracas!
We made our way back to Paracas and I met again with Sr. Juan as I wanted to ask him about the Flying Men of Paracas! These drawings are found on the textiles that have remained intact for perhaps thousands of years. Is this a fable like our Peter Pan that amused the people of Paracas, or does it point to something perhaps more sinister?
Textile showing a Flying Man of Paracus.
I asked Sr. Juan where these so-called Flying Men came from and he answered, “From the sky!”
He then informed me that the Flying Men taught the men of Earth certain knowledge. His response reminded me of The Book of Enoch. I have included a lengthy portion of it here, because I believe it is germane to our discussion!
VI-XI. The Fall of the Angels: the Demoralization of Mankind: the Intercession of the Angels on behalf of Mankind. The Dooms pronounced by God on the Angels of the Messianic Kingdom—(a Noah fragment).
6
And it came to pass when the children of men had multiplied that in those days were born unto them beautiful and comely daughters. And the angels, the children of the heaven, saw and lusted after them, and said to one another: “Come, let us choose us wives from among the children of men and beget us children.” And Semjâzâ, who was their leader, said unto them: “I fear ye will not indeed agree to do this deed, and I alone shall have to pay the penalty of a great sin.” And they all answered him and said: “Let us all swear an oath, and all bind ourselves by mutual imprecations not to abandon this plan but to do this thing.” Then sware they all together and bound themselves by mutual imprecations upon it. And they were in all two hundred; who descended in the days of Jared on the summit of Mount Hermon, and they called it Mount Hermon, because they had sworn and bound themselves by mutual imprecations upon it. And these are the names of their leaders: Samîazâz, their leader, Arâkîba, Râmêêl, Kôkabîêl, Tâmîêl, Râmîêl, Dânêl, Êzêqêêl, Barâqîjâl, Asâêl, Armârôs, Batârêl, Anânêl, Zaqîêl, Samsâpêêl, Satarêl, Tûrêl, Jômjâêl, Sariêl. These are their chiefs of tens.
7
And all the others together with them took unto themselves wives, and each chose for himself one, and they began to go in unto them and to defile themselves with them, and they taught them charms and enchantments, and the cutting of roots, and made them acquainted with plants. And they became pregnant, and they bare great giants, whose height was three thousand ells: Who consumed all the acquisitions of men. And when men could no longer sustain them, the giants turned against them and devoured mankind. And they began to sin against birds, and beasts, and reptiles, and fish, and to devour one another’s flesh, and drink the blood. Then the earth laid accusation against the lawless ones.
As we can see by the text above, knowledge was given to the men and women of Earth by the Fallen Angels. In keeping with this book, and the theory that Nephilim tribes migrated out of the Levant and set up “shop” elsewhere, I would put forth the idea that the same kind of knowledge may have been given to the “people” of Paracas. In other words, these Flying Men may have similar characteristics, like the angels, that we read about in The Book of Enoch.
There was another drawing that Sr. Juan showed me, which was unsettling to say the least. It showed a Flying Man licking the skull of a victim.
This prompted me to ask if the people of Paracas and these Flying Men engaged in human sacrifice? Sr. Juan replied that it was possible, which culturally doesn’t mean really anything as pretty much anything is possible! However, I find it interesting that the Flying Man is licking the skull of his victim or a sacrifice.
Flying Man of Paracus licking a skull. In my opinion, this is the stuff of nightmare
s. Does this picture point to a culture steeped in human sacrifice and thus aligning itself with the dark side? Were these the Fallen Angels again coming to Earth and experimenting with the human genome? Photo by Richard Shaw.
Cusco - Polygonal Stone Structures that are a Marvel to Behold!
Three different building styles in this wall.
This picture was taken on the cobblestone streets of Cusco, and, in my opinion, is a startling example of three different builders: the lower course is megalithic and ancient, showing polygonal stones fitted expertly together; the second course is Inca, and the difference is in the workmanship, which is apparent, as well as the use of mortar; and the third is Spanish and, while it is more precise, the use of mortar is clearly seen. However, the stones that make up the original complex are so precisely fitted together no mortar is necessary!
Please take notice of the woman next to the stones. She was barely five feet in height, but she serves as a “marker” for us to see how large these stones are. How did the builders quarry the stones and then move them some 40 to 50 miles to the site? What method did they use to transport them? How were they then shaped and put into place without mortar? What was their true intent and, more importantly, who were these people who built this and why?
Detail from the original part of this stone wall.
Look at the detail from the wall above and ask yourself how these ancient people—if indeed they were people—were able to carve the stone and fit it together so precisely. You will also notice there are no spaces between the joints and no mortar is used. In short, we would be hard pressed in modernity to build a wall like this. However, the builders were master stonemasons, and I believe they used a technology that has been lost in antiquity to us!
A close-up of one of the exposed stones. We see that these joints are cut into the entire length of the block and not just the front. This feature is what makes this construction enigmatic! Note the inferior workmanship directly above where mortar is used.
We then visited another ancient site, Coricancha, which is also in Cusco, showing the same building techniques, and, as usual, a Catholic church was built over it. We hired a guide to take us into the site and she informed us the Inca were responsible for the incredible stonework. I immediately began to point out, as politely as I could, that I didn’t believe a word of it! Our guide was a bit taken aback by this, but I would not buy into the party line and you’ll see why in a moment.
Picture of the exterior wall of the ancient site. Photo by the author.
Picture of the exterior wall of the ancient site. Photo by the author.
You will notice the stones are set in place without mortar and the joints are so fine a person would be hard-pressed to put a human hair between them. You will also notice no two stones are alike, yet the joinery is perfect. Take a look at these holes in two of the stones. How were these made? These stones are andesite, a fine-grained, extrusive igneous rock, and are a very hard material to work, so how were these holes drilled into the rock without modern drills?
The question must be asked again, who cut and moved these stones and for what purpose? Our tour guide insisted the Inca were responsible for the site; however, as I’ve pointed out, just looking at the walls we can see that there are three builders: pre-Inca, Inca, and Spanish. Each group built upon the work of the previous group with the original, or first layer, being the most precise and perfect in its construction.
Three different building styles in the stone wall.
Here is another shot that in my opinion graphically illustrates that there are different builders as well as different construction techniques. The level closest to the ground is the original mortiseless stonework crafted with skill and precision. The second is Inca, and the mortar is obvious as well, as the rocks that are used are local, whereas the stones below came from a quarry 40 miles away! The last course of stonework is Spanish, and while it is better crafted than the Inca workmanship, it still falls short of what we see directly below. Oh, and there’s also mortar used to hold it all together, whereas there is none in the lower course.
We went into the Coricancha site and were warned not to take pictures of the paintings that hung on the walls and in the niches of the large courtyard that surrounded the church. I chuckled and thought, who cares about the paintings; I came to take pictures of the stonework!
We were “guided” through the place and were told that the stonework were the remains of the walls of an Inca village. Of course the tops of the walls are slanted and this would make the roofing timbers and construction somewhat anomalous from the norm. Here is an example of what I mean:
Photo by author.
Take a good look at the wall in front. It is at an incline while the lower wall on the right is shorter than both walls. You will also notice the trapezoid shaped niches and “windows” into other rooms.
Why are they included in the structure? I believe their true purpose has been lost over the centuries since these structures were destroyed, for as we shall see there may have been a great cataclysm that destroyed these sites and that event was not a local one but global in scope!
Here’s a shot of my friend and director/co-producer of the Watchers series, Richard Shaw. Photo by the author.
This is another example of the ancient stonework, as we see in the foreground, copied by a later people—in the rear of the picture—who try as they may are not able to duplicate the precision. I realize I’m belaboring this point, but I feel it is necessary to do so as it lies at the heart of the matter.
If there were a people who inhabited the land before the Inca, then who were they? How were they able to construct such megalithic monuments and why did they do so?
If not the Inca, as the tour guides parrot endlessly, then who? If not the Inca, then another race inhabited the area and had superior technology because they were able to move large blocks of stone and shape and fit them into seamless walls! The Inca were never able to do this, so why is it that modern archaeology insists this is the case?
One of the walls in Cusco where the joinery is incredible! Photo by the author.
We moved throughout the site and came to a room with a strange, enigmatic structure within the wall. What made this even more bizarre for me was that the night before we visited this site I had a recurring image in all of my dreams. It was a rectangular shape with holes evenly spaced in it. Upon awakening I had no idea of what this image was, but when I came to this mysterious sealed off “doorway” I was taken aback by what I saw.
Mysterious “doorway” in stone. Photo by the author.
Coricancha doorway. Photo by author.
The museum had a plexiglass panel in front of the opening so the glare is horrendous! Here is a close up of the interior of it and then we’ll discuss it at length:
Notice the picture above. It has several grooves and holes in it. What were they for? Is this for “ceremonial” purposes, like the tour guide offered as an explanation, or is it something entirely different?
Richard Shaw and I believe this doorway is all that is left of an ancient machine whose purpose we can only imagine. We have no idea what this machine did, but you will notice the trapezoid shape as well as the perfectly bored holes and what appear to be “guides” that are all part of the structure.
I think the Coricancha site was not a temple but was a part of a global network that existed before the Great Flood. Was this network built by the “sky gods” as Robert Mirabal would call them, or E. T., as the Ancient Astronaut crowd would label them?
I believe these megalithic structures have another explanation that is more plausible and has its roots in the biblical narrative.
However, before I continue with this thread, I want to explore another mystery in Cusco; it is called.
Sacsayhuaman!
The primary reason why we were in Cusco was because of the incredible ruins of Sacsayhuaman. Photo by the author.
What is astounding about Sacsayhuaman is now we are seeing the same
type of architecture that we saw in and around Cusco, which is only a few miles away, but done on a giant, megalithic scale. Why mainstream archaeologists insist that the structures we see were built by the Inca remains a mystery to me. I have stated this before but do so again: we would be hard-pressed in modernity to assemble a group of stones like this. Photo by author.
On the Trail of the Nephilim, Volume One Page 16
