by Various
"A point," I conceded.
"Fork in the road coming up," the Doll said.
"Huh?"
"Fork--look. It'll be voluntary, won't it? You don't have to do it? They won't think the worse of you if you refuse?"
"Huh?" I gawked at her.
"I'm scared, Baby."
Her eyes weren't blue anymore. They'd been blue before but not now. Now they were violet balls that were laying me like somebody taking a last long look at the thing down inside the nice white satin before they close the cover on it for the final time.
"Have a drink, Doll," I said. I got up, went to the liquor wagon. "Seltzer? There isn't any mixer left."
"Asked you something, Baby."
I took her glass over. I handed it to her. My own drink I poured down that same hole in my head. I said finally, "Nice smooth bourbon but I like scotch better."
"They've already crashed four of this new type on tests, haven't they?"
I nearly choked. That was supposed to be the very pinnacle of the top secret stuff. But she was right of course. Four of the earlier models had cracked up. No pilots in them at the time--radio controlled. But jobs designed to carry pilots nevertheless.
"Some pitchers have great big ugly-looking ears," I said.
She didn't seem to mind. She said, "Or maybe I'm really psychic as you said. Or maybe my Dad's being Chief at Airtech has something to do with it."
"Somebody oughta stitch a zipper across his big fat yap," I said. "And weld the damn thing shut."
"He told only me," she said softly. "And then only because of you. You see, Baby, he isn't like us. He's got old fashioned notions you and I've got strings tied around each other already just because you gave me a ring."
I stared at her.
"Crazy, isn't it? He isn't sensible like us."
"Can the gag lines, Doll," I said sourly. "The old bird's okay."
And that fetched a few moments of silence in the room--thick pervading silence. A silence to be broken at any fractional second and heavy--supercharged--because of it.
I said finally, "Somebody has to take it up. It might as well be me. And they've already asked me."
"You could refuse, Baby."
"Sure I could. It's voluntary. They don't horsewhip a guy into it."
"Uh-huh--voluntary. And you can refuse." She stopped, waited, then, "Making me get right down there on the hard bare floor on both knees, Baby? All right. None of us should be proud. None of us has a right to be proud, have we?
"All right, Baby. I'm down there--way, way down there. I'm asking you not to take that ship up. I'm begging you--begging, Baby. Look, on me you've never seen anything like this before. Begging!"
I looked at my empty glass. The taste in my mouth was suddenly bitter. "No strings, we said," I said harshly. "A flyboy, we said. Guy who can take off and land anywhere, anytime he likes. Stuff like that we just got through saying."
She didn't answer that. I waited. She didn't answer. I got up finally, got my lousy new officer's cap off the TV set and went over to the door. I opened the door. I went on through.
But before I closed it I heard her whisper. That's the trouble with whispers, they go incredible distances to get places. The whisper said, "That's right, Baby. Right as rain. No strings--ever!"
* * * * *
When you don't have any scotch in the house you'd be surprised how well rum will do--even Jamaica rum. I was on my own davenport in my own apartment and there were two shot glasses in front of me. I was taking turns on them so they wouldn't wear out. And what was keeping these glasses busy was me and a fifth of the Jamaica rum in my right hand. And that's when it all began.
Across the room a rather stout woman was needling a classic through the television screen and at the same time needing a shave rather badly. I wasn't paying any attention to her. I was thinking about the Doll. Wondering, worrying a little. And that's when it began.
That's when the voice said, "Mr. Anders, would you do me the goodness to forget that bottle for a moment?"
The voice seemed to be coming from the TV screen although the stout lady hadn't finished her song. The voice was like the disappointed sigh of a poor old bloke down to his last beer dime and having to look up into the bartender's grinning puss as the bartender downs a nice bubbly glass of champagne somebody bought for him. Poor guy, I thought. I downed glass number one. And then glass number two. And then I looked over at the TV screen.
That sent a little shiver up my spine. I dropped my eyes to the glasses, filled them once more. Strong stuff, Jamaica rum. At the first the taste is medicine. A little later the taste is pleasant syrup. And a little later still the taste is delightful. But strong--the whole way strong. I downed glass number one.
I figured I wouldn't touch glass number two yet. I brought up my eyes, let them go over to the TV screen again.
He didn't have any eyes. That was the first thing that struck me. There were other things of course, such as the fact he didn't have any arms or legs. He didn't have any head either, in case he had eyes in the first place. He was a black swirling bioplastic mass of something or other and he was doing a graceful tango directly in front of the TV screen, thereby blocking off from view the stout woman who needed a shave.
He said, "Do you have any idea what I am, Mr. Anders?"
"Sure," I said. "Somebody's blennorrheal nightmare."
"Incorrect, Mr. Anders. This substance is not mucous. Mucous is very seldom black."
"Mucous is very seldom black," I mimicked.
"Correct, Mr. Anders."
So all right. So they were making Jamaica rum a little stronger these days. So all right! Next time I wouldn't get rum, I'd get scotch. Hell with rum. I dismissed the thought from my mind. I picked up glass number two, downed it. I wondered if the Doll was feeling sorry for herself.
"Incorrect, Mr. Anders," he said. "The rum is no stronger than usual."
I jerked. I stared at the black sticky-looking thing he was. I shut my eyes tightly, snapped them open again. Then I worked the glasses again with the bottle.
"Don't be shocked, Mr. Anders. I'm not a mind reader. It's just that you discarded the thought of a moment ago. I picked it up, see?"
"Sure," I said. "You picked it out of the junk pile of my mind, where all my little gems go."
"Correct, Mr. Anders."
It was about time to empty the glasses again. I varied the routine this time by picking up number-two glass first.
"Light a cigarette, Mr. Anders."
I'm a guy to go along with a gag. I fished a cigarette out, lit it "Lit," I said. And just at that instant the stout dame without the shave hit a sour one way up around A above high C. My ears cringed. I forgot the cigarette and glared across the room, trying to see through the black swirling mass that stood in front of the TV screen.
"Puff, Mr. Anders."
I puffed. The puff sounded like somebody getting his lips on a very full glass of beer and quickly sucking so that foaming clouds don't go down the sides of the glass and all over the bar. I didn't have any cigarette.
"Ah!"
I blinked. The black swirling mass was going gently to and fro. At about head height on a man my cigarette was sticking out from it and a little curl of smoke was coming from the end. Even as I looked the curl ceased and then a big blue cloud of smoke barreled across the room toward my face.
"Your cigarette, Mr. Anders."
"Nice trick," I said. "Took it out from between my lips and I never felt it. Nice trick."
"Incorrect, Mr. Anders. When the singer flatted that particular note your attention was diverted momentarily. Your senses are exceptional, you see. Your ears register pain at false sounds. Therefore, you discarded the thoughts of your cigarette during the moment you suffered with the singer. Following this reasoning, your cigarette went into abandonment. And I salvaged it. No trick at all, really."
I thought, to hell with the shot glasses. I put the rum bottle to my lips and tilted it up and held it there until it wasn'
t good for anything anymore. Then I took it down by the neck and heaved it straight at the black mass.
The television screen didn't shatter, which proved something or other. The bottle didn't even reach the screen. It hit the black swirling mass about navel high. It went in, sank in like slamming your fist into a fat man's stomach. And then it rebounded and clattered on the floor.
"Scream!" I said thickly. "You dirty black delusion--scream!"
"I am screaming, Mr. Anders. That hurt terribly."
He sort of unfolded then, like unfolding a limp wool sweater in the air. And from this unfolding, something came forth that could have been somebody's old fashioned idea of what a rifle looked like. He held it up in firing position, pointed at my head.
"Don't be alarmed, Mr. Anders. This is to convince you. A gun, yes, a very old gun--a Brown Bess, they used to call it. I just took it from the City Museum, where it was on display."
He had a nice point-blank sight on my forehead. Now he moved the gun, aimed it off me, pointed, it across the room toward the open windows.
"Note the workmanship, Mr. Anders. Note the stock. Someone put a little effort on the carving. Note the sentiment carved here."
The rum was working hard now. I could feel it climbing hand over hand up from my knees.
"Let me read what it says, Mr. Anders--'Deathe to ye Colonies'. Note the odd wording, the spelling. And now watch, Mr. Anders."
The gun came up a trifle, stiffened. There was a loud snapping sound, a click of metal on metal--Flintlock. As all the ancient guns were.
And then came the roar. Wood across the room--the window casing--splintered and flew wildly. Smoke and smell filled my senses.
He said, chuckling, "Let's call it the Abandonment Theory for lack of a better name. This old Brown Bess hasn't been thought of acquisitively for some years. It's been in the museum--abandoned. T h e r e f o r e subject to the discarded junk pile as you yourself so cleverly put it before. Do I make myself clear, Mr. Anders?"
Perfectly--oh, perfectly, Mr. Bioplast. The rum was going around my eyes now. Going up and around and headed like an arrow for the hunk of my brain that can't seem to hide fast enough.
I guess I made it to the bedroom but I wouldn't put any hard cash on it. And I guess I passed out.
* * * * *
The morning was a bad one as all bad ones usually are. But no matter how bad they get there's always the consoling thought that in a few hours things will ease up. I hugged this thought through a needle shower, through three cups of coffee in the kitchen. What I was neglecting in this reasoning was the splintered wood in the living room.
I saw it on my way out. It hit me starkly, like the blasted section of a eucalyptus trunk writhing up from the ground. I stopped dead in the doorway and stared at it. Then I got out my knife and got at it.
I probed but it was going to take more than a pocket knife. The ball--and it was just that--was buried a half inch in the soft pine of the casing.
I closed the knife and went to the phone and got Information to ring the museum.
"You people aren't missing a Brown Bess musket," I said. It was a question, of course, but not now--not the way I had said it. "Nobody stole anything out of the museum last night, did they?"
Sweat was oozing over my upper lip. I could feel it. I could feel sweat wetting the phone in my hand. The woman on the other end told me to wait. I said, "Yeah"--not realizing. I waited, not realizing, until a man's voice came on.
"You were saying something about a Brown Bess musket, mister?" A cold sharp voice--a gutter voice but with the masking tag of official behind it. Like the voice of someone behind a desk writing something on a blotter--a real police voice.
I put the phone down. I pulled all the shades in the living room, went out the door, locked it behind me and drove as fast as you can make a Buick go, out to the field. But fast!
The XXE-1 was ready. She'd been ready for weeks. There wasn't a mechanical or electronic flaw in her. We hoped, I hoped, the man who designed her hoped. The Doll's father--he hoped most of all. Even lying quiescent in her hangar, she looked as sleek as a Napoleon hat done in poured monel. When your eyes went over her you knew instinctively they'd thrown the mach numbers out the window when she was done.
I went through a door that had the simple word Plotting on it.
The Doll's father was there already behind his desk, studying something as I came in. He looked up, smiled, said, "Hi, guy."
I flipped a finger at him. I wondered if the Doll had told him about last night.
"Wife and I were going to suggest a snack when we got home last night but you had already gone, and Marge was in bed."
I didn't look at him. "Left early, Pop. Growing boy."
"Yeah. You look lousy, guy."
I put my teeth together. I still didn't look at him. "These nights," I said vaguely.
"Sure."
I could feel something in his voice. I took a breath and put my eyes on his. He said, "I'm a hell of an old duck."
"Not so old, Pop."
"Sure I am. But not too old to remember back to the days when I wasn't too old." There was a grave look in his eyes.
I didn't have to answer that. The door banged open and Melrose, the LC, came in. He jerked a look at both of us, butted a cigarette he'd just lit--lighted another, butted that. He ran a hand through thick graying hair and frowned.
"Anybody got a cigarette?" he said sourly. "Couldn't sleep last night. This damned responsibility. Worried all night about something we hadn't thought of."
Pop looked up. Melrose went on. "Light--travels in a straight line, no?" He blinked small nervous eyes at us. Then, "Can't go around corners unless it's helped, you see. I mean just this. The XXE-One is expected to hit a significant fraction of the speed of light once it gets beyond the atmosphere. Now here's the point--how in hell do we control it then?"
He waited. I didn't say anything. Pop didn't say anything. Melrose ran a hand through his hair once more, muttered goddamit to himself, turned around and went barging out the door.
Pop said wryly, "Another quick memo to the Pentagon. He never heard of the Earth's gravity."
"He's heard," I said. "It's just that it slipped his mind these last few years."
Pop grinned. He handed me a sheaf of typewritten notes. "These'll just about make it. You'll notice the initial flight is charted pretty damn closely."
"Thanks, Pop. I better take these, somewhere else to look 'em over. Melrose might be back."
"Pretty damn closely," he repeated. "Almost as closely as if she was going up under radio control...." He stopped. He looked at me from under his eyebrows.
I studied him. "Already told the brass I'd take her up, Pop." I kept my voice down.
"Sure, guy. Sure. Uh--you mention it to Marge?"
"Last night."
"I see." His eyes got suddenly far away. I left him like that. Hell with him--hell with the whole family!
* * * * *
It was in the evening paper, tucked in the second section. They treated it lightly. It seemed the night watchman had opened the rear door of the museum for a breath of air or maybe a smoke. Or maybe to kitchie-koo some babe under the chin in the alley.
That's the only way it could have happened. And he'd discovered the empty exhibit case at 2:10 in the morning. The case still had a little white card on it that told about the Brown Bess musket and the powder horn and the ball shot inside.
But the little white card lied in its teeth. There weren't any such things in the case at all. And he'd notified the curator at once.
There was also mention of a mysterious phone call which couldn't be traced.
Things like this don't happen in 1953. So I didn't get loaded that night. I went home, went to the davenport, sat down and told myself they don't happen. Things like this have never happened, will never happen. What occurred last night was something in the bottom of a bottle of Jamaica rum.
"Thinking, Mr. Anders?"
I took a slow bre
ath. He was swaying gently in the air a foot from my elbow and he was still a black mucous scum, as he had been the night before. I got up.
I said, "I'm not loaded tonight. I haven't had a thing all day." I took two steps toward him.
He wasn't there.
I took another breath--a very very slow breath. I turned around and went back to the davenport.
He was back again.
"They'll find that musket," he said. "I have no use for it now. You see I wanted it only to convince you, Mr. Anders."
I put my hands on my knees and didn't look at him. I was suddenly trying to remember where I'd put that Luger I'd brought home from Germany a couple years back.
"You're not quite convinced yet, Mr. Anders?"
Where in the hell did I put it?
"Very well, Mr. Anders. Now hear this, please. Now watch me." He stirred at about hip height. A shelf-like section of the black mass protruded a little distance from the main part of him. On this shelf suddenly lay a rusted penknife.
"A very little boy, Mr. Anders. And a very long while ago. A talented boy, one of those who has what might be called an exceptional imagination. This boy cherished a penknife when he was quite small. Pick up the knife, Mr. Anders."
The knife was suddenly in my lap. I picked it up. It was rusty. It had a flat bone handle. "Museums again," I whispered to myself.
"So highly did this boy prize his knife that he went to great pains to carve his name very very carefully on one side of the bone handle. Turn the knife over, Mr. Anders."
The name was Edward Anders.
"You lost it when you were eleven. You wouldn't remember though. I found it in an attic where it lay unnoticed. As the years went by you gradually forgot about the knife, you see, and when your mind had completely abandoned the thoughts of it, it was mine--had I wanted it. As a matter of fact I didn't. I retrieved it just today."
I put the knife down. Sweat was coming on my forehead now, I could feel it. I was remembering. I was remembering the knife and what was scaring me even more was I was remembering the very day I had lost it. In the attic.
I said very carefully, "All right. You've made your point. You can take it from there."
