by Various
Primarily, he pondered over the charts, while Brownie, growing hourly more nervous, poured his heart into a study of his notes and sketches. A second look at the engines was essential; the excuse he concocted for returning to the ship was recklessly slender, and Sabo spent a grueling five minutes dissuading the captain from accompanying him. But the captain's eyes were dull, and he walked his cabin, sunk in a gloomy, remorseful trance.
The hours passed, and the men saw, in despair, that more precious, dangerous hours would be necessary before the flight could be attempted. And then, abruptly, Sabo got the call to the captain's cabin. He found the old man at his desk, regarding him with cold eyes, and his heart sank. The captain motioned him to a seat, and then sat back, lighting a cigar with painful slowness. "I want you to tell me," he said in a lifeless voice, "exactly what Brownie thinks he's doing."
Sabo went cold. Carefully he kept his eyes on the captain's face. "I guess he's nervous," he said. "He doesn't belong on a Satellite Station. He belongs at home. The place gets on his nerves."
"I didn't like his report."
"I know," said Sabo.
The captain's eyes narrowed. "It was hard to believe. Ships don't just happen out of space. They don't wander out interstellar by accident, either." An unpleasant smile curled his lips. "I'm not telling you anything new. I wouldn't want to accuse Brownie of lying, of course--or you either. But we'll know soon. A patrol craft will be here from the Triton supply base in an hour. I signaled as soon as I had your reports." The smile broadened maliciously. "The patrol craft will have experts aboard. Space drive experts. They'll review your report."
"An hour--"
The captain smiled. "That's what I said. In that hour, you could tell me the truth. I'm not a drive man, I'm an administrator, and organizer and director. You're the technicians. The truth now could save you much unhappiness--in the future."
Sabo stood up heavily. "You've got your information," he said with a bitter laugh. "The patrol craft will confirm it."
The captain's face went a shade grayer. "All right," he said. "Go ahead, laugh. I told you, anyway."
Sabo didn't realize how his hands were trembling until he reached the end of the corridor. In despair he saw the plan crumbling beneath his feet, and with the despair came the cold undercurrent of fear. The patrol would discover them, disclose the hoax. There was no choice left--ready or not, they'd have to leave.
Quickly he turned in to the central control room where Brownie was working. He sat down, repeating the captain's news in a soft voice.
"An hour! But how can we--"
"We've got to. We can't quit now, we're dead if we do."
Brownie's eyes were wide with fear. "But can't we stall them, somehow? Maybe if we turned on the captain--"
"The crew would back him. They wouldn't dare go along with us. We've got to run, nothing else." He took a deep breath. "Can you control the drive?"
Brownie stared at his hands. "I--I think so. I can only try."
"You've got to. It's now or never. Get down to the lock, and I'll get the charts. Get the sleds ready."
He scooped the charts from his bunk, folded them carefully and bound them swiftly with cord. Then he ran silently down the corridor to the landing port lock. Brownie was already there, in the darkness, closing the last clamps on his pressure suit. Sabo handed him the charts, and began the laborious task of climbing into his own suit, panting in the darkness.
And then the alarm was clanging in his ear, and the lock was flooded with brilliant light. Sabo stopped short, a cry on his lips, staring at the entrance to the control room.
The captain was grinning, a nasty, evil grin, his eyes hard and humorless as he stood there flanked by three crewmen. His hand gripped an ugly power gun tightly. He just stood there, grinning, and his voice was like fire in Sabo's ears. "Too bad," he said softly. "You almost made it, too. Trouble is, two can't keep a secret. Shame, Johnny, a smart fellow like you. I might have expected as much from Brownie, but I thought you had more sense--"
Something snapped in Sabo's mind, then. With a roar, he lunged at the captain's feet, screaming his bitterness and rage and frustration, catching the old man's calves with his powerful shoulders. The captain toppled, and Sabo was fighting for the power gun, straining with all his might to twist the gun from the thin hand, and he heard his voice shouting, "Run! Go, Brownie, make it go!"
The lock was open, and he saw Brownie's sled nose out into the blackness. The captain choked, his face purple. "Get him! Don't let him get away!"
The lock clanged, and the screens showed the tiny fragile sled jet out from the side of the Station, the small huddled figure clinging to it, heading straight for the open port of the gray ship. "Stop him! The guns, you fools, the guns!"
The alarm still clanged, and the control room was a flurry of activity. Three men snapped down behind the tracer-guns, firing without aiming, in a frenzied attempt to catch the fleeing sled. The sled began zig-zagging, twisting wildly as the shells popped on either side of it. The captain twisted away from Sabo's grip with a roar, and threw one of the crewmen to the deck, wrenching the gun controls from his hands. "Get the big ones on the ship! Blast it! If it gets away you'll all pay."
Suddenly the sled popped into the ship's port, and the hatch slowly closed behind it. Raving, the captain turned the gun on the sleek, polished hull plates, pressed the firing levels on the war-head servos. Three of them shot out from the Satellite, like deadly bugs, careening through the intervening space, until one of them struck the side of the gray ship, and exploded in purple fury against the impervious hull. And the others nosed into the flame, and passed on through, striking nothing.
Like the blinking of a light, the alien ship had throbbed, and jerked, and was gone.
With a roar the captain brought his fist down on the hard plastic and metal of the control panel, kicked at the sheet of knobs and levers with a heavy foot, his face purple with rage. His whole body shook as he turned on Sabo, his eyes wild. "You let him get away! It was your fault, yours! But you won't get away! I've got you, and you'll pay, do you hear that?" He pulled himself up until his face was bare inches from Sabo's, his teeth bared in a frenzy of hatred. "Now we'll see who'll laugh, my friend. You'll laugh in the death chamber, if you can still laugh by then!" He turned to the men around him. "Take him," he snarled. "Lock him in his quarters, and guard him well. And while you're doing it, take a good look at him. See how he laughs now."
They marched him down to his cabin, stunned, still wondering what had happened. Something had gone in his mind in that second, something that told him that the choice had to be made, instantly. Because he knew, with dull wonder, that in that instant when the lights went on he could have stopped Brownie, could have saved himself. He could have taken for himself a piece of the glory and promotion due to the discoverers of an Interstellar drive. But he had also known, somehow, in that short instant, that the only hope in the world lay in that one nervous, frightened man, and the ship which could take him away.
And the ship was gone. That meant the captain was through. He'd had his chance, the ship's coming had given him his chance, and he had muffed it. Now he, too, would pay. The Government would not be pleased that such a ship had leaked through his fingers. Captain Loomis was through.
And him? Somehow, it didn't seem to matter any more. He had made a stab at it, he had tried. He just hadn't had the luck. But he knew there was more to that. Something in his mind was singing, some deep feeling of happiness and hope had crept into his mind, and he couldn't worry about himself any more. There was nothing more for him; they had him cold. But deep in his mind he felt a curious satisfaction, transcending any fear and bitterness. Deep in his heart, he knew that one man had escaped.
And then he sat back and laughed.
THE END
* * *
Contents
ALL DAY WEDNESDAY
By Richard Olin
Practically everybody would agree that this is Utopia....
<
br /> Ernie turned the dial on his television. The station he had selected brightened and the face of the set turned from dark to blue. Ernie sipped his can of beer. He was alone in the room, and it was night.
The picture steadied and Jory looked out of the set at him. Jory's face was tired. He looked bad.
"Hello, Ernie," Jory said.
Ernie turned the dial to the next station.
"Hello, Ernie," the face of Jory said.
At the next spot on the dial: "Hello, Ernie." The next: "Hello, Ernie."
There were five stations that Ernie's set was able to receive. When the fifth station said "Hello, Ernie," and Jory's tired face looked out at him, Ernie shrugged, took another sip from his can of beer and sat down to watch the set.
That happened Wednesday night. Wednesday morning began like this:
Ernie woke feeling bored. It seemed he was always bored these days. An empty can of beer and a crumpled pack of cigarettes rested on top of the dead television. All he did nights was watch TV.
Ernie sighed and thanked God that today was Wednesday. Tonight, when he came home from work, he would be over the hump ... only two days left and then the week end. Ernie didn't know for sure what he would do on his week end--go bowling, maybe--but whatever he did it was sure to be better than staying home every night.
Oh, he supposed he could go out, just once in a while, during the work week. Some of the guys at the plant did. But then, the guys that did go out week nights weren't as sharp at their jobs as Ernie was. Sometimes they showed up late and pulled other stuff like that. You couldn't do things like that too often, Ernie thought virtuously. Not if it was a good job, a job that you wanted to keep. You had to be sharp.
Ernie smiled. He was sharp. A growing feeling of virtue began to replace his boredom.
Ernie glanced at his watch and went sprawling out of his bed. He was late. He didn't even have time for breakfast.
His last thought, as he slammed out of his apartment, was an angry regret that he had not had time to pack a lunch. He would have to eat in the plant cafeteria again. Cafeteria lunches cost money. Money concerned Ernie. It always did. But right now he was going to need money for the week end; payday was another week away.
* * * * *
Ernie punched in twelve minutes late.
His foreman was waiting beside the time clock. He was a big man, and what was left of his red hair matched in color the skin of his neck. And the color of his face, when he grew angry.
His name was Rogers. He smiled now as Ernie nervously pushed his time card into the clock. His voice was warm and jovial as he spoke.
"Well ... good morning, Mr. Stump. And did we have a nice, late, cozy little sleep-in this morning?"
Ernie smiled uncertainly. "I'm sorry, Rogers. I know I'm late, but the time just sort of got away from me--"
Rogers laughed lightly. "Think nothing of it, Mr. Stump. These things happen, after all."
"Uh, yeah. Well, like I said, I'm sorry and--"
Rogers went on, unheeding. "Of course, complications can develop when your number three wrist-pin man decides that he just isn't feeling sharp this morning and he needs a little extra sleep to put him right. If you're the foreman for Sub-Assembly Line 3-A, for example, Mr. Stump, one wonders if the rush order that must be filled by this morning is going to be finished any time before next Christmas. One wonders where the wrist-pin man is, Mr. Stump. Does he intend to come in at all, or will he just snooze his little head off all day? One wonders what to say to the plant manager, Mr. Stump. How do you tell him that twenty men are standing idle on Sub-Assembly Line 3-A because, through a laughable oversight, there is no one to put in a wrist-pin? How do you explain it so he will understand, Mr. Stump?"
Rogers stopped and caught his breath. His face began growing red. He said slowly, "You don't, Mr. Stump. You don't explain it so he will understand. I just tried!"
Ernie swallowed. Hurriedly, he said, "Look I'm sorry. I'll get right in there--"
Rogers smiled. "That would be nice, Mr. Stump. I imagine there are quite a few Sub-Assembly 3-A's stacked up in there by now. You just trot in there and get them cleaned up."
Ernie nodded doubtfully. "You ain't mad?"
Rogers' smile grew broader. "Mad, Mr. Stump? Why, being chewed out by the manager is a trifle. It's something a foreman must expect. It happens to some of them every day--for a while. And when it does, it doesn't matter because in just a little while they are no longer foremen. Sometimes, they aren't even workmen, any more. And then they have nothing at all to worry about, so don't let it concern you, Mr. Stump. Do you take the streetcar to work?"
"Huh? Uh, yeah, I do."
"I thought so." Rogers nodded his head benignly. "Well, just as a suggestion, the next time you see you're going to be late it might be better if you saved your car-fare and used it to buy a newspaper."
Ernie smiled uncertainly. "O.K. Uh, why?"
"Because," Rogers said slowly, no longer smiling, "the next time you leave me in a crack like that, you're going to be reading the 'Help Wanted' section! Now get in there and get to work!"
Ernie did.
He worked the rest of the morning in a sullen mood. For one thing, with the extra time that Rogers had taken up, Sub-Assembly Line 3-A was a mess. Incomplete sub-assemblies were stacked on the floor all around Ernie's spot on the line. He would have to pin them and slip them into the production line as best he could.
Next to him on the line, Broncewicz said: "Ernie, we'll never get this job out. Where were you?"
And Ernie told him about the beef with Rogers. He worked as he talked, but the more he talked the angrier he got. Rogers had been unfair. He asked Broncewicz, "How can anybody do a good job with that guy all the time riding 'em?"
Broncewicz nodded. "You should take it to the union."
Ernie snorted. "That's a hot one. Rogers used to be our shop steward."
"Yeah, I forgot." Broncewicz scratched at a hairy ear. "Anyway, you should tell him off."
"Yeah, I should tell...." Ernie laid aside a wrench to phrase exactly what he wished to say to Rogers, and the next sub-assembly slipped past. Both he and Broncewicz grabbed it hastily.
Unfortunately, Rogers happened to be watching. He walked over. Broncewicz became intently interested in his work. Ernie sighed resignedly.
Rogers seemed surprisingly resigned, himself. All he said was, "I thought you got enough sleep this morning, Stump. Wake up, get on the stick." He walked off.
Broncewicz raised his head. "Hey, I thought you were going to tell him?"
"Aw, shut up."
Ernie did not like his foreman, but neither did he like the prospect of losing his job. He couldn't afford to be out of work.
The noon whistle blew as he was finishing the last of the extra assemblies. Ernie tossed his tools down and left the line.
* * * * *
The sight of the food in the cafeteria reminded him all over again that he was spending too much money. His stomach had felt queasy. It now turned sour. Without looking at them, Ernie selected a plate of frankfurters and spaghetti, picked up a carton of milk for the sake of his stomach, and sat down at the nearest table.
Jory sat down beside him. "Joe's waving at you," he said, nodding at the cashier at the end of the counter. "You forgot to pay."
"What?" Ernie stomped over to the counter, threw down the money and returned to his seat. To Jory he said: "I feel bad today."
"Uh-huh," Jory said disinterestedly. He turned a page of the book he had propped next to his plate.
"Don't be a wise guy," Ernie grunted. He turned his attention to his plate. Several mouthfuls of spaghetti convinced him that he was hungry after all. He swallowed and opened his carton of milk. He looked up at the book Jory was holding. Jory was a funny guy, always reading.
"What's the book today?" he asked.
Jory held the cover so he could see the title. "Celine's 'Journey to the End of Night.' It's French."
Ernie's interest quickened. "Fre
nch, huh? Has it got any good stuff in it? You know, like Miller has?" He laughed.
"No."
"Well, what's it about?"
"About a guy who thinks he might commit suicide."
"Oh." Ernie thought about it for a minute. "Is that all it's about? Just some guy wonderin' if he should bump himself off?"
"Yes." Jory turned a page.
"Oh." Ernie thought about it again. "And he made a whole book out of it? Just that ... no sex or nothing?"
"No. No sex or nothing."
Ernie laughed. "Well, it sounds pretty stale to me."
Jory sighed and gave up reading. He put the book down. "No, it isn't stale. The book does depress me, though." He pushed it to one side.
His eyes traveled around the cafeteria; he thought for a moment then said: "Do you ever get the feeling, Ernie, that your life has gotten stuck? That you are just going round and round, caught in one single groove--that you just repeat the same scene, day after day?"
Ernie shook his head. "Nah. I never feel like that."
"I do. I get to feeling it bad, sometimes. Why do you suppose that is, Ernie?"
Ernie considered the question for a moment. "Well," he said helpfully, "it might mean you're cracking up."
Jory laughed. "Thanks. But when I need an analyst I'll go out and hire one. No, I think I feel that way because life has somehow become a lot more futile than it need be."
Ernie shrugged and let it go. He wiped the last trace of spaghetti sauce from his plate. Jory got funny moods--probably because he read so much, Ernie suspected--but he was a good man. All the guys in the plant figured Jory for a regular guy. He liked to read some pretty funny books, but so what? It was his eyesight, wasn't it?
