Shumiatsky summoned Alexandrov, nervously waiting outside: “You’re wanted at court!”
“It’s a jolly film,” Stalin told Alexandrov. “I felt I’d had a month’s holiday. Take it away from the director. He might spoil it!” he quipped.
Alexandrov immediately started a series of these happy-go-lucky light musical comedies: Circus was followed by Stalin’s all-time favourite, Volga, Volga. When the director came to make the last in the series, he called it Cinderella but Stalin wrote out a list of twelve possible titles including Shining Path which Alexandrov accepted. Stalin actually worked on the lyrics of the songs too: there is an intriguing note in his archive dated July 1935 in which he writes out the words for one of the songs in pencil, changing and crossing out to get the lyric to scan:
A joyful song is easy for the heart;
It doesn’t bore you ever;
And all the villages small and big adore the song;
Big towns love the tune.
Beneath it, he scrawls the words: “To spring. Spirit. Mikoyan” and then “Thank you comrades.”5
When the director Alexander Dovzhenko appealed for Stalin’s help with his movie Aerograd, he was summoned to the Little Corner within a day and asked to read his entire script to Voroshilov and Molotov. Later Stalin suggested his next movie, adding that “neither my words nor newspaper articles put you under any obligation. You’re a free man . . . If you have other plans, do something else. Don’t be embarrassed. I summoned you so you should know this.” He advised the director to use “Russian folk songs—wonderful songs” which he liked to play on his gramophone.
“Did you ever hear them?” asked Stalin.
No, replied the director, who had no phonograph.
“An hour after the conversation, they brought the gramophone to my house, a present from our leader that,” concluded Dovzhenko, “I will treasure to the end of my life.”6
Meanwhile, the magnates discussed how to manage Sergei Eisenstein, thirty-six, the Latvian-German-Jewish avant-garde director of Battleship Potemkin. He had lingered too long in Hollywood and, as Stalin informed the American novelist Upton Sinclair, “lost the trust of his friends in the USSR.” Stalin told Kaganovich he was a “Trotskyite if not worse.”
Eisenstein was lured back and put to work on Bezhin Meadow, inspired by the story of Pavlik Morozov, the boy-hero who denounced his own father for kulakism. The tawdry project did not turn out as Stalin hoped. Kaganovich loudly denounced his colleagues’ trust: “We can’t trust Eisenstein. He’ll again waste millions and give us nothing . . . because he’s against Socialism. Eisenstein was saved by Vyacheslav [Molotov] and Andrei Zhdanov who were willing to give the director another chance.” But Stalin knew he was “very talented.” As tensions rose with Germany, he commissioned Eisenstein to make a film about that vanquisher of foreign invaders, Alexander Nevsky, promoting his new paradigm of socialism and nationalism. Stalin was delighted with it.
When Stalin wrote a long memorandum to the director Friedrich Emmler about his film The Great Citizen, his third point read: “The reference to Stalin must be excluded. Instead of Stalin, mention the Central Committee.”7
Stalin’s modesty was in its way as ostentatious as the excesses of his personal cult. The leaders themselves had promoted Stalin’s cult that was the triumph of his inferiority complex. Mikoyan and Khrushchev blamed Kaganovich for encouraging Stalin’s concealed vanity and inventing “Stalinism”:
“Let’s replace Long Live Leninism with Long Live Stalinism!” Stalin criticized Kaganovich but he knew Stalin better and he continued to promote “Stalinism.”
“Why do you eulogize me as if a single person decides everything!” asked Stalin. Meanwhile he personally supervised the cult that was flourishing in the newspapers: in Pravda, Stalin was mentioned in half the editorials between 1933 and 1939. He was always given flowers and photographed with children. Articles appeared: “How I got acquainted with Comrade Stalin.” The planes that flew over Red Square formed the word “Stalin” in the skies. Pravda declared: “Stalin’s life is our life, our beautiful present and future.” When he appeared at the Seventh Congress of Soviets, two thousand delegates screamed and cheered. A writer described the reaction as “love, devotion, selflessness.” A female worker whispered: “How simple he is, how modest!”
There were similar cults for the others: Kaganovich was celebrated as “Iron Lazar” and the “Iron Commissar” and in thousands of pictures at parades. Voroshilov was honoured in the “Voroshilov Rations” for the army and the “Voroshilov Marksman’s Prize” and his birthday celebrations were so grandiose that Stalin gave one of his most famous speeches at them. Schoolchildren traded picture postcards of these heroes like football players, the dashing Voroshilov trading at a much higher price than the dour Molotov.8
Stalin’s modesty was not completely assumed: in his many battles between vainglory and humility, he simultaneously encouraged eulogy and despised it. When the Museum of the Revolution asked if they could display the original manuscripts of his works, he wrote back: “I didn’t think in your old age, you’d be such a fool. If the book is published in millions, why do you need the manuscript? I burned all the manuscripts!” 9 When the publishers of a Georgian memoir of his childhood sent a note to Poskrebyshev asking permission, Stalin banned Zhdanov from publishing it, complaining that it was “tactless and foolish” and demanding that the culprits “be punished.” But this was partly to keep control of the presentation of his early life.10
He was aware of the absurdities of the cult, intelligent enough to know that the worship of slaves was surely worthless. A student at a technical college was threatened with jail for throwing a paper dart that struck Stalin’s portrait. The student appealed to Stalin who backed him: “They’ve wronged you,” he wrote. “I ask . . . do not punish him!” Then he joked: “The good marksman who hits the target should be praised!” 11
Yet Stalin needed the cult and secretly fostered it. With his trusted chef de cabinet, he could be honest. Two notes buried in Poskrebyshev’s files are especially revealing: when a collective farm asked the right to name itself after Stalin, he gave Poskrebyshev blanket authority to name anything after himself: “I’m not opposed to their wish to ‘be granted the name of Stalin’ or to the others . . . I’m giving you the right to answer such proposals with agreement [underlined] in my name.”12 One admirer wrote to say, “I’ve decided to change my name to Lenin’s best pupil, Stalin” and asked the titan’s permission.
“I’m not opposed,” replied Stalin. “I even agree. I’d be happy because this circumstance would give me the chance to have a younger brother. (I have no brother.) Stalin.”13 Just after the film prize–giving, death again touched the Politburo.
14
The Dwarf Rises; Casanova Falls
On 25 January 1935, Valerian Kuibyshev, who was forty-seven, died unexpectedly of heart disease and alcoholism, just eight weeks after his friend Kirov. Since he had questioned the NKVD investigation and allied himself with Kirov and Sergo, it has been claimed that he was murdered by his doctors, an impression not necessarily confirmed by his inclusion in the list of those supposedly poisoned by Yagoda. We are now entering a phase of such devious criminality and shameless gangsterism that all deaths of prominent people are suspect. But not every death cited as “murder” in Stalin’s show trials was indeed foul play: one has to conclude there were some natural deaths in the 1930s. Kuibyshev’s son Vladimir believed his father was killed but this heroic drinker had been ill for a while. The magnates lived such an unhealthy existence that it is amazing so many survived to old age. 1
Nonetheless it was well-timed for Stalin who took the opportunity on 1 February81 to promote two younger stars who were the very spirit of the age. As Kaganovich took over the colossal job of running the railways, he handed over Moscow to Nikita Khrushchev, the semi-literate worker who would one day succeed Stalin.2
Kaganovich met Khrushchev during the February 1917 Revolution in th
e Ukrainian mining town of Yuzovka. Despite a flirtation with Trotskyism, Khrushchev’s patrons were unbeatable: “Kaganovich liked me very much,” he recalled. So did both Nadya (“my lottery ticket,” said Khrushchev) and Stalin himself. Resembling a cannonball more than a whirlwind, Khrushchev’s bright porcine eyes, chunky physique and toothy smile with its golden teeth exuded primitive coarseness and Promethean energy but camouflaged his cunning. As the capital’s First Secretary, he drove the transformation of “Stalinist-Moscow”: his creation of the Metro, aggressive building programme and vandalistic destruction of old churches won him a place in the élite. Already a regular at Kuntsevo, this pitiless, ambitious believer regarded himself as Stalin’s “son.” Born in 1894, son of a peasant miner, this meteoric bumpkin became Stalin’s “pet.”3
It was Kaganovich’s other protégé who suddenly emerged as the coming man. Yezhov was already the overlord of the Kirov case. Now he was promoted to Kirov’s place as CC Secretary, and on 31 March was officially designated to supervise the NKVD.4 Soon to be notorious as one of history’s monsters, “the bloody dwarf,” and a ghost whom no one remembered even knowing, Yezhov was actually liked by virtually everyone he met at this time. He was a “responsive, humane, gentle, tactful man” who tried to help with any “unpleasant personal matter,” remembered his colleagues. Women in particular liked him. His face was almost “beautiful,” recalled one lady, his grin wide, his eyes a bright clever green-blue, his hair thick and black. He was flirtatious and playful, “modest and agreeable.” Not only was he an energetic workaholic; this “small slender man, always dressed in a crumpled cheap suit and a blue satin shirt” charmed people, chattering away in his Leningrad accent. He was shy at first but could be fun, exuberant with a keen sense of humour. He suffered from a slight limp but he had a fine baritone, played the guitar and danced the gopak. However, he was skinny and tiny: in a government of small men, he was almost a pygmy, 151 centimetres tall.5
Born in 1895 to a forest warden, who ran a tearoom-cum-brothel, and a maid, in a small Lithuanian town, Yezhov, like Kaganovich and Voroshilov, only passed a few years at primary school before going to work in Petersburg’s Putilov Works. No intellectual, he was another obsessive autodidact, nicknamed “Kolya the book lover”—but he possessed the Bolshevik managerial virtues: drive, hardness, organizational talent and an excellent memory, that bureaucratic asset described by Stalin as a “sign of high intelligence.” Too short to serve in the Tsarist Army, he mended guns, joining the Red Army in 1919: in Vitebsk, he met Kaganovich, his patron. By 1921, he was working in the Tartar Republic where he aroused hatred by showing his contempt for the local culture and fell ill, the first of many signs of his fragility. He would now have met Stalin. In June 1925, he rose to be one of the Secretaries of Kirgizia. After studying at the Communist Academy, he was promoted to work at the CC, then to Deputy Agriculture Commissar. In November 1930, Stalin received him in his office. At Kaganovich’s suggestion, Yezhov began to attend the Politburo. In the early thirties, he headed the CC Personnel Assignments Department and helped Kaganovich purge the Party in 1933, flourishing in a frenzy of exhausting bureaucratic dynamism. Yet already there were signs of danger and complexity.6
“I don’t know a more ideal worker,” observed a colleague. “After entrusting him with a job, you can leave him without checking and be sure he would do it,” but there was one problem: “He does not know how to stop.” This was an admirable and deadly characteristic in a Bolshevik during the Terror but it also extended to Yezhov’s personal life.
His humour was oafishly puerile: he presided over competitions to see which trouserless Commissar could fart away handfuls of cigarette ash. He cavorted at orgies with prostitutes, but was also an enthusiastic bisexual, having enjoyed avid encounters with his fellow tailoring apprentices, soldiers at the front and even high Bolsheviks like Filipp Goloshchekin, who had arranged the murder of the Romanovs. His only hobby apart from partying and fornicating was collecting and making model yachts. Unstable, sexually confused and highly strung, he was too weak to compete with bulldozers like Kaganovich, not to mention Stalin himself. Yezhov suffered constant nervous illnesses, including sores and itchy skin, TB, angina, sciatica, psoriasis (a nervous condition he probably shared with Stalin) and what they called “neurasthenia.” He often sank into gloomy depression, drank too much and had to be nurtured by Stalin, just to keep him at work.7
Stalin embraced him into his circle: Yezhov had exhausted himself so Stalin insisted on more rest cures. “Yezhov himself is against this but they say he needs it,” he wrote in September 1931. “Let’s prolong his holiday and let him sit in Abastuman for two more months.” 8 Stalin gave nicknames to his favourites: he called Yezhov “my blackberry” (yezhevika). Stalin’s notes were often curt personal questions: “To Comrade Yezhov. Give him some work,” or “Listen and help.” 9 Yet he instinctively understood the essence of Yezhov: there is an unpublished note from August 1935 to his lieutenant in the archive that sums up their relationship. “When you say something,” Stalin wrote, “you always do it!” There was the heart of their partnership. 10 When Vera Trail, whose memoir of her encounter remains unpublished, met him at his peak, she noticed Yezhov was so perceptive of the wishes of others that he could literally “finish one’s sentences.” Yezhov was uneducated, but also sly, able, perceptive and without moral boundaries. 11
Yezhov did not rise alone: he was accompanied by his wife who was to become the most flamboyant and, literally, fatal flirt of Stalin’s entourage. It happened that Mandelstam, the poet, witnessed their courtship. In one of those almost incredible meetings, the encounter of Russia’s finest poet with its greatest killer, Mandelstam found himself staying at the same sanitorium in Sukhumi as Yezhov and his then wife Tonya in 1930. The Mandelstams were in the attic of the mansion in Dedra Park that was shaped like a giant white wedding cake.82
Yezhov had married the educated and sincerely Marxist Antonina Titova in 1919. By 1930, Tonya was sunbathing in a deckchair at the Sukhumi mansion, reading Das Kapital and enjoying the attentions of an Old Bolshevik while her husband rose early every morning to cut roses for a girl, also married, who was staying there too. Cutting roses, pursuing adulterous romances, singing and dancing the gopak, one gets an idea of the incestuous world of the Bolsheviks on holiday. But Yezhov’s new mistress was no Old Bolshevik but the Soviet version of a flapper who had already introduced him to her writer friends in Moscow. Yezhov divorced Tonya that year and married her.
Slim with flashing eyes, Yevgenia Feigenberg, at twenty-six, was a seductive and lively Jewess from Gomel. This avid literary groupie was as promiscuous as her new husband: she possessed the amorous enthusiasm of Messalina but none of her guile. She had first married an official, Khayutin, then Gadun, who was posted to the Soviet Embassy in London. She went too but when he was sent home, she stayed abroad, typing in the Berlin legation. It was there that she met her first literary star, Isaac Babel, whom she seduced with the line of so many flirtatious groupies meeting their heroes: “You don’t know me but I know you well.” These words later assumed a dreadful significance.
Back in Moscow, she met “Kolya” Yezhov.12 Yevgenia yearned to hold a literary salon: henceforth Babel and the jazz star Leonid Utsesov were often chez Yezhov. It was she who asked the Mandelstams: “Pilniak comes to see us. Whom do you go to see?” But Yezhov was also obsessionally devoted to Stalin’s work—writers did not interest him. The only magnate who was a friend of both Yezhovs was Sergo, as was his wife Zina: photographs show the two couples at their dachas. Sergo’s daughter Eteri remembers how Yevgenia “was much better dressed than the other Bolshevik wives.” 13
By 1934, Yezhov was once again so weary that he almost collapsed, covered in boils. Stalin, on holiday with Kirov and Zhdanov, despatched Yezhov to enjoy the most luxurious medical care available in Mitteleuropa and ordered Poskrebyshev’s deputy, Dvinsky, to send the Berlin Embassy this coded note: “I ask you to pay very close attention to Yezhov.
He’s seriously ill and I cannot estimate the gravity of the situation. Give him help and cherish him with care . . . He is a good man and a very precious worker. I will be grateful if you will inform the Central Committee regularly83 on his treatment.”14
No one objected to Yezhov’s rise. On the contrary, Khrushchev thought him an admirable appointment. Bukharin respected his “good heart and clean conscience” though he noticed that he grovelled before Stalin—but that was hardly unique.15 “Blackberry” worked uneasily with Yagoda to force Zinoviev, Kamenev and their unfortunate allies to confess to being responsible for the murder of Kirov and all manner of other dastardly deeds.16
It was not long before Blackberry’s chain-mail fist reached out to crush one of Stalin’s oldest friends: Abel Yenukidze. That genial sybarite and seigneur of the Bolshoi flaunted his sexual affairs with ever younger girls, including teenage ballerinas. Girls filled his office, which came to resemble a sort of Bolshevik dating agency for future and cast-off mistresses.
Stalin’s circle was already abuzz with his antics: “Being dissolute and sensual,” Yenukidze left a “stench everywhere indulging himself to procure women, breaking up families, seducing girls,” wrote Maria Svanidze. “Having all the goodies of life in his hands . . . he used this for his own filthy personal purposes, buying girls and women.” She claimed Yenukidze was “sexually abnormal,” picking up younger and younger girls, sinking to children of nine to eleven years old. The mothers were paid off. Maria complained to Stalin who surely began to listen: Stalin had not trusted him as early as 1929.
Nadya’s godfather crossed the line between family and politics in Stalin’s life and this proved a dangerous fence to straddle. A generous friend to Left and Right, he may have objected to the 1st December Law but he also personified the decadence of the new nobility. Abel was not the only one: Stalin felt himself surrounded by pigs at the trough. Stalin was always alone even among his convivial entourage, convinced of his separateness and often lonely. As recently as 1933, he had begged Yenukidze to holiday with him. In Moscow, Stalin often asked Mikoyan and Alyosha Svanidze, who was like “a brother” to him, to stay overnight. Mikoyan stayed a few times but his wife was unhappy about it: “How could she check whether I was really at Stalin’s?” Svanidze stayed more often.17
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