The Swede immediately began to boast loudly. “Why, in a fight. I thumped the soul out of a man down here at Scully’s hotel.”
The interest of the four men at the table was at last aroused.
“Who was it?” said one.
“Johnnie Scully,” blustered the Swede. “Son of the man what runs it. He will be pretty near dead for some weeks, I can tell you. I made a nice thing of him, I did. He couldn’t get up. They carried him in the house. Have a drink?”
Instantly the men in some subtle way incased themselves in reserve. “No, thanks,” said one. The group was of curious formation. Two were prominent local business men; one was the district-attorney; and one was a professional gambler of the kind known as “square.” But a scrutiny of the group would not have enabled an observer to pick the gambler from the men of more reputable pursuits. He was, in fact, a man so delicate in manner, when among people of fair class, and so judicious in his choice of victims, that in the strictly masculine part of the town’s life he had come to be explicitly trusted and admired. People called him a thoroughbred. The fear and contempt with which his craft was regarded was undoubtedly the reason that his quiet dignity shone conspicuous above the quiet dignity of men who might be merely hatters, billiard-markers, or grocery clerks. Beyond an occasional unwary traveler, who came by rail, this gambler was supposed to prey solely upon reckless and senile farmers, who, when flush with good crops, drove into town in all the pride and confidence of an absolutely invulnerable stupidity. Hearing at times in circuitous fashion of the despoilment of such a farmer, the important men of Romper invariably laughed in contempt of the victim, and if they thought of the wolf at all, it was with a kind of pride at the knowledge that he would never dare think of attacking their wisdom and courage. Besides, it was popular that this gambler had a real wife and two real children in a neat cottage in a suburb, where he led an exemplary home life, and when any one even suggested a discrepancy in his character, the crowd immediately vociferated descriptions of this virtuous family circle. Then men who led exemplary home lives, and men who did not lead exemplary home lives, all subsided in a bunch, remarking that there was nothing more to be said.
However, when a restriction was placed upon him—as, for instance, when a strong clique of members of the new Pollywog Club refused to permit him, even as a spectator, to appear in the rooms of the organization—the candor and gentleness with which he accepted the judgment disarmed many of his foes and made his friends more desperately partisan. He invariably distinguished between himself and a respectable Romper man so quickly and frankly that his manner actually appeared to be a continual broadcast compliment.
And one must not forget to declare the fundamental fact of his entire position in Romper. It is irrefutable that in all affairs outside of his business, in all matters that occur eternally and commonly between man and man, this thieving card-player was so generous, so just, so moral, that, in a contest, he could have put to flight the consciences of nine-tenths of the citizens of Romper.
And so it happened that he was seated in this saloon with the two prominent local merchants and the district-attorney.
The Swede continued to drink raw whiskey, meanwhile babbling at the barkeeper and trying to induce him to indulge in potations. “Come on. Have a drink. Come on. What—no? Well, have a little one then. By gawd, I’ve whipped a man to-night, and I want to celebrate. I whipped him good, too. Gentlemen,” the Swede cried to the men at the table, “have a drink?”
“Ssh!” said the barkeeper.
The group at the table, although furtively attentive, had been pretending to be deep in talk, but now a man lifted his eyes towards the Swede and said shortly, “Thanks. We don’t want any more.”
At this reply the Swede ruffled out his chest like a rooster. “Well,” he exploded, “it seems I can’t get anybody to drink with me in this town. Seems so, don’t it? Well!”
“Ssh!” said the barkeeper.
“Say,” snarled the Swede, “don’t you try to shut me up. I won’t have it. I’m a gentleman, and I want people to drink with me. And I want ’em to drink with me now. Now—do you understand?” He rapped the bar with his knuckles.
Years of experience had calloused the bartender. He merely grew sulky. “I hear you,” he answered.
“Well,” cried the Swede, “listen hard then. See those men over there? Well, they’re going to drink with me, and don’t you forget it. Now you watch.”
“Hi!” yelled the barkeeper, “this won’t do!”
“Why won’t it?” demanded the Swede. He stalked over to the table, and by chance laid his hand upon the shoulder of the gambler. “How about this?” he asked, wrathfully. “I asked you to drink with me.”
The gambler simply twisted his head and spoke over his shoulder. “My friend, I don’t know you.”
“Oh, hell!” answered the Swede, “come and have a drink.”
“Now, my boy,” advised the gambler kindly, “take your hand off my shoulder and go ’way and mind your own business.” He was a little slim man, and it seemed strange to hear him use this tone of heroic patronage to the burly Swede. The other men at the table said nothing.
“What? You won’t drink with me, you little dude? I’ll make you then! I’ll make you!” The Swede had grasped the gambler frenziedly at the throat, and was dragging him from his chair. The other men sprang up. The barkeeper dashed around the corner of his bar. There was a great tumult, and then was seen a long blade in the hand of the gambler. It shot forward, and a human body, this citadel of virtue, wisdom, power, was pierced as easily as if it had been a melon. The Swede fell with a cry of supreme astonishment.
The prominent merchants and the district-attorney must have at once tumbled out of the place backward. The bartender found himself hanging limply to the arm of a chair and gazing into the eyes of a murderer.
“Henry,” said the latter, as he wiped his knife on one of the towels that hung beneath the bar-rail, “you tell ’em where to find me. I’ll be home, waiting for ’em.” Then he vanished. A moment afterward the barkeeper was in the street dinning through the storm for help, and, moreover, companionship.
The corpse of the Swede, alone in the saloon, had its eyes fixed upon a dreadful legend that dwelt atop of the cash-machine. “This registers the amount of your purchase.”
IX
MONTHS LATER, THE cowboy was frying pork over the stove of a little ranch near the Dakota line, when there was a quick thud of hoofs outside, and presently the Easterner entered with the letters and the papers.
“Well,” said the Easterner at once, “the chap that killed the Swede has got three years. Wasn’t much, was it?”
“He has? Three years?” The cowboy poised his pan of pork, while he ruminated upon the news. “Three years. That ain’t much.”
“No. It was a light sentence,” replied the Easterner as he unbuckled his spurs. “Seems there was a good deal of sympathy for him in Romper.”
“If the bartender had been any good,” observed the cowboy thoughtfully, “he would have gone in and cracked that there Dutchman on the head with a bottle in the beginnin’ of it and stopped all this here murderin’.”
“Yes, a thousand things might have happened,” said the Easterner tartly.
The cowboy returned his pan of pork to the fire, but his philosophy continued. “It’s funny, ain’t it? If he hadn’t said Johnnie was cheatin’ he’d be alive this minute. He was an awful fool. Game played for fun, too. Not for money. I believe he was crazy.”
“I feel sorry for that gambler,” said the Easterner.
“Oh, so do I,” said the cowboy. “He don’t deserve none of it for killin’ who he did.”
“The Swede might not have been killed if everything had been square.”
“Might not have been killed?” exclaimed the cowboy. “Everythin’ square? Why, when he said that Johnnie was cheatin’ and acted like such a jackass? And then in the saloon he fairly walked up to git hurt?” With these argumen
ts the cowboy browbeat the Easterner and reduced him to rage.
“You’re a fool!” cried the Easterner viciously. “You’re a bigger jackass than the Swede by a million majority. Now let me tell you one thing. Let me tell you something. Listen! Johnnie was cheating!”
“Johnnie,” said the cowboy blankly. There was a minute of silence, and then he said robustly, “Why, no. The game was only for fun.”
“Fun or not,” said the Easterner, “Johnnie was cheating. I saw him. I know it. I saw him. And I refused to stand up and be a man. I let the Swede fight it out alone. And you—you were simply puffing around the place and wanting to fight. And then old Scully himself! We are all in it! This poor gambler isn’t even a noun. He is kind of an adverb. Every sin is the result of a collaboration. We, five of us, have collaborated in the murder of this Swede. Usually there are from a dozen to forty women really involved in every murder, but in this case it seems to be only five men—you, I, Johnnie, old Scully, and that fool of an unfortunate gambler came merely as a culmination, the apex of a human movement, and gets all the punishment.”
The cowboy, injured and rebellious, cried out blindly into this fog of mysterious theory. “Well, I didn’t do anythin’, did I?”
1899
EDITH WHARTON
A Cup of Cold Water
Although EDITH (NEWBOLD) WHARTON, née Jones (1862–1937), is most famous as a writer of literary, mainstream works than of what in lesser hands would ordinarily be called genre fiction, there can be little doubt that some of her most enduring works are her ghost and supernatural stories, as is the case with her friend and major literary influence, Henry James, whose most widely read book these days may well be the subtle ghost story The Turn of the Screw.
Wharton was the first woman to win the Pulitzer Prize, her novel The Age of Innocence (1920) taking the honor. Old New York (1924), a collection of four novellas, inspired the play The Old Maid, by Zoë Atkins, which won the Pulitzer Prize in 1935. The following story, admittedly, stretches the definition of a “mystery” story somewhat, but it is not unlike the work of several authors whose works are categorized in that genre. It is the tale of a con man and thief who, not surprisingly, finds himself caught up in events that spiral out of his control—someone not so different from other crooks (both in real life and in literature), who often discover that they are no longer masters of their own futures.
Born to enormous wealth in New York City, Wharton rebelled against her privileged life among high society in New York, Paris, and Newport, Rhode Island, by writing fiction, which her family regarded as an eccentricity that was best ignored and never discussed. Her earliest stories were written for Scribner’s Magazine, and when the editor requested a serial novel “in six months,” she wrote her first big bestseller for him, The House of Mirth (1905). Six years later she published what many regard as her masterpiece, Ethan Frome (1911), and she ultimately wrote forty-seven books. “A Cup of Cold Water,” like so many of her stories, reflects her disdain for the social milieu in which she was expected to live. It is fraught with suspense, although the “crime” of which the heroine is guilty is really the least of her troubles.
“A Cup of Cold Water” was first published in Wharton’s short story collection The Greater Inclination (New York: Charles Scribner’s Sons, 1899).
***
I
IT WAS THREE o’clock in the morning, and the cotillion was at its height, when Woburn left the over-heated splendor of the Gildermere ballroom, and after a delay caused by the determination of the drowsy footman to give him a ready-made overcoat with an imitation astrachan collar in place of his own unimpeachable Poole garment, found himself breasting the icy solitude of the Fifth Avenue. He was still smiling, as he emerged from the awning, at his insistence in claiming his own overcoat: it illustrated, humorously enough, the invincible force of habit. As he faced the wind, however, he discerned a providence in his persistency, for his coat was fur-lined, and he had a cold voyage before him on the morrow.
It had rained hard during the earlier part of the night, and the carriages waiting in triple line before the Gildermeres’ door were still domed by shining umbrellas, while the electric lamps extending down the avenue blinked Narcissus-like at their watery images in the hollows of the sidewalk. A dry blast had come out of the north, with pledge of frost before daylight, and to Woburn’s shivering fancy the pools in the pavement seemed already stiffening into ice. He turned up his coat-collar and stepped out rapidly, his hands deep in his coat-pockets.
As he walked he glanced curiously up at the ladder-like door-steps which may well suggest to the future archaeologist that all the streets of New York were once canals; at the spectral tracery of the trees about St. Luke’s, the fretted mass of the Cathedral, and the mean vista of the long side-streets. The knowledge that he was perhaps looking at it all for the last time caused every detail to start out like a challenge to memory, and lit the brown-stone house-fronts with the glamour of sword-barred Edens.
It was an odd impulse that had led him that night to the Gildermere ball; but the same change in his condition which made him stare wonderingly at the houses in the Fifth Avenue gave the thrill of an exploit to the tame business of ball-going. Who would have imagined, Woburn mused, that such a situation as his would possess the priceless quality of sharpening the blunt edge of habit?
It was certainly curious to reflect, as he leaned against the doorway of Mrs. Gildermere’s ball-room, enveloped in the warm atmosphere of the accustomed, that twenty-four hours later the people brushing by him with looks of friendly recognition would start at the thought of having seen him and slur over the recollection of having taken his hand!
And the girl he had gone there to see: what would she think of him? He knew well enough that her trenchant classifications of life admitted no overlapping of good and evil, made no allowance for that incalculable interplay of motives that justifies the subtlest casuistry of compassion. Miss Talcott was too young to distinguish the intermediate tints of the moral spectrum; and her judgments were further simplified by a peculiar concreteness of mind. Her bringing-up had fostered this tendency and she was surrounded by people who focused life in the same way. To the girls in Miss Talcott’s set, the attentions of a clever man who had to work for his living had the zest of a forbidden pleasure; but to marry such a man would be as unpardonable as to have one’s carriage seen at the door of a cheap dress-maker. Poverty might make a man fascinating; but a settled income was the best evidence of stability of character. If there were anything in heredity, how could a nice girl trust a man whose parents had been careless enough to leave him unprovided for?
Neither Miss Talcott nor any of her friends could be charged with formulating these views; but they were implicit in the slope of every white shoulder and in the ripple of every yard of imported tulle dappling the foreground of Mrs. Gildermere’s ball-room. The advantages of line and color in veiling the crudities of a creed are obvious to emotional minds; and besides, Woburn was conscious that it was to the cheerful materialism of their parents that the young girls he admired owed that fine distinction of outline in which their skillfully-rippled hair and skillfully-hung draperies cooperated with the slimness and erectness that came of participating in the most expensive sports, eating the most expensive food and breathing the most expensive air. Since the process which had produced them was so costly, how could they help being costly themselves? Woburn was too logical to expect to give no more for a piece of old Sèvres than for a bit of kitchen crockery; he had no faith in wonderful bargains, and believed that one got in life just what one was willing to pay for. He had no mind to dispute the taste of those who preferred the rustic simplicity of the earthen crock; but his own fancy inclined to the piece of pâte tendre which must be kept in a glass case and handled as delicately as a flower.
It was not merely by the external grace of these drawing-room ornaments that Woburn’s sensibilities were charmed. His imagination was touched by the curious exoticism
of view resulting from such conditions. He had always enjoyed listening to Miss Talcott even more than looking at her. Her ideas had the brilliant bloom and audacious irrelevance of those tropical orchids which strike root in air. Miss Talcott’s opinions had no connection with the actual; her very materialism had the grace of artificiality. Woburn had been enchanted once by seeing her helpless before a smoking lamp: she had been obliged to ring for a servant because she did not know how to put it out.
Her supreme charm was the simplicity that comes of taking it for granted that people are born with carriages and country-places: it never occurred to her that such congenital attributes could be matter for self-consciousness, and she had none of the nouveau riche prudery which classes poverty with the nude in art and is not sure how to behave in the presence of either.
The conditions of Woburn’s own life had made him peculiarly susceptible to those forms of elegance which are the flower of ease. His father had lost a comfortable property through sheer inability to go over his agent’s accounts; and this disaster, coming at the outset of Woburn’s school-days, had given a new bent to the family temperament. The father characteristically died when the effort of living might have made it possible to retrieve his fortunes; and Woburn’s mother and sister, embittered by this final evasion, settled down to a vindictive war with circumstances. They were the kind of women who think that it lightens the burden of life to throw over the amenities, as a reduced housekeeper puts away her knick-knacks to make the dusting easier. They fought mean conditions meanly; but Woburn, in his resentment of their attitude, did not allow for the suffering which had brought it about: his own tendency was to overcome difficulties by conciliation rather than by conflict. Such surroundings threw into vivid relief the charming figure of Miss Talcott. Woburn instinctively associated poverty with bad food, ugly furniture, complaints and recriminations: it was natural that he should be drawn toward the luminous atmosphere where life was a series of peaceful and good-humored acts, unimpeded by petty obstacles. To spend one’s time in such society gave one the illusion of unlimited credit; and also, unhappily, created the need for it.
The Best American Mystery Stories of the 19th Century Page 72
