At this moment a torrent of inebriated Dutch sailors, their arms on each other’s shoulders, half running, half dancing the remains of a drunken hornpipe, scattering the crowd right and left, suddenly came bearing down on them. One moment Matthew was standing there, immobilized by the question of colonial welfare and progress, with the damp palm of his hand neatly moulding a young woman’s naked breast, the next he was being jostled by a crowd of chuckling Chinese as they fled before the hornpiping sailors. He was pushed this way and that. He and the young woman were sundered … the hand through which such agreeable sensations had been flowing was brushed away, his spectacles dislodged from his nose and swung perilously from one ear as he struggled to keep his balance. Now a gale of deep-throated laughter blew in his ear, his wrists were grabbed and slung around enormous damp necks, powerful hands closed round his chest, and the next instant he had been whisked away as part of a giant spider’s web of sailors from which one or two diminutive Chinese were struggling like flies to extricate themselves. Matthew found himself carried along in a blur of rushing lights and figures, swaying and horn-piping at a terrifying speed, his feet hardly touching the ground, until at last the spider’s web’s progress was arrested by crashing into a tent where what might have been some rather intimate massage seemed to be taking place. By the time that he, too, had managed to disengage himself and adjust his spectacles, which by a miracle he had not lost (he would have been helpless without them), he was some distance from where he had seen the girl. He went back a little way, looking for her, but the crowd had surged over the place where they had been standing and he could no longer even be quite sure where it had been.
He felt a hand on his arm. He turned and found that it was Monty.
‘We thought we’d lost you. What have you been up to? Come on, it’s this way.’
‘Monty, I must tell you, a really strange thing just happened …’
But Monty was anxious not to miss the beginning of the show and without waiting to hear any more had set off again towards a distant spot-lit enclosure. From that direction, too, there now came a high-pitched, piercing laugh, like the creaking of a dry pump, or perhaps the lonely cry of a peacock in the dusk.
22
A considerable crowd had assembled to witness the unusual sight of a European lady being fired from a cannon; canvas awnings had been erected to screen the event from those reluctant to pay the price of admission but here and there the fabric was torn and small boys fought for places at peepholes. Inside the enclosure an elaborate scene had been set: on the right stood the cannon, its long barrel, mottled with green and brown camouflage in the best military manner, protruding from a two-dimensional cardboard castle on which was written Fortress Singapore. Behind the cannon loomed the giant papiermâché heads of Chiang Kai-shek and King George VI, the former with a legend hung round his neck: ‘Kuo (Country), Min (People), Tang (Party). World friend with all Peace-loving Peoples!’ together with a similar legend in Chinese ideographs beside it. ‘God Save King’ said a more prefunctory legend around the King’s neck.
On the left, at a distance of some fifty yards, stretched a large net and, in front of the net, an impressively realistic armoured-car constructed of paper and thin wooden laths. From its turret there reared, like snakes from a basket, a fistful of hideously grinning bespectacled heads in military caps; towering above these heads, like a king cobra ready to strike, was yet another bespectacled snake’s head which was surely, thought Matthew, intended as a caricature of the young Emperor Hirohito. Any doubt but that this was intended to be the cannon’s target was dispelled by a sign on the armoured-car which declared: ‘Hated Invader of Beloved China Homeland.’
‘But where are the Da Sousa Sisters?’ demanded Monty. ‘I thought they were part of the show.’ The programme he had bought consisted of a single folded sheet, on the outside of which was a blurred photograph of a bulky, helmeted figure, presumably the human ammunition; inside, it read:
1 Advance of atrocious enemy.
2 Cannon fires.
3 Miss Olive Kennedy-Walsh, BA (Pass Arts), H Dip Ed, TCD will hurtle through air towards advancing disagreeable aggressor.
4 Treacherous aggressor smashed. (Mgt not responsible.)
5 Voluntary contributions to China Heroic War Effort gratefully received.
6 God sake King.
7 End.
8 Please to exit. Thank you for custom.
Paper model supplied courtesy Chou & Son, Undertaker and Funeral Preparation. All Religions catered for. Sago Lane, Singapore.
‘End as you wish you had begun.’
‘Oh, that’s nothing,’ said Monty to Matthew, who had remarked on the excellence of the imitation armoured-car. ‘You should see the Cadillacs and houses and ocean liners and whatnot they make for rich towkays to take away with them to the next world. It’s a skilled profession. The Chinese can be pretty simple-minded,’ he added with a sneer.
‘Where are those suh … suh … suh … sisters? This is a duh … hm … liberate swindle, don’t you think so, Monty?’
But a pink-faced young planter nearby, overhearing Sinclair’s complaint, assured him that the Da Sousa Sisters had already made their appearance. They had sung a number of songs, including ‘Chocolate Soldier’ and, of course, their signature tune: ‘Halloa! halloa! halloa!’ He doubted whether they would appear again that evening.
‘Just our luck,’ grumbled Monty.
‘I don’t think Jim will ever find us,’ Matthew was saying, but at that moment he saw Ehrendorf shouldering his way into the enclosure. Meanwhile, a portable gramophone was being vigorously wound by one of the stage-hands. Another Chinese in a white dinner-jacket took the microphone. ‘Just in time,’ said Ehrendorf cheerfully. ‘I wouldn’t have missed this for anything.’ Joan was sitting at the end of the row and he sat down next to her. But she stood up immediately, saying to Monty and Sinclair: ‘Move along. I want to sit next to Matthew.’ With some confusion, because the gap between the rows of seats was narrow, she struggled to the place which opened up between Sinclair and Matthew. Ehrendorf flushed and stared grimly down at the arena.
Now the star of the performance, Miss Kennedy-Walsh, was being announced: she was a strongly built woman in her thirties, dressed from head to foot in an aviator’s suit of white silk which perfectly modelled her impressive figure: the audience murmured in appreciation of her well-formed thighs, her generous breasts, her strong jaw and pink face.
‘Will she ever squeeze down the barrel?’ joked Ehrendorf tensely.
‘Big ah blests number one!’ remarked a smartly dressed young Chinese beside Matthew giving the thumbs-up sign. Matthew had already noticed by the pin-ups displayed at the ‘virility’ stall how the Chinese seemed to admire big-bosomed women.
Miss Kennedy-Walsh, indeed, was not finding it easy to insert herself in the barrel. Her splendid thighs she fitted in with comparative ease; somehow, aided by the slippery material of her suit, she also managed to cram her hips into the muzzle. But her breasts remained obstinately stuck on the rim and with her arms pinned to her sides she was helpless. Stuck! Her face flushed with irritation. A murmur of concern arose from the audience. ‘Glory be to God, will ye give us a shove, y’lazy gombeens!’
A hasty conference of the Chinese organizers was already taking place. They scratched their heads and stared at Miss Kennedy-Walsh’s too ample bosom and then they stared at the cannon and scratched their heads again. The master of ceremonies put his hands on her shoulders and shoved politely, but that did not help. If anything it made things worse. Miss Kennedy-Walsh slipped down a few inches but her bosom remained on the rim and her face grew redder.
‘Will we be stayin’ here all the night or what?’ she demanded furiously. Her mouth could be seen working but her further comments were drowned by the martial music which suddenly started up. Matthew, who had been watching with interest and concern, stiffened suddenly as he felt Joan’s hand creep into his own and his pulse quickened.
&n
bsp; In the meantime someone had had an idea and a Chinese lady had been invited on to the stage. She was heavily made-up and, despite the heat, wore a brilliant feather boa round her neck. She had evidently been hastily summoned from other duties and appeared flustered. The master of ceremonies, explaining what he wanted her to do, made kneading motions and pointed at the recalcitrant breasts. A sheet was modestly thrown over the muzzle and Miss Kennedy-Walsh’s protruding head and torso. The lady with the boa vanished underneath it; the gramophone continued to play martial music. When, after a few moments, the sheet was whipped away again, there was no sign of Miss Kennedy-Walsh. A ripple of applause echoed around the enclosure.
Now the show was beginning in earnest. The master of ceremonies, first in Cantonese, then in Malay, then in English, asked the audience on a given signal to count down from ten. A spotlight was directed on a man by the breech of the cannon holding a lanyard: he smiled nervously; a wheel was spun and the barrel elevated. Another spotlight was directed on to the model armoured-car with its wavering, two-dimensional Japanese effigies. Long ropes had been attached to the front of the armoured-car which now began to move very slowly, dragged by two Chinese stage-hands, from behind the net and on towards ‘Fortress Singapore’. A high ramp had been set up in front of the net and the armoured-car obligingly diverted from its course and, instead of continuing to advance directly on the Fortress, started to climb it. The martial music had come to a stop, replaced by a long roll of drums. The counting began. Ten … nine … eight … The armoured-car had almost reached the top of the ramp … Three … two … one … Fire! The man holding the lanyard jerked it, but nothing happened A gasp of dismay went up from the spectators. In the silence that followed, muffled comments could be heard from inside the barrel of the cannon. Monty consulted his programme: ‘We seem to have got stuck on number 2: “cannon fires”.’
Another hasty conference took place, this time around the breech. While it was taking place the men with the ropes, somewhat apprehensively, darted up the ramp under the eye of the cannon, seized the armoured-car and carried it back to its original position; then they took up their stations once more with the ropes. Presently, after another roll of drums and a few adjustments by a man with a spanner, they were again given the signal to start pulling. The armoured-car began to climb! Ten … nine … eight … The nervous strain was clearly telling on the men with the ropes: the vehicle was advancing jerkily, now halting, now bounding forward. Three … two … one … Fire! A tremendous explosion echoed around The Great World and a white projectile went winging its way in a glittering arc beneath the black vault of the sky. Swooning with excitement, the men with the ropes gave a great pull: the armoured-car shot over the top of the ramp and down the other side just as Miss Kennedy-Walsh hurtled by where it had been standing an instant before; on she went to land helmet first in the net; there she jumped and arched and flapped like a netted salmon.
Missed! This was not a contingency for which the men holding the ropes had prepared themselves. They looked at each other helplessly. What were they to do? Even the most perfunctory realism required them to continue pulling. The armoured-car turned its nose hesitatingly towards ‘Fortress Singapore’ and continued, slowly but steadily, to convey its wavering cargo of grinning, bespectacled Japanese towards where the cannon loomed, bereft of ammunition. A roar of indignation went up from the crowd. The master of ceremonies hurriedly intervened and the armoured car was whisked away, Miss Kennedy-Walsh took a bow. A collection in favour of the Nanyang Anti-Enemy Backing-up Society was announced.
‘Let’s go and have a drink,’ said Monty, who seemed satisfied with the way the show had turned out despite the nonappearance of the Da Sousa Sisters. As they made their way towards the exit the crowd was beginning to sing: ‘God save glacious King!’
They set off down another alley; the crowds strolling up and down had grown even more dense than they had been earlier. Monty, Joan and Sinclair walked in front. Matthew followed at a little distance with Ehrendorf; he wanted to think of some way of comforting his friend who was still clearly upset by the way Joan had changed places in the enclosure. Moreover, he was worried that if he walked beside Joan, she might not be able to resist the temptation of holding his hand in full view of the others, thus causing Ehrendorf further unnecessary chagrin. Matthew could not help thinking it curious that she should find him attractive. Very few other women ever had. He had tried to accept this, as he tried to accept everything, philosophically.
But above all Matthew simply wanted to talk with his old friend and to recover their former intimacy, for Ehrendorf was one of those rare people who could be interesting whatever he talked about. Matthew enjoyed argument and speculation the way other people enjoy a game of tennis. Furthermore, although he did not mind the particular, it was the general which really stirred him. It was not enough for him to know, for example, that two Catholics were pitched out of a window in Prague in the interests of the Jesuits and Ferdinand of Styria early in the seventeenth century (as it would be for you and me), Matthew immediately wanted to investigate the general implications of the deed. And he would speculate lovingly on whether or not it had been necessary (not merely a coincidence) that a period of intolerance should follow the Emperor Rudolph’s liberal reign, or on some other quite different aspect of the matter … on religion as against economics as a cause of war, or (even more far-fetched) on the effect of windows, and of glass generally, on the Bohemian psyche, or on the marriage of physical and mental enlightenment (windows, lamps, electric light advancing hand in hand with rational thought) in the progress of humanity.
Of course, people change. Matthew and Ehrendorf had both undoubtedly changed in the years since they had argued into the night in Oxford and Geneva. Matthew had realized even in Geneva that he himself was beginning to change: he no longer enjoyed arguing with his friends, above all those who had embraced the academic life, quite as much as he had once done. It was not simply that these friends had tended to adopt the lugubrious and self-important air which distinguishes academics: surrounded by the paralysing comforts, conveniences and irritations of university life what else could they do? He sensed that what distressed him was a gap which had opened up between thought and feeling, the remoteness, the impartiality of his friends to the subjects they were teaching or studying. Objectivity, he had had to agree with them, was important obviously. But what was required, he had declared, striding up and down with their vintage port inside him while they eyed him dubiously wondering whether he would wake the children, was ‘a passionate objectivity’ (whatever that might be). He had usually found himself taking the last bus home feeling muddled and dissatisfied with himself as well as with his friends. Yet with Ehrendorf it had always been a little different, perhaps because, coming from a military family, he had chosen to become a soldier rather than an academic, though more likely it was simply a difference of personality. Whatever the reason, in Geneva he had always found it delightfully easy to discuss things with Ehrendorf.
Now, just as if they had been strolling along the Quai Wilson instead of through a pulsing, perfumed, malodorous, humid, tropical evening, Matthew brushed aside some trivial enquiry from Ehrendorf about Sinclair (who was he? how long had Joan known him? were they particularly close friends, perhaps even childhood friends?) and reverted to the important matter which had stopped him in his tracks earlier. Could the coming of western capital to the Far East be seen as progress from the natives’ point of view?
‘I’m sure you’ve heard Walter’s lecture on how he and my father and some other merchants transformed Burma from a country, where, unless a coconut fell off a tree, nobody had any supper, into a modern rice-exporting nation … I gather he delivers it to everyone he comes across …’
‘Well,’ sighed Ehrendorf, automatically falling into his old Oxford habits, ‘it all depends what you mean by …’
‘Progress? Or natives?’
‘Well, by both, I guess,’ Ehrendorf smiled faintly, ‘since
there was massive immigration of Indians and their situation must have been different from that of the Burmese. Walter certainly exaggerates. Burma was a fertile and prosperous country before the British took over. But you mustn’t think that a barter economy is like Paradise before the Fall: a cash economy has more resources to survive floods, typhoons, and whatnot, even if it does introduce certain difficulties of its own which were not there before.’
‘Difficulties! Why, the rice merchants knocked Burma for six! The whole culture was destroyed. The old communal village life collapsed. Almost overnight it became every man for himself. People started fencing off grazing land which used to belong to the whole village and so forth. Profit took a grip on the country like some dreadful new virus against which nobody had any resistance. When the Burmese were reduced to becoming migrant seasonal workers in the paddy fields the old village life was finished off completely … and with it went everything that made life more than a pure money-grubbing exercise. At one time they used to hold elaborate cattle races, and water festivals, and village dances and theatricals and puppet shows. They all vanished. And what replaced them? A huge increase in the crime rate! To be happy people need to live in communities. If you don’t believe me you can read it in the government reports!’
‘Sure, I believe you,’ said Ehrendorf rather vaguely. ‘But still, this is a partial view. You must look at the whole picture.
The Empire Trilogy Page 105
