This was a design, however, beyond his accomplishment; and, having again attacked the door, raised Paulo to the grated window, and vociferated for release with his utmost strength, in which he was very ably seconded by Paulo, he abandoned, for the present, all further attempts, and, weary and desponding, threw himself on the ground of the dungeon.
Paulo bitterly lamented his master’s rashness in penetrating to this remote spot, and bewailed the probability of their being famished.
“For, supposing, Signor, that we were not decoyed hither for plunder and butchery, and supposing that we are not surrounded by malicious spirits, which San Januarius forbid I should take upon me to affirm is impossible! supposing all this, Signor, yet still there remains almost a certainty of our being starved to death; for how is it possible that any body can hear our cries, in a place so remote from all resort, and buried, as one may say, under ground, as this is?”
“Thou art an excellent comforter,” said Vivaldi, groaning.
“You must allow, Signor, that you are even with me,” replied Paulo; “and that you are as excellent a conductor.”
Vivaldi gave no answer, but lay on the ground, abandoned to agonizing thought. He had now leisure to consider the late words of the monk, and to conjecture, for he was in a mood for conjecturing the worst, that they not only alluded to Ellena, but that his saying “she had departed an hour ago,” was a figurative manner of telling that she had died then. This was a conjecture which dispelled almost all apprehension for himself. He started from the ground, and paced his prison with quick and unequal steps; it was now no longer a heavy despondency that oppressed him, but an acute anxiety that stung him, and, with the tortures of suspense, brought also those of passionate impatience and horror concerning the fate of Ellena. The longer he dwelt upon the possibility of her death, the more probable it appeared. This monk had already forewarned him of the death of Bianchi; and when he recollected the suspicious circumstances which had attended it, his terrors for Ellena increased. The more he yielded to his feelings, the more violent they became, till, at length, his ungovernable impatience and apprehensions arose almost to frenzy.
Paulo forgot, for a while, his own situation in the superior sufferings of his master, and now, at least, endeavoured to perform the offices of a comforter, for he tried to calm Vivaldi’s mind, by selecting the fairest circumstances for hope which the subject admitted, and he passed without noticing, or, if noticing, only lightly touched upon, the most prominent possibilities of evil. His master, however, was insensible to all he said, till he mentioned again the convent del Pianto; and this subject, as it seemed connected with the monk, who had hinted the fate of Ellena, interested the unhappy Vivaldi, who withdrew awhile from his own reflections, to listen to a recital which might assist his conjectures.
Paulo complied with his command, but not without reluctance. He looked round the empty vault, as if he feared that some person might be lurking in the obscurity, who would overhear, and even answer him.
“We are tolerably retired here too, Signor,” said he, recollecting himself; “one may venture to talk secrets with little danger of being discovered. However, Maestro, it is best to make matters quite sure; and therefore, if you will please to take a seat on the ground, I will stand beside you and relate all I know of the convent of Our Lady of Tears, which is not much after all.”
Vivaldi, having seated himself, and bidden Paulo do the same, the servant began in a low voice— “It was on the vigil of the Santo Marco, just after the last vesper-bell had tolled — You never was at the Santa Maria del Pianto, Signor, or you would know what a gloomy old church it has. — It was in a confessional in one of the side ailes of this church, and just after the last bell had ceased, that a person, so muffled up, that neither face nor shape could be distinguished, came and placed himself on the steps of one of the boxes adjoining the confessional chair; but if he had been as airily dressed as yourself, Signor, he might have been just as well concealed; for that dusky aisle is lighted only by one lamp, which hangs at the end next the painted window, except when the tapers at the shrine of San Antonio happen to be burning at the other extremity, and even then the place is almost as gloomy as this vault. But that is, no doubt, contrived for the purpose, that people may not blush for the sins they confess; and, in good faith, this is an accommodation which may bring more money to the poor’s box, for the monks have a shrewd eye that way, and” —
“You have dropt the thread of your story,” said Vivaldi.
“True, Signor, let me recollect where I lost it. — Oh! at the steps of the confessional; — the stranger knelt down upon them, and for some time poured such groans into the ear of the confessor, as were heard all along the aisle. You are to know, Signor, that the brothers of Santa del Pianto are of the order of Black Penitents; and people who have more sins than ordinary to confess, sometimes go there, to consult with the grand penitentiary what is to be done. Now it happened, that Father Ansaldo, the grand penitentiary himself, was in the chair, as is customary on the vigil of the Santo Marco; and he gently reproved the penitent for bewailing so loud, and bade him take comfort; when the other replied only by a groan deeper than before, but it was not so loud, and then proceeded to confess. But what he did confess, Signor, I know not; for the confessor, you know, never must divulge, except, indeed, on very extraordinary occasions. It was, however, something so very strange and horrible, that the grand penitentiary suddenly quitted the chair, and before he reached the cloisters he fell into strong convulsions. On recovering himself, he asked the people about him, whether the penitent, who had visited such a confessional, naming it, was gone; adding, that if he was still in the church, it was proper he should be detained. He described, at the same time, as well as he could, the sort of figure he had dimly seen approaching the confessional just before he had received the confession, at recollecting which, he seemed ready to go off again into his convulsions. One of the fathers, who had crossed the aisle, on his way to the cloisters, upon the first alarm of Ansaldo’s disorder, remembered that a person, such as was described, had passed him hastily. He had seen a tall figure, muffled up in the habit of a white friar, gliding swiftly along the aisle, towards the door which opened into the outer court of the convent; but he was himself too much engaged to notice the stranger particularly. Father Ansaldo thought this must be the person; and the porter was summoned, and asked whether he had observed such an one pass. He affirmed that he had not seen any person go forth from the gate within the last quarter of an hour; which might be true enough, you know, Signor, if the rogue had been off his post. But he further said, that no one had entered, during the whole evening, habited in white, as the stranger was described to be: so the porter proved himself to be a vigilant watchman; for he must have been fast asleep too, or how could this personage have entered the convent, and left it again, without being seen by him!”
“In white, was he?” said Vivaldi; “if he had been in black, I should have thought this must have been the monk, my tormentor.”
“Why, you know, Signor, that occurred to me before,” observed Paulo, “and a man might easily change his dress, if that were all.”
“Proceed,” said Vivaldi.
“Hearing this account from the porter,” continued Paulo, “the fathers believed, one and all, that the stranger must be secreted within the walls; and the convent, with every part of the precincts, was searched; but no person was found!”
“This must certainly be the monk,” said Vivaldi, “notwithstanding the difference of his habit; there surely cannot be two beings in the world, who would conduct themselves in this same mysterious manner!”
He was interrupted by a low sound, which seemed, to his distracted fancy, to proceed from a dying person. Paulo also heard it; he started, and they both listened with intense and almost intolerable expectation.
“Ah!” said Paulo, at length, “it was only the wind.”
“It was no more,” said Vivaldi; “proceed therefore.”
; “From the period of this strange confession,” resumed Paulo, “Father Ansaldo was never properly himself; he” —
“Doubtless the crime confessed related to himself,” observed Vivaldi.
“Why, no, Signor, I never heard that that was the case; and some remarkable circumstances, which followed, seemed to prove it otherwise. About a month after the time I have mentioned, on the evening of a sultry day, when the monks were retiring from the last service.” —
“Hark!” cried Vivaldi.
“I hear whispers,” said Paulo, whispering himself.
“Be still!” said Vivaldi.
They listened attentively, and heard a murmuring, as of voices; but could not ascertain whether they came from the adjoining vault, or arose from beneath the one in which they were. The sound returned at intervals; and the persons who conversed, whatever they were, seemingly restrained their voices, as if they feared to be heard. Vivaldi considered whether it were better to discover himself, and call for assistance, or to remain still.
“Remember, Signor,” said Paulo, “what a chance we have of being starved, unless we venture to discover ourselves to these people, or whatever they are.”
“Venture!” exclaimed Vivaldi. “What has such a wretch as I to do with fear? O, Ellena, Ellena!”
He instantly called loudly to the person whom he believed he had heard, and was seconded by Paulo; but their continued vociferations availed them nothing; no answer was returned; and even the indistinct sounds, which had awakened their attention, were heard no more.
Exhausted by their efforts, they laid down on the floor of the dungeon, abandoning all further attempts at escape till the morning light might assist them. Vivaldi had no further spirits to enquire for the remainder of Paulo’s narrative. Almost despairing for himself, he could not feel an interest concerning strangers; for he had already perceived, that it could not afford him information connected with Ellena; and Paulo, who had roared himself hoarse, was very willing to be silent.
Chapter 7
Who may she be that steals through yonder cloister,
And, as the beam of evening tints her veil,
Unconsciously discloses saintly features,
Inform’d with the high soul of saintly virtue?
During several days after Ellena’s arrival at the monastery of San Stefano, she was not permitted to leave the room. The door was locked upon her, and not any person appeared except the nun, who brought her a scanty portion of food, and who was the same, that had first admitted her into that part of the convent appropriated to the abbess.
On the fourth day, when, probably, it was believed that her spirits were subdued by confinement, and by her experience of the suffering she had to expect from resistance, she was summoned to the parlour. The abbess was alone, and the air of austerity, with which she regarded Ellena, prepared the latter to endure.
After an exordium on the heinousness of her offence, and the necessity there was for taking measures to protect the peace and dignity of a noble family, which her late conduct had nearly destroyed; the abbess informed her, that she must determine either to accept the veil, or the person whom the Marchesa di Vivaldi had, of her great goodness, selected for her husband.
“You never can be sufficiently grateful,” added the abbess, “for the generosity the Marchesa displays, in allowing you a choice on the subject. After the injury you have endeavoured to inflict upon her and her family, you could not expect that any indulgence would be shewn you. It was natural to suppose, that the Marchesa would have punished you with severity; instead of which, she allows you to enter into our society; or, if you have not strength of mind sufficient to enable you to renounce a sinful world, she permits you to return into it, and gives you a suitable partner to support you through its cares and toils, — a partner much more suitable to your circumstances than him, to whom you had the temerity to lift your eye.”
Ellena blushed at this coarse appeal to her pride, and persevered in a disdainful silence. Thus to give to injustice the colouring of mercy, and to acts most absolutely tyrannical the softening tints of generosity, excited her honest indignation. She was not, however, shocked by a discovery of the designs formed against her, since, from the moment of her arrival at San Stefano, she had expected something terribly severe, and had prepared her mind to meet it with fortitude; for she believed, that, so supported, she should weary the malice of her enemies, and finally triumph over misfortune. It was only when she thought of Vivaldi that her courage failed, and that the injuries she endured seemed too heavy to be long sustained.
“You are silent!” said the abbess, after a pause of expectation. “Is it possible, then, that you can be ungrateful for the generosity of the Marchesa? But, though you may at present be insensible to her goodness, I will forbear to take advantage of your indiscretion, and will still allow you liberty of choice. You may retire to your chamber, to consider and to decide. But remember, that you must abide by the determination you shall avow; and, that you will be allowed no appeal from the alternatives, which are now placed before you. — If you reject the veil, you must accept the husband who is offered you.”
“It is unnecessary,” said Ellena, with an air of dignified tranquillity, “that I should withdraw for the purposes of considering and deciding. My resolution is already taken, and I reject each of the offered alternatives. I will neither condemn myself to a cloister, or to the degradation, with which I am threatened on the other hand. Having said this, I am prepared to meet whatever suffering you shall inflict upon me; but be assured, that my own voice never shall sanction the evils to which I may be subjected, and that the immortal love of justice, which fills all my heart, will sustain my courage no less powerfully than the sense of what is due to my own character. You are now acquainted with my sentiments and my resolutions; I shall repeat them no more.”
The abbess, whose surprise had thus long suffered Ellena to speak, still fixed upon her a stern regard, as she said, “Where is it that you have learned these heroics, and acquired the rashness which thus prompts you to avow them! — the boldness which enables you to insult your Superior, a priestess of your holy religion, even in her sanctuary!”
“The sanctuary is prophaned,” said Ellena, mildly, but with dignity: “it is become a prison. It is only when the Superior ceases to respect the precepts of that holy religion, the precepts which teach her justice and benevolence, that she herself is no longer respected. The very sentiment which bids us revere its mild and beneficent laws, bids us also reject the violators of them: when you command me to reverence my religion, you urge me to condemn yourself.”
“Withdraw!” said the abbess, rising impatiently from her chair; “your admonition, so becomingly delivered, shall not be forgotten.”
Ellena willingly obeyed, and was led back to her cell, where she sat down pensively, and reviewed her conduct. Her judgment approved of the frankness, with which she had asserted her rights, and of the firmness, with which she had reproved a woman, who had dared to demand respect from the very victim of her cruelty and oppression. She was the more satisfied with herself, because she had never, for an instant, forgotten her own dignity so far, as to degenerate into the vehemence of passion, or to faulter with the weakness of fear. Her conviction of the abbess’s unworthy character was too clear to allow Ellena to feel abashed in her presence; for she regarded only the censure of the good, to which she had ever been as tremblingly alive, as she was obdurately insensible to that of the vicious.
Ellena, having now asserted her resolutions, determined to avoid, if possible, all repetition of scenes like the last, and to repel by silence only, whatever indignity might be offered her. She knew that she must suffer, and she resolved to endure. Of the three evils, which were placed before her, that of confinement, with all its melancholy accompaniments, appeared considerably less severe, than either the threatened marriage, or a formal renunciation of the world; either of which would devote her, during life, to misery, and that by her own act. Her choice,
therefore, had been easy, and the way was plain before her. If she could endure with calmness the hardships which she could not avoid, half their weight would be unfelt; and she now most strenuously endeavoured to attain the strength of mind, which was necessary to support such equanimity.
For several days after the late interview with the abbess, she was kept a close prisoner; but on the fifth evening she was permitted to attend vespers. As she walked through the garden to the chapel, the ordinary freshness of the open air, and the verdure of the trees and shrubs were luxuries to her, who had so long been restricted from the common blessings of nature. She followed the nuns to a chapel where they usually performed their devotions, and was there seated among the novices. The solemnity of the service, and particularly of those parts, which were accompanied by music, touched all her heart, and soothed and elevated her spirit.
Among the voices of the choir, was one whose expression immediately fixed her attention; it seemed to speak a loftier sentiment of devotion than the others, and to be modulated by the melancholy of an heart, that had long since taken leave of this world. Whether it swelled with the high peal of the organ, or mingled in low and trembling accents with the sinking chorus, Ellena felt that she understood all the feelings of the breast from which it flowed; and she looked to the gallery where the nuns were assembled, to discover a countenance, that might seem to accord with the sensibility expressed in the voice. As no strangers were admitted to the chapel, some of the sisters had thrown back their veils, and she saw little that interested her in their various faces; but the figure and attitude of a nun, kneeling in a remote part of the gallery, beneath a lamp, which threw its rays aslant her head, perfectly agreed with the idea she had formed of the singer, and the sound seemed to approach immediately from that direction. Her face was concealed by a black veil, whose transparency, however, permitted the fairness of her complexion to appear; but the air of her head, and the singularity of her attitude, for she was the only person who remained kneeling, sufficiently indicated the superior degree of fervency and penitence, which the voice had expressed.
Delphi Complete Works of Ann Radcliffe (Illustrated) Page 174
