The Lady-abbess, in observance of the custom upon high festivals, gave a collation to the Padre-abate, and such of the priests as had assisted at the vesper-service. A few strangers of distinction and pilgrims were also to partake of the entertainments of this night, among which was included a concert to be performed by the nuns. At the collation was to be displayed a profusion of delicacies, arranged by the sisters, who had been busy in preparing the pastry and confectionary during several days, and who excelled in these articles no less than in embroidery and other ingenious arts. This supper was to be given in the abbess’s outer parlour, while she herslf, attended by some nuns of high rank, and a few favourites, was to have a table in the inner apartment, where, separated only by the grate, she could partake of the conversation of the holy fathers. The tables were to be ornamented with artificial flowers, and a variety of other fanciful devices upon which the ingenuity of the sisters had been long employed, who prepared for these festivals with as much vanity, and expected them to dissipate the gloomy monotony of their usual life, with as much eagerness of delight, as a young beauty anticipates a first ball.
On this evening, therefore, every member of the convent would be engaged either by amusement or business, and to Vivaldi, who had been careful to inform himself of these circumstances, it would be easy, with the assistance of the brother, to obtain admittance, and mingle himself among the spectators, disguised in his pilgrim’s habit. He entreated, therefore, that Ellena would contrive to be in the abbess’s apartment this evening, when he would endeavour to convey to her some further particulars of the plan of escape, and would have mules in waiting at the foot of the mountain, to conduct her to the villa Altieri, or to the neighbouring convent of the Santa della Pieta. Vivaldi secretly hoped that she might be prevailed with to give him her hand on quitting San Stefano, but he forbore to mention this hope, lest it should be mistaken for a condition, and that Ellena might be either reluctant to accept his assistance, or, accepting it, might consider herself bound to grant a hasty consent.
To his mention of escape she listened with varying emotion; at one moment attending to it with hope and joy, as promising her only chance of liberation from an imprisonment, which was probably intended to last for her life, and of restoring her to Vivaldi; and at another, recoiling from the thought of departing with him, while his family was so decidedly averse to their marriage. Thus, unable to form any instant resolution on the subject, and entreating that he would leave his dangerous station before the thickening twilight should encrease the hazard of his descent, Ellena added, that she would endeavour to obtain admittance to the apartment of the abbess, and to acquaint him with her final determination. Vivaldi understood all the delicacy of her scruples, and though they afflicted him, he honoured the good sense and just pride that suggested them.
He lingered on the rock till the last moments of departing light, and then, with a heart fluttering with hopes and fears, bade Ellena farewel, and descended; while she watched his progress through the silent gloom, faintly distinguishing him gliding along ledges of the precipice, and making his adventurous way from cliff to cliff, till the winding thickets concealed him from her view. Still anxious, she remained at the lattice, but he appeared no more; no voice announced disaster; and, at length, she returned to her cell, to deliberate on the subject of her departure.
Her considerations were interrupted by Olivia, whose manner indicated something extraordinary; the usual tranquillity of her countenance was gone, and an air of grief mingled with apprehension appeared there. Before she spoke, she examined the passage and looked round the cell. “It is as I feared,” said she abruptly; “my suspicions are justified, and you, my child, are sacrificed, unless it were possible for you to quit the convent this night.”
“What is it that you mean?” said the alarmed Ellena.
“I have just learned,” resumed the nun, “that your conduct this morning, which is understood to have thrown a premeditated insult upon the abbess, is to be punished with what they call imprisonment; alas! why should I soften the truth, — with what I believe is death itself, for who ever returned alive from that hideous chamber.”
“With death!” said Ellena, aghast; “Oh, heavens! how have I deserved death?”
“That is not the question, my daughter, but how you may avoid it. Within the deepest recesses of our convent, is a stone chamber, secured by doors of iron, to which such of the sisterhood as have been guilty of any heinous offence have, from time to time, been consigned. This condemnation admits of no reprieve, the unfortunate captive is left to languish in chains and darkness, receiving only an allowance of bread and water just sufficient to prolong her sufferings, till nature, at length, sinking under their intolerable pressure, obtains refuge in death. Our records relate several instances of such horrible punishment, which has generally been inflicted upon nuns, who, weary of the life which they have chosen under the first delusions of the imagination, or which they have been comelled to accept by the rigour or avarice of parents, have been detected in escaping from the convent.”
The nun paused, but Ellena remaining wrapt in silent thought, she resumed: “One miserable instance of this severity has occurred within my memory. I saw the wretched victim enter that apartment — never more to quit it alive! I saw, also, her poor remains laid at rest in the convent garden! During nearly two years she languished upon a bed of straw, denied even the poor consolation of conversing through the grate with such of the sisters as pitied her; and who of us was there that did not pity her! A severe punishment was threatened to those, who should approach with any compassionate intention; thank God! I incurred it, and I endured it, also, with secret triumph.”
A gleam of satisfaction passed over Olivia’s countenance as she spoke this; it was the sweetest that Ellena had ever observed there. With a sympathetic emotion, she threw herself on the bosom of the nun, and wept; for some moments they were both silent. Olivia, at length said, “Do you not believe, my child, that the officious and offended abbess will readily seize upon the circumstance of your disobedience, as a pretence for confining you in that fatal chamber? The wishes of the Marchesa will thus surely be accomplished, without the difficulty of exacting your obedience to the vows. Alas! I have received proof too absolute of her intention, and that tomorrow is assigned as the day of your sacrifice; you may, perhaps, be thankful that the business of the festival has obliged her to defer executing the sentence even till tomorrow.”
Ellena replied only with a groan, as her head still drooped upon the shoulder of the nun; she was not now hesitating whether to accept the assistance of Vivaldi, but desponding lest his utmost efforts for her deliverance should be vain.
Olivia, who mistook the cause of her silence, added, “Other hints I could give, which are strong as they are dreadful, but I will forbear. Tell me how it is possible I may assist you; I am willing to incur a second punishment, in endeavouring to relieve a second sufferer.”
Ellena’s tears flowed fast at this new instance of the nun’s generosity. “But if they should discover you in assisting me to leave the convent,” she said, in a voice convulsed by her gratitude,— “O! if they should discover you!” —
“I can ascertain the punishment,” Olivia replied with firmness, “and do not fear to meet it.”
“How nobly generous this is!” said the weeping Ellena; “I ought not to suffer you to be thus careless of yourself!”
“My conduct is not wholly disinterested,” the nun modestly replied; “for I think I could endure any punishment with more fortitude than the sickening anguish of beholding such suffering as I have witnessed. What are bodily pains in comparison with the subtle, the exquisite tortures of the mind! Heaven knows I can support my own afflictions, but not the view of those of others when they are excessive. The instruments of torture I believe I could endure, if my spirit was invigorated with the consciousness of a generous purpose; but pity touches upon a nerve that vibrates instantly to the heart, and subdues resistance. Yes, my child
, the agony of pity is keener than any other, except that of remorse, and even in remorse, it is, perhaps, the mingling unavailing pity, that points the sting. But, while I am indulging this egotism, I am perhaps, increasing your danger of the suffering I deprecate.”
Ellena, thus encouraged by the generous sympathy of Olivia, mentioned Vivaldi’s purposed visit of this evening; and consulted with her on the probability of procuring admittance for herself to the abbess’s parlour. Reanimated by this intelligence, Olivia advised her to repair not only to the supper-room, but to attend the previous concert, to which several strangers would be admitted, among whom might probably be Vivaldi. When to this, Ellena objected her dread of the abbess’s observation, and of the immediate seclusion that would follow, Olivia soothed her fears of discovery, by offering her the disguise of a nun’s veil, and promising not only to conduct her to the apartment, but to afford her every possible assistance towards her escape.
“Among the crowd of nuns, who will attend in that spacious apartment,” Olivia added, “it is improbable you would be distinguished, even if the sisters were less occupied by amusement, and the abbess were at leisure to scrutinize. As it is, you will hazard little danger of discovery; the Superior, if she thinks of you at all, will believe that you are still a prisoner in your cell, but this is an evening of too much importance to her vanity, for any consideration, distinct from that emotion, to divide her attention. Let hope, therefore, support you, my child, and do you prepare a few lines to acquaint Vivaldi with your consent to his proposal, and with the urgency of your circumstances; you may, perhaps, find an opportunity of conveying them through the grate.”
They were still conversing on this subject, when a particular chime sounded, which Olivia said summoned the nuns to the concert-room; and she immediately hastened for a black veil, while Ellena wrote the few lines that were necessary for Vivaldi.
Chapter 11
That lawn conceals her beauty
As the thin cloud, just silver’d by the rays,
The trembling moon: think ye ‘tis shrouded from
The curious eye?
Wrapt in Olivia’s veil, Ellena descended to the music-room, and mingled with the nuns, who were assembled within the grate. Among the monks and pilgrims without it, were some strangers in the usual dress of the country, but she did not perceive any person who resembled Vivaldi; and she considered, that, if he were present, he would not venture to discover himself, while her nun’s veil concealed her as effectually from him as from the lady Abbess. It would be necessary, therefore, to seek an opportunity of withdrawing it for a moment at the grate, an expedient, which must certainly expose her to the notice of strangers.
On the entrance of the lady Abbess, Ellena’s fear of observation rendered her insensible to every other consideration; she fancied, that the eyes of the Superior were particularly directed upon herself. The veil seemed an insufficient protection from their penetrating glances, and she almost sunk with the terror of instant discovery.
The Abbess, however, passed on, and, having conversed for a few moments with the padre Abate and some visitors of distinction, took her chair; and the performance immediately opened with one of those solemn and impressive airs, which the Italian nuns know how to give with so much taste and sweetness. It rescued even Ellena for a moment from a sense of danger, and she resigned herself to the surrounding scene, of which the coup-d’ oeil was striking and grand. In a vaulted apartment of considerable extent, lighted by innumerable tapers, and where even the ornaments, though pompous, partook of the solemn character of the institution, were assembled about fifty nuns, who, in the interesting habit of their order, appeared with graceful plainness. The delicacy of their air, and their beauty, softened by the lawn that thinly veiled it, were contrasted by the severe majesty of the lady Abbess, who, seated on an elevated chair, apart from the audience, seemed the Empress of the scene, and by the venerable figures of the father Abate and his attendant monks, who were arranged without that screen of wire-work, extending the whole breadth of the apartment, which is called the grate. Near the holy father were placed the strangers of distinction, dressed in the splendid Neapolitan habit, whose gay colouring and airy elegance opposed well with the dark drapery of the ecclesiastics; their plumed hats lostily overtopping the half-cowled heads and grey locks of the monks. Nor was the contrast of countenances less striking; the grave, the austere, the solemn, and the gloomy, intermingling with the light, the blooming, and the debonaire, expressed all the various tempers, that render life a blessing or a burden, and, as with the spell of magic, transform this world into a transient paradise or purgatory. In the back ground of the picture stood some pilgrims, with looks less joyous and more demure than they had worn on the road the preceding day; and among them were some inferior brothers and attendants of the convent. To this part of the chamber Ellena frequently directed her attention, but did not distinguish Vivaldi; and, though she had taken a station near the grate, she had not courage indecorously to withdraw her veil before so many strangers. And thus, if he even were in the apartment, it was not probable he would venture to come forward.
The concert concluded without his having been discovered by Ellena; and she withdrew to the apartment, where the collation was spread, and where the Abbess and her guests soon after appeared. Presently, she observed a stranger, in a pilgrim’s habit, station himself near the grate; his face was partly muffled in his cloak, and he seemed to be a spectator rather than a partaker of the feast.
Ellena, who understood this to be Vivaldi, was watchful for an opportunity of approaching, unseen by the Abbess, the place where he had fixed himself. Engaged in conversation with the ladies around her, the Superior soon favoured Ellena’s wish, who, having reached the grate, ventured to lift her veil for one instant. The stranger, letting his cloak fall, thanked her with his eyes for her condescension, and she perceived, that he was not Vivaldi! Shocked at the interpretation, which might be given to a conduct apparently so improper, as much as by the disappointment, which Vivaldi’s absence occasioned, she was hastily retiring, when another stranger approached with quick steps, whom she instantly knew, by the grace and spirit of his air, to be Vivaldi; but, determined not to expose herself a second time to the possibility of a mistake, she awaited for some further signal of his identity, before she discovered herself. His eyes were fixed upon her in earnest attention for some moments, before he drew aside the cloak from his face. But he soon did so; — and it was Vivaldi himself.
Ellena, perceiving that she was known, did not raise her veil, but advanced a few steps towards the grate. Vivaldi there deposited a small folded paper and before she could venture to deliver her own billet; he had retired among the crowd. As she stepped forward to secure his letter, she observed a nun hastily approach the spot where he had laid it, and she paused. The garment of the Reluctant wasted it from the place where it had been partly concealed; and when Ellena perceived the nun’s foot rest upon the paper, she with difficulty disguised her apprehensions.
A friar, who from without the grate addressed the sister, seemed with much earnestness, yet with a certain air of secresy, communicating some important intelligence. The fears of Ellena suggested that he had observed the action of Vivaldi, and was making known his suspicions; and she expected, every instant, to see the nun lift up the paper, and deliver it to the Abbess.
From this immediate apprehension, however, she was released when the sister pushed it gently aside, without examination, a circumstance that not less surprized than relieved her. But, when the conference broke up, and the friar, hastily retreating among the crowd, disappeared from the apartment, and the nun approached and whispered the Superior, all her terrors were renewed. She scarcely doubted, that Vivaldi was detected, and that his letter was designedly left where it had been deposited, for the purpose of alluring her to betray herself. Trembling, dismayed, and almost sinking with apprehension, she watched the countenance of the Abbess, while the nun addressed her, and thought she read her own
fate in the frown that appeared there.
Whatever might be the intentions or the directions of the Superior, no active measure was at present employed; the Recluse, having received an answer, retired quietly among the sisters, and the Abbess resumed her usual manner. Ellena, however, supposing she was now observed, did not dare to seize the paper, though she believed it contained momentous information, and feared that the time was now escaping, which might facilitate her deliverance. Whenever she ventured to look round, the eyes of the Abbess seemed pointed upon her, and she judged from the position of the nun, for the veil concealed her face, that she also was vigilantly regarding her.
Above an hour had elapsed in this state of anxious suspense, when the collation concluded, and the assembly broke up; during the general bustle of which, Ellena ventured to the grate, and secured the paper. As she concealed it in her robe, she scarcely dared to enquire by a hasty glance whether she had been observed, and would have withdrawn immediately to examine the contents, had she not perceived, at the same instant, the Abbess quitting the apartment. On looking round for the nun, Ellena discovered that she was gone.
Ellena followed distantly in the Abbess’s train; and, as she drew nearer to Olivia, gave a signal, and passed on to her cell. There, once more alone, and having secured the door, she sat down to read Vivaldi’s billet, trying to command her impatience, and to understand the lines, over which her sight rapidly moved, when in the eagerness of turning over the paper, the lamp dropt from her trembling hand and expired. Her distress now nearly reached despair. To go forth into the convent for a light was utterly impracticable, since it would betray that she was no longer a prisoner, and not only would Olivia suffer from a discovery of the indulgence she had granted, but she herself would be immediately confined. Her only hope rested upon Olivia’s arrival before it might be too late to practice the instructions of Vivaldi, if, indeed, they were still practicable; and she listened with intense solicitude for an approaching footstep, while she yet held, ignorant of its contents, the billet, that probably would decide her fate. A thousand times she turned about the eventful paper, endeavoured to trace the lines with her fingers, and to guess their import, thus enveloped in mystery; while she experienced all the various torture that the consciousness of having in her very hand the information, on a timely knowledge of which her life, perhaps, depended, without being able to understand it, could inflict.
Delphi Complete Works of Ann Radcliffe (Illustrated) Page 180
