And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’
If you can talk with crowds and keep your virtue,
Or walk with Kings – nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And – which is more – you’ll be a Man, my son!
L
This Be The Verse
by Philip Larkin
(1922–85)
They fuck you up, your mum and dad.
They may not mean to, but they do.
They fill you with the faults they had
And add some extra, just for you.
But they were fucked up in their turn
By fools in old-style hats and coats,
Who half the time were soppy-stern
And half at one another’s throats.
Man hands on misery to man.
It deepens like a coastal shelf.
Get out as early as you can,
And don’t have any kids yourself.
M
Sea-Fever
by John Masefield
(1878–1967)fn8
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel’s kick and the wind’s song and the white sail’s shaking,
And a grey mist on the sea’s face and a grey dawn breaking.
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.
N
Vitaï Lampada
by Henry Newbolt
(1862–1938)fn9
There’s a breathless hush in the Close to-night –
Ten to make and the match to win –
A bumping pitch and a blinding light,
An hour to play and the last man in.
And it’s not for the sake of a ribboned coat,
Or the selfish hope of a season’s fame,
But his captain’s hand on his shoulder smote
‘Play up! play up! and play the game!’
The sand of the desert is sodden red, –
Red with the wreck of a square that broke; –
The Gatling’s jammed and the Colonel dead,
And the regiment blind with dust and smoke.
The river of death has brimmed his banks,
And England’s far, and Honour a name,
But the voice of a schoolboy rallies the ranks:
‘Play up! play up! and play the game!’
This is the word that year by year,
While in her place the school is set,
Every one of her sons must hear,
And none that hears it dare forget.
This they all with a joyful mind
Bear through life like a torch in flame,
And falling fling to the host behind –
‘Play up! play up! and play the game!’
O
Dulce et Decorum est
by Wilfred Owen
(1893–1918)fn10
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys! – An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime. –
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin,
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs
Bitter as the cud
Of vile, incurable sores on innocent tongues, –
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
P
Annabel Lee
by Edgar Allan Poe
(1809–49)
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of Annabel Lee; –
And this maiden she lived with no other thought
Than to love and be loved by me.
She was a child and I was a child,
In this kingdom by the sea,
But we loved with a love that was more than love –
I and my Annabel Lee –
With a love that the wingèd seraphs of Heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud by night
Chilling my Annabel Lee;
So that her high-born kinsmen came
And bore her away from me,
To shut her up, in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in Heaven,
Went envying her and me: –
Yes! that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud, chilling
And killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we –
Of many far wiser than we –
And neither the angels in Heaven above
Nor the demons down under the sea
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee: –
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise, but I see the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling, my darling, my life and my bride
In her sepulchre there by the sea –
In her tomb by the side of the sea.
Q
In youth I dreamed
by Arthur Quiller-Couch
(1863–1944)fn11
In youth I dreamed, as other youths have dreamt,
Of love, and thrummed an amateur guit
ar
To verses of my own, – a stout attempt
To hold communion with the Evening Star
I wrote a sonnet, rhymed it, made it scan.
Ah me! how trippingly those last lines ran. –
O Hesperus! O happy star! to bend
O’er Helen’s bosom in the trancèd west,
To match the hours heave by upon her breast,
And at her parted lip for dreams attend –
If dawn defraud thee, how shall I be deemed,
Who house within that bosom, and am dreamed?
For weeks I thought these lines remarkable;
For weeks I put on airs and called myself
A bard: till on a day, as it befell,
I took a small green Moxon from the shelf
At random, opened at a casual place,
And found my young illusions face to face
With this: – ‘Still steadfast, still unchangeable,
Pillow’d upon my fair Love’s ripening breast
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest;
Still, still to hear her tender-taken breath,
And so live ever, – or else swoon to death.’
O gulf not to be crossed by taking thought!
O heights by toil not to be overcome!
Great Keats, unto your altar straight I brought
My speech, and from the shrine departed dumb.
– And yet sometimes I think you played it hard
Upon a rather hopeful minor bard.
R
How many seconds in a minute?
by Christina Rossetti
(1830–94)
How many seconds in a minute?
Sixty, and no more in it.
How many minutes in an hour?
Sixty for sun and shower.
How many hours in a day?
Twenty-four for work and play.
How many days in a week?
Seven both to hear and speak.
How many weeks in a month?
Four, as the swift moon runn’th.
How many months in a year?
Twelve the almanack makes clear.
How many years in an age?
One hundred says the sage.
How many ages in time?
No one knows the rhyme.
S
Not Waving but Drowning
by Stevie Smith
(1902–71)
Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.
Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.
Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.
T
Adlestrop
by Edward Thomas
(1878–1917)fn12
Yes. I remember Adlestrop –
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.
The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop – only the name
And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.
And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.
U
January
by John Updike
(1932–2009)fn13
The days are short,
The sun a spark
Hung thin between
The dark and dark.
Fat snowy footsteps
Track the floor.
Milk bottles burst
Outside the door.
The river is
A frozen place
Held still beneath
The trees of lace.
The sky is low.
The wind is gray.
The radiator
Purrs all day.
V
The Retreat
by Henry Vaughan
(1621–95)
Happy those early days! when I
Shined in my angel-infancy.
Before I understood this place
Appointed for my second race,
Or taught my soul to fancy aught
But a white, celestial thought;
When yet I had not walked above
A mile or two from my first love,
And looking back (at that short space)
Could see a glimpse of his bright face;
When on some gilded cloud or flower
My gazing soul would dwell an hour,
And in those weaker glories spy
Some shadows of eternity;
Before I taught my tongue to wound
My conscience with a sinful sound,
Or had the black art to dispense
A several sin to every sense,
But felt through all this fleshly dress
Bright shoots of everlastingness.
Oh how I long to travel back,
And tread again that ancient track!
That I might once more reach that plain
Where first I left my glorious train,
From whence the enlightened spirit sees
That shady city of palm trees;
But (ah!) my soul with too much stay
Is drunk, and staggers in the way.
Some men a forward motion love,
But I by backward steps would move,
And when this dust falls to the urn
In that state I came return.
W
The Magic Box
by Kit Wright
(born 1944)
I will put in the box
the swish of a silk sari on a summer night,
fire from the nostrils of a Chinese dragon,
the tip of a tongue touching a tooth
I will put in the box
a snowman with a rumbling belly,
a sip of the bluest water from Lake Lucerne,
a leaping spark from an electric fish.
I will put in the box
three violet wishes spoken in Gujarati,
the last joke of an ancient uncle
and the first smile of a baby.
I will put in the box
a fifth season and a black sun,
a cowboy on a broomstick
and a witch on a white horse.
My box is fashioned from ice and gold and steel,
with stars on the lid and secrets in the corners.
Its hinges are the toe joints
of dinosaurs.
I shall surf in my box on the great
high-rolling breakers of the wild Atlantic,
then wash ashore on a yellow beach
the colour of the sun.
X
The Silver Swan
by Anon.fn14
The silver swan, who living had no note,
When death approached, unlocked her silent throat,
Leaning her breast upon the reedy shore,
Thus sang her first and last, and sang no more:
‘Farewell, all joys! O death, come close mine eyes!
More geese than swans now live, more fools than wise.’
Y
The Lake Isle of Innisfree
by W. B. Yeats
(1865–1939)
I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and
wattles made:
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.
And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.
I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.
Z
The British
by Benjamin Zephaniah
(born 1958)
Serves 60 million
Take some Picts, Celts and Silures
And let them settle,
Then overrun them with Roman conquerors.
Remove the Romans after approximately four hundred years
Add lots of Norman French to some
Angles, Saxons, Jutes and Vikings, then stir vigorously.
Mix some hot Chileans, cool Jamaicans, Dominicans,
Trinidadians and Bajans with some Ethiopians,
Chinese, Vietnamese and Sudanese.
Then take a blend of Somalians, Sri Lankans, Nigerians
And Pakistanis,
Combine with some Guyanese
And turn up the heat.
Sprinkle some fresh Indians, Malaysians, Bosnians,
Iraqis and Bangladeshis together with some
Afghans, Spanish, Turkish, Kurdish, Japanese
And Palestinians
Then add to the melting pot.
Leave the ingredients to simmer.
As they mix and blend allow their languages to flourish
Binding them together with English.
Allow time to be cool.
Add some unity, understanding, and respect for the future
Serve with justice
And enjoy.
Note: All the ingredients are equally important. Treating one ingredient better than another will leave a bitter unpleasant taste.
Warning: An unequal spread of justice will damage the people and cause pain.
Give justice and equality to all.
Epilogue
Everything Is Going to Be All Right
For me, poetry lifts the spirit, and learning poetry by heart sharpens the mind.
Dancing by the Light of the Moon Page 25
