by SJ Parris
I sheathed the knife. I could not kill a man in cold blood, and in any case I would be signing my own death warrant; no Vatican emissaries would protect me from Guise’s revenge if I did that.
‘You would have let Guise kill me that night, wouldn’t you?’ I said through my teeth.
‘I couldn’t have stopped him, if that’s what you mean,’ he said frankly. ‘I’m rather pleased you escaped, though. I begin to think Paris would be terribly dull without you, Bruno.’
We both turned at the sound of thundering footsteps on the stairs outside, followed by a hammering on the door.
‘You all right, sir?’ Simon called from outside. ‘Is someone there?’
‘Oh look, your dancing bear has woken. Did you pull on his chain?’
I opened the door. Simon’s jaw dropped when he saw Paget.
‘How the fuck did he get in here? I was by the door the whole time.’ He seemed to take the intrusion as a personal affront. It was the most words I had ever heard him speak in one go.
‘Master Paget was just leaving,’ I said. ‘Show him out, would you, Simon?’
Paget turned halfway down the stairs. ‘I shall see you soon, Bruno,’ he said. ‘Be sure of it.’
‘Not if I see you first,’ Simon replied, with grim resolve, giving him a little nudge in the back with the handle of his sword. I would not wish to understate the pleasure it gave me to see Paget stumble and miss his step, all his poise forgotten as he hurried for the door.
* * *
As soon as I heard the front door slam behind him, I locked myself into my room and stood on a chair to check my secret cavity above the rafters. Relief washed through me as I examined each bundle of papers and found nothing missing or apparently disturbed. The book was still where I had left it, wrapped in its velvet cloth, though I knew I needed to find a safer home for it, away from damp or mice or prying eyes and quick fingers. The fact that Paget had broken in so easily once meant he would do it again; though I was sure he was looking for copies of ciphers or letters that might be of interest to Guise, he would not fail to realise that the very act of hiding the book away in the rafters proclaimed that it was either illegal or valuable, or both. I thought of Berden’s advice and wondered if it would be safer hidden in plain sight, among the other volumes on my shelves, where its worn calfskin binding would not catch anyone’s eye.
I sat on the bed and opened it in my lap. This book had been brought to Italy out of the ruins of Byzantium in the last century by a monk working for Cosimo de Medici, who had commissioned a translation into Latin by the great philosopher Marsilio Ficino. I had searched for it in Oxford; found it, lost it, tracked it down to Canterbury, lost it again and now I could hardly believe I held it in my hands. People had murdered for this book. This was a copy of Ficino’s translation of the fifteenth and final volume of the writings of the ancient Egyptian sage and magician Hermes Trismegistus, the only one of his works as yet unknown. I had been told by an old Venetian bookseller, for whom the book was no more than a legend, that when Ficino read the manuscript, he feared that the secret knowledge it contained was so dangerous he could not make it public, in case it should fall into the wrong hands. Instead he had translated it into a cipher no one but initiates could read.
I had drawn on the writings of Hermes in creating my memory system, but this was the book that had eluded me. It was supposed to contain the secret of man’s divine origin, together with the knowledge that would allow him to regain that divinity. Some said it contained a magic that would bestow the secret of immortality. I could not credit that, but I did believe that the secrets locked within its cryptic pages must be powerful enough to threaten the established church, for why else would it have been suppressed, and sought for over a century by men who pursued occult knowledge? My friend John Dee had once been in possession of this book for less than a day when he was beaten almost to death by hired thieves, who had stolen it for a rival.
Although I had assured Catherine that I had the skills to break the cipher, I was growing less sure now that I was able to examine the book more closely. The more I considered it, the more convinced I became that I would not be able to solve this mystery without Dee’s help. I had two clear choices before me, it seemed: the lonely life of a university teacher in Paris, with a steady income but excluded from the world of the court, and always looking over my shoulder for the blade of Guise or Paget flashing in a dark street – or the future I had proposed to Sophia, albeit without her. I could travel to Prague, find Dee, offer my services to the Emperor Rudolf with this book as my means of introduction; no other ruler in Europe would recognise its value as he would, or so I had been led to believe. Sophia was right; there was no guarantee of a place for me there, but at least there was a hope, and perhaps that was enough.
I held the book to my chest and walked to the window. All the lights were out, across the city; I could distinguish nothing except the faint white rise and fall of the snow-covered rooftops stretching out into the black distance. Maybe my future lay beyond these streets now, I thought. Perhaps this book would open the door to a new chapter in my life – one that would make it worthwhile to leave everything behind once again. Perhaps another journey would bring me one step closer to home.
ABOUT THE AUTHOR
S. J. PARRIS is the pseudonym of Stephanie Merritt. Since graduating from Cambridge, she has worked as a critic for a variety of newspapers and magazines as well as for radio and television. She currently writes for the Guardian in London and is the author of five novels in the Giordano Bruno mystery series, including Treachery, The Dead of Winter, and Execution, all available from Pegasus Crime.
Visit S. J. Parris at www.sjparris.com.
Also by S.J. Parris
Heresy
Prophecy
Sacrilege
Treachery
Execution
CONSPIRACY
Pegasus Crime is an imprint of
Pegasus Books, Ltd.
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Copyright © 2020 by S. J. Parris
First Pegasus Books cloth edition October 2020
All rights reserved. No part of this book may be reproduced in whole or in part without written permission from the publisher, except by reviewers who may quote brief excerpts in connection with a review in a newspaper, magazine, or electronic publication; nor may any part of this book be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or other, without written permission from the publisher.
Front cover image © Ebru Sidar / Arcangel
Jacket design Studio Gearbox
Library of Congress Cataloging-in-Publication Data is available.
ISBN: 978-1-64313-544-1
Ebook ISBN: 978-1-64313-545-8
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