Using the tracer, an entomologist in Mexico City is following the ancestral line of a honey bee. The images bloom and expire, ten every second: the tracer is following each queen back to the egg, then the egg to the queen that laid it, then that queen to the egg. Tens of thousands of generations have passed; in two thousand hours, beginning with a Paleocene bee, he has traveled back into the Cretaceous. He stops at intervals to follow the bee in real time, then accelerates again. The hive is growing smaller, more primitive. Now it is only a cluster of round cells, and the bee is different, more like a wasp. His year’s labor is coming to fruition. He watches, forgetting to eat, almost to breathe.
In your mother’s study after she dies, you find an elaborate chart of her ancestors and your father’s. You retrieve the program for it, punch it in, and idly watch a random sampling, back into time, first the female line, then the male... a teacher of biology in Boston, a suffragette, a corn merchant, a singer, a Dutch farmer in New York, a British sailor, a German musician. Their faces glow in the screen, bright-eyed, cheeks flushed with life. Someday you too will be only a series of images in a screen.
Smith is watching the planet Mars. The clockwork which turns the Ozo to follow the planet, even when it is below the horizon, makes it possible for him to focus instantly on the surface, but he never does this. He takes up his position hundreds of thousands of miles away, then slowly approaches, in order to see the red spark grow to a disk, then to a yellow sunlit ball hanging in darkness. Now he can make out the surface features: Syrtis Major and Thoth-Nepenthes leading in a long gooseneck to Utopia and the frostcap.
The image as it swells hypnotically toward him is clear and sharp, without tremor or atmospheric distortion. It is summer in the northern hemisphere: Utopia is wide and dark. The planet fills the screen, and now he turns northward, over the cratered desert still hundreds of miles distant. A dust storm, like a yellow veil, obscures the curved neck of Thoth-Nepenthes; then he is beyond it, drifting down to the edge of the frostcap. The limb of the planet reappears; he floats like a glider over the dark surface tinted with rose and violet-gray; now he can see its nubbly texture; now he can make out individual plants. He is drifting among their gnarled gray stems, their leaves of violet horn; he sees the curious misshapen growths that may be air bladders or some grotesque analogue of blossoms. Now, at the edge of the screen, something black and spindling leaps. He follows it instantly, finds it, brings it hugely magnified into the center of the screen: a thing like a hairy beetle, its body covered with thick black hairs or spines; it stands on six jointed legs, waving its antennae, its mouth parts busy. And its four bright eyes stare into his, across forty million miles.
Smith’s hair got whiter and thinner. Before the 1992 Crash, he made heavy contributions to the International Red Cross and to volunteer organizations in Europe, Asia and Africa. He got drunk periodically, but always alone. From 1993 to 1996 he stopped reading the newspapers.
He wrote down the coordinates for the plane crash in which his daughter and her husband had died, but never used them.
At intervals while dressing or looking into the bathroom mirror, he stared as if into an invisible camera and raised one finger. In his last years he wrote some poems.
We know his name. Patient researchers, using advanced scanning techniques, followed his letters back through the postal system and found him, but by that time he was safely dead.
The whole world has been at peace for more than a generation. Crime is almost unheard of. Free energy has made the world rich, but the population is stable, even though early detection has wiped out most diseases. Everyone can do whatever he likes, providing his neighbors would not disapprove, and after all, their views are the same as his own.
You are forty, a respected scholar, taking a few days out to review your life, as many people do at your age. You have watched your mother and father coupling on the night they conceived you, watched yourself growing in her womb, first a red tadpole, then a thing like an embryo chicken, then a big-headed baby kicking and squirming. You have seen yourself delivered, seen the first moment when your bloody head broke into the light. You have seen yourself staggering about the nursery in rompers, clutching a yellow plastic duck. Now you are watching yourself hiding behind the fallen tree on the bill, and you realize that there are no secret places. And beyond you in the ghostly future you know that someone is watching you as you watch; and beyond that watcher another, and beyond that another.... Forever.
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The Gunslinger – Stephen King
Stephen King was already a bestselling novelist before he published a word in F&SF, but sometimes it still seems like the seven stories he published in our magazine in the late 1970s and early ’80s were seminal in his career. Perhaps that’s simply because he started his famous series of Gunslinger tales with this one, which first ran in 1978. Whatever the reason, we’ve certainly enjoyed a good relationship with the man who ranks as one of the greatest storytellers of our time. Here’s hoping you too will enjoy this great story.
I
The man in black fled across the desert, and the gunslinger followed.
The desert was the apotheosis of all deserts, huge, standing to the sky for what might have been parsecs in all directions. White; blinding; waterless; without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon and the devil-grass which brought sweet dreams, nightmares, death. An occasional tombstone sign pointed the way, for once the drifted track that cut its way through the thick crust of alkali had been a highway and coaches had followed it. The world had moved on since then. The world had emptied.
The gunslinger walked stolidly, not hurrying, not loafing. A hide waterbag was slung around his middle like a bloated sausage. It was almost full. He had progressed through the khef over many years, and had reached the fifth level. At the seventh or eighth, he would not have been thirsty; he could have watched his own body dehydrate with clinical, detached attention, watering its crevices and dark inner hollows only when his logic told him it must be done. He was not seventh or eighth. He was fifth. So he was thirsty, although he had no particular urge to drink. In a vague way, all this pleased him. It was romantic.
Below the waterbag were his guns, finely weighted to his hand. The two belts crisscrossed above his crotch. The holsters were oiled too deeply for even this Philistine sun to crack. The stocks of the guns were sandalwood, yellow and finely grained. The holsters were tied down with rawhide cord, and they swung heavily against his hips. The brass casings of the cartridges looped into the gunbelts twinkled and flashed and heliographed in the sun. The leather made subtle creaking noises. The guns themselves made no noise. They had spilled blood. There was no need to make noise in the sterility of the desert.
His clothes were the no-color of rain or dust. His shirt was open at the throat, with a rawhide thong dangling loosely in hand-punched eyelets. The pants were seam-stretched dungarees of no particular make.
He breasted a gently rising dune (although there was no sand here; the desert was hardpan, and even the harsh winds that blew when dark came raised only an aggravating harsh dust like scouring powder) and saw the kicked remains of a tiny campfire on the lee side, the side which the sun would quit earliest. Small signs like this, once more affirming the man in black’s essential humanity, never failed to please him. His lips stretched in the pitted, flaked remains of his face. He squatted.
He had burned the devil-grass, of course. It was the only thing out here that would burn. It burned with a greasy, flat light, and it burned slow. Border dwellers had told him that devils lived even in the flames. They burned it but would not look into the light. They said the devils hypnotized, beckoned, would eventually draw the one who looked into the fires. And the next man foolish enough to look into the fire might see you.
The burned grass was crisscrossed in the now-familiar ideographic pattern, and crumbled to gray senselessness before the gunslinger’s prodding han
d. There was nothing in the remains but a charred scrap of bacon, which he ate thoughtfully. It had always been this way. The gunslinger had followed the man in black across the desert for two months now, across the endless, screamingly monotonous purgatorial wastes, and had yet to find spoor other than the hygienic sterile ideographs of the man in black’s campfires. He had not found a can, a bottle, a waterskin (the gunslinger had left four of those behind, like dead snakeskins).
— Perhaps the campfires are a message, spelled out letter by letter. Take a powder. Or, The end draweth nigh. Or maybe even, Eat at Joe’s. It didn’t matter. He had no understanding of the ideograms, if they were ideograms. And the remains were as cold as all the others. He knew he was closer, but did not know how he knew. That didn’t matter either. He stood up, brushing his hands.
No other trace; the wind, razor-sharp, had of course filed away even what scant tracks the hardpan held. He had never even been able to find his quarry’s droppings. Nothing. Only these cold campfires along the ancient highway and the relentless range-finder in his own head.
He sat down and allowed himself a short pull from the waterbag. He scanned the desert, looked up at the sun, which was now sliding down the far quadrant of the sky. He got up, removed his gloves from his belt, and began to pull devil-grass for his own fire, which he laid over the ashes the man in black had left. He found the irony, like the romance of his thirst, bitterly appealing.
He did not use the flint and steel until the remains of the day were only the fugitive heat in the ground beneath him and a sardonic orange line on the monochrome western horizon. He watched the south patiently, toward the mountains, not hoping or expecting to see the thin straight line of smoke from a new campfire, but merely watching because that was a part of it. There was nothing. He was close, but only relatively so. Not close enough to see smoke at dusk.
He struck his spark to the dry, shredded grass and lay down upwind, letting the dreamsmoke blow out toward the waste. The wind, except for occasional gyrating dust-devils, was constant.
Above, the stars were unwinking, also constant. Suns and worlds by the million. Dizzying constellations, cold fire in every primary hue. As he watched, the sky washed from violet to ebony. A meteor etched a brief, spectacular arc and winked out. The fire threw strange shadows as the devil-grass burned its slow way down into new patterns—not ideograms but a straightforward crisscross vaguely frightening in its own no-nonsense surety. He had laid his fuel in a pattern that was not artful but only workable. It spoke of blacks and whites. It spoke of a man who might straighten bad pictures in strange hotel rooms. The fire burned its steady, slow flame, and phantoms danced in its incandescent core. The gunslinger did not see. He slept. The two patterns, art and craft, were welded together. The wind moaned. Every now and then a perverse downdraft would make the smoke whirl and eddy toward him, and sporadic whiffs of the smoke touched him. They built dreams in the same way that a small irritant may build a pearl in an oyster. Occasionally the gunslinger moaned with the wind. The stars were as indifferent to this as they were to wars, crucifixions, resurrections. This also would have pleased him.
II
He had come down off the last of the foothills leading the donkey, whose eyes were already dead and bulging with the heat. He had passed the last town three weeks before, and since then there had only been the deserted coach track and an occasional huddle of border dwellers’ sod dwellings. The huddles had degenerated into single dwellings, most inhabited by lepers or madmen. He found the madmen better company. One had given him a stainless steel Silva compass and bade him give it to Jesus. The gunslinger took it gravely. If he saw Him, he would turn over the compass. He did not expect to.
Five days had passed since the last hut, and he had begun to suspect there would be no more when he topped the last eroded hill and saw the familiar low-backed sod roof.
The dweller, a surprisingly young man with a wild shock of strawberry hair that reached almost to his waist, was weeding a scrawny stand of corn with zealous abandon. The mule let out a wheezing grunt and the dweller looked up, glaring blue eyes coming target-center on the gunslinger in a moment. He raised both hands in curt salute and then bent to the corn again, humping up the row next to his hut with back bent, tossing devil-grass and an occasional stunted corn plant over his shoulder. His hair flopped and flew in the wind that now came directly from the desert, with nothing to break it.
The gunslinger came down the hill slowly, leading the donkey on which his waterskins sloshed. He paused by the edge of the lifeless-looking cornpatch, drew a drink from one of his skins to start the saliva, and spat into the arid soil.
“Life for your crop.”
“Life for your own,” the dweller answered and stood up. His back popped audibly. He surveyed the gunslinger without fear. What little of his face that was visible between beard and hair seemed unmarked by the rot, and his eyes, while a bit wild, seemed sane.
“I don’t have anything but corn and beans,” he said. “Corn’s free, but you’ll have to kick something in for the beans. A man brings them out once in a while. He don’t stay long.” The dweller laughed shortly. “Afraid of spirits.”
“I expect he thinks you’re one.”
“I expect he does.”
They looked at each other in silence for a moment.
The dweller put out his hand. “Brown is my name.”
The gunslinger shook his hand. As he did so, a scrawny raven croaked from the low peak of the sod roof. The dweller gestured at it briefly:
“That’s Zoltan.”
At the sound of its name the raven croaked again and flew across to Brown. It landed on the dweller’s head and roosted, talons firmly twined in the wild thatch of hair.
“Screw you,” Zoltan croaked brightly. “Screw you and the horse you rode in on.”
The gunslinger nodded amiably.
“Beans, beans, the musical fruit,” the raven recited, inspired. “The more you eat, the more you toot.”
“You teach him that?”
“That’s all he wants to learn, I guess,” Brown said. “Tried to teach him The Lord’s Prayer once.” His eyes traveled out beyond the hut for a moment, toward the gritty, featureless hardpan. “Guess this ain’t Lord’s Prayer country. You’re a gunslinger. That right?”
“Yes.” He hunkered down and brought out his makings. Zoltan launched himself from Brown’s head and landed, flittering, on the gunslinger’s shoulder.
“After the other one, I guess.”
“Yes.” The inevitable question formed in his mouth: “How long since he passed by?”
Brown shrugged. “I don’t know. Time’s funny out here. More than two weeks. Less than two months. The bean man’s been twice since he passed. I’d guess six weeks. That’s probably wrong.”
“The more you eat, the more you toot,” Zoltan said.
“Did he stop off?” the gunslinger asked.
Brown nodded. “He stayed supper, same as you will, I guess. We passed the time.”
The gunslinger stood up and the bird flew back to the roof, squawking. He felt an odd, trembling eagerness. “What did he talk about?”
Brown cocked an eyebrow at him. “Not much. Did it ever rain and when did I come here and had I buried my wife. I did most of the talking, which ain’t usual.” He paused, and the only sound was the stark wind. “He’s a sorcerer, ain’t he?”
“Yes.”
Brown nodded slowly. “I knew. Are you?”
“I’m just a man.”
“You’ll never catch him.”
“I’ll catch him.”
They looked at each other, a sudden depth of feeling between them, the dweller upon his dust-puff-dry ground, the gunslinger on the hardpan that shelved down to the desert. He reached for his flint.
“Here.” Brown produced a sulfur-headed match and struck it with a grimed nail. The gunslinger pushed the tip of his smoke into the flame and drew.
“Thanks.”
“You’ll want
to fill your skins,” the dweller said, turning away. “Spring’s under the eaves in back. I’ll start dinner.”
The gunslinger stepped gingerly over the rows of corn and went around back. The spring was at the bottom of a hand-dug well, lined with stones to keep the powdery earth from caving. As he descended the rickety ladder, the gunslinger reflected that the stones must represent two years’ work easily— hauling, dragging, laying. The water was clear but slow-moving, and filling the skins was a long chore. While he was topping the second, Zoltan perched on the lip of the well.
“Screw you and the horse you rode in on,” he advised.
He looked up, startled. The shaft was about fifteen feet deep: easy enough for Brown to drop a rock on him, break his head, and steal everything on him. A crazy or a rotter wouldn’t do it; Brown was neither. Yet he liked Brown, and so he pushed the thought out of his mind and got the rest of his water. What came, came.
When he came through the hut’s door and walked down the steps (the hovel proper was set below ground level, designed to catch and hold the coolness of the nights), Brown was poking ears of corn into the embers of a tiny fire with a hardwood spatula. Two ragged plates had been set at opposite ends of a dun blanket. Water for the beans was just beginning to bubble in a pot hung over the fire.
“I’ll pay for the water, too.”
Brown did not look up. “The water’s a gift from God. Pappa Doc brings the beans.”
The gunslinger grunted a laugh and sat down with his back against one rude wall, folded his arms and closed his eyes. After a little, the smell of roasting corn came to his nose. There was a pebbly rattle as Brown dumped a paper of dry beans into the pot. An occasional tak-tak-tak as Zoltan walked restlessly on the roof. He was tired; he had been going sixteen and sometimes eighteen hours a day between here and the horror that had occurred in Tull, the last village. He had been afoot for the last twelve days; the mule was at the end of its endurance.
The Very Best of Fantasy & Science Fiction, Volume 1 Page 26
