by A Tan
"Not at all."
"Let me go gather them up. It won't take a second."
Rupe sent the young man down to keep an eye on the dinghy. Rupe and I sat in a shadowy corner of the garden.
"What happened to the Marianne?" I asked him.
"Two bad seasons, and the bank finally grabbed her. I don't really mind a hell of a lot. I work for good people. Good wages."
"Thanks for the nice job of covering."
"That? Hell, that's what a good hired captain starts with or learns real fast. When somebody clues you, don't stand around saying 'Huh?' Run with the ball. No point in asking you what's going on. I certainly know something is going on, and that broad in there must be part of it. She looks good enough, but there's better on the island. Any time you have to scruff up a clown like Brego to grab yourself that kind of ass-"
"Like you said. There's more than meets the eye."
"By God, Trav, you know something? That was fun off and on."
"Glad you enjoyed it. How's Sally?"
"Fine, last I heard. She went back to her folks. She married a widower fellow with four kids. Our three plus his four makes a lot of family."
"Sorry to hear about that, Rupe. I really am."
"It hurt some. But I hate the land and everything on it. I hate a tree, and I hate a mountain. The only death worth dying is by drowning. With the licenses I've got I'll stay on the water all the rest of my time. When our oldest girl drowned, that did it for Sally. That finished her; up, down, and sideways. No more oceans. Next time I write the kids I'll put in a note to her saying I saw you. She always liked you, Trav."
Lisa came out with a brown paper bag and gave it to Rupe. "This won't be too much trouble?"
"Not one bit, Miz Mary."
"Thank you so much. Excuse me, but is that mate of yours a mute?"
"Artie just doesn't have very much to say."
We both walked Rupert down to the dinghy. He stowed the bag aboard, and they picked the little boat up and walked it out past the gentle surf, scrambled in, and started the little outboard and headed back toward the yacht basin.
"Imagine that Carl sending them to beat you up!"
"They gave it a good try."
"Did they hurt you, darling?"
"Hardly at all. A month in bed and I'll feel like new."
"I mean really."
"Honey, the adrenaline is still flowing. So the pain is suppressed. Tomorrow morning when I try to get out of bed I'll know how much damage they did."
"Rupe has really enormous hands, doesn't he?"
"And very hard, too."
"And that gigantic boy is really handsome. Did you notice?"
"I wasn't thinking in those terms. Want to eat in the dining room?"
"Let's order it sent to my place. It's so much nicer, really. We can fix our own drinks and be comfortable. I won't make any passes, Gavin. None at all."
She kept her word. Long after we had dined, when the nightcap was down to the dregs, she came over to me and bent and peered at my face, teeth set into the softness of her under lip.
"You are going to have one great big mouse right on that cheekbone, friend."
"I can feel it."
She straightened up. "I can't read you, McGee."
"McGee? Who he?"
"Like the limerick. Tell me the limerick huh?"
"Tell the truth, I can't remember it."
"Was it real dirty?"
"Not very, as I remember. But insulting."
"Funny, you knowing him. I would have thought he would have told Carl you were an old friend. Carl would have told him your name, Gavin Lee, and described you and all."
"Lee is a common name."
"Gavin Lee sure the hell isn't. And how many people are your size anyway?"
"Lisa honey, what are you trying to develop here?"
"I don't know. Is there anything you ought to tell me that you haven't?"
"Can't think of a thing."
"What are we going to do after we get rich, dear?"
"Live rich."
"Like this place?"
"And Las Brisas at Acapulco. And Cala de Volpe on Sardinia. The Reina Cristina in Algeciras."
"In where?"
"Spain, near Gibraltar."
She sat on the couch a couple of feet from me, eyes hooded, mouth pursed. "Will we travel well together when we're rich?"
"Get along?"
"Do you think we will?"
"We'll have to try it."
"Are you terribly dog-in-the-manger about things?"
"Like what?"
"If we had something going for us and I happened to see somebody like Artie Calivan. As long as I didn't overdo."
"Get the guests?"
She shrugged. "When they come in pairs, dear. And both exciting."
"I don't like to set policy. Take each situation on its merits. Okay?" I put my glass down and stood up. Winced. Flexed my leg. It was going to stiffen up very nicely during the night. She walked me out to the garden gate. I kissed her on the forehead and told her to dream about being rich. She said she had dreamed about that ever since she could remember.
Sixteen
I CAME bounding awake in the middle of the night from a dream so horrible I couldn't remember any part of it. I was drenched with icy sweat and trembling badly.
The dream made me recall lying to Lisa about sending a letter. A letter would be a comfort. I couldn't wait until morning. Leonard Sibelius, Esq., attorney at law.
The sealed letter inside was about the same, but the cover letter for the sealed letter varied. I asked him to read the sealed letter if he did not hear from me by the last day of May and then give it to some colleague wise in the ways of the SEC and the NASD.
After the lights were out again and the letter tucked away, I thought of how ironic it would be if Harry Broll ended up being defended by Lennie Sibelius on a charge of murder, first. Lennie would get him off. He would extract every dime Harry had ever made and put a lock on every dime Harry might make in the future, but he would get him off. I felt myself drifting off and wondered what the hell there had been in that nightmare that had so thoroughly chilled my blood.
I was up early again on Friday and made another exciting run into town. I stopped at the main post office and sent the letter to Lennie by air, special delivery, registered mail. I drove through the oneway tunnel that leads from the Carenage area under Hospital Hill to the Esplanade and the main part of downtown. The Queen Elizabeth II was in, and it was her last visit of the season. She had spewed about two thousand passengers into the town and onto the beaches. The ones in town were milling around, arguing with each other about the currency and looking for the. nonexistent duty-free shops and being constantly importuned to hire a nice taxi and see the sights. The big single-stack ship was anchored out with fast launches running back and forth like big white water beetles.
I ambled around and admired one out of every forty-three tourist ladies as being worth looking at and did some minor shopping of my own, then tested my skill and reflexes by driving back to the Spice Island Inn.
It was on that twenty-second day of April that I risked two lives instead of merely my own and drove Lisa out toward the Lance aux Epines area and had lunch at the Red Crab-burly sandwiches on long rolls, icy Tuborg beer, green salad-eaten outdoors at a white metal. table by a green lawn in the shade of a graceful and gracious tree. After lunch we went exploring. We stopped and looked at the sailboats moored in Prickly Bay. I drove past large, lovely houses, and we got out of the Moke at Prickly Point and walked down the rocky slope and looked over the edge at the blue sea lifting and smashing at the rocks, working away on caves and stone sculpture, biting stubbornly and forever at the land. A curiously ugly species of black crab, big as teacups, foraged the dry sheer stone just above the reach of wave and tide, scrabbling in swift hundreds when we moved too near.
I studied my map and found, on the way back a turn that led to a stretch of divided highway, probably the only bit
of it on the little island. Weeds grew up through cracks. It was the grand entrance to the site of what had been the Grenada Expo of several years ago. I had heard that few visitors came. Many of the Expo buildings were never completed. The ones which had been finished lay under the midafternoon hum of sun's heat, warping plywood shedding thin scabs of bright holiday paint. Some faded, unraveling remnants of festive banners moved in a small sea breeze. We saw a VIP lounge where the doorsill brush grew as high as the unused and corroded doorknobs. Steel rods sprouted from cement foundation slabs where buildings had never stood. We found a huge and elegant motel, totally empty, completely closed, yet with the lawns and gardens still maintained by the owners or the government.
I drove down crooked little dirt roads, creaking and swaying at two miles an hour over log-sized bumps and down into old rain gullies you could hide bodies in. She clung and laughed, and we made it down an angled slope to a pretty and private little stretch of beach where the almond trees and the coconuts and the sea grapes grew closer than usual to the high tide mark because of the offshore protection of some small islands.
I parked in the shade. We walked on the beach and found one of the heavy local skiffs pulled well up between the trees, with red and blue and green paint peeling off the old weathered wood. She hiked a haunch onto the gunwale, near the handwhittled tholepin, braced herself there with one knee locked, the other leg a-swing. The breeze moved the leaves overhead, changing the patterns of sun and shade on her face and hair, on her yellow-and-white-checkered sun top, her skimpy little yellow skirt. The big lenses of her sunglasses reflected the seascape behind me. She sucked at her cigarette, looked solemn, then tilted her head, and smiled at me.
"I'm trying to figure out why it should be so much fun, just sort of churning around in the heat of the day," she said.
"Glad you're enjoying it."
"I guess it's because it's like a date. Like being a kid again in Trois Pistoles and going out on a date. It's a feeling I haven't had in a long long time. It's sort of sweet, somehow. Do you know what I mean, Gav?"
"Not exactly."
"Ever since I left when I was fifteen, I've been with guys I've either just been in bed with or am just about to get into bed with or both. And if it was a guy I'd already had or one I was going to have, if we were alone in a funny, private place like this, we'd be knocking off a stand-up piece right here. I was thinking I don't want you to try anything, because it would take away that feeling of being on a date. There's something funny and scary about it, like being a virgin again. Or maybe it's you that's scary to me, about that girl sinking in the ocean. I dreamed about her. Jesus! You really did that? Really?"
"It seemed like a good idea at the time."
She slid off the gunwale and snapped her cigarette into the surf line. She bent and picked up a coconut in the husk and threw it with a shotput motion. She was wiry, and she got surprising distance with it.
"So this is just a little bit of time when nothing happens and we just wait, Gavin."
"For your cousin. After you make the phone call and send the cable."
I leaned on the boat. Some palm fronds had been tossed into it. I lifted them and saw the battered metal fuel tank for the missing outboard motor, and I saw a spade with a short handle, sawed off where it had broken and decided it was a clumsy, improvised paddle. Clumsy but better than none at all. With all that weight and freeboard she would be a bitch to try to paddle against wind or tide.
"Head back?" I asked.
"Can we keep on being tourists, dear? Let's look at that map again."
We went back to the Moke, studied the map and decided to try the road out to Point Saline and look at the lighthouse. It was a road so wretched that by the time we were halfway I had decided only a jeeplike vehicle such as a Moke could make it. Then around the next hairpin corner I was shouldered into the shrubbery by three taxis coming back from the lighthouse, whamming and leaping over the ruts and broken paving, chock-full of tourists off the QE2.
My gratis map had little paragraphs on the back of it about local wonders, so just short of the lighthouse hill we stopped and dutifully got out to walk for a moment on the white sand beach of the Caribbean, then crossed the road and went down a path for about fifty yards to walk on the black sand beach of the Atlantic. Then I roared the Moke up the twenty-degree slope to the lighthouse.
The attendant was there, obviously eager to be a guide, obviously eager for bread. We climbed the several flights to the glass enclosed top. The treads were very narrow, the steps very steep. Lisa was directly ahead of me, and I was staring at the backs of her knees as we climbed.
It was a view so breathtakingly, impossibly fabulous that it became meaningless. It was like being inserted into a living postcard. It does no good to stand and gawk at something like that. The mind goes blank as soon as you see it. Tourists take pictures and take them home and find out they have postcards. If they put Helen in front of the view, they have a postcard with Helen in it. The only way a person could accommodate himself to a place like that would be to live there until he ceased to see it and then slowly and at his own pace rediscover it for himself. When I found out what the attendant had to do to keep that fifty-mile light operating, I was happy to place some Biwi in his hand.
Lisa was quiet on the way back. When we were nearly back to the deserted Expo site, I glanced over at her and saw the tear running down her quiet cheek, coming out from under the sunglasses. I pulled over in a shady spot and said, "Hey!"
"Oh God, I don't know, I don't know. Leave me alone."
"Sure."
Glasses off. Dab eyes, snuffle, sigh, blow nose. Fix mouth. Put glasses back on. Light cigarette. Sigh again, huffing smoke plume at windshield.
"Everything is supposed to be so great," she said. "Everything is some kind of a trick. Every time. Some kind of flaky trick, no matter what it is. Fifty-mile lighthouse! Good God! What the hell is a Fresnel lens?"
"A Frenchman invented it long ago. It focuses light into a beam."
"Nothing is ever what you expect. That's what got to me, Gav. A fifty-mile lighthouse and all there is up there is a mantle like off a Coleman lantern and not a hell of a lot bigger, and that poor scrawny black son of a bitch that has to get up every two hours all night long and run up there and pull on some goddamn weights like a big grandfather clock so his fucking light keeps turning around for another two hours. Fresnel! They fake everything in the world."
"What kind of a big deal did They promise you, Lisa?"
She pulled the glasses off and looked at me with reptilian venom and coldness. "They told me, friend, to sing in the choir, love Jesus, do unto others, pray to God, live a Christian life, and then live in heaven in eternal bliss forevermore. They forgot to explain that the choirmaster would give me free private voice lessons when I was fourteen and by the third lesson he'd have his finger up me. They didn't tell me that if I didn't report him, I'd lose out on all that eternal bliss. They didn't tell me that I wouldn't want to report him, because then he wouldn't have a chance to do it again. They didn't explain about it being the temptation of the flesh and how finally you get to the place where you either make a true confession or you run away. They were running their big lighthouse and making it look wonderful, shining its light all over the world to save souls. But it was just a gas mantle and weights and chains and a weird lens. The real thing they teach you without even knowing it is: do unto others before they do it unto you."
"My my my," I said in a gentle wonder, and the tears came again. She got them under control at last.
"Will you laugh at me if I tell you what I really want to do with the money Gav?"
"I don't think I will."
"I want to join an order. I want to give the money to the order. I want to take a vow of silence. I want to kneel on stone floors and pray until my knees bleed and I faint. I don't ever want to be screwed again the rest of my life or be even touched by any man. I want to be a bride of Christ. Now laugh yourself sick."
"You think I'd go over the wall in a week, don't you?"
"Do you?"
"If I can find the guts to start, I'll never leave. Never. You're doing all this to me by making me feel the way I did a long long time ago. A lot of men ago. A lot of beds ago."
"I don't think people stick with projects they start because they think they should start them. That's image making. People stick to their truest, deepest gratifications, whether it's running banks, building temples out of beer-cans, stuffing dead birds, or telling dirty jokes. Somewhere early you get marked."
"I got it early. Stations of the Cross. Easter. Christ is risen. At about twelve I felt so marvelously pure. Jesus loved me, that I know."
