Wondrak

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by Stefan Zweig


  The cold is terrible, like icy knives cutting into limbs that have already lost much of their mobility. And gradually a strong wind rises as well, singing wild songs and howling around the carts. As if with greedy hands reaching out for prey, it tears at the covers of the carts which are constantly shaking loose, and frozen fingers find it hard to fasten them back in place more firmly.

  The storm sings louder and louder, and in its song the quiet voices of the men murmuring prayers die away. It is an effort for their frozen lips to form the words. In the shrill whistling of the wind the hopeless sobs of the women, fearful for the future, also fall silent, and so does the persistent crying of children woken from their weariness by the cold.

  Creaking, the wheels roll through the snow.

  In the cart that brings up the rear, Lea presses close to her fiancé, who is telling her of the terrible things he has seen in a sad, toneless voice. He puts his strong arm firmly around her slender, girlish waist as if to protect her from the assault of the cold and from all pain. She looks at him gratefully, and a few tender, longing words are exchanged through the sounds of wailing and the storm, making them both forget death and danger.

  Suddenly an abrupt jolt makes them all sway.

  Then the cart stops.

  Indistinctly, through the roaring of the storm, they hear loud shouts from the teams of horse-drawn carts in front, the crack of whips, the murmuring of agitated voices. The sounds will not die down. They leave the cart and hurry forward through the biting cold to the place where one horse in a team has fallen, carrying the other down with it. Around the two horses stand men who want to help but can do nothing; the wind blows them about like puppets with no will of their own, the snowflakes blind their eyes, and their hands are frozen, with no strength left in them. Their fingers lie side by side like stiff pieces of wood. And there is no help anywhere in sight, only the plain that runs on and on, a smooth expanse, proudly aware of its vast extent as it loses itself in the dim light from the snow and in the unheeding storm that swallows up their cries.

  Once again the full, sad awareness of their situation comes home to them. Death reaches out for them once more in a new and terrible form as they stand together, helpless and defenceless against the irresistible, invincible forces of nature, facing the pitiless weapon of the frost.

  Again and again the storm trumpets their doom in their ears. You must die here—you must die here.

  And their fear of death turns to hopeless resignation.

  No one has spoken the thought out loud, but it came to them all at the same time. Clumsily, stiff-limbed, they climb back into the carts and huddle close together again, waiting to die.

  They no longer hope for any help.

  They press close, all with their own loved ones, to be with one another in death. Outside, their constant companion the storm sings a song of death, and the flakes build a huge, shining coffin around the carts.

  Death comes slowly. The icy, biting cold penetrates every corner of the carts and all their pores, like poison seizing on limb after limb, gently, but never doubting that it will prevail,

  The minutes slowly run away, as if giving death time to complete its great work of release. Long and heavy hours pass, carrying these desperate souls away into eternity.

  The storm wind sings cheerfully, laughing in wild derision at this everyday drama, and the heedless moon sheds its silver light over life and death.

  There is deep silence in the last cart of all. Several of those in it are dead already, others are under the spell of hallucinations brought on by the bitter cold to make death seem kinder. But they are all still and lifeless, only their thoughts still darting in confusion, like sudden hot flashes of lightning.

  Josua holds his fiancée with cold hands. She is dead already, although he does not know it.

  He dreams.

  He is sitting with her in that room with its warm fragrance, the seven candles in the golden candlestick are burning, they are all sitting together as they once used to. The glowing light of the happy festival rests on smiling faces speaking friendly words and prayers. And others, long dead, come in through the doorway, among them his dead parents, but that no longer surprises him. They kiss tenderly, they exchange familiar words. More and more approach, Jews in the bleached garments of their forefathers’ time, and now come the heroes, Judas Maccabaeus and all the others; they all sit down together to talk and make merry. More come, and still more. The room is full of figures, his eyes are tiring with the sight of so many, changing more and more quickly, giving way to one another, his ear echoes to the confusion of sounds. There is a hammering and droning in his pulse, hotter and hotter—

  And suddenly it is over. All is quiet now.

  By this time the sun has risen, and the snowflakes, still falling, shine like diamonds. The sun makes the broad mounds that have risen overnight, covered over and over with snow, gleam as if they were jewels.

  It is a strong, joyful sun that has suddenly begun to shine, almost a springtime sun. And sure enough, spring is not far away. Soon it will be bringing buds and green leaves back again, and will lift the white shrouds from the grave of the poor, lost, frozen Jews who have never known true spring in their lives.

  COMPULSION

  To Pierre J Jouve

  in fraternal friendship

  THE WOMAN WAS STILL FAST ASLEEP, her breath coming full and strong. Her mouth, slightly open, seemed to be on the verge of smiling or speaking, and her curved young breasts rose softly under the covers. The first glimmer of dawn showed at the windows, but the light was poor this winter morning. Somewhere between darkness and day, it hovered uncertainly over sleeping things, veiling their forms.

  Ferdinand had risen and dressed quietly, he himself did not know why. It often happened these days that, in the middle of working, he would suddenly pick up his hat and hurry out of the house, into the fields, striding faster and faster until he had walked to the point of exhaustion, and all at once found himself somewhere far away, in a place he did not know, his knees shaking and the pulse throbbing at his temples. Or he would suddenly freeze in the middle of an animated conversation and lose track of the words, failing to hear questions, and he would have to force himself back into awareness. Then again, he might forget what he was doing when he undressed in the evening, and would sit perfectly still on the edge of the bed, holding the shoe he had just taken off, until a word from his wife startled him out of his reverie or the shoe fell to the floor with a bang.

  As he now left the slightly close atmosphere of the bedroom and stepped out on to the balcony, he shivered. Instinctively he drew his elbows in, closer to the warmth of his body. The landscape deep below him was still enveloped in mist. Dense, milky vapours hovered over the Lake of Zürich, which from his little house, perched high up here, usually looked as smooth as a mirror, reflecting every white cloud that hurried past in the sky. Wherever his eyes looked, whatever his hands felt, it was all damp, dark, slippery and grey. Water dripped from the trees, moisture trickled from the rafters of the house. The world rising from the mists was like a man who has just emerged from a river with water streaming off him. The murmur of human voices came through the misty night, but muted and disjointed like the stertorous breathing of a drunk. Sometimes he also heard hammer blows and the distant chime of the bell from the church tower, but its usually clear tone sounded damp and rusty. Dank darkness stood between him and his world.

  He shivered. Yet he stayed there, his hands thrust deeper into his pockets, waiting for the view to clear. The mist began slowly rolling up from below, like a sheet of grey paper, and he longed to see the beloved landscape that, he knew, lay down there in its usual orderly fashion, with its clear lines that normally brought clarity and order to his own life, although now it was hidden by these morning mists. He had so often gone to the window here in a mood of inner turmoil to find reassurance in the peaceful view: the houses over on the opposite bank of the lake, turning to each other as if in friendship, a steamer div
iding the blue water with delicate precision, gulls flocking cheerfully over the banks, smoke rising in silver coils from red chimneys as the noonday chimes rang out. Peace! Peace! was the message it conveyed for all to see. At such moments, in the face of his own knowledge and despite the madness of the world, he believed in the beautiful signal it gave him, and for hours could forget his own homeland as he looked at this new one that he had chosen. Months ago, in flight from the present times and from other human beings, coming away from a country at war and arriving in Switzerland, he had felt his soul, crumpled, furrowed and ploughed into disorder as it was by horror and dismay, smoothing out here and growing scar tissue as the landscape softly welcomed him in, and its pure lines and colours called on his art to set to work. As a result he always felt alienated from himself, an exile once again, when the sight was obscured, as it was by the mist hiding everything from him at this time of the morning. He felt infinite pity for everyone shut up down in the dark, and for the people in the world of his old home, far away now—infinite pity, and a longing to be linked to them and their fate.

  Somewhere out in the mist, the bell in the church tower gave four strokes and then, telling itself the time of day, chimed eight in clearer tones that pealed out into the March morning. He felt as if he were on top of a tower himself, indescribably isolated, with the world before him and his wife behind him in the darkness of her slumbers. His innermost will strained to tear that soft wall of mist apart and to sense, somewhere, the message of awakening, the certainty of life. And as he sent his eyes out into the mist, so to speak, he thought he did see something, either a man or an animal, moving slowly down there in the grey penumbra where the village ended and the winding path climbed up the hill to this house. Small, softly veiled in mist, it was coming towards him. He felt first pleasure to see something awake besides himself, then curiosity too, an avid and unhealthy curiosity. The grey figure of a man was making its way to a crossroads, with tracks leading to the next village in one direction and up here in the other. For a moment the stranger seemed to hesitate and draw breath at the crossroads. Then, slowly, he began climbing the bridle path.

  Ferdinand felt uneasy. Who is this man, he wondered, what compulsion drives him out of the warmth of his dark bedroom and into the morning as mine has driven me? Is he coming up to see me, and if so what does he want? Then, through the mist which was thinner at close quarters now, he recognized the postman. He climbed up here every morning on the stroke of eight, and Ferdinand knew and pictured the man’s rough-hewn face, his red seaman’s beard turning grey at the ends, and his blue-framed glasses. His name was Nussbaum, meaning ‘nut tree’, and to himself Ferdinand called him Nutcracker because of his stiff movements and the ceremony with which he always swung his big, black leather bag over to the right before delivering the post with an air of self-importance. Ferdinand could not help smiling as he saw him trudging up, step by step, bag at the moment slung over his left shoulder, careful to impart great dignity to his short-legged gait.

  But suddenly he felt weak at the knees. His hand, which had been shielding his eyes, dropped as if suddenly numb. His uneasiness today, yesterday, all these last weeks was back. He thought he sensed that the man was coming step by step inexorably towards him, coming to him alone. Without knowing just what he was about, he opened the bedroom door, stole past his sleeping wife, and hurried downstairs to intercept the postman on his way up the fenced path. They met at the garden gate.

  “Do you have … do you have … ”—he had to try again three times—“do you have any post for me?”

  The postman pushed up his wet glasses to look at him. “Let’s have a look.” He hauled the black bag round to his right, and his fingers—they were like large worms, damp and red with the frosty mist—rummaged among the letters. Ferdinand was shivering. In the end the postman took one letter out. It was in a large brown envelope, with the word ‘Official’ stamped in large letters on it, and his name underneath. “To be signed for,” said the postman, moistening his indelible pencil and holding out the book to Ferdinand, who signed his name with a flourish. In his agitation the signature was illegible.

  Then he took the letter that the sturdy red hand was offering him. But his fingers were so awkward that it slipped out of them, and fell to the ground to lie on the wet soil and damp leaves. And as he bent to pick it up, a bitter smell of decomposition and decay rose to his nostrils.

  This, he now knew for certain, was what had been lurking under the surface for weeks, destroying his peace: the thought of this letter, which he had expected and was reluctant to receive, sent to him from far away, from a pointless, formless distance. Its rigid, typewritten words were groping for him, his warm life and his freedom. He had felt it approaching from somewhere or other, like a mounted man on patrol who senses the cold steel tube invisibly aimed at him from green forest undergrowth, and the little piece of lead in it that wants to penetrate the darkness beneath his skin. So resistance had been useless, and so had the little tricks he had practised to occupy his mind for nights on end. They had caught up with him. Barely eight months ago he had been standing naked, shivering with cold and revulsion, in front of an army doctor who felt the muscles in his arms like a horse-dealer. The humiliation of it illustrated the human indignity of the times and the slavery into which Europe had declined. He bore life in the stifling atmosphere of the patriotic phase of the war for two months, but after a while he found the air too difficult to breathe, and when the people around him opened their lips to speak he thought he saw their lies lying yellow on their tongues. The sight of the women, shivering with cold, who sat on the marketplace steps with their empty potato sacks in the first light of dawn broke his heart; he went around with his fists clenched, he felt that he was turning mean-minded and spiteful, he hated himself in his powerless rage. At last, thanks to a good word that someone put in for him, he succeeded in moving to Switzerland with his wife, and when he crossed the border the blood suddenly returned to his cheeks. He was swaying so much that he had to hold on to a post for support, but he felt like a human being again at last, full of life, will, strength, and capable of action. His lungs opened to breathe the air of freedom. All his fatherland meant to him now was prison and compulsion. His home in the world was outside his country, Europe was humanity.

  But that light-hearted, happiness did not last long. The fear came back. He felt that somehow or other his name had hooked him from behind to haul him back into that bloodstained thicket, that something he didn’t know, although it knew him, was not about to let him go. He retreated inside himself, read no newspapers in order to avoid anything about men being called up, moved house to blur his trail, had letters sent to his wife poste restante, and avoided company so as to be asked no questions. He never went into town, he sent his wife to buy canvas and paints. He hid away in anonymity in this little village on the Lake of Zürich, where he had rented a small house from a farming family. But still he knew that in a drawer somewhere, among hundreds of thousands of other sheets of paper, there was one with his name on it. And one day, somewhere, some time, they would be bound to open that drawer—he could hear it being pulled out, he imagined the staccato hammer of his name being typed, and he knew that the letter would be sent on its travels until at last it found him.

  Now here it was, crackling and cold, physically present in his fingers. Ferdinand made an effort to keep calm. What does this letter matter to me? he asked himself. Why should I take out the sheet of paper inside the envelope and read what it says overleaf? Tomorrow and the day after tomorrow the bushes will bear a thousand, ten thousand, a hundred thousand leaves, and this is no more to me than any of them. What does that word ‘Official’ mean? Does that say I have to read it? I hold no office anywhere, and no one holds office over me. What’s my name there for—is that really me? Who can compel me to say it means me, who can force me to read what’s written on the paper? If I just tear it up unread, the scraps will flutter down to the lake, I won’t know anything about it
and nor will the world; it will be gone as fast as a drop of water falling from a tree to the ground, as fast as every breath that passes my lips! Why should this piece of paper make me uneasy? I won’t know anything about it unless I want to. And I don’t want to. All I want is my freedom.

  His fingers tensed, ready to tear the stout envelope into small scraps. But oddly enough, his muscles would not do it. Something or other had taken over his own hands against his own will, for they did not obey him. And as he wished with all his heart that they would tear up the envelope, they very carefully opened it and, trembling, unfolded the white sheet of paper. It said what he already knew.

  ‘No 34.729F. On the orders of District Headquarters at M, your honour is hereby requested hereby to present yourself in Room Number 8, District Headquarters at M, by 22nd March at the latest for a further medical examination with a view to establishing your fitness for service in the army. You will be issued with the military papers by the Consulate in Zürich, where you are to go for that purpose.’

  When he went back indoors an hour later his wife came to meet him, smiling, a bunch of spring flowers loosely held in her hand. She was radiant with carefree delight. “Look,” she said, “look what I’ve found! They’re already flowering in the meadow behind the house, even though the snow still lies in the shade among the trees.” He took the flowers to please her, bent over them so as not to catch his beloved wife’s untroubled gaze, and was quick to take refuge in the little attic room that he had made into a studio.

 

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