“I want to know,” said she, looking sharply and quickly around, “if I brought that purple dress in here, after all?”
“I didn’t see you,” replied Amanda.
“I must have. It isn’t in that chamber, nor the closet. You aren’t lying on it, are you?”
“I lay down before you came in,” replied Amanda.
“So you did. Well, I’ll go and look again.”
Presently Amanda heard her sister’s heavy step on the garret stairs. Then she returned with a queer defiant expression on her face.
“I carried it up garret, after all, and put it in the trunk,” said, she. “I declare, I forgot it. I suppose your being faint sort of put it out of my head. There it was, folded up just as nice, right where I put it.”
Sophia’s mouth was set; her eyes upon her sister’s scared, agitated face were full of hard challenge.
“Yes,” murmured Amanda.
“I must go right down and see to that cake,” said Sophia, going out of the room. “If you don’t feel well, you pound on the floor with the umbrella.”
Amanda looked after her. She knew that Sophia had not put that purple dress of her dead Aunt Harriet in the trunk in the garret.
Meantime Miss Louisa Stark was settling herself in the southwest chamber. She unpacked her trunk and hung her dresses carefully in the closet. She filled the bureau drawers’ with nicely folded linen and small articles of dress. She was a very punctilious woman. She put on a black India silk dress with purple flowers. She combed her grayish-blond hair in smooth ridges back from her broad forehead. She pinned her lace at her throat with a brooch, very handsome, although somewhat obsolete—a bunch of pearl grapes on black onyx, set in gold filagree. She had purchased it several years ago with a considerable portion of the stipend from her spring term of school-teaching.
As she surveyed herself in the little swing mirror surmounting the old-fashioned mahogany bureau she suddenly bent forward and looked closely at the brooch. It seemed to her that something was wrong with it. As she looked she became sure. Instead of the familiar bunch of pearl grapes on the black onyx, she saw a knot of blonde and black hair under glass surrounded by a border of twisted gold. She felt a thrill of horror, though she could not tell why. She unpinned the brooch, and it was her own familiar one, the pearl grapes and the onyx. “How very foolish I am,” she thought. She thrust the pin in the laces at her throat and again looked at herself in the glass, and there it was again—the knot of blond and black hair and the twisted gold.
Louisa Stark looked at her own large, firm face above the brooch and it was full of terror and dismay which were new to it. She straightway began to wonder if there could be anything wrong with her mind. She remembered that an aunt of her mother’s had been insane. A sort of fury with herself possessed her. She stared at the brooch in the glass with eyes at once angry and terrified. Then she removed it again and there was her own old brooch. Finally she thrust the gold pin through the lace again, fastened it and turning a defiant back on the glass, went down to supper.
At the supper table she met the other boarders—the elderly widow, the young clergyman and the middle-aged librarian. She viewed the elderly widow with reserve, the clergyman with respect, the middle-aged librarian with suspicion. The latter wore a very youthful shirt-waist, and her hair in a girlish fashion which the school-teacher, who twisted hers severely from the straining roots at the nape of her neck to the small, smooth coil at the top, condemned as straining after effects no longer hers by right.
The librarian, who had a quick acridness of manner, addressed her, asking what room she had, and asked the second time in spite of the school-teacher’s evident reluctance to hear her. She even, since she sat next to her, nudged her familiarly in her rigid black silk side.
“What room are you in, Miss Stark?” said she.
“I am at a loss how to designate the room,” replied Miss Stark stiffly.
“Is it the big southwest room?”
“It evidently faces in that direction,” said Miss Stark.
The librarian, whose name was Eliza Lippincott, turned abruptly to Miss Amanda Gill, over whose delicate face a curious colour compounded of flush and pallour was stealing.
“What room did your aunt die in, Miss Amanda?” asked she abruptly.
Amanda cast a terrified glance at her sister, who was serving a second plate of pudding for the minister.
“That room,” she replied feebly.
“That’s what I thought,” said the librarian with a certain triumph. “I calculated that must be the room she died in, for it’s the best room in the house, and you haven’t put anybody in it before. Somehow the room that anybody has died in lately is generally the last room that anybody is put in. I suppose you are so strong-minded you don’t object to sleeping in a room where anybody died a few weeks ago?” she inquired of Louisa Stark with sharp eyes on her face.
“No, I do not,” replied Miss stark with emphasis.
“Nor in the same bed?” persisted Eliza Lippincott with a kittenish reflection.
The young minister looked up from his pudding. He was very spiritual, but he had had poor pickings in his previous boarding place, and he could not help a certain abstract enjoyment over Miss Gill’s cooking.
“You would certainly not be afraid, Miss Lippincott?” he remarked, with his gentle, almost caressing inflection of tone. “You do not for a minute believe that a higher power would allow any manifestation on the part of a disembodied spirit—who we trust is in her heavenly home—to harm one of His servants?”
“Oh, Mr. Dunn, of course not,” replied Eliza Lippincott with a blush. “Of course not. I never meant to imply—”
“I could not believe you did,” said the minister gently. He was very young, but he already had a wrinkle of permanent anxiety between his eyes and a smile of permanent ingratiation on his lips. The lines of the smile were as deeply marked as the wrinkle.
“Of course dear Miss Harriet Gill was a professing Christian,” remarked the widow, “and I don’t suppose a professing Christian would come back and scare folks if she could. I wouldn’t be a mite afraid to sleep in that room; I’d rather have it than the one I’ve got. If I was afraid to sleep in a room where a good woman died, I wouldn’t tell of it. If I saw things or heard things I’d think the fault must be with my own guilty conscience.” Then she turned to Miss Stark. “Any time you feel timid in that room I’m ready and willing to change with you,” said she.
“Thank you; I have no desire to change. I am perfectly satisfied with my room,” replied Miss Stark with freezing dignity, which was thrown away upon the widow.
“Well,” said she, “any time, if you should feel timid, you know what to do. I’ve got a real nice room; it faces east and gets the morning sun, but it isn’t so nice as yours, according to my way of thinking. I’d rather take my chances any day in a room anybody had died in than in one that was hot in summer. I’m more afraid of a sunstroke than of spooks, for my part.”
Miss Sophia Gill, who had not spoken one word, but whose mouth had become more and more rigidly compressed, suddenly rose from the table, forcing the minister to leave a little pudding, at which he glanced regretfully.
Miss Louisa Stark did not sit down in the parlour with the other boarders. She went straight to her room. She felt tired after her journey, and meditated a loose wrapper and writing a few letters quietly before she went to bed. Then, too, she was conscious of a feeling that if she delayed, the going there at all might assume more terrifying proportions. She was full of defiance against herself and her own lurking weakness.
So she went resolutely and entered the southwest chamber. There was through the room a soft twilight. She could dimly discern everything, the white satin scroll-work on the wall paper and the white counterpane on the bed being most evident. Consequently both arres
ted her attention first. She saw against the wall-paper directly facing the door the waist of her best black satin dress hung over a picture.
“That is very strange,” she said to herself, and again a thrill of vague horror came over her.
She knew, or thought she knew, that she had put that black satin dress waist away nicely folded between towels in her trunk. She was very choice of her black satin dress.
She took down the black waist and laid it on the bed preparatory to folding it, but when she attempted to do so she discovered that the two sleeves were firmly sewed together. Louisa Stark stared at the sewed sleeves. “What does this mean?” she asked herself. She examined the sewing carefully; the stitches were small, and even, and firm, of black silk.
She looked around the room. On the stand beside the bed was something which she had not noticed before: a little old-fashioned work-box with a picture of a little boy in a pinafore on the top. Beside this work-box lay, as if just laid down by the user, a spool of black silk, a pair of scissors, and a large steel thimble with a hole in the top, after an old style. Louisa stared at these, then at the sleeves of her dress. She moved toward the door. For a moment she thought that this was something legitimate about which she might demand information; then she became doubtful. Suppose that work-box had been there all the time; suppose she had forgotten; suppose she herself had done this absurd thing, or suppose that she had not, what was to hinder the others from thinking so; what was to hinder a doubt being cast upon her own memory and reasoning powers?
Louisa Stark had been on the verge of a nervous breakdown in spite of her iron constitution and her great will power. No woman can teach school for forty years with absolute impunity. She was more credulous as to her own possible failings than she had ever been in her whole life. She was cold with horror and terror, and yet not so much horror and terror of the supernatural as of her own self. The weakness of belief in the supernatural was nearly impossible for this strong nature. She could more easily believe in her own failing powers.
“I don’t know but I’m going to be like Aunt Marcia,” she said to herself, and her fat face took on a long rigidity of fear.
She started toward the mirror to unfasten her dress, then she remembered the strange circumstance of the brooch and stopped short. Then she straightened herself defiantly and marched up to the bureau and looked in the glass. She saw reflected therein, fastening the lace at her throat, the old-fashioned thing of a large oval, a knot of fair and black hair under glass, set in a rim of twisted gold. She unfastened it with trembling fingers and looked at it. It was her own brooch, the cluster of pearl grapes on black onyx. Louisa Stark placed the trinket in its little box on the nest of pink cotton and put it away in the bureau drawer. Only death could disturb her habit of order.
Her fingers were so cold they felt fairly numb as she unfastened her dress; she staggered when she slipped it over her head. She went to the closet to hang it up and recoiled. A strong smell of lovage came in her nostrils; a purple gown near the door swung softly against her face as if impelled by some wind from within. All the pegs were filled with garments not her own, mostly of somber black, but there were some strange-patterned silk things and satins.
Suddenly Louisa Stark recovered her nerve. This, she told herself, was something distinctly tangible. Somebody had been taking liberties with her wardrobe. Somebody had been hanging some one else’s clothes in her closet. She hastily slipped on her dress again and marched straight down to the parlour. The people were seated there; the widow and the minister were playing backgammon. The librarian was watching them. Miss Amanda Gill was mending beside the large lamp on the centre table. They all looked up with amazement as Louisa Stark entered. There was something strange in her expression. She noticed none of them except Amanda.
“Where is your sister?” she asked peremptorily of her.
“She’s in the kitchen mixing up bread,” Amanda quavered; “is there anything—” But the school-teacher was gone.
She found Sophia Gill standing by the kitchen table kneading dough with dignity. The young girl Flora was bringing some flour from the pantry. She stopped and stared at Miss Stark, and her pretty, delicate young face took on an expression of alarm.
Miss Stark opened at once upon the subject in her mind.
“Miss Gill,” said she, with her utmost school-teacher manner, “I wish to inquire why you have had my own clothes removed from the closet in my room and others substituted?”
Sophia Gill stood with her hands fast in the dough, regarding her. Her own face paled slowly and reluctantly, her mouth stiffened.
“What? I don’t quite understand what you mean, Miss Stark,” said she.
“My clothes are not in the closet in my room and it is full of things which do not belong to me,” said Louisa Stark.
“Bring me that flour,” said Sophia sharply to the young girl, who obeyed, casting timid, startled glances at Miss Stark as she passed her. Sophia Gill began rubbing her hands clear of the dough. “I am sure I know nothing about it,” she said with a certain tempered asperity. “Do you know anything about it, Flora?”
“Oh, no, I don’t know anything about it, Aunt Sophia,” answered the young girl, fluttering.
Then Sophia turned to Miss Stark. “I’ll go upstairs with you, Miss Stark,” said she, “and see what the trouble is. There must be some mistake.” She spoke stiffly with constrained civility.
“Very well,” said Miss Stark with dignity. Then she and Miss Sophia went upstairs. Flora stood staring after them.
Sophia and Louisa Stark went up to the southwest chamber. The closet door was shut. Sophia threw it open, then she looked at Miss Stark. On the pegs hung the schoolteacher’s own garments in ordinary array.
“I can’t see that there is anything wrong,” remarked Sophia grimly.
Miss Stark strove to speak but she could not. She sank down on the nearest chair. She did not even attempt to defend herself. She saw her own clothes in the closet. She knew there had been no time for any human being to remove those which she thought she had seen and put hers in their places. She knew it was impossible. Again the awful horror of herself overwhelmed her.
“You must have been mistaken,” she heard Sophia say.
She muttered something, she scarcely knew what. Sophia then went out of the room. Presently she undressed and went to bed. In the morning she did not go down to breakfast, and when Sophia came to inquire, requested that the stage be ordered for the noon train. She said that she was sorry, but was ill, and feared lest she might be worse, and she felt that she must return home at once. She looked ill, and could not take even the toast and tea which Sophia had prepared for her. Sophia felt a certain pity for her, but it was largely mixed with indignation. She felt that she knew the true reason for the school-teacher’s illness and sudden departure, and it incensed her.
“If folks are going to act like fools we shall never be able to keep this house,” she said to Amanda after Miss Stark had gone; and Amanda knew what she meant.
Directly the widow, Mrs. Elvira Simmons, knew that the school-teacher had gone and the southwest room was vacant, she begged to have it in exchange for her own. Sophia hesitated a moment; she eyed the widow sharply. There was something about the large, roseate face worn in firm lines of humour and decision which reassured her.
“I have no objection, Mrs. Simmons,” said she, “if—”
“If what?” asked the widow.
“If you have common sense enough not to keep fussing because the room happens to be the one my aunt died in,” said Sophia bluntly.
“Fiddlesticks!” said the widow, Mrs. Elvira Simmons.
That very afternoon she moved into the southwest chamber. The young girl Flora assisted her, though much against her will.
“Now I want you to carry Mrs. Simmons’ dresses into the closet in that room and
hang them up nicely, and see that she has everything she wants,” said Sophia Gill. “And you can change the bed and put on fresh sheets. What are you looking at me that way for?”
“Oh, Aunt Sophia, can’t I do something else?”
“What do you want to do something else for?”
“I am afraid.”
“Afraid of what? I should think you’d hang your head. No; you go right in there and do what I tell you.”
Pretty soon Flora came running into the sitting-room where Sophia was, as pale as death, and in her hand she held a queer, old-fashioned frilled nightcap.
“What’s that?” demanded Sophia.
“I found it under the pillow.”
“What pillow?”
“In the southwest room.”
Sophia took it and looked at it sternly.
“It’s Great-aunt Harriet’s,” said Flora faintly.
“You run down street and do that errand at the grocer’s for me and I’ll see that room,” said Sophia with dignity. She carried the nightcap away and put it in the trunk in the garret where she had supposed it stored with the rest of the dead woman’s belongings. Then she went into the southwest chamber and made the bed and assisted Mrs. Simmons to move, and there was no further incident.
The widow was openly triumphant over her new room. She talked a deal about it at the dinner-table.
“It is the best room in the house, and I expect you all to be envious of me,” said she.
“And you are sure you don’t feel afraid of ghosts?” said the librarian.
“Ghosts!” repeated the widow with scorn. “If a ghost comes I’ll send her over to you. You are just across the hall from the southwest room.”
“You needn’t,” returned Eliza Lippincott with a shudder. “I wouldn’t sleep in that room, after—” she checked herself with an eye on the minister.
The Fifth Ghost Story Megapack 25 Classic Haunts Page 23
