Swing

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Swing Page 8

by Kwame Alexander


  Practicing

  YOU DREW THIS FOR SAM?

  No, not for her.

  You know what I mean, dude. WOW! This is not just

  drawing. This is game-changing, paradigm-shifting-ish

  stuff, Noah!

  Floyd said paint her a world, or something like that.

  Dang, you did the thing. What is this, some kind of post-

  modern, collage mashup love letter?

  You’re crazy, bro!

  I’m serious. I don’t know what you call it, but it’s dope.

  It’s mixed media.

  I mean, I knew you could draw, but this is next level.

  Who’s your influence?

  Who’s my influence?

  Yeah, every great artist has another artist who inspires them.

  Picasso, I guess. Lately, I been looking at a lot of art by

  Romare Bearden.

  You know he played baseball.

  He’s an artist.

  Yeah, but before he was an artist . . . I think this is the

  universe calling us, Noah.

  Huh?

  In his previous life, he was an amazing pitcher in the Negro

  Leagues. He played for the Tigers and got recruited by the

  Philadelphia Athletics, but he didn’t accept their offer.

  Why?

  They wanted him to pass as a white player.

  Why?

  ’Cause America is crazy like that sometimes, especially like

  fifty years ago. He never played professional ball again.

  Instead—

  He became one of the most talented collage artists of all

  time. That’s pretty cool, Walt.

  You ever been to any exhibits of his work?

  A bunch. Online.

  Not online, like in person?

  We don’t have any museums around here.

  There’s a bunch of museums.

  Like two hours away.

  Ever heard of a bus or a train? Or your new truck? C’mon,

  Noah.

  I can see all the Picasso and Bearden I want thanks to

  Google.

  Not the same as an exhibit.

  I saw some art in person, when I was little. I think I went

  to a children’s museum. I remember they had a lot of

  naked animal sculptures.

  Wait, aren’t all animals naked?

  My point is, I’ve been to a few museums. But Google is

  my friend.

  Dude, you think Miles Davis just listened to recorded

  music? No, he snuck into jazz clubs when he was fifteen.

  He listened to jazz live. LIVE!

  . . . .

  You think Picasso googled for inspiration?

  I doubt he had WIFI.

  You get my point. If you want to be an artist, you need to

  see art. Up close and personal. Originals. Hold it in your

  third eye. Smell it.

  Smell it, huh?

  I’ve been to opening day of the Yankees every year for the

  past twelve years. You know why?

  ’Cause your uncle got you tickets?

  You’re exhausting. Your proclivity for not hugging life is

  just exhausting.

  So, like you were saying, you think this piece of art is

  dope? I ask, holding up my masterpiece.

  Very. You gonna show it to her?

  NOPE! One step at a time. I was just messing around.

  I thought you were gonna tell her today.

  Maybe tomorrow.

  Saddle up, Noah, it’s time to go surfing.

  I’m guessing that is another metaphor, because we live a

  hundred miles from any body of water.

  The wave’s a-calling, my dude.

  Yeah, well, so is school. We’re outta here in fifteen

  minutes. Be ready.

  A Clue?

  As we pull up

  to Starbucks,

  Walt sees

  this old musician

  trumpeting a song,

  and collecting money

  in an old instrument case

  that has an American flag

  affixed to it.

  Maybe he’s our flag guy?

  I’ve seen him before.

  Really? Where?

  Kinda looks like Dizzy Gillespie. I saw him once outside

  the thrift store, then I saw him near the batting cages.

  Who, Dizzy?

  No, him, he says, nodding toward the homeless guy with

  the big cheeks blowing the horn.

  Hey, Youngbloods, the man says, y’all want a song?

  You know any Dizzy Gillespie? Walts asks.

  Youngblood, that’s like asking Nelson Mandela if he knows

  freedom.

  December 5, 2013, anti-Apartheid icon, freedom fighter,

  human rights activist, father of modern South Africa.

  After twenty-seven years of wrongful imprisonment, after

  walking out of prison a free man to thunderous applause,

  after becoming president of South Africa, he succumbed to

  tuberculosis, respiratory infection, and old age. And, BAM!

  Amen, says the trumpet player, who then starts playing a

  tune, a tribute.

  Patriot

  That’s Hugh Masekela, Walt says. “Grazing in the Grass.”

  That’s the one, the old man says.

  The name’s Swing. Nice to meet you.

  Robert, says the man.

  You from around here? I ask.

  I’m from everywhere. I like to say my home is vast and

  includes eight continents.

  . . . .

  The eighth one being the largest and the hardest to get to. I

  sleep where my feet land.

  Wait, didn’t I see you by the thrift store a month or so ago?

  Ahhh, the thrift store. I found these new-old shades to keep

  the sun out of my eyes, he says, lifting the frames so we

  can see his big, bug eyes.

  You get the flag there too? Walt asks, thinking he’s being

  clever.

  I collect a lot of stuff out here on the road. Somebody gave

  it to me.

  I’m just asking ’cause we’ve had some drama.

  Oh yes, I heard. Flags stirring up a heap of something in

  the people. Like I say, when you get lost, let the music find

  you. A little bit of jazz might save this place.

  I couldn’t agree more, Walt says, smiling and nodding in

  agreement.

  You get on stage, you gotta have respect for all the

  musicians around you—sax, drums, keys, bass—even if

  you don’t like ’em. You like their sound. What they bring.

  So, you learn to work together. This world is big enough for

  us all to play in one great orchestra.

  That’s deep.

  That’s Wynton Marsalis, Youngblood.

  . . . .

  I’m Noah, I say, to fill the awkward silence.

  Do you know who gave you the flag? Walt asks. Did you

  see the person?

  I have seen someone. But I can’t say who. Could be you.

  Could be me. Could be anybody.

  Could be Herbie Hancock, Walt says, with a smirk.

  What you think you know about Herbie Hancock? he says,

  laughing big and wide, his gapped white teeth front and

  center.

  He’s in my top five, for sure.

  You got Herbie on keyboard?

  I got Oscar on keyboards. Miles on trumpet—

  Bird on saxophone. Ella singin’—

  And Herbie as bandleader.

  Youngblood, you alright with me. As for the flags, I can’t

  help you. Could be you. Could be me. Could be anyone.

  What does that mean, “could be anyone”? I say. />
  Look, Youngblood, the flag means a lot of different things

  to a lot of different folks. But the one thing it should mean

  for everyone is freedom. Mind, body, and soul. Red, white,

  and blue. America the beautiful. The greatest love story

  yet to be. Remember this, love gotta always win, gotta be

  sincere. Hate that which is evil, and hold fast to everything

  that is good and righteous, ya hear me?

  I hear you on that, Swing says, looking at me.

  I stand there,

  caught up in

  his words,

  wanting to say something,

  but not knowing

  what.

  He clears his throat.

  His eyes sparkle,

  but his forehead crinkles

  with a seriousness

  that speaks volumes

  all on its own.

  He puts his lips

  to trumpet,

  puffs out

  his cheeks,

  and all the

  patriotic notes come

  spilling forth.

  America the Beautiful!

  The line

  is too long

  at Starbucks,

  so Swing skips

  his coffee.

  In class, he wears

  his old headphones

  made sometime

  in the 1900s.

  Wears them proudly

  like they’re the latest

  Beats or Bose.

  He’s napping

  during study hall

  with the volume

  way too high.

  Primer Two

  Can’t skip my latte, Noah. Deadens my woohoo.

  You’re awake?

  Just resting my eyes.

  Um-hum.

  Listen to this, he says, putting the headphones on me.

  What am I listening to?

  Tell me what you hear.

  Jazz music, I guess.

  Listen to it. Really listen to it, Noah. Let it envelop you.

  Seep into you. Then, tell me what you feel, my dude.

  . . . .

  Park of Love

  I don’t know, I guess

  I feel like I’m at a park,

  running from slide to slide,

  climbing ladders,

  hanging upside down,

  swinging on the big swings,

  eating ice cream,

  ending the day with a mad kiss

  under the jungle gym.

  That’s kind of how the song

  makes me feel.

  This is a song

  about living it up

  with your crush.

  Right?

  WRONG!

  Walt says, laughing out loud.

  Honest guess, though.

  It’s a tune called

  “Your Feet’s Too Big.”

  It’s literally about

  someone’s feet being too big.

  Fats Waller made it famous.

  Died of pneumonia December 15, 1943

  going cross-country

  on a Super Chief train.

  VROOOOM, then BAM!

  After the Lecture on Jazz

  I see Cruz

  and Sam

  in the hallway,

  entwined

  in love.

  She kisses him

  loudly and

  my eyes sting

  with the noise of it.

  I try to slide by

  unnoticed.

  But I can feel her

  catching up

  to me.

  Noah, stop! she calls out. I need to talk with you. It’s

  important.

  I turn around. You okay?

  I don’t know.

  Did something happen?

  Meet me for lunch.

  In the cafeteria?

  No.

  Where?

  Meet me at your car. We’re eating out.

  But I brought my lunch.

  Bring it with you then.

  Where?

  Pizza Inn.

  Okay.

  A Big Hiccup

  We sit

  across from each other

  drinking

  flat sodas,

  eating

  cheap buffet pizza

  so dry,

  it gives us both

  hiccups.

  I stare at her,

  wonder

  if she knows,

  if Walt told her,

  if she sees

  into my sappy soul

  and realizes I’m

  a silly, lovelorn

  sap.

  She reaches

  into her purse

  and hands me

  a manila envelope

  like it’s top secret.

  Why are you acting all Mission: Impossible, Sam?

  Look at this, Noah. OMG, look at this, she whispers as I

  open it.

  Written at the top

  in block letters

  is:

  To: Sam

  From: X.

  Heart Attack

  Someone snuck it into my bag.

  Someone? I ask.

  Is Walt pranking me?

  . . . .

  Noah, is he?

  C’mon, Sam, why would he do that? I say, wishing I’d

  had the courage to own my cool, despite my fury.

  Sounds like something Walt would do. It can’t be Cruz.

  He’s not romantic like this. I mean, he’s sorta romantic.

  But he’s never been romantic this way before. And, do not

  tell him about this.

  . . . .

  Who do you think it might be? She shoots me the look I

  can’t resist.

  It takes every ounce of community theater experience

  I’ve got, which is very little, to act like I’ve never seen it

  before.

  I don’t know, I respond.

  How long is two thousand seasons?

  Like a hundred or two hundred years? Have you known

  anyone that long?

  Stop being silly, Noah. I’m serious. We need to figure this

  out. I’m feeling a certain kind of way.

  Like bad?

  Not bad. Like something else. It feels nice, I guess.

  . . . .

  Awww . . . you’re blushing. I did too, when I first read it.

  I’m not blushing, I want to tell her. I’m pissed. I’M

  PISSED! She pinches my cheek. Why would Walt do

  this to me?

  So . . .

  No idea.

  Could be a stalker.

  Yeah.

  She looks at me. Studies my face.

  For a second, I worry

  she knows what I know,

  that everything isn’t copacetic.

  Written

  all over her face

  is a smile

  peeking through

  the confusion,

  a hint

  of hope

  that this

  could be real.

  It is, I want to tell her,

  just not like this.

  Not today. NOT NOW!

  What is even realer is

  someone’s gonna

  pay dearly.

  Please don’t tell anybody about this, Noah.

  Okay.

  I mean it. Not one person. Promise.

  Promise.

  Don’t lie.

  What do you mean?

  You know you’re gonna tell Walt. Y’all tell each other

  everything. You’re like old church ladies.

  . . . .

  But no one else, okay?

  I got it, I repeat as she finishes her pizza.

  We get up,

  and she walks away

  on a cloud

  of happy.

  Truth

  Never
<
br />   been

  a

  violent

  person

  but

  right

  now

  I

  feel

  like

  going

  to

  batting

  practice

  on

  Walt’s

  head.

  I walk

  up to him

  in the hallway,

  but before

  I can commence

  swinging, he says:

  Before you say anything,

  I did it

  for your own good,

  and you even said

  it was time

  to take

  the training wheels off,

  and every single word

  was true, was it not,

  and there should be

  a statute

  of limitations

  on unrequited love.

  When Your Best Friend Is Trying to Ruin Your Life

  She doesn’t know who it’s from, so don’t worry! There’s still

  time to make this love shine brighter.

  . . . .

  You think I did this to you? I did it FOR you, homeboy.

  You needed help. You needed that push.

  . . . .

  I’m not gonna just let you sit there and watch the world go

  by, while the girl of your dreams gets swept up in life.

 

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