Black Rock

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Black Rock Page 37

by Steve Harris


  ‘If you can get me whe­re I want to go,’ Mar­tin sa­id, ‘I’ll pub­lish everyt­hing you can dam­ned well wri­te. And that’s a pro­mi­se.’

  Apart from a star-sha­ped pat­tern of ash on the mel­ted tar­mac whe­re Dawn’s ma­nusc­ript had fal­len and a few scraps of string from the bag it was in, the­re was no sign that anyt­hing un­to­ward had hap­pe­ned.

  ‘One of tho­se bolts hit the car,’ Mar­tin sa­id, ins­pec­ting the ro­of and fin­ding not­hing.

  ‘It didn’t hurt if it did,’ Dawn sa­id. ‘The keys aren’t mel­ted or anyt­hing.’ She ope­ned the do­or and got in­si­de.

  Mar­tin clim­bed in­to the ot­her si­de of the tiny car and tri­ed to ma­ke him­self com­for­tab­le. ‘It smells of pet­rol,’ he sa­id, en­vi­sa­ging an exp­lo­si­on when Dawn tur­ned the ig­ni­ti­on key.

  ‘I’ve just fil­led it. It al­ways smells a bit af­ter you top up the tank,’ she rep­li­ed. ‘Don’t worry, it won’t catch fi­re.’

  Mar­tin ten­sed as she tur­ned the key, but the Fi­at didn’t exp­lo­de. All that hap­pe­ned was that the lit­tle two-cylin­der en­gi­ne star­ted.

  ‘Dawn, the­re’s so­met­hing I sho­uld exp­la­in,’ Mar­tin be­gan.

  Dawn sho­ok her he­ad. ‘Don’t!’ she in­ter­rup­ted. ‘Don’t say anyt­hing be­ca­use I ke­ep thin­king of ghosts and gods and a ha­un­ted ho­use and I don’t want to know any mo­re. I’ve had my war­ning. All that’s hap­pe­ned so far is I’ve lost a ma­nusc­ript. I don’t want to lo­se anyt­hing el­se.’

  Mar­tin nod­ded and didn’t say anyt­hing el­se.

  ‘It do­esn’t lo­ok as if the light­ning stri­ke had any ef­fect on the car,’ Dawn sa­id as they re­ac­hed the car’s top cru­ising spe­ed on the mo­tor­way - a spe­ed which the Fer­ra­ri wo­uld ha­ve hap­pily do­ub­led in se­cond ge­ar.

  It cer­ta­inly didn’t ma­ke it go any fas­ter, Mar­tin tho­ught. You co­uld get out and run along­si­de if you wan­ted a bit of exer­ci­se. ‘Se­ems fi­ne,’ he rep­li­ed.

  Dawn chec­ked the wi­pers and lights and in­di­ca­tors and conc­lu­ded that the Fi­at (which she had chris­te­ned Lo­oby Lou, for God’s sa­ke!) was un­hurt. Tho­se we­re her ac­tu­al words: ‘Lo­oby Lou didn’t get hurt by the lo­ok of it!’

  Mar­tin only ho­ped that Lo­oby fuc­king Lou didn’t sud­denly turn in­to Po­ison Percy or Asphy­xi­ati­on Alec. Or Ro­ad-De­ath Reg­gie. He ope­ned his win­dow and to­ok a de­ep bre­ath of mo­tor­way air whi­le he won­de­red what Pe­ter Per­fect had be­en trying to ac­hi­eve back the­re at the ser­vi­ce sta­ti­on.

  Evi­dently he had not wan­ted to kill eit­her of them, or to in­ca­pa­ci­ta­te the car. The bur­ning of the ma­nusc­ript had to be so­me kind of war­ped li­te­rary joke, and if the­re had be­en only one bolt of light­ning, Mar­tin wo­uld ha­ve left it at that. But the­re had be­en two.

  And one of them struck the car! So what’s go­ing on?

  Mar­tin didn’t dis­co­ver what was go­ing on un­til they had be­en tra­vel­ling for mo­re than half an ho­ur. Then he re­ali­zed. Pe­ter Per­fect didn’t do the sa­me things in his story as Davy Ro­sen­burg wo­uld ha­ve do­ne. Ro­sen­burg was pretty stra­ight. He ga­ve his cha­rac­ters a prob­lem you co­uldn’t miss and let them de­al with it. Pe­ter Per­fect was mo­re li­ke Step­hen Byrne in that his cha­rac­ters had to fi­gu­re out what the prob­lem was be­fo­re they co­uld de­al with it. So­me­ti­mes the prob­lem was va­gue and dif­fi­cult to dis­co­ver and so­me­ti­mes you didn’t spot it un­til it was too la­te.

  And this, to Mar­tin, lo­oked li­ke one of tho­se ti­mes.

  From this po­int, the na­tu­re of the prob­lem to­ok less than ten se­conds to un­co­ver. All he had to do was won­der what Pe­ter Per­fect wan­ted to do. That was easy: he wan­ted to pre­vent Mar­tin get­ting to Bu­de in ti­me to sa­ve Es­se­nj­ay. Why had he struck the car? That was easy too. So it wo­uld bre­ak down on the mo­tor­way, mi­les from the ne­arest help.

  Unfor­tu­na­tely Mar­tin dis­co­ve­red this when the Fi­at was less than fifty fe­et from an exit ramp.

  Turn off!’ he sho­uted, too la­te. Ta­ke this junc­ti­on! He­re! Qu­ick! Turn off!’

  ‘Can’t! No ro­om!’ Dawn yel­led.

  If Mar­tin had be­en dri­ving, he wo­uld ha­ve thrown the car to­wards the qu­e­ue on the ramp and a spa­ce wo­uld ha­ve ma­gi­cal­ly ope­ned to ac­cept him, but Dawn eit­her didn’t know this chic­ken-out trick or she didn’t want to try it. As it was, Mar­tin had al­re­ady for­got­ten the mis­sed chan­ce and was now wrest­ling with his se­at­belt, trying to get the two buck­le sec­ti­ons apart. When the se­at­belt fi­nal­ly let him go, he twis­ted ro­und in his se­at, pe­ered out of the car’s back win­dow and saw exactly what he had ex­pec­ted to see.

  The Fi­at was le­aving a tra­il. The thin black li­ne of mo­is­tu­re co­ming from be­ne­ath the car and which Mar­tin knew he wo­uld be ab­le to fol­low all the way back to the ser­vi­ce sta­ti­on if he ca­red to, was so­me - pro­bably most by now - of the fo­ur star Dawn had just bo­ught. Pe­ter Per­fect hadn’t fo­uled up at all. The light­ning had ac­hi­eved exactly what he had plan­ned. It had punc­hed a ho­le in the pet­rol tank.

  That was why he’d smel­led pet­rol. It wasn’t be­ca­use Dawn had just fil­led the tank at all. It was be­ca­use it was bu­sily po­uring out aga­in.

  ‘What’s wrong?’ Dawn as­ked.

  ‘Pet­rol’s le­aking. We’re le­aving a ni­ce tra­il of it be­hind us,’ he sa­id, and won­de­red if so­me bright spark back at the ser­vi­ce sta­ti­on was drop­ping a lit match on it. He co­uld qu­ite easily ima­gi­ne a stre­ak of fi­re ham­me­ring down the mo­tor­way af­ter him li­ke it wo­uld in a car­to­on.

  The ga­uge still says the tank’s full,’ Dawn pro­tes­ted.

  ‘Well, it wo­uld say that, wo­uldn’t it?’ Mar­tin co­un­te­red.

  ‘We sho­uld get all the way to Bu­de be­fo­re it runs out,’ Dawn sa­id.

  ‘They so­und li­ke fa­mo­us last words, if I ever he­ard any,’ Mar­tin sa­id.

  He wa­ited and the car didn’t co­ugh and jud­der to a halt. He wa­ited a lit­tle whi­le lon­ger and conc­lu­ded that Pe­ter Per­fect was go­ing to ke­ep him gu­es­sing. ‘How far is it to the next junc­ti­on?’ he as­ked.

  ‘Abo­ut fif­te­en mi­les,’ Dawn rep­li­ed.

  ‘Then I know exactly whe­re we’ll run out,’ Mar­tin sa­id, ‘and it won’t be Bu­de. It’ll be half-way bet­we­en the junc­ti­on we just pas­sed and the next one. And do you know what el­se?’

  ‘No­pe.’

  ‘When this car di­es, we’ll be abo­ut as far from a help pho­ne as it’s pos­sib­le to get. And when we walk to the ne­arest one it’ll be out of ser­vi­ce. And so will the one af­ter that. We’ll ho­pe for a po­li­ce car we can flag down but the­re won’t be one. We’ll get to the pho­ne that works and ask for an AA van or so­met­hing and then we’ll walk back to the car and sit on the bank and wa­it for two or three ho­urs.’

  ‘On the bank?’

  ‘Ye­ah, on the bank be­ca­use if the­re’s one thing I know abo­ut cars par­ked on a mo­tor­way hard sho­ul­der it is this: they be­co­me mag­nets for lar­ge lor­ri­es. If we sit in the car so­met­hing will crash in­to us and kill us. So we’ll sit on the bank and wa­it. Un­til it’s too la­te.’

  ‘For what?’

  ‘For me to be in Bu­de in ti­me to sa­ve my girlf­ri­end from Black Rock and the man in­si­de it.’

  Ten mi­nu­tes la­ter, when the Fi­at was exactly half-way bet­we­en the two mo­tor­way junc­ti­ons, Mar­tin’s pre­dic­ti­ons be­gan to co­me true.

  Dawn par­ked the Fi­at on the hard sho­ul­der, they got out and be­gan to walk, kno­wing that the first te­lep­ho­ne they got to wasn’t go­
ing to work.

  When they we­re fi­ve hund­red yards away from the Fi­at the gro­und se­emed to shud­der be­ne­ath the­ir fe­et and way be­hind them, a long, low rumb­ling so­und be­gan.

  Mar­tin and Dawn glan­ced at one anot­her and tur­ned aro­und.

  The Fi­at was go­ne.

  Whe­re it had sto­od was a very badly da­ma­ged ar­ti­cu­la­ted lorry. The truck had jack-kni­fed. Its tra­iler had swung ac­ross the ro­ad, bloc­king it, and its twis­ted cab was par­ti­al­ly em­bed­ded in the bank that ran up from the hard sho­ul­der.

  The Fi­at, pre­su­mably, was so­mew­he­re un­der­ne­ath it.

  ‘That’s Pe­ter Per­fect for you,’ Mar­tin grow­led, sta­ring back up the ro­ad. ‘Always full of surp­ri­ses.’

  25 - Looking for James

  To a di­al­ling to­ne. James had rung off.

  On two oc­ca­si­ons sin­ce she had mo­ved in­to her flat in Bu­de, Sa­rah-Jane had bo­oked alarm calls with Te­le­com. Both ti­mes she’d had to ri­se well be­fo­re her usu­al wa­king-up ho­ur in or­der to get to the air­port.

  On ne­it­her oc­ca­si­on had the rin­ging of the te­lep­ho­ne awo­ken her. As Mar­tin had qu­ite rightly cla­imed, Sa­rah-Jane Dres­den co­uld sle­ep for her co­untry.

  The ans­we­ring mac­hi­ne at­tac­hed to her te­lep­ho­ne al­lo­wed the te­lep­ho­ne to ring fo­ur ti­mes be­fo­re it cut in, pla­yed its mes­sa­ge and in­vi­ted the cal­ler to le­ave a mes­sa­ge of the­ir own.

  Fo­ur rings didn’t ta­ke very long to hap­pen and even if she hadn’t be­en fast as­le­ep in front of the te­le­vi­si­on, it wo­uld ha­ve be­en hit and miss as to whet­her S’n’J got to the pho­ne be­fo­re the ans­we­ring mac­hi­ne cut in. As it was, she didn’t he­ar the rin­ging at all. What fi­nal­ly pe­net­ra­ted the wall of sle­ep be­hind which she was shel­te­ring, was the vo­ice of James be­ing bro­ad­cast from the mac­hi­ne as he left his mes­sa­ge for her.

  S’n’J’s eyes blin­ked open, she sho­ok her he­ad and lis­te­ned, won­de­ring whet­her the so­und she co­uld still he­ar was so­met­hing to do with what she had be­en dre­aming. A se­cond la­ter she was char­ging ac­ross the ro­om to­wards the hall whe­re the an­sap­ho­ne was re­cor­ding James’ vo­ice.

  ‘… ho­pe you get this mes­sa­ge. I lo­ve you,’ she he­ard as she snatc­hed the pho­ne off the ho­ok and be­gan to bab­ble.

  ‘Damn and blast!’ she sa­id and slam­med the pho­ne back in­to its crad­le. The ans­we­ring mac­hi­ne’s light lit and flas­hed on and off, in­for­ming her that the­re was a mes­sa­ge for her to he­ar.

  It’ll be tam­pe­red with, she tho­ught. When I play it back, he’ll ha­ve got to it.

  But he might not ha­ve had ti­me yet. James had only just fi­nis­hed ma­king the call and if she pla­yed it back qu­ickly, she might be ab­le to lis­ten to it be­fo­re Pe­ter Per­fect had ti­me to ope­ra­te on it and le­ave anot­her ren­di­ti­on of ‘Frosty the Snow­man’.

  She rol­led the ta­pe back then pres­sed play.

  ‘Drezy!’ James sa­id. He so­un­ded bre­ath­less and wor­ri­ed. ‘Whe­re the hell are you? Su­rely you ha­ven’t go­ne to work yet? What’s the ti­me? Oh, it’s al­most ele­ven so you pro­bably ha­ve. Lo­ok, I ne­ed yo­ur help. I ho­pe you’ll for­gi­ve me, but I bro­ke my pro­mi­se to you last night and ac­ted li­ke a story he­ro. I went over to Black Rock du­ring the night and I got myself in­to a lit­tle tro­ub­le. I’m OK, but so­met­hing’s hap­pe­ned to the car. I’ve ma­na­ged to get as far as Wi­de­mo­uth Bay and now she’s go­ne out of com­mis­si­on. I’m par­ked in the car park by the be­ach, the bat­tery’s flat, the en­gi­ne won’t run and I ne­ed you to pick me up. You sa­id you only had a small ro­und to­day, so I’m ho­ping you’ll be back so­on. Everyt­hing’s go­ing to be all right, Drezy. I ho­pe you get this mes­sa­ge. I lo­ve you.’

  Figh­ting off the ur­ge to pick up her keys and ham­mer down to Wi­de­mo­uth Bay, S’n’J rol­led back the ta­pe and pla­yed it aga­in be­ca­use the Girl Gu­ide part of her told her it ne­eded chec­king out.

  James so­un­ded li­ke James. His vo­ice was his vo­ice, not the vo­ice of so­me­one pre­ten­ding to be him. His spe­ech pat­terns we­re right. The con­tent of his mes­sa­ge was right.

  But so­met­hing is wrong.

  She rol­led back the ta­pe aga­in.

  This ti­me parts of it we­re blan­ked and her cur­rent le­ast-fa­vo­uri­te tu­ne was stuck on the end of it. She lis­te­ned to a few bars of ‘Frosty’ and tur­ned off the mac­hi­ne de­fi­antly, thin­king, You we­re’nt qu­ite qu­ick eno­ugh this ti­me, Mr Per­fect, we­re you!

  She pic­ked up her car keys, chec­ked on Janie, who was still sno­ring gently, then she he­si­ta­ted. If she went out she wo­uld be le­aving Janie on her own.

  The qu­es­ti­on was: did it mat­ter?

  It mat­te­red if Bil­ly-Joe was out the­re so­mew­he­re watc­hing and wa­iting. But lo­gic sa­id that Bil­ly-Joe was fi­nis­hed off. S’n’J didn’t par­ti­cu­larly li­ke the idea of le­aving Janie, but she li­ked the idea of le­aving James whe­re he was even less. She left Janie and clo­sed the bed­ro­om do­or. Wi­de­mo­uth Bay was not a long ha­ul. She co­uld easily get the­re, and back with James, in twenty mi­nu­tes.

  Less if pos­sib­le. So qu­it stal­ling. That call from James had to be re­al. If it wasn’t, Pe­ter Per­fect wo­uldn’t ha­ve had any re­ason to ru­in the ta­pe, wo­uld he?

  ‘Unless it was a do­ub­le bluff,’ she sa­id alo­ud.

  But she didn’t think it was. When you got down to it, you so­me­ti­mes had to trust yo­ur ins­tincts. And on this oc­ca­si­on she was pretty su­re her ins­tincts we­re right. It was James on the pho­ne.

  It wasn’t un­til she was ap­pro­ac­hing Wi­de­mo­uth Bay that she re­ali­zed what had be­en bot­he­ring her. Then her he­art be­gan to sink. James was a com­pe­tent mec­ha­nic. And he wor­ked at a ga­ra­ge. Ad­mit­tedly it was a tyre and ex­ha­ust cent­re, but it was full of his bud­di­es who had cars of the­ir own and mec­ha­ni­cal know­led­ge. Su­rely he wo­uld ha­ve got so­me­one from the­re to pick him up. Or may­be even tow him ho­me. Why call her?

  ‘It’ll be Pe­ter Per­fect in the car park wa­iting for me,’ she mur­mu­red. ‘Not James.’

  And anot­her thing, her Girl Gu­ide vo­ice chip­ped in, do you re­mem­ber tel­ling him how many calls you had to do to­day?

  Now she tho­ught of it, she didn’t re­call tel­ling him what her Fri­day ro­und in­vol­ved. It was too la­te now any­way; she was al­most the­re.

  The ro­ad that skir­ted the bay was long and open and gently cur­ved and S’n’J co­uld see the be­ach car park as she ap­pro­ac­hed it. Six or se­ven empty cars we­re par­ked the­re.

  ‘Shit!’ she sa­id as she dro­ve in­to the car park. She wasn’t even su­re what kind of car James dro­ve. She fan­ci­ed it was a big Ame­ri­can thing, but the­re wasn’t one of tho­se he­re.

  Ne­it­her was the­re a Porsc­he, so Pe­ter Per­fect evi­dently wasn’t pre­sent eit­her.

  S’n’J got out and to­ured the par­ked cars, ke­eping well away from the do­ors and pe­ering in thro­ugh the back win­dows for any sign that one of them be­lon­ged to James.

  The­re we­re no clu­es.

  She lo­oked down on the be­ach. The ti­de was out. The­re we­re three pe­op­le down the­re, two of them wal­king dogs and anot­her, right down at the wa­ter’s ed­ge, skim­ming sto­nes.

  No­ne of them co­uld be mis­ta­ken for James.

  Go ho­me right now! her in­ner vo­ice sud­denly de­man­ded. It wasn’t James’s vo­ice at all, it was Pe­ter Per­fect mi­mic­king him. It was a trick to get you out of the ho­use. That’s why you got to lis­ten to the who­le mes­sa­ge. He bloc­ked the words af­ter you con­v
in­ced yo­ur­self that it was James on the ta­pe. It was a do­ub­le bluff. You fell for it be­ca­use you wan­ted it to be a mes­sa­ge from James.

  S’n’J ran back to her car.

  You ha­ven’t be­en go­ne long, she told her­self as she did a gra­vel chur­ning abo­ut-turn ac­ross the car park. And what abo­ut Mar­tin? He sho­uld be the­re by now. He’ll ha­ve tur­ned up in ti­me to stop anyt­hing hap­pe­ning to Janie.

  She hit the ma­in ro­ad, did a skid­ding left turn and flo­ored the ac­ce­le­ra­tor, re­ali­zing she did not be­li­eve this and fe­eling very much at Pe­ter Per­fect’s mercy.

  ‘But,’ she told her­self, bra­king for a bend, ‘if it was that easy for him he wo­uld ha­ve al­re­ady ta­ken you and do­ne wha­te­ver he wan­ted with you. It’s be­en…’

  She ta­iled off. It might ha­ve be­en we­eks sin­ce she’d fo­und the first ma­nusc­ript samp­le be­ne­ath her bed, but it was only two days ago that she’d re­ad it and so­me­how pres­sed its start but­ton. And forty-eight ho­urs had not yet pas­sed sin­ce she’d ma­de that first pho­ne call to Janie. It was less than twenty-fo­ur sin­ce she’d de­ci­ded to vi­sit the lo­ca­ti­on of Black Rock and had re­al­ly got things mo­ving. A lot had hap­pe­ned sin­ce yes­ter­day mor­ning.

  Pe­ter Per­fect co­uld in no way be desc­ri­bed as a slow wor­ker.

  It’s al­most as if it’s be­en hap­pe­ning for …

  S’n’J cut the tho­ught off, but not qu­ickly eno­ugh. She had be­en go­ing to tell her­self that it was al­most as if it had be­en hap­pe­ning for ever, but that tho­ught wo­uld in­di­ca­te that she was lo­oking back with the mind of Snowd­rop, not with her own. The li­ne bet­we­en fact and fic­ti­on was get­ting comp­le­tely blur­red.

  And what hap­pens when that li­ne no lon­ger exists? she as­ked her­self. Will you re­mem­ber ever ha­ving be­en Drezy? Or will you al­ways ha­ve be­en Dropsy? Will you ce­ase to exist in this uni­ver­se and ap­pe­ar only as a bo­ok cha­rac­ter?

 

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